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Color: Travels Through the Paintbox
by Victoria FinlayPart travelogue, part narrative history, 'Colour' unlocks the history of the colours of the rainbow, and reveals how paints came to be invented, discovered, traded and used. This remarkable and beautifully written book remembers a time when red paint was really the colour of blood, when orange was the poison pigment, blue as expensive as gold, and yellow made from the urine of cows force-fed with mangoes. It looks at how green was carried by yaks along the silk road, and how an entire nation was founded on the colour purple. Exciting, richly informative, and always surprising, 'Colour' lifts the lid on the historical palette and unearths an astonishing wealth of stories about the quest for colours, and our efforts to understand them.
Color: A Workshop for Artists and Designers
by David HornungTaking a practical approach to color,Color: A workshop for artists and designers is an invaluable resource for art students and professionals alike. With its sequence of specially designed assignments and in-depth discussions, it effectively bridges the gap between color theory and practice to inspire confidence and understanding in anyone who works with color. Generously illustrated--including all-new, contemporary examples--this book provides a unique set of tools that make the complex theory of color accessible and practical.
Colonized through Art: American Indian Schools and Art Education, 1889-1915
by Marinella LentisColonized through Art explores how the federal government used art education for American Indian children as an instrument for the “colonization of consciousness,” hoping to instill the values and ideals of Western society while simultaneously maintaining a political, social, economic, and racial hierarchy. Focusing on the Albuquerque Indian School in New Mexico, the Sherman Institute in Riverside, California, and the world’s fairs and local community exhibitions, Marinella Lentis examines how the U.S. government’s solution to the “Indian problem” at the end of the nineteenth century emphasized education and assimilation. Educational theories at the time viewed art as the foundation of morality and as a way to promote virtues and personal improvement. These theories made the subject of art a natural tool for policy makers and educators to use in achieving their assimilationist goals of turning student “savages” into civilized men and women. Despite such educational regimes for students, however, indigenous ideas about art oftentimes emerged “from below,” particularly from well-known art teachers such as Arizona Swayney and Angel DeCora.Colonized through Art explores how American Indian schools taught children to abandon their cultural heritage and produce artificially “native” crafts that were exhibited at local and international fairs. The purchase of these crafts by the general public turned students’ work into commodities and schools into factories.
Colonialist Photography: Imag(in)ing Race and Place
by Eleanor M. Hight Gary D. SampsonColonialist Photography is an absorbing collection of essays and photographs exploring the relationship between photography and European and American colonialism. The book is packed with well over a hundred captivating images, ranging from the first experiments with photography as a documentary medium up to the decolonization of many regions after World War II. Reinforcing a broad range of Western assumptions and prejudices, Eleanor M. Hight and Gary D. Sampson argue that such images often assisted in the construction of a colonial culture.
Colonialism, Uprising and the Urban Transformation of Nineteenth-Century Delhi (Routledge Research in Architectural History)
by Jyoti Pandey SharmaNo other city in the Indian subcontinent can lay claim to having so many lives as Delhi. This book examines Delhi in the politically and culturally dynamic nineteenth century which was marked midway by the 1857 uprising against British colonial rule as a watershed event. Following British occupation, Delhi became a receptacle for encounters between the centuries-old Mughal traditions and the incoming colonial ideal, producing a traditionalism-modernity binary. Employing the built environment lens, the book traces the architectural trajectory of Delhi as it transitioned from the seventeenth-century Mughal Badshahi Shahar (imperial city) first into a culturally hybrid Dilli-Delhi combine of the pre-uprising era and thereafter into a modern British city following the uprising. This transition is presented via four constructs that draw on the traditionalism-modernity binary of Mughal and British Delhi and include Marhoom Dilli (Dead Delhi); Picturesque Delhi; Baaghi Dilli (Insurgent Delhi) and Tamed Delhi. The book goes beyond the nineteenth century to examine the vestiges of Delhi’s four nineteenth-century lives in the present while making a case for their acknowledgement as a cultural asset that can propel the city’s urban development agenda. By bringing together the city’s past and its present as well as addressing its future, the book can count among its readers not just scholars but also those interested in cities and their evolving landscapes.
