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You Bring Out the Music in Me: Music in Nursing Homes
by D Rosemary CassanoAn enlightening book, You Bring Out the Music in Me, explores how music motivates, enriches, touches, relaxes, and energizes the elderly in nursing homes. Practicing music therapists explain how music “speaks” to all of us, regardless of our language, culture, or abilities and how it can be used with groups and individuals in nursing homes to encourage relaxation and expression of feeling and increase socialization. The chapters encompass both music therapy practice in gerontology as well as practical ideals and suggestions for activities directors who want to use music in their nursing home activities programs. This readable book includes a history of music therapy, the need for research in the field, discussions of music in groups and music with individuals, and a useful resource list of music materials.
You Are Not I: A Portrait of Paul Bowles
by Millicent DillonThe famously enigmatic writer-composer Paul Bowles is the subject of Millicent Dillon's unforgettable new book. Her portrait of the chameleonlike artist is much more than an account of Bowles's life, however. It is also a meditation on biography that questions the biographer's role, the subject's credibility, and the very nature of "truth" in the telling of a life.Millicent Dillon first met Paul Bowles in Tangier in 1977, when she was writing a biography of his wife, the author Jane Bowles, who died in 1973. Dillon returned to Morocco in 1992 to work with Bowles on a book about his own life. In Bowles's book-lined apartment often crowded with visitors, Dillon observes the magnetism the aging artist exerts on anyone who comes into his circle. Bowles talks of his difficult childhood and of his grief over Jane's long illness, of exile, dreams, and madness. He is charming and evasive with Dillon, generous and devious. As the book unfolds, Dillon's own reflections and concerns surface alongside details of Bowles's daily life, his physical condition, his interactions with others. Her portrait of the artist is seen simultaneously with her construction of that portrait, and in a kind of literary legerdemain we are able to observe Dillon on the biographical canvas along with Bowles and his deceased wife.Author of the international bestseller The Sheltering Sky and numerous other works, as well as an acclaimed composer, Paul Bowles has had an immensely rich creative life. Millicent Dillon seems to have been destined to write this unconventional biography of the artist, and the result is wonderful, disturbing, and strangely compelling, like Paul Bowles himself.
You Are Beautiful and You Are Alone: The Biography of Nico
by Jennifer Otter BickerdikeA new, definitive biography of the iconic and mysterious singer, Warhol superstar, Velvet Underground collaborator: influential solo artist Nico.YOU ARE BEAUTIFUL AND YOU ARE ALONE is a new biography of Nico, the mysterious singer best known for her work with the Velvet Underground and her solo album Chelsea Girl. Her life is tangled in myth--much of it of her own invention. Rock and roll cultural historian Jennifer Bickerdike delivers a definitive book that unravels the story while making a convincing case for Nico's enduring importance. Over the course of her career, Nico was an ever-evolving myth: art film house actress, highly coveted fashion model, Dietrich of Punk, Femme Fatale, Chelsea Girl, Garbo of Goth, The Last Bohemian, Heroin Junkie. Lester Bangs described her as 'a true enigma.' At age 27, Nico became Andy Warhol's newest Superstar, featuring in his one commercial break out hit film Chelsea Girls and garnering the position of chanteuse for the Velvet Underground. It wasn't Nico's musical chops which got her the gig; it was her striking beauty. Her seeming otherworldly and unattainable presence was further amplified by her reputation for dating rock stars (Brian Jones, Bob Dylan, Jim Morrison, among others). She became famous for being Nico. Yet Nico's talent and her contribution to rock culture are often overlooked. She spent most of her career as a solo artist on the road, determined to make music, seemingly against all the odds, enduring empty concert halls, abusive fans, and the often perilous reality of being an ageing artist and drug addict. She created mesmerizing and unique projects that inspired a generation of artists, including Henry Rollins, Morrissey, Siousxie Sioux and the Banshees and Iggy Pop. Drawing on the archives at the Andy Warhol Museum and at Nico's record labels, various private collections, and rarely seen footage, and featuring exclusive new interviews from those who knew her best, including Iggy Pop and Danny Fields, and those inspired by her legacy, YOU ARE BEAUTIFUL AND YOU ARE ALONE reveals the complicated, often compromised, self-destructive and always head strong woman behind the one-dimensional myths.
