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Judaism: The Genealogy of a Modern Notion (Key Words in Jewish Studies #35)
by Daniel BoyarinJudaism makes the bold argument that the very concept of a religion of ‘Judaism’ is an invention of the Christian church. The intellectual journey of world-renowned Talmud scholar Daniel Boyarin, this book will change the study of “Judaism”—an essential key word in Jewish Studies—as we understand it today. Boyarin argues that although the world treats the word “Judaism” as appropriate for naming an alleged religion of the Jews, it is in fact a Christian theological concept only adopted by Jews with the coming of modernity and the adoption of Christian languages.
Juan de Mairena: Epigrams, Maxims, Memoranda, and Memoirs of an Apocryphal Professor. With an Appendix of Poems from the Apocryphal Songbooks
by Antonio MachadoThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
Juan de Juanes
by Sergio Ramírez«Para ser un escritor se necesita creer sin vacilaciones en los tesoros escondidos en el fondo de las lagunas y ser sobrino de unos tíos mentirosos; al fin y al cabo, contar no es más que aprender a mentir con aplomo. Mentir, mentir, que de la mentira algo queda.»Esta obra emprende una defensa apasionada de la escritura, la literatura, la memoria y la amistad. Es un compendio de recuerdos, lecturas, anécdotas, hechos memorables... La memoria es también una suerte de homenaje a los amigos que nos han acompañado a lo largo de la vida, aquellos con quienes compartimos la mesa, los libros, los viajes y, en el caso de Sergio Ramírez, la revolución. En el amplio mapa de recuerdos de Juan de Juanes, Sergio Ramírez va trazando la ruta que nos lleva desde sus inicios como escritor, el triunfo de la revolución sandinista en su natal Nicaragua, el premio Alfaguara en 1998, hasta la entrega del Premio Iberoamericano de Letras José Donoso 2011, pocos días antes del suicidio de la única heredera del escritor chileno, Pilar Donoso. En las páginas de Juan de Juanes Sergio Ramírez nos cuenta acerca de personajes memorables en su vida, con quienes quedó en deuda, entre otros Carlos Fuentes, Julio Cortázar, Augusto Monterroso, Gabriel García Márquez, Jorge Luis Borges, Ernesto Cardenal y Juan Cruz, su primer editor y punto de partida de este viaje por Latinoamérica. El autor revive en Juan de Juanes años de vida y de literatura, en los que escritores, editores, agentes literarios y por supuesto nosotros, sus lectores, descubrimos el Juan de Juanes total que llevamos dentro.
A Joyful Moment
by Katie Shepard Heaven Shivers Charlie Gomez Ethan Van EasterenGetting good news about a beloved old dog . . . Attending a brother's graduation from the Marines . . . . Summer days on a cousin's farm . . . Helping a friend accomplish a goal. Read about these kids' times of joy. Then learn how to write about one of your own joyful moments.
Joyce's Politics (Routledge Library Editions: James Joyce #5)
by Dominic ManganielloThe object of this study, first published in 1980, is to dispel the view that James Joyce had no political views. Although not a political novelist like D. H. Lawrence or Joseph Conrad, political issues and discussions are central to Joyce’s major novels. This title links that political content with Joyce’s own views, and examines the evolution of those views and attitudes. A number of unusual and fascinating sources for Joyce’s thought are uncovered. Joyce’s Politics is thus a thorough review of a neglected aspect of Joyce and his writings, and will be of interest to students of literature.
Joyce’s Non-Fiction Writings: 'outside His Jurisfiction'
by James Alexander Fraser Katherine EburyThis book presents a fundamental shift in the way we approach, discuss, and evaluate Joyce’s non-fictional writings. Rather than simply proposing or applying new methodologies, it historicises and reconceives the critical assumptions that have shaped scholarly approaches to these works for over half a century, showing that non-fiction as a categorical distinction, no matter how sensible it appears, crumbles under closer inspection. Bringing into conversation a group of key Joyce scholars, this volume acts not only as a vital reimagining of our critical relationship to Joyce’s non-fiction, but as a contribution to similar debates being carried out across the broad range of modernist studies.