Colonialism and Christianity in Mandate Palestine
by Laura RobsonDrawing on a rich base of British archival materials, Arabic periodicals, and secondary sources, Colonialism and Christianity in Mandate Palestine brings to light the ways in which the British colonial state in Palestine exacerbated sectarianism. By transforming Muslim, Christian, and Jewish religious identities into legal categories, Laura Robson argues, the British ultimately marginalized Christian communities in Palestine. Robson explores the turning points that developed as a result of such policies, many of which led to permanent changes in the region's political landscapes. Cases include the British refusal to support Arab Christian leadership within Greek-controlled Orthodox churches, attempts to avert involvement from French or Vatican-related groups by sidelining Latin and Eastern Rite Catholics, and interfering with Arab Christians' efforts to cooperate with Muslims in objecting to Zionist expansion. Challenging the widespread but mistaken notion that violent sectarianism was endemic to Palestine, Colonialism and Christianity in Mandate Palestine shows that it was intentionally stoked in the wake of British rule beginning in 1917, with catastrophic effects well into the twenty-first century.
Colonial Quest: Colonial Homes
by Verna FisherTaking young readers on a journey back in time, this dynamic new series showcases various aspects of colonial life, from people and clothing to homes and food. Each book contains creative illustrations, interesting facts, highlighted vocabulary words, end-of-book challenges, and sidebars that help children understand the differences between modern and colonial life and inspire them to imagine what it would have been like to grow up in colonial America. The volumes in this series focus on the colonists but also include relevant information about Native Americans, offering a variety of perspectives on life in the colonies.
Colonial Quest: Colonial Jobs
by Verna FisherTaking young readers on a journey back in time, this dynamic new series showcases various aspects of colonial life, from people and clothing to homes and food. Each book contains creative illustrations, interesting facts, highlighted vocabulary words, end-of-book challenges, and sidebars that help children understand the differences between modern and colonial life and inspire them to imagine what it would have been like to grow up in colonial America. The volumes in this series focus on the colonists but also include relevant information about Native Americans, offering a variety of perspectives on life in the colonies. Discussing the various products made by colonists--from flour and iron horseshoes to wooden buckets and furniture--this engaging guidebook teaches young readers about the different craftsmen of the era, including blacksmiths, coppers, and millers. Additional attention is also paid to the goods produced by Native Americans, including leather moccasins and woven baskets, and how these goods were exchanged in a barter economy.
The Colonial Public and the Parsi Stage: The Making of the Theatre of Empire (1853-1893) (Transnational Theatre Histories)
by Rashna Darius NicholsonThe Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.
Colonial Parkway, The (Images of America)
by Frances Watson ClarkThe Colonial Parkway is a living timeline to the critical beginnings of our nation. Connecting a historic triangle of cities, the parkway winds along the James River overlooking Jamestown Island, where the first permanent English colony was established; through Williamsburg, the Colonial seat of government for the new country; and arrives in Yorktown, where the fledgling nation won independence from the British at the end of the Revolutionary War. The vision of the early directors of the U.S. National Park Service became the foundation for getting the approval to construct a road that would allow visitors to move from one historic place to the next without the disruptions of the modern world. Construction began in the early 1930s, and the final phase was finished in 1957 for the 350th anniversary of the founding of Jamestown. While the parkway is a marvel in engineering, the area it covers also serves as a recreational locale for biking, fishing, and hiking.
Colonial Modernities: Building, Dwelling and Architecture in British India and Ceylon (Architext)
by Peter Scriver Vikramaditya PrakashA carefully crafted selection of essays from international experts, this book explores the effect of colonial architecture and space on the societies involved – both the colonizer and the colonized. Focusing on British India and Ceylon, the essays explore the discursive tensions between the various different scales and dimensions of such 'empire-building' practices and constructions. Providing a thorough exploration of these tensions, Colonial Modernities challenges the traditional literature on the architecture and infrastructure of the former European empires, not least that of the British Indian 'Raj'. Illustrated with seventy-five halftone images, it is a fascinating and thoroughly grounded exposition of the societal impact of colonial architecture and engineering.
Colonial Desire: Hybridity in Theory, Culture and Race
by Robert J. YoungThe language of contemporary cultural theory shows remarkable similarities with the patterns of thought which characterised Victorian racial theory. Far from being marked by a separation from the racialised thinking of the past, Colonial Desire shows we are operating in complicity with historical ways of viewing 'the other', both sexually and racially.Colonial Desire is a controversial and bracing study of the history of Englishness and 'culture'. Robert Young argues that the theories advanced today about post-colonialism and ethnicity are disturbingly close to the colonial discourse of the nineteenth century. 'Englishness', Young argues, has been less fixed and stable than uncertain, fissured with difference and a desire for otherness.