Yoruba Oral Tradition in Islamic Nigeria: A History of Dàdàkúàdá (Global Africa)
by Abdul-Rasheed Na'AllahThis book traces Dàdàkúàdá’s history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dàdàkúàdá in Ilorin, and of Ilorin in Dàdàkúàdá the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dàdàkúàdá’s relationship with Islam and discusses how the Dàdàkúàdá singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.
The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks
by J. D. PeelAs one of the salient forces in the ritual life of those who worship the pre-Christian and Muslim deities called orishas, the Yorùbá god of drumming, known as Àyàn in Africa and Añá in Cuba, is variously described as the orisha of drumming, the spirit of the wood, or the more obscure Yorùbá praise name AsòròIgi (Wood That Talks). With the growing global importance of orisha religion and music, the consequence of this deity's power for devotees continually reveals itself in new constellations of meaning as a sacred drum of Nigeria and Cuba finds new diasporas. Despite the growing volume of literature about the orishas, surprisingly little has been published about the ubiquitous Yorùbá music spirit. Yet wherever one hears drumming for the orishas, Àyàn or Añá is nearby. This groundbreaking collection addresses the gap in the research with contributions from a cross-section of prestigious musicians, scholars, and priests from Nigeria, the Americas, and Europe who have dedicated themselves to studying Yorùbá sacred drums and the god sealed within. As well as offering multidisciplinary scholarly insights from transatlantic researchers, the volume includes compelling first-hand accounts from drummer-priests who were themselves history-makers in Nigerian and Cuban diasporas in the United States, Venezuela, and Brazil. This collaboration between diverse scholars and practitioners constitutes an innovative approach, where differing registers of knowledge converge to portray the many faces and voices of a single god.
Yoko Writes Her Name
by Rosemary WellsYoko is so excited for the first day of school. She's just learned to write her name. But when Mrs. Jenkins asks Yoko to show everyone, Olive and Sylvia make fun of her Japanese writing. "Yoko can't write. She's only scribbling!
Yoko Ono: Collector of Skies
by Nell Beram Carolyn Boriss-KrimskyThis lyrical biography explores the life and art of Yoko Ono, from her childhood haiku to her avant-garde visual art and experimental music. An outcast throughout most of her life, and misunderstood by every group she was supposed to belong to, Yoko always followed her own unique vision to create art that was ahead of its time and would later be celebrated. Her focus remained on being an artist, even when the rest of world saw her only as the wife of John Lennon. Yoko Ono’s moving story will inspire any young adult who has ever felt like an outsider, or who is developing or questioning ideas about being an artist, to follow their dreams and find beauty in all that surrounds them.
Yoknapatawpha Blues: Faulkner's Fiction and Southern Roots Music (Southern Literary Studies)
by Tim A. RyanDuring the 1920s and 1930s, Mississippi produced two of the most significant influences upon twentieth-century culture: the modernist fiction of William Faulkner and the recorded blues songs of African American musicians like Charley Patton, Geeshie Wiley, and Robert Johnson. In Yoknapatawpha Blues, the first book examining both Faulkner and the music of the south, Tim A. Ryan identifies provocative parallels of theme and subject in diverse regional genres and texts. Placing Faulkner's literary texts and prewar country blues song lyrics on equal footing, Ryan illuminates the meanings of both in new and unexpected ways. He provides close analysis of the Great Mississippi Flood of 1927 in Faulkner's "Old Man" and Patton's "High Water Everywhere"; racial violence in the story "That Evening Sun" and Wiley's "Last Kind Words Blues"; and male sexual dysfunction in Sanctuary and Johnson's "Dead Shrimp Blues." This interdisciplinary study reveals how the characters of Yoknapatawpha County and the protagonists in blues songs similarly strive to assert themselves in a threatening and oppressive world. By emphasizing the modernism found in blues music and the echoes of black vernacular culture in Faulkner's writing, Yoknapatawpha Blues links elucidates the impact of both Faulkner's fiction and roots music on the culture of the modern South, and of the nation.
