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Following the highly acclaimed Collected Poems of Ted Berrigan, poets Alice Notley, Anselm Berrigan, and Edmund Berrigan have collaborated again on this new selection of poems by one of the most influential and admired poets of his generation. Reflecting a new editorial approach, this volume demonstrates the breadth of Ted Berrigan's poetic accomplishments by presenting his most celebrated, interesting, and important work. This major second-wave New York School poet is often identified with his early poems, especially The Sonnets, but this selection encompasses his full poetic output, including the later sequences Easter Monday and A Certain Slant of Sunlight, as well as many of his uncollected poems. The Selected Poems of Ted Berrigan provides a new perspective for those already familiar with his remarkable wit and invention, and introduces new readers to what John Ashbery called the "crazy energy" of this iconoclastic, funny, brilliant, and highly innovative writer. Praise for The Collected Poems of Ted Berrigan: "This is a great, great book for all seasons of the mind and heart."--Robert Creeley "Thanks to this invaluable Collected Poems, one can hear, as never before, Ted Berrigan dreaming his dream."--The Nation "The Collected Poems of Ted Berrigan is not only one of the most strikingly attractive books recently published, but is also a major work of 20th-century poetry. . . . It is a book that will darken with the grease of my hands. There is no better way to praise it than by saying, 'If you enjoy poetry, you should have it.'" --Bloomsbury Review "It's a must-have, a poetic knockout."--Time Out New York
This magisterial work, long awaited and long the subject of passionate speculation, is an unprecedented exploration of modern poetry and poetics by one of America's most acclaimed and influential postwar poets. What began in 1959 as a simple homage to the modernist poet H.D. developed into an expansive and unique quest to arrive at a poetics that would fuel Duncan's great work in the 1970s. A meditation on both the roots of modernism and its manifestation in the work of H.D., Ezra Pound, D.H. Lawrence, William Carlos Williams, Edith Sitwell, and many others, Duncan's wide-ranging book is especially notable for its illumination of the role women played in creation of literary modernism. Until now, The H.D. Book existed only in mostly out-of-print little magazines in which its chapters first appeared. Now, for the first time published in its entirety, as its author intended, this monumental work--at once an encyclopedia of modernism, a reinterpretation of its key players and texts, and a record of Duncan's quest toward a new poetics--is at last complete and available to a wide audience.
Shorebirds are model organisms for illustrating the principles of ecology and excellent subjects for research. Their mating systems are as diverse as any avian group, their migrations push the limits of endurance, and their foraging is easily studied in the open habitats of estuaries and freshwater wetlands. This comprehensive text explores the ecology, conservation, and management of these fascinating birds. Beginning chapters examine phylogenetic relationships between shorebirds and other birds, and cover shorebird morphology, anatomy, and physiology. A section on breeding biology looks in detail at their reproductive biology. Because shorebirds spend much of their time away from breeding areas, a substantial section on non-breeding biology covers migration, foraging ecology, and social behavior. The text also covers shorebird demography, population size, and management issues related to habitat, predators, and human disturbances. Throughout, it emphasizes applying scientific knowledge to the conservation of shorebird populations, many of which are unfortunately in decline.
Breaking Ranks brings a new and deeply personal perspective to the war in Iraq by looking into the lives of six veterans who turned against the war they helped to fight. Based on extensive interviews with each of the six, the book relates why they enlisted, their experiences in training and in early missions, their tours of combat, and what has happened to them since returning home. The compelling stories of this diverse cross section of the military recount how each journey to Iraq began with the sincere desire to do good. Matthew Gutmann and Catherine Anne Lutz show how each individual's experiences led to new moral and political understandings and ultimately to opposing the war.
Friends-they are generous and cooperative with each other in ways that appear to defy standard evolutionary expectations, frequently sacrificing for one another without concern for past behaviors or future consequences. In this fascinating multidisciplinary study, Daniel J. Hruschka synthesizes an array of cross-cultural, experimental and ethnographic data to understand the broad meaning of friendship, how it develops, how it interfaces with kinship and romantic relationships, and how it differs from place to place. Hruschka argues that friendship is a special form of reciprocal altruism based not on tit-for-tat accounting or forward-looking rationality, but rather on mutual goodwill that is built up along the way. Using mathematical models, he shows that such an approach to cooperation can resist exploitation at the hands of false friends, while addressing adaptive problems of mutual aid. Hruschka provides a novel and comprehensive treatise on the anthropology, biology, psychology, and sociology of this essential and universal human relationship.