Joyce’s Nietzschean Ethics
by Sam SloteThe first book-length treatment of James Joyce's work through the lens of Friedrich Nietzsche's thought, Slote argues that the range of styles Joyce deploys has an ethical dimension. This intersection raises questions of epistemology, aesthetics, and the construction of the 'Modern' and will appeal to literary and philosophy scholars.
Joyce's Love Stories
by Christopher DeVaultIn his comprehensive study of love in James Joyce's writings, Christopher DeVault suggests that a love ethic persists throughout Joyce's works. DeVault uses Martin Buber's distinction between the true love for others and the narcissistic desire for oneself to frame his discussion, showing that Joyce frequently ties his characters' personal and political pursuits to their ability to affirm both their loved ones and their fellow Dubliners. In his short stories and novels, DeVault argues, Joyce shows how personal love makes possible a broader social compassion that creates a more progressive body politic. While his early protagonists' narcissism limits them to detached engagements with Dublin that impede effective political action, Joyce demonstrates the viability of his love ethic through both the Blooms’ empathy in Ulysses and the polylogic dreamtext of Finnegan's Wake. In its revelation of Joyce's amorous alternative to the social and political paralysis he famously attributed to twentieth-century Dublin, Joyce's Love Stories allows for a better appreciation of the ethical and political significance underpinning the author's assessments of Ireland.
Joyce's Ghosts: Ireland, Modernism, and Memory
by Luke GibbonsFor decades, James Joyce's modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe's urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce's Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce's Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce's stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce's language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the "shout in the street," that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce's achievement and its foundations.
Joyce’s Dante
by James RobinsonJoyce's engagement with Dante is a crucial component of all of his work. This title reconsiders the responses to Dante in Joyce's work from A Portrait of the Artist as a Young Man to Finnegans Wake. It presents that encounter as an historically complex and contextually determined interaction reflecting the contested development of Dante's reputation, readership and textuality throughout the nineteenth century. This process produced a 'Dante with a difference', a uniquely creative and unorthodox construction of the poet which informed Joyce's lifelong engagement with such works as the Vita Nuova and the Commedia. Tracing the movement through Joyce's writing on exile as a mode of alienation and charting his growing interest in ideas of community, Joyce's Dante shows how awareness of his changing reading of Dante can alter our understanding of one of the Irish writer's lasting thematic preoccupations.
Joyce's Book of Memory: The Mnemotechnic of Ulysses
by John S. RickardFor James Joyce, perhaps the most crucial of all human faculties was memory. It represented both the central thread of identity and a looking glass into the past. It served as an avenue into other minds, an essential part of the process of literary composition and narration, and the connective tissue of cultural tradition. In Joyce's Book of Memory John S. Rickard demonstrates how Joyce's body of work--Ulysses in particular--operates as a "mnemotechnic," a technique for preserving and remembering personal, social, and cultural pasts. Offering a detailed reading of Joyce and his methods of writing, Rickard investigates the uses of memory in Ulysses and analyzes its role in the formation of personal identity. The importance of forgetting and repression, and the deadliness of nostalgia and habit in Joyce's paralyzed Dublin are also revealed. Noting the power of spontaneous, involuntary recollection, Rickard locates Joyce's mnemotechnic within its historical and philosophical contexts. As he examines how Joyce responded to competing intellectual paradigms, Rickard explores Ulysses' connection to medieval, modern, and (what would become) postmodern worldviews, as well as its display of tensions between notions of subjective and universal memory. Finally, Joyce's Book of Memory illustrates how Joyce distilled subjectivity, history, and cultural identity into a text that offers a panoramic view of the modern period. This book will interest students and scholars of Joyce, as well as others engaged in the study of modern and postmodern literature.
Joyce's Benefictions: Perspectives in Criticism (Perspectives in Criticism #16)
by Helmut BonheimThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.