Yoga of Sound: The Life and Teachings of the Celestial Songman, Swami Nada Brahmananda
by Michael GrossoA guide to harnessing the vibration that created the universe for healing and spiritual awakening• Shares profound lessons from Swami Nada Brahmananda, a master of the yoga of sound and vibration• Centers on three life-enhancing themes: controlling the mind, diet and practices conducive to healing and perfect health, and how music can be used to transform consciousness and enrich our spiritual life• Also paints a vivid portrait of New York City in the 1970s and its underground arts and music sceneNot long after obtaining his Ph.D. in philosophy from Columbia University in 1971, Michael Grosso had an extraordinary experience in Greenwich Village, New York, that led him to realize he needed to balance his overly intellectual life with music. He met Swami Nada Brahmananda, a former court musician for the King of Mysore, famous throughout India for being a master of Taan music and sound yoga as well as for his supernatural control of his body. Grosso began studying with Swami Nada and found his life profoundly changed. Sharing the lessons of Swami Nada Brahmananda as well as painting a vivid portrait of New York City in the 1970s—and its vibrant and chaotic underground arts and music scene—Grosso explores Swami Nada&’s Indian yoga of sacred sound in depth. He reveals how the tradition centers on the sound or vibration that created the universe, its personal cultivation, and its power to heal, enlighten, and offer insight about how to live in the Kali Yuga, the Age of Conflict. Grosso also examines the siddhis, or extraordinary powers, that can arise from this work, detailing the otherworldly abilities of his master. The lessons that Grosso shares center on three life-enhancing themes: controlling the mind, which provides the very essence of a happy life; diet and practices conducive to healing and perfect health—Swami Nada himself never knew a day of sickness in all of his 97 years; and how music in all its forms can be used to transform consciousness and enrich our spiritual life. Revealing Swami Nada Brahmananda as the very embodiment of a Celestial Songman, Grosso shows how, by practicing the yoga of sound, we can embody Swami Nada&’s greatest lesson of all: that we can all learn to make music from the discordant notes of our lives and sing our way out of the Kali Yuga.
Yodeling and Meaning in American Music (American Made Music Series)
by Timothy E. WiseTimothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?To answer such questions, Wise applies the perspectives of critical musicology, semiotics, and cultural studies to the changing semantic associations of yodeling in an unexplored repertoire stretching from Beethoven to Zappa. This volume marks the first musicological and ideological analysis of this prominent but largely ignored feature of American musical life.Maintaining high scholarly standards but keeping the general reader in mind, the author examines yodeling in relation to ongoing cultural debates about singing, music as art, social class, and gender. Chapters devote attention to yodeling in nineteenth-century classical music, the nineteenth-century Alpine-themed song in America, the Americanization of the yodel, Jimmie Rodgers, and cowboy yodeling, among other topics.
Yodel in Hi-Fi
by Bart PlantengaYodel in Hi-Fiexplores the vibrant and varied traditions of yodelers around the world. Far from being a quaint and dying art, yodel is a thriving vocal technique that has been perennially renewed by singers from Switzerland to Korea, from Colorado to Iran. Bart Plantenga offers a lively and surprising tour of yodeling in genres from opera to hip-hop and in venues from cowboy campfires and Oktoberfests to film soundtracks and yogurt commercials. Displaying an extraordinary versatility, yodeling crosses all borders and circumvents all language barriers to assume its rightful place in the world of music.