In How Chiefs Became Kings, Patrick Vinton Kirch addresses a central problem in anthropological archaeology: the emergence of "archaic states" whose distinctive feature was divine kingship. Kirch takes as his focus the Hawaiian archipelago, commonly regarded as the archetype of a complex chiefdom. Integrating anthropology, linguistics, archaeology, traditional history, and theory, and drawing on significant contributions from his own four decades of research, Kirch argues that Hawaiian polities had become states before the time of Captain Cook's voyage (1778-1779). The status of most archaic states is inferred from the archaeological record. But Kirch shows that because Hawai`i's kingdoms were established relatively recently, they could be observed and recorded by Cook and other European voyagers. Substantive and provocative, this book makes a major contribution to the literature of precontact Hawai`i and illuminates Hawai`i's importance in the global theory and literature about divine kingship, archaic states, and sociopolitical evolution.
New Philadelphia, Illinois was founded in 1836 by Frank McWorter, a Kentucky slave who purchased his own freedom and then acquired land on the prairie for establishing a new--and integrated--community. McWorter sold property to other freed slaves and to whites, and used the proceeds to buy his family out of slavery. The town population reached 160, but declined when the railroad bypassed. By 1940 New Philadelphia had virtually disappeared from the landscape. In this book, Paul A. Shackel resurrects McWorter's great achievement of self-determinism, independence, and the will to exist. Shackel describes a cooperative effort by two universities, the state museum, the New Philadelphia Association, and numerous descendents to explore the history and archaeology of this unusual multi-racial community.
How did one dine with a shogun? Or make solid gold soup, sculpt with a fish, or turn seaweed into a symbol of happiness? In this fresh look at Japanese culinary history, Eric C. Rath delves into the writings of medieval and early modern Japanese chefs to answer these and other provocative questions, and to trace the development of Japanese cuisine from 1400 to 1868. Rath shows how medieval "fantasy food" rituals--where food was revered as symbol rather than consumed--were continued by early modern writers. The book offers the first extensive introduction to Japanese cookbooks, recipe collections, and gastronomic writings of the period and traces the origins of dishes like tempura, sushi, and sashimi while documenting Japanese cooking styles and dining customs.
This innovative book uses the lens of cultural history to examine the development of medicine in Qing dynasty China. Focusing on the specialty of "medicine for women"(fuke), Yi-Li Wu explores the material and ideological issues associated with childbearing in the late imperial period. She draws on a rich array of medical writings that circulated in seventeenth- to nineteenth-century China to analyze the points of convergence and contention that shaped people's views of women's reproductive diseases. These points of contention touched on fundamental issues: How different were women's bodies from men's? What drugs were best for promoting conception and preventing miscarriage? Was childbirth inherently dangerous? And who was best qualified to judge? Wu shows that late imperial medicine approached these questions with a new, positive perspective.
Many think of Muslims in Europe as a twentieth century phenomenon, but this book brings to life a lost community of Arabs who lived through war, revolution, and empire in early nineteenth century France. Ian Coller uncovers the surprising story of the several hundred men, women, and children--Egyptians, Syrians, Greeks, and others--who followed the French army back home after Napoleon's occupation of Egypt. Based on research in neglected archives, on the rediscovery of forgotten Franco-Arab authors, and on a diverse collection of visual materials, the book builds a rich picture of the first Arab France--its birth, rise, and sudden decline in the age of colonial expansion. As he excavates a community that was nearly erased from the historical record, Coller offers a new account of France itself in this pivotal period, one that transcends the binary framework through which we too often view history by revealing the deep roots of exchange between Europe and the Muslim world, and showing how Arab France was in fact integral to the dawn of modernity.
Since it was first published in 2006, this concise overview of the making of the contemporary Middle East has become essential reading for students and general readers who want to gain a better understanding of this diverse region. Writing for a wide audience, Mehran Kamrava takes us from fall of the Ottoman Empire to today, exploring along the way such central issues as the dynamics of economic development, authoritarian endurance, and the Israel-Palestinian conflict. For this new, thoroughly revised edition, he has brought the book fully up to date by incorporating events and issues of the past few years. The Modern Middle East now includes information about the June 2009 Iranian presidential elections and their aftermath, changes precipitated so far by the Obama administration, Israel's attack on Gaza in 2008, the effects of globalization on economic development, and more.