Joyce's Allmaziful Plurabilities: Polyvocal Explorations of Finnegans Wake (Florida James Joyce)
by Kimberly J. Devlin Christine Smedley“A brilliantly collaged snapshot of the variety and wealth of literary criticism, and Joyce studies, today.”—Tony Thwaites, author of Joycean Temporalities “Celebrates the multiplicity and sheer rampant excess of Joyce’s prodigally polysemous text with seventeen different scholars employing a likewise prodigal range of critical methodologies.”—Patrick O’Neill, author of Impossible Joyce: Finnegans Wakes “Each of the scholars involved is at the top of his and her game. Their commitment and excitement about the task at hand is evident on virtually every page. This book makes the Wake relevant and accessible to a whole new generation of readers.”—Garry Leonard, author of Advertising and Commodity Culture in Joyce This is the first Finnegans Wake guide to focus exclusively on the multiple meanings and voices in Joyce’s notoriously intricate diction. Rather than leveling the text it illuminates many layers of puns, wordplay, and portmanteaus, celebrating the Wake’s central experimental technique. Renowned Joyce scholars explore the polyvocality of individual chapters using game theory, ecocriticism, psychoanalysis, historicism, myth, philosophy, genetic studies, feminism, and other critical frameworks. They set in motion cross-currents and radiating structures of meaning that permeate the entire text and open up satisfying readings of the Wake for novices and seasoned readers alike. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
Joycean Legacies
by Martha C. CarpentierThe primary focus of the twelve essays in this collection is on the craft of James Joyce and the profound challenge it has posed for subsequent writers from the 1940s to the present day. First, each writer's positioning of him or herself in relation to the professed Joycean legacy is discussed, often with reference to archival material, then explication of the creative work illuminates those moments where mere mimicry, parody, or allusion becomes conjoined with original expression to createa new form. Writers as diverse as Kate O'Brien, Brendan Behan, and Frank McCourt pay direct tribute to Joyce's inspiration, while others such as J. G. Farrell, George Orwell, and Patrick McCabe engage with the Joycean critique of history; postmodernists such as Anthony Burgess, Raymond Carver, and Iain Sinclair revisit Joycean linguistic and generic innovation in unexpected ways, while Derek Walcott and Persian modernist Sedaq Hedayat represent two views of Joyce's enduring global legacy. Featuring a Preface by Derek Attridge, the volume will fill a real gap in scholarship on Joyce's complex influence on contemporary literature biographically, textually, stylistically and generically.
Joycean Frames: Film and the Fiction of James Joyce (Studies in Major Literary Authors)
by Thomas BurkdallEmploying concepts from film theory, this much-needed study explores in-depth the "cinematic" quality of James Joyce's fiction from Dubliners to Finnegan's Wake.
Joyce Writing Disability (The Florida James Joyce Series)
by Jeremy ColangeloIn this book, the first to explore the role of disability in the writings of James Joyce, contributors approach the subject both on a figurative level, as a symbol or metaphor in Joyce’s work, and also as a physical reality for many of Joyce’s characters. Contributors examine the varying ways in which Joyce’s texts represent disability and the environmental conditions of his time that stigmatized, isolated, and othered individuals with disabilities. The collection demonstrates the centrality of the body and embodiment in Joyce’s writings, from Dubliners and A Portrait of the Artist as a Young Man to Ulysses and Finnegans Wake. Essays address Joyce’s engagement with paralysis, masculinity, childhood violence, trauma, disorderly eating, blindness, nineteenth-century theories of degeneration, and the concept of “madness.” Together, the essays offer examples of Joyce’s interest in the complexities of human existence and in challenging assumptions about bodily and mental norms. Complete with an introduction that summarizes key disability studies concepts and the current state of research on the subject in Joyce studies, this volume is a valuable resource for disability scholars interested in modernist literature and an ideal starting point for any Joycean new to the study of disability. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
The Joyce Paradox: Form and Freedom in his Fiction (Routledge Library Editions: James Joyce #2)
by Arnold GoldmanFirst published in 1966. By pursuing a group of cognate themes, the author relates major critical approaches to the fiction of James Joyce. One of the major issues explored is that of the existence of ‘symbols’ in his fiction, and of the quality of Joyce’s feelings shown through an examination of the extent of his human sympathies. This title will be of interest to students of literature.