Yodel-Ay-Ee-Oooo: The Secret History of Yodeling Around the World
by Bart PlantengaFirst Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Yo-Yo Ma and Silkroad
by Rohit Deshpande Paul A. Gompers Scott Duke Kominers"Yo-Yo Ma, world-famous cellist and musical icon, stood inside the Visitor Center of the Tanglewood Music Center, a performance and music education complex in Lenox, Massachusetts. Through a window, he gazed out at the Koussevitzky Music Shed, a gorgeous open-air concert hall in which Ma had performed many, many times. It was midday—no music was playing—but the familiar setting, with its internal echoes of concerts past, helped Ma organize his thoughts."
Yo-Yo Ma and Silkroad
by Paul Gompers Scott Kominers Rohit Deshpande"Yo-Yo Ma, world-famous cellist and musical icon, stood inside the Visitor Center of the Tanglewood Music Center, a performance and music education complex in Lenox, Massachusetts. Through a window, he gazed out at the Koussevitzky Music Shed, a gorgeous open-air concert hall in which Ma had performed many, many times. It was midday—no music was playing—but the familiar setting, with its internal echoes of concerts past, helped Ma organize his thoughts."
Yo-Yo Ma: Internationally Acclaimed Cellist
by Myra WeatherlyYo-Yo Ma ranks among the world's greatest and most popular cello players. He came to national attention at age 15 when he performed on television. After college, Ma began a career as a solo cellist performing with the world's major orchestras. He has expanded his career to serve as a musical educator and ambassador, sharing the common language of music with others throughout the world.
Yo
by Elton JohnLa primera y única autobiografía de Elton John. Un retrato sincero, alegre y profundo del compositor y cantante con la más larga y exitosa trayectoria musical de la historia. Reginald Dwight, su verdadero nombre, fue un chico tímido con gafas a lo Buddy Holly que creció en Pinner, un pequeño municipio a las afueras de Londres, y soñaba en convertirse en una estrella del pop. Con solo veintitrés años dio su primer concierto en Estados Unidos, ante un público sorprendido por su insólito aspecto: un mono amarillo chillón, una camiseta estampada de estrellas y un par de botas aladas. Elton John había llegado y el mundo de la música jamás volvería a ser el mismo. Su vida está repleta de momentos dramáticos, desde el rechazo que sufrieron sus primeros trabajos con su colaborador y letrista Bernie Taupin hasta la locura que le envolvió cuando era una superestrella que dominaba las listas de ventas, pasando por su flirteo con el suicidio en la piscina de su residencia en Los Ángeles, por la noche en que bailó con la reina de Inglaterra en el castillo de Windsor, por su amistad con John Lennon, Freddie Mercury y George Michael, o por su decisión de montar una fundación contra el sida. Mientras tanto, Elton escondía una adicción que lo atrapó durante más de una década. En Yo, Elton también escribe de manera inspiradora sobre su proceso de rehabilitación y cómo cambió de vida, sobre cómo encontró el amor en los brazos de David Furnish y se convirtió en padre. Su voz en este libro es cálida, modesta y franca, y nos habla de su música y de las personas que entraron en su vida, de sus pasiones y de sus errores. Esta historia permanecerá contigo para siempre, de la mano de una leyenda viva. «Lo mejor del rock and roll es que alguien como yo puede convertirse en una estrella.»