The Realisms of Berenice Abbott provides the first in-depth consideration of the work of photographer Berenice Abbott. Though best known for her 1930s documentary images of New York City, this book examines a broad range of Abbott's work--including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott's unflinching commitment to "realist" aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott's story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful role of music in the expression of religious nationalism. In particular, it focuses on musical style, women's roles, and the ideological and aesthetic issues raised by the Indonesian style of recitation.
Interpreting Music is a comprehensive essay on understanding music and performing music meaningfully--"interpreting music" in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning--even the very concept of music--while breaking down conventional wisdom and received ideas. Kramer argues that music, far from being closed to interpretation, is ideally open to it, and that musical interpretation is the paradigm of interpretation in general. The book illustrates the many dimensions of interpreting music through a series of case studies drawn from the classical repertoire, but its methods and principles carry over to other repertoires just as they carry beyond music by working through music to wider philosophical and cultural questions.
This essential collection of Michael McClure's poetry contains the most original, radical, and visionary work of a major poet who has been garnering acclaim and generating controversy for more than fifty years. Ranging from A Fist Full, published in 1957, through Swirls in Asphalt, a new poem sequence, Indigo and Saffron is both an excellent introduction to this unique American voice and an impressive selection from McClure's landmark volumes for those already familiar with his boldly inventive work. One of the five poets who heralded the Beat movement in the 1955 Six Gallery reading in San Francisco, McClure reveals in his poetry a close kinship to Romanticism, Modernism, Surrealism, and Japanese haiku. These poems--grounded in imagination and a profound regard for the natural world--chart a poetic landscape of utter originality.
In his influential A Sand County Almanac, published at the forefront of the environmental movement in 1949, Aldo Leopold described a new ecological ethic to guide our stewardship of the planet. In this inspiring book, Sarah Hayden Reichard tells how we can bring Leopold's far-reaching vision to our gardens to make them more sustainable, lively, and healthy places. Today, gardening practices too often damage the environment; we deplete resources in our own soil while mining for soil amendments in far away places, or use water and pesticides in ways that can pollute lakes and rivers. Drawing from cutting edge research on urban horticulture, Reichard explores the many benefits of sustainable gardening and gives straightforward, practical advice on topics such as pest control, water conservation, living with native animals, mulching, and invasive species. The book includes a scorecard that allows readers to quickly evaluate the sustainability of their current practices, as well as an extensive list of garden plants that are invasive, what they do, and where they should be avoided.
What is a horizon? A line where land meets sky? The end of the world or the beginning of perception? In this brilliant, engaging, and stimulating history, Didier Maleuvre journeys to the outer reaches of human experience and explores philosophy, religion, and art to understand our struggle and fascination with limits--of life, knowledge, existence, and death. Maleuvre sweeps us through a vast cultural landscape, enabling us to experience each stopping place as the cusp of a limitless journey, whether he is discussing the works of Picasso, Gothic architecture, Beethoven, or General Relativity. If, as Aristotle said, philosophy begins in wonder, then this remarkable book shows us how wonder--the urge to know beyond the conceivable--is itself the engine of culture.
The Docks is an eye-opening journey into a giant madhouse of activity that few outsiders ever see: the Port of Los Angeles. In a book woven throughout with riveting novelist detail and illustrated with photographs that capture the frenetic energy of the place, Bill Sharpsteen tells the story of the people who have made this port, the largest in the country, one of the nation's most vital economic enterprises. Among others, we meet a pilot who parks ships, one of the first women longshoremen, union officials and employers at odds over almost everything, an environmental activist fighting air pollution in the "diesel death zone," and those with the nearly impossible job of enforcing security. Together these stories paint a compelling picture of a critical entryway for goods coming into the country--the Port of Los Angeles is part of a complex that brings in 40% of all our waterborne cargo and 70% of all Asian imports--yet one that is also extremely vulnerable. The Docks is a rare look at a world within our world in which we find a microcosm of the labor, environmental, and security issues we collectively face.