Joyce, Multilingualism, and the Ethics of Reading: Deplurabel Muttertongues (Palgrave Studies in Modern European Literature)
by Boriana AlexandrovaWhat if our notions of the nation as a site of belonging, the home as a safe place, or the mother tongue as a means to fluent comprehension did not apply? What if fluency were a hindrance, whilst our differences and contradictions held the keys to radical new ways of knowing? Taking inspiration from the practice of language learning and translation, this book explores the extraordinary creative possibilities, politics, and ethics of adopting a multilingual approach to reading. Its case study, James Joyce’s Finnegans Wake (1939), is a text in equal measures exhilarating and exasperating: an unhinged portrait of European modernist debates on transculturalism and globalisation, here considered on the backdrop of current discourses on migration, race, gender, and neurodiversity. This book offers a fresh perspective on the illuminating, if perplexing, work of a beloved European modernist, whilst posing questions far beyond Joyce: on negotiating difference in an increasingly globalised world; on braving the difficulty of relating across languages and cultures; and ultimately on imagining possible futures where multilingual literature can empower us to read, relate, and conceptualise differently.
Joyce in America: Cultural Politics and the Trials of <i>Ulysses</i>
by Jeffrey SegallWhen James Joyce's Ulysses was first published in America, it quickly became a dynamic symbol of both modern art and the modern age. Jeffrey Segall skillfully demonstrates how various political, ideological, and religious allegiances influenced the critical reception and eventual canonization of what is perhaps the twentieth century's greatest novel.In re-creating the polemical debates that erupted, Segall provides a dramatic reminder of just how challenging and controversial Ulysses was—and is. Seventy years after Ulysses was first banned, the novel remains at the center of contemporary debates among feminist, neo-Marxist, and poststructuralist critics.Segall allows us the opportunity to view Ulysses from the perspective of its early readers, and he also elucidates key moments in recent American cultural history.
Joyce / Foucault
by Wolfgang StreitSheds new light on James Joyce's use of sexual motifs as cultural raw material for Ulysses and other works Joyce/Foucault: Sexual Confessions examines instances of sexual confession in works of James Joyce, with a special emphasis on Portrait of the Artist as a Young Man and Ulysses. Using Michel Foucault's historical analysis of Western sexuality as its theoretical underpinning, the book foregrounds the role of the Jesuit order in the spread of a confessional force, and finds this influence inscribed into Joyce's major texts. Wolfgang Streit goes on to argue that the tension between the texts' erotic passages and Joyce's criticism of even his own sexual writing energizes Joyce's narratives-and enables Joyce to develop the radical skepticism of power revealed in his work.
Joyce & Betrayal
by James Alexander FraserThis book offers a fundamental and comprehensive re-evaluation of one of Joyce's most pervasive themes. By showing that betrayal was central to how Joyce understood and depicted the difficulties and terrors at the heart of all relationships, this book re-conceives Joyce's approach to history, politics, and the other. Leaving behind the pathologizing discourses by which Joyce's interest in betrayal has been treated as an 'obsession,' this book offers a vision of Joyce as both dramatist and theorist of betrayal. It demonstrates that, rather than being compelled by some unconscious urge to produce and reproduce textual betrayals, Joyce had a deep and hard-won conception of the specific dramatic energies wrapped up in the language and structures of betrayal and repeatedly found ways to make use of this understanding in his work.
Joyce, Bakhtin, and Popular Literature
by R. B. KershnerThe sheer mass of allusion to popular literature in the writings of James Joyce is daunting. Using theories developed by Russian critic Mikhail Bakhtin, R. B. Kershner analyzes how Joyce made use of popular literature in such early works as Stephen Hero, Dubliners, A Portrait of an Artist as a Young Man, and Exiles. Kershner also examines Joyce's use of rhetoric, the relationship between narrator and protagonist, and the interplay of voices, whether personal, literary, or subliterary, in Joyce's writing.In pointing out the prolific allusions in Joyce to newspapers, children's books, popular novels, and even pornography, Kershner shows how each of these contributes to the structures of consciousness of Joyce's various characters, all of whom write and rewrite themselves in terms of the texts they read in their youth. He also investigates the intertextual role of many popular books to which Joyce alludes in his writings and letters, or which he owned -- some well known, others now obscure.Kershner presents Joyce as a writer with a high degrees of social consciousness, whose writings highlight the conflicting ideologies of the Irish bourgeoisie. In exploring the social dimension of Joyce's writing, he calls upon such important contemporary thinkers as Jameston, Althusser, Barthes, and Lacan in addition to Bakhtin. Joyce's literary response to his historical situation was not polemical, Kershner argues, but, in Bakhtin's terms, dialogical: his writings represent an unremitting dialogue with the discordant but powerful voices of his day, many inaudible to us now.Joyce, Bakhtin, and Popular Literature places Joyce within the social and intellectual context of his time. Through stylistic, social, and ideological analysis, Kersner gives us a fuller grasp of the the complexity of Joyce's earlier writings.