The Colonial Craftsman
by Carl BridenbaughIn colonial America, craftsmen comprised the largest segment of the population, after farmers. They were cabinetmakers, silversmiths, pewterers, printers, painters, engravers, blacksmiths, brass button-makers, shipwrights, hatters, shoemakers, and other artisans, and they manufactured the tools, clothing, household goods, and other essential products needed to sustain life and trade in the New World. <p><p> In this superb study, a distinguished American historian examines the lives and work of American craftsmen in the years before the Revolution — the golden age of colonial craftsmanship — showing them at work, at play, at worship, at school, at home, competing in their trades, striving to get ahead, and playing a dynamic role as citizens in bringing about American independence.Natural resources, special crafts of the different colonies, and New World "marketing" of those crafts are closely studied. Students of American history, culture, and the arts and crafts will find this a richly rewarding study — authoritative, well-researched, and highly readable. It is further enhanced with carefully chosen illustrations from Diderot's Encyclopédie, the great 18th-century reference work on technology, whose detailed engravings accurately represent the crafts of the period.
Colonial Comics: New England: 1620 - 1750 (Colonial Comics)
by Jason RodriguezColonial Comics is a graphic novel collection of twenty stories focusing on the colonial period from 1620 through 1750 in New England. <P><P> Created in partnership with the Massachusetts Historical Society and the Concord Museum, these illustrated stories focus on tales you cannot find in history books. Includes stories about free thinkers, Pequots, Jewish settlers, female business owners and dedicated school teachers, whales and livestock, slavery and frontiers, and many other aspects of colonial life.Jason Rodriguez is a writer and editor whose books have been nominated for an Eisner Award and eight Harvey Awards. Jason lives in Arlington, Virginia, with his wife and their two dogs, four cats, and a parrot. You can usually find him on a street corner, staring out into the future. <P><P> <i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i>
The Colonial Architecture of Salem (Dover Architecture Ser.)
by Frank Cousins Phil M. RileySalem, Massachusetts, has long been considered the center of New England's Colonial architecture, a storehouse of well-preserved American antiquities. This profusely illustrated study, first published in 1919, represents the first complete, chronological survey of Colonial architecture in Salem — from the town's settlement in 1626 to the end of its Colonial development in 1818.Focusing on such major styles as the gable and peaked-roof house, the lean-to house, the gambrel-roof house, and the square three-story house, this volume features detailed descriptions of over 100 buildings: the famous House of Seven Gables, the Governor Bradstreet Mansion, the Witch House, Nathaniel Hawthorne's Birthplace, Assembly Hall, the Old Courthouse, the Old South Church, the Salem Custom House, and numerous others. The text is enhanced by more than 250 rare illustrations of the building under discussion, as well as details of doorways and mantels, moldings, wainscoting, windows, stairways, and other features.Brimming with informative and well-illustrated descriptions of classic early New England architecture, this highly readable volume is an invaluable and inspirational sourcebook for architects and home builders. In addition, its colorful anecdotes concerning colonial Salem and its residents offer fascinating fare for historians and other readers.
Colonial and Early American Lighting
by Arthur H. HaywardBeginning with the rushlight holders used by the earliest settlers and ranging up to the elaborate chandeliers of the Federal period, this book is a unique coverage of the fascinating story of lamps and other lighting devices in America.The selection of lighting devices from the American Colonies begins with the "Betty" lamps which were similar in function and design to the oil, wax, and fat-burning lamps of antiquity. Rounding out the material on early attempts at illumination are variations on the open wick lamp designs executed in iron, tin, pewter, and brass, together with double iron "Betty" lamps, iron trammel candle holders, wrought iron candle stands, candle molds, reflectors, and other styles. Succeeding chapters range over candelabra lamps, ship lamps, whale oil lamps, wall sconces, bull's eye reading lamps, pierced tin lanterns, candle lanterns, bull's eye reading lanterns, hall lanterns, Sandwich glass candlesticks, lamps of unusual design, glass table and spark lamps, single and double burner mantle lamps, astral lamps, Luster lamps, Bennington ware, and chandeliers made of wood, iron, pewter, brass, bronze, silver, and crystal. Although the main emphasis is on the Colonial era, work up to the 1880's is considered. Each chapter contains information on Colonial life, customs, and habits, photographs of rare lamps and their locations, hints on collecting, and much other information not available elsewhere.This volume, containing what is probably the largest selection of antique lamps ever illustrated together before, fills a long-felt need on the part of antique collectors, designers, historians, and Americana enthusiasts for a thorough-going survey of lighting in Colonial America.