"... a smart, sprightly, sex-drenched, and neatly plotted novel ..." ---Alan Cheuse, National Public Radio and the Chicago Tribune. "Spark is at her sly, funny, and cutting best in her third novel, a clever and affecting variation on the biblical story of Esther." ---Booklist. "Spark's prose is tight, funny, insightful and occasionally heartbreaking as it probes the current education system, the arts and society's ills." ---Publishers Weekly. Good for the Jews is a smart, funny, sexy novel set in Madison, Wisconsin, during the Bush administration. Part mystery and part stranger-comes-to town story, Good for the Jews is loosely based on the biblical book of Esther. Like Esther, Debra Spark's characters deal with anti-Semitism and the way that powerful men--and the women who love them--negotiate bureaucracies. At the core of the story of right and wrong are young, attractive Ellen Hirschorn and her older cousin Mose, a high school teacher who thinks he knows, in fact, what is "good for the Jews"--and for Ellen, too. Their stories intertwine with those of the school superintendent, his ex-wife and son, and a new principal. Workplace treachery, the bonds of family, coming of age, and romantic relationships all take center stage as the characters negotiate the fallout from a puzzling fire. Spark's evocative writing style and sharp, understanding treatment of her diverse characters draw the reader into this surprising page-turner, a finalist for the 2009 ForeWord Magazine Book of the Year Award. Debra Spark is the author of two previous novels,The Ghost of Bridgetown and Coconuts for the Saint, as well as Curious Attractions: Essays on Fiction Writing. She's been a fellow at Radcliffe College's Bunting Institute and a recipient of a National Endowment for the Arts award. Her short stories, essays, and reviews have appeared in publications including Food and Wine, Esquire, the New York Times, the Washington Post, and Yankee. She is a professor at Colby College and teaches in the MFA Program for Writers at Warren Wilson College. She lives with her husband and son in North Yarmouth, Maine.
Scholars of classics and religion, mostly British or American, sample satiric attitudes about women and marriage written in Latin from about 200 BC through Walter Map in the 12th century, with two closing chapters on Chaucer writing in Middle English during the 14th. Among their topics are Roman education and Greek rhetorical thought on marriage, advice on sex by the self-defeating satirists, Jerome and the asceticization of satire, change and continuity in pagan thought and Christian invective on women and marriage from Antiquity to the Middle Ages, and antifeminism in the High Middle Ages. Annotation ©2004 Book News, Inc. , Portland, OR (booknews. com)
The chief mandate of the criminal justice system is not to prosecute the guilty but to safeguard the innocent from wrongful convictions; with this startling assertion, legal scholar George Thomas launches his critique of the U. S. system and its emphasis on procedure at the expense of true justice. Thomas traces the history of jury trials, an important component of the U. S. justice system, since the American Founding. In the mid-twentieth century, when it became evident that racism and other forms of discrimination were corrupting the system, the Warren Court established procedure as the most important element of criminal justice. As a result, police, prosecutors, and judges have become more concerned about following rules than about ensuring that the defendant is indeed guilty as charged. Recent cases of prisoners convicted of crimes they didn't commit demonstrate that such procedural justice cannot substitute for substantive justice. American justices, Thomas concludes, should take a lesson from the French, who have instituted, among other measures, the creation of an independent court to review claims of innocence based on new evidence. Similar reforms in the United States would better enable the criminal justice system to fulfill its moral and legal obligation to prevent wrongful convictions. George C. Thomas III is Professor of Law and Judge Alexander P. Waugh, Sr. , Distinguished Scholar at Rutgers School of Law. "Thomas draws on his extensive knowledge of the field to elaborate his elegant and important thesis---that the American system of justice has lost sight of what ought to be its central purpose---protection of the innocent. " ---Susan Bandes, Distinguished Research Professor of Law, DePaul University College of Law "Thomas explores how America's adversary system evolved into one obsessed with procedure for its own sake or in the cause of restraining government power, giving short shrift to getting only the right guy. His stunning, thought-provoking, and unexpected recommendations should be of interest to every citizen who cares about justice. " ---Andrew E. Taslitz, Professor of Law, Howard University School of Law "An unflinching, insightful, and powerful critique of American criminal justice---and its deficiencies. George Thomas demonstrates once again why he is one of the nation's leading criminal procedure scholars. His knowledge of criminal law history and comparative criminal law is most impressive. " ---Yale Kamisar, Distinguished Professor of Law, University of San Diego and Clarence Darrow Distinguished University Professor Emeritus of Law, University of Michigan
"Highly recommended . . . Holmes moves seamlessly from novelists like Charles Dickens to sociologists like Henry Mayhew to autobiographers like John Kitto. " ---Choice "An absolutely stunning book that will make a significant contribution to both Victorian literary studies and disability studies. " ---Rosemarie Garland-Thomson, Emory University "Establishes that Victorian melodrama informs many of our contemporary notions of disability . . . We have inherited from the Victorians not pandemic disability, but rather the complex of sympathy and fear. " ---Victorian Studies Tiny Tim, Clym Yeobright, Long John Silver---what underlies nineteenth-century British literature's fixation with disability? Melodramatic representations of disability pervaded not only novels, but also doctors' treatises on blindness, educators' arguments for "special" education, and even the writing of disabled people themselves. Drawing on extensive primary research, Martha Stoddard Holmes introduces readers to popular literary and dramatic works that explored culturally risky questions like "can disabled men work?" and "should disabled women have babies?" and makes connections between literary plots and medical, social, and educational debates of the day. Martha Stoddard Holmes is Associate Professor of Literature and Writing Studies at California State University, San Marcos.