Joyce as Theory: Hermeneutic Ethics in Derrida, Lacan, and Finnegans Wake (Routledge Studies in Twentieth-Century Literature)
by Gabriel RenggliJoyce as Theory is the first study to argue James Joyce can be read as a theorist. Joyce is not just a favourite case study of literary theory; he wrote about how we make meaning, and to what effect. The present volume traces his hermeneutics in those narratives in Finnegans Wake which deal with textual production and interpretation, showing that the Wake’s difficulty exemplifies Joyce’s theoretical stance. All reading involves responding to problems we cannot quite fathom. This preoccupation places Joyce alongside Jacques Derrida and Jacques Lacan. Joyce as Theory revives debates on theory with a linguistic focus, laying open misconceptions that have muddled attempts to be over and done with this kind of thought. It demonstrates that Derrida and Lacan, almost exclusively presented as rivals, converge on a common position. It opposes the myth of linguistic theory as a formalist approach, instead showing that Joyce, Derrida, and Lacan give us a hermeneutic ethics alert to how meaning-making impacts our lived experience. And it challenges the notion that theory imposes matters alien to Joyce, demonstrating that it is an appreciation of Joyce’s arguments in Finnegans Wake that generates a theoretical perspective. Joyce as Theory is essential reading for researchers and students in Joyce studies, continental philosophy, literary theory, and modernist literature.
Joyce, Aristotle, and Aquinas (The Florida James Joyce Series)
by Fran O'RourkeA rich examination of the influence of Aristotle and Thomas Aquinas on James Joyce In this book, Fran O’Rourke examines the influence of Aristotle and Thomas Aquinas on James Joyce, arguing that both thinkers fundamentally shaped the philosophical outlook which pervades the author’s oeuvre. O’Rourke demonstrates that Joyce was a philosophical writer who engaged creatively with questions of diversity and unity, identity, permanence and change, and the reliability of knowledge. Beginning with an introduction to each thinker, the book traces Joyce’s discovery of their works and his concrete engagement with their thought. Aristotle and Aquinas equipped Joyce with fundamental principles regarding reality, knowledge, and the soul, which allowed him to shape his literary characters. Joyce appropriated Thomistic concepts to elaborate an original and personal aesthetic theory. O’Rourke provides an annotated commentary on quotations from Aristotle that Joyce entered into his famous Early Commonplace Book and outlines their crucial significance for his writings. He also provides an authoritative evaluation of Joyce’s application of Aquinas’s aesthetic principles. The first book to comprehensively illuminate the profound impact of both the ancient and medieval thinker on the modernist writer, Joyce, Aristotle, and Aquinas offers readers a rich understanding of the intellectual background and philosophical underpinnings of Joyce’s work. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
Joyce and the Two Irelands
by Willard PottsUniting Catholic Ireland and Protestant Ireland was a central idea of the "Irish Revival," a literary and cultural manifestation of Irish nationalism that began in the 1890s and continued into the early twentieth century. Yet many of the Revival's Protestant leaders, including W. B. Yeats, Lady Gregory, and John Synge, failed to address the profound cultural differences that made uniting the two Irelands so problematic, while Catholic leaders of the Revival, particularly the journalist D. P. Moran, turned the movement into a struggle for greater Catholic power.<P><P>This book fully explores James Joyce's complex response to the Irish Revival and his extensive treatment of the relationship between the "two Irelands" in his letters, essays, book reviews, and fiction up to Finnegans Wake. Willard Potts skillfully demonstrates that, despite his pretense of being an aloof onlooker, Joyce was very much a part of the Revival. He shows how deeply Joyce was steeped in his whole Catholic culture and how, regardless of the harsh way he treats the Catholic characters in his works, he almost always portrays them as superior to any Protestants with whom they appear. This research recovers the historical and cultural roots of a writer who is too often studied in isolation from the Irish world that formed him.