Collezione di Abitudini: Come Scrivere 3000 Parole Ed Evitare Il Blocco Dello Scrittore
by The BlokeheadSe sei sempre stato attratto dalle parole, hai fervida immaginazione, e possiedi la capacità di trasformare le tue immagini mentali in parole, sei stato probabilmente attratto dalla scrittura, o hai tentato di scrivere, una o più volte nella tua vita. Ogni giorno vediamo i libri appena usciti sugli scaffali o e-book che diventano disponibili online, e siamo costretti a prendere in considerazione ciò che serve per trasformare il nostro modo con le parole in un vascello in grado di trasportarci verso la grandezza come autori. Scrittori efficaci, sia del passato sia dei giorni nostri, che hanno lasciato un segno letterario di profondità ed ispirazione sul mondo, hanno un modo di pensare che si differenzia dagli altri attorno a loro. Come chi è pieno di slancio creativo, i loro processi di pensiero possono sembrare un po’ “fuori”, ma è la loro accettazione di questo fatto e la loro volontà di abbracciare pubblicamente la propria psicologia che li ha portati dove sono oggi. Quindi, tu pensi come un individuo che ha il potenziale di essere uno scrittore di successo, uno che lascerà un segno permanente nei cuori e nelle menti di coloro che entrano nel tuo mondo scritto? Qui passeremo in rassegna il modo in cui i grandi scrittori pensano e il modo in cui processano e rispondono ai loro stessi pensieri, e mostreremo i parallelismi tra queste caratteristiche e i brillanti lavori che essi producono. Continua la lettura per scoprire dove ti trovi psicologicamente e come puoi far psicologicamente emergere pezzo per pezzo lo scrittore ricercato e di consistente successo che c’è in te.
Colleyville (Images of America)
by Mark FaddenRanked by multiple magazines, including Money and D Magazine, as one of the "Best Places to Live" in the United States, it is easy to forget where Colleyville came from. A rural farming outpost that started out as six different "parent communities," residents eventually banded together and incorporated to become Colleyville in 1956. While Colleyville is named for Dr. Lilburn Howard Colley, entire generations of Colleyville citizens have displayed his spirit of hard work, determination, and caring for this city. From a few clusters of pioneering families to a close-knit community known for its dairy farms and horse racing track to becoming one of the nation's premier cities, Colleyville's population has grown from about 1,500 in 1960 to more than 24,000 today.
College Writing and Beyond: A New Framework for University Writing Instruction
by Anne BeaufortComposition research consistently demonstrates that the social context of writing determines the majority of conventions any writer must observe. Still, most universities organize the required first-year composition course as if there were an intuitive set of general writing "skills" usable across academic and work-world settings. In College Writing and Beyond: A New Framework for University Writing Instruction, Anne Beaufort reports on a longitudinal study comparing one student’s experience in FYC, in history, in engineering, and in his post-college writing. Her data illuminate the struggle of college students to transfer what they learn about "general writing" from one context to another. Her findings suggest ultimately not that we must abolish FYC, but that we must go beyond even genre theory in reconceiving it. Accordingly, Beaufort would argue that the FYC course should abandon its hope to teach a sort of general academic discourse, and instead should systematically teach strategies of responding to contextual elements that impinge on the writing situation. Her data urge attention to issues of learning transfer, and to developmentally sound linkages in writing instruction within and across disciplines. Beaufort advocates special attention to discourse community theory, for its power to help students perceive and understand the context of writing.
College Writing and Beyond
by Anne BeaufortComposition research consistently demonstrates that the social context of writing determines the majority of conventions any writer must observe. Still, most universities organize the required first-year composition course as if there were an intuitive set of general writing "skills" usable across academic and work-world settings. In College Writing and Beyond: A New Framework for University Writing Instruction, Anne Beaufort reports on a longitudinal study comparing one student's experience in FYC, in history, in engineering, and in his post-college writing. Her data illuminate the struggle of college students to transfer what they learn about "general writing" from one context to another. Her findings suggest ultimately not that we must abolish FYC, but that we must go beyond even genre theory in reconceiving it. Accordingly, Beaufort would argue that the FYC course should abandon its hope to teach a sort of general academic discourse, and instead should systematically teach strategies of responding to contextual elements that impinge on the writing situation. Her data urge attention to issues of learning transfer, and to developmentally sound linkages in writing instruction within and across disciplines. Beaufort advocates special attention to discourse community theory, for its power to help students perceive and understand the context of writing.