This is a compelling story of the experiences of three young women who attended the University of California at Berkeley and became caught up in the tumultuous changes of the Sixties. Sara Davidson follows the three--Susie, Tasha, and Sara herself--from their first meeting in 1962, through the events that "radicalized" them in unexpected ways in the decade after the years in Berkeley. Susie navigates through the Free Speech Movement and the early women's movement in Berkeley, and Tasha enters the trendy New York art and society scene. Sara, a journalist, travels the country reporting on the stories of the sixties. The private lives that Davidson reconstructs are set against the public background of the time. Figures such as Timothy Leary, Mario Savio, Tom Hayden, and Joan Baez are here, as are the many young people who sought alternatives to "the establishment" through whatever means seemed worth exploring: radical politics, meditation, drugs, group sex, or dropping out. Davidson's honest and detailed chronicle reveals the hopes, confusion, and disillusionment of a generation whose rites of passage defined one of the most contentious decades of this century.
One of the foremost critics in contemporary American letters, Christopher Benfey has long been known for his brilliant and incisive essays. Appearing in such publications as theNew York Review of Books, theNew Republic, and theTimes Literary Supplement, Benfey's writings have helped us reimagine the American literary canon. In American Audacity, Benfey gathers his finest writings on eminent American authors (including Emerson, Dickinson, Whitman, Millay, Faulkner, Frost, and Welty), bringing to his subjects---as theNew York Times Book Reviewhas said of his earlier work---"a scholar's thoroughness, a critic's astuteness and a storyteller's sense of drama. " Although Benfey's interests range from art to literature to social history, this collection focuses on particular American writers and the various ways in which an American identity and culture inform their work. Broken into three sections, "Northerners," "Southerners," and "The Union Reconsidered," American Audacity explores a variety of canonical works, old (Emerson, Dickinson, Millay, Whitman), modern (Faulkner, Dos Passos), and more contemporary (Gary Snyder, E. L. Doctorow). Christopher Benfey is the author of numerous highly regarded books, includingEmily Dickinson: Lives of a Poet;The Double Life of Stephen Crane;Degas in New Orleans: Encounters in the Creole World of Kate Chopin and George Washington Cable; and, most recently,The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan; andA Summer of Hummingbirds. Benfey's poems have appeared in theParis Review,Pequod, andPloughshares. He has held fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, and the American Council of Learned Societies. Currently he is Mellon Professor of English at Mount Holyoke College. "A gifted literary historian and critic. " ---The New York Review of Books "Longer than book reviews and shorter than lengthy reappraisals of a poet or critic, the individual essays exhibit a confident, if modest, touch . . . His unadorned sentences . . . will encourage readers to buy books by the bibliographers and scholars he reviews as well as return readers to the audacious figures that comprise America's literary history. " ---Larry T. Shillock,Bloomsbury Review "In its vigorous and original criticism of American writers, Christopher Benfey'sAmerican Audacitiesdisplays its own audacities on every page. " ---William H. Pritchard
American painter Fairfield Porter (1907-1975) was an iconoclast who developed a singular style that was outside the politically correct boundaries of both left and right. This collection of letters sheds light on Porter's personal views and displays his acumen as a political critic. It encompasses letters from his early travels to the Soviet Union (including a description of an interview with Trotsky) as well as later correspondence with close friends. The volume features an introduction by poet/critic David Lehman and notes by Justin Spring, author of . Editor Leigh is an artist, writer, and teacher. Annotation ©2005 Book News, Inc. , Portland, OR (booknews. com)
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