Yo
by Elton JohnLa primera y única autobiografía de Elton John. Un retrato sincero, alegre y profundo del compositor y cantante con la más larga y exitosa trayectoria musical de la historia. Reginald Dwight, su verdadero nombre, fue un chico tímido con gafas a lo Buddy Holly que creció en Pinner, un pequeño municipio a las afueras de Londres, y soñaba en convertirse en una estrella del pop. Con solo veintitrés años dio su primer concierto en Estados Unidos, ante un público sorprendido por su insólito aspecto: un mono amarillo chillón, una camiseta estampada de estrellas y un par de botas aladas. Elton John había llegado y el mundo de la música jamás volvería a ser el mismo. Su vida está repleta de momentos dramáticos, desde el rechazo que sufrieron sus primeros trabajos con su colaborador y letrista Bernie Taupin hasta la locura que le envolvió cuando era una superestrella que dominaba las listas de ventas, pasando por su flirteo con el suicidio en la piscina de su residencia en Los Ángeles, por la noche en que bailó con la reina de Inglaterra en el castillo de Windsor, por su amistad con John Lennon, Freddie Mercury y George Michael, o por su decisión de montar una fundación contra el sida. Mientras tanto, Elton escondía una adicción que lo atrapó durante más de una década. En Yo, Elton también escribe de manera inspiradora sobre su proceso de rehabilitación y cómo cambió de vida, sobre cómo encontró el amor en los brazos de David Furnish y se convirtió en padre. Su voz en este libro es cálida, modesta y franca, y nos habla de su música y de las personas que entraron en su vida, de sus pasiones y de sus errores. Esta historia permanecerá contigo para siempre, de la mano de una leyenda viva. «Lo mejor del rock and roll es que alguien como yo puede convertirse en una estrella.»
Yip Harburg: Legendary Lyricist and Human Rights Activist (Music/Interview)
by Harriet Hyman AlonsoKnown as "Broadway's social conscience," E. Y. Harburg (1896-1981) wrote the lyrics to the standards, "Brother, Can You Spare a Dime?," "April in Paris," and "It's Only a Paper Moon," as well as all of the songs in The Wizard of Oz, including "Over the Rainbow." Harburg always included a strong social and political component to his work, fighting racism, poverty, and war. Interweaving close to fifty interviews (most of them previously unpublished), over forty lyrics, and a number of Harburg's poems, Harriet Hyman Alonso enables Harburg to talk about his life and work. He tells of his early childhood on the Lower East Side of Manhattan, his public school education, how the Great Depression opened the way to writing lyrics, and his work on Broadway and Hollywood, including his blacklisting during the McCarthy era. Finally, but most importantly, Harburg shares his commitment to human rights and the ways it affected his writing and his career path. Includes an appendix with Harburg's key musicals, songs, and films.
Yesterday Once More: The Carpenters Reader
by Randy L. SchmidtWith a string of number-one hits showcasing Karen Carpenter's warm and distinctive vocals and Richard Carpenter's sophisticated compositions and arrangements, the Carpenters were responsible for some of the most popular music of the 1970s, and this compendium collects more than 50 articles, interviews, essays, reviews, and reassessments that chronicle the lives and career of this brother-sister musical team. Writings from pop journalists and historians such as Daniel J. Levitin, John Tobler, Digby Diehl, Ray Coleman, Robert Hilburn, and Lester Bangs provide insight into the music and personalities of the duo who produced such timeless pop music. From serious musical analyses of the Carpenters' arrangements to lighter pieces in which Karen and Richard discuss dating, cars, and high school, this new edition has been revised and expanded to include nearly a dozen additional pieces, some of which have never been published.
Yes, Yes Y'all: The Experience Music Project Oral History of Hip-Hop's First Decade
by Jim Fricke Charlie Ahearn Nelson GeorgeAn account of the origins of hip-hop music as presented by its founders and stars traces the work of such performers as DJ Kool Herc, Grandmaster Flash, and DMC.
Yes Is The Answer
by Marc Weingarten Rick Moody Tyson Cornell Charles Bock Seth GreenlandProgressive rock is maligned and misunderstood. Critics hate it, hipsters scoff at it. Yes Is The Answer is a pointed rebuke to the prog-haters, the first literary anthology devoted to the sub genre. Featuring acclaimed novelists, Rick Moody, Wesley Stace, Seth Greenland, Charles Bock, and Joe Meno, as well as musicians Matthew Sweet, Nathan Larson, and Peter Case, Yes Is The Answer is the first book that dares to thoughtfully reclaim prog-rock as a subject worthy of serious consideration. So take a Topographic Journey into a 21st Century Schizoid land of Prog-Lit!