College World Series, The (Images of Baseball)
by W. C. Madden John E. PetersonSince 1950, Omaha's Rosenblatt Stadium (formerly Municipal Stadium) has hosted the nation's top college baseball programs in the College World Series. Baseball fans from every corner of the country have taken the annual "Road to Omaha" and packed the seats to see championship baseball at its best. In 1954 thousands saw Jim Ehrler of Texas toss the tourney's first no-hitter en route to the Longhorns winning back-to-back CWS championships. Fans at the 1970 tournament saw Southern Cal defeat Florida State in the midst of their unmatched five-year championship run. In 1996 Rosenblatt's faithful took in the dramatic bottom-of-the-ninth, two-out, two-run homer by Louisiana State's Warren Morris, giving his team a 9-8 upset victory over powerhouse Miami.
College Station
by Glenn D. DavisThe first land-grant college in Texas--called the Agricultural and Mechanical College--was predominantly a military school, built in 1876 in a then-remote area of Central Texas. Like other developments, the institute was a result of the expanding railroad, so a station named "College" was erected to service the new school. Drawing newcomers to the area, the city of College Station was incorporated in 1938, and its size soon rivaled that of neighboring Bryan--the Brazos County seat. The College Station area offers a surprisingly diverse mix of attractions, including the George Bush Presidential Library, the Texas Motor Speedway, and Kyle Field. During the last century, the college has grown from a few hundred students into a major university with more than 49,000 students, making Texas A&M the seventh-largest school in the nation. Today College Station is home to some 100,000 people.
College Park (Images of America)
by Tana Mosier Porter College Park Neighborhood AssociationCollege Park has the look and feel of small-town America, with its central business district and tree-lined residential streets, schools and churches, and strong sense of community. College Park, though, was never a town; it developed as a neighborhood within the city of Orlando. The name originated not with a college but instead with a developer, who gave the streets in his new subdivision college names in 1921. In 1925, another developer named the first of several subdivisions College Park. The name caught on and became official with the naming of the College Park Post Office in 1954. Images of America: College Park commemorates 90 years of its history and community. From the 19th-century citrus groves, to new subdivisions in the 1920s, to tract housing in the 1940s and 1950s, College Park evolved as a desirable place for families.
College of William & Mary, The
by Chris DickonBy the time of the American Revolution, the College of William and Mary was already into its eighth decade as the academic source of what the new nation would become and how it would relate to the larger world. Its land had been surveyed by George Washington, and its first honorary degree had been given to Ben Franklin. It would go on to educate two signers of the Declaration of Independence, three American presidents, and three justices of the Supreme Court. Chartered by British royalty in 1693, the college retains that connection to its roots into the 21st century. Remarkably through history, the College of William and Mary was, and remains, a public university--one of 16 in the Commonwealth of Virginia. At a time in American history when the 18th-century thought and practice of Thomas Jefferson has become part of the contemporary conversation, the college from which he graduated in 1762 continues to pursue his simple notion that "worth and genius [be] sought from every condition of life."
The Collector of Lives: Giorgio Vasari And The Invention Of Art
by Ingrid Rowland Noah CharneyIn the tradition of The Swerve and How to Live, this vivid biography reveals how a Renaissance scholar reshaped the visual world. Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, the classic account that singlehandedly invented the genre of artistic biography and established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill rather than an intellectual pursuit, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that artists like Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Their enduring reputations testify to Vasari’s profound yet unspoken influence on western culture. An advisor to kings and pontiffs—and a confidant to Titian, Donatello, and more—Vasari enjoyed an exhilarating career amid the thrilling culture of Renaissance Italy. In The Collector of Lives, Ingrid Rowland and Noah Charney offer a lively and inviting introduction to this pivotal figure in art history, and immerse readers in the world of the Medici of Florence and the popes of Rome. A narrative of intrigue, scandal, and colorful artistic rivalry, this vivid biography shows the great works of western art taking shape under Vasari’s keen eye—and reveals how one Renaissance scholar completely redefined how we look at art.