The Yellow Rose of Texas: The Song, the Legend and Emily D. West
by Lora-Marie BernardA journalist searches for the truth behind the traditional folk song, and a free black woman’s role in the Texas Revolution.The legend of the Yellow Rose of Texas holds an indisputable place in Lone Star culture, tethered to a familiar song that has served as a Civil War marching tune, a pop chart staple, and a halftime anthem. Almost two centuries of Texas mythmaking successfully muddled fact with fable in song, and the true story of Emily D. West remains mired in dispute and unrecognizable beneath the tales that grew up around it. The complete truth may never be recovered, but in this book Lora-Marie Bernard seeks an honest account honoring the grit and determination that brought a free black woman from the abolitionist riots of Connecticut to the thick of a bloody Texas revolution. A Lone Star native who grew up immersed in the Yellow Rose legend, Bernard also traces other stories that legend has obscured, including the connection between Emily D. West and plans for a free black colony in Texas.Includes illustrations
Yellow Power, Yellow Soul: The Radical Art of Fred Ho
by Roger N. Buckley Tamara RobertsThis dynamic collection explores the life, work, and persona of saxophonist Fred Ho, an unabashedly revolutionary artist whose illuminating and daring work redefines the relationship between art and politics. Scholars, artists, and friends give their unique takes on Ho's career, articulating his artistic contributions, their joint projects, and personal stories. Exploring his musical and theatrical work, his political theory and activism, and his personal life as it relates to politics, Yellow Power, Yellow Soul offers an intimate appreciation of Fred Ho's irrepressible and truly original creative spirit. Contributors are Roger N. Buckley, Peggy Myo-Young Choy, Jayne Cortez, Kevin Fellezs, Diane C. Fujino, Magdalena Gómez, Richard Hamasaki, Esther Iverem, Robert Kocik, Genny Lim, Ruth Margraff, Bill V. Mullen, Tamara Roberts, Arthur J. Sabatini, Kalamu ya Salaam, Miyoshi Smith, Arthur Song, and Salim Washington.
Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age
by Andrew F. JonesYellow Music is the first history of the emergence of Chinese popular music and urban media culture in early-twentieth-century China. Andrew F. Jones focuses on the affinities between "yellow" or "pornographic" music--as critics derisively referred to the "decadent" fusion of American jazz, Hollywood film music, and Chinese folk forms--and the anticolonial mass music that challenged its commercial and ideological dominance. Jones radically revises previous understandings of race, politics, popular culture, and technology in the making of modern Chinese culture. The personal and professional histories of three musicians are central to Jones's discussions of shifting gender roles, class inequality, the politics of national salvation, and emerging media technologies: the American jazz musician Buck Clayton; Li Jinhui, the creator of "yellow music"; and leftist Nie Er, a former student of Li's whose musical idiom grew out of virulent opposition to this Sinified jazz. As he analyzes global media cultures in the postcolonial world, Jones avoids the parochialism of media studies in the West. He teaches us to hear not only the American influence on Chinese popular music but the Chinese influence on American music as well; in so doing, he illuminates the ways in which both cultures were implicated in the unfolding of colonial modernity in the twentieth century.
Yellow Dog Blues
by Alice Faye DuncanA lyrical road trip through the Mississippi Delta, exploring the landmarks that shaped one of America’s most beloved musical traditions. <p><p>One morning Bo Willie finds the doghouse empty and the gate wide open! Farmer Fred says Yellow Dog hit Highway 61 and started running. Aunt Jessie picks up Bo Willie in her pink Cadillac, and together they look for his missing puppy love. <p><p>Their search leads them from juke joints to tamale stands to streets ringing with the music of B.B. King and Muddy Waters. Where, where did that Yellow Dog go? <p><p>Acclaimed creators Alice Faye Duncan and Chris Raschka present a boogie-woogie journey along the Mississippi Blues Trail. With swinging free verse and stunning hand-stitched art, Yellow Dog Blues is a soulful fable about what happens when the blues grabs you and holds on tight.