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The great British mystery novelist P. D. James, otherwise known as the Queen of Crime, has redefined the genre over a career spanning close to forty years. TIME magazine called her the "reigning mistress of murder," whose vivid and compelling novels have made her one of the world's leading crime writers. Biographers have urged her to allow them to write about her life, but she has always kept them at bay, valuing her privacy.However, at the age of seventy-seven, P. D. James decided for the first time in her life to keep a diary for one year, foremost as a record of her thoughts and memories for her family and herself, but also as a "fragment of autobiography" for publication. As she beautifully describes the salient events of a dizzying year full of publicity duties, giving lectures and fulfilling other public commitments, she lets the memories flow, wandering back and forth through the years to illuminate an extraordinary life and to give striking insights into the craft of writing. The book became a New York Times bestseller - as have all of her recent books - and does more than simply satisfy the curiosity of her many fans.Mystery author Eric Wright wrote in The Globe and Mail that "The final effect is not of a fragment, but of a finished miniature portrait of the artist in her 77th year. ... The form she has invented, a kind of public diary, creates an intimacy that a major autobiography would never achieve. ...a revealing portrait of a gifted human being, full of common sense and humour, someone we would like to know."In the book, James comments on everything from architecture to literature to fox hunting to the decline of moral values in modern Britain, and shares with us her love of reading and the joys of family life (she has two daughters, who live in the United States, and several grandchildren). However, she refuses to delve too deeply into the painful areas of her personal life now well in the past, though she has clearly experienced some hard times. "They are over and must be accepted, made sense of and forgiven, afforded no more than their proper place in a long life in which I have always known that happiness is a gift, not a right." Readers have found this reservation admirable and elegantly refreshing in a time of "self-rummaging, self-serving autobiography" (Joan Barfoot, The London Free Press). Still, hints of pain slip in, and we may sometimes read between the lines.Time to Be in Earnest is a privileged and engrossing look into the life and mind of one of the great mystery writers alive today, one who has earned comparisons with Sir Arthur Conan Doyle and Dorothy L. Sayers. James is also deeply thoughtful, a remarkable woman who witnessed much over the course of the twentieth century. Whether describing motherhood in London during the bombardments of the Second World War, her fine career as a civil servant in the British Home Office, or her later life as a formidably successful writer, she sheds light on a lifetime of exceptional achievements.From the Trade Paperback edition.
A young bridegroom enlists private investigator William Monk to track down his fiancée, Miriam Gardiner, who disappeared suddenly from a party at a luxurious Bayswater mansion. Monk soon finds the coach in which Miriam fled and, nearby, the murdered body of the coachman, but there is no trace of the young passenger. What strange compulsion could have driven the beautiful widow to abandon the prospect of a loving marriage and financial abundance? Monk and clever nurse Hester Latterly, themselves now newlyweds, desperately pursue the elusive truth--and an unknown killer whose malign brilliance they have scarcely begun to fathom.oving marriage and financial abundance? Monk's attempt to answer that question proves a challenge, as Miriam Gardiner's fateful flight ends in a packed London courtroom where brilliant barrister Oliver Rathbone wages an uphill battle to absolve her from a charge of murder. And in a race with the hangman, Monk and clever nurse Hester Latterly--themselves now newlyweds--desperately pursue the elusive truth . . . and an unknown killer whose malign brilliance they have scarcely begun to fathom.From the Hardcover edition.
Tim LaHaye's most exciting series ever, Babylon Rising, continues with this explosive new installment, including more revelations than ever before. InThe Edge of Darkness, LaHaye reveals the meaning behind some of the most carefully guarded Biblical prophecies to expose a conspiracy with terrifying consequences for our modern world. This time Michael Murphy sets off in search of the Lost Temple of Dagon and the dark secrets of the strange god once worshipped by the ancient Philistines. His quest will lead to a final confrontation with an old enemy and uncover one of the Bible's most feared warnings-a prophecy of false miracles, false messiahs, and ultimate evil that will be fulfilled in our time. . . and that not even Murphy can stop once it's begun. Once again Tim LaHaye combines his unmatched insight into Biblical prophecy with his unique skills as a master storyteller to deliver a suspense thriller of nonstop action with a thought-provoking message for our troubled times.
Winner of the PEN/Faulkner Award for Fiction A harvest and not a winnowing, this volume collects 103 stories, almost all of the short fiction that John Updike wrote between 1953 and 1975. "How rarely it can be said of any of our great American writers that they have been equally gifted in both long and short forms," reads the citation composed for John Updike upon his winning the 2006 Rea Award for the Short Story. "Contemplating John Updike's monumental achievement in the short story, one is moved to think of Nathaniel Hawthorne, Henry James, Ernest Hemingway, and perhaps William Faulkner--writers whose reputations would be as considerable, or nearly, if short stories had been all that they had written. From [his] remarkable early short story collections . . . through his beautifully nuanced stories of family life [and] the bittersweet humors of middle age and beyond . . . John Updike has created a body of work in the notoriously difficult form of the short story to set beside those of these distinguished American predecessors. Congratulations and heartfelt thanks are due to John Updike for having brought such pleasure and such illumination to so many readers for so many years."
Two sisters competing for the greatest prize: the love of a king When Mary Boleyn comes to court as an innocent girl of fourteen, she catches the eye of Henry VIII. Dazzled by the king, Mary falls in love with both her golden prince and her growing role as unofficial queen. However, she soon realizes just how much she is a pawn in her familys ambitious plots as the kings interest begins to wane and she is forced to step aside for her best friend and rival: her sister, Anne. Then Mary knows that she must defy her family and her king, and take her fate into her own hands. A rich and compelling tale of love, sex, ambition, and intrigue, The Other Boleyn Girl introduces a woman of extraordinary determination and desire who lived at the heart of the most exciting and glamorous court in Europe and survived by following her own heart.
Ever since the first person woke up yawning and stretching from the first sleep, dreams have intrigued humankind. At some point all of us have been mystified or terrified or delighted by a vivid dream, and we all wonder -- what do our dreams mean? In her inspiring book, Dream Power, Los Angeles Times dream columnist Cynthia Richmond draws on her experience as a therapist and dream counselor to show us how to harness the power of our dreams and make our life goals come true. Understanding our dreams can give us a huge advantage in all facets of life, Richmond demonstrates -- in work, love, health, and spirituality. "By listening to what your subconscious mind and your spirit tell you through your dreams," she predicts, "you will have all the tools you need to achieve the life you want." But before we can interpret our dreams -- and change our lives -- we need to learn how to remember them, and so Dream Power begins with a simple tutorial in the art of recall. After providing us with practical, step-by-step techniques for gaining access to our dream lives, Richmond then charts the landscape of dream themes and their rich, perplexing meanings. Most of us have dreams that fall into certain important categories -- dreams of departed loved ones, schools and tests, flying, water, public nudity, and sex. Analyzing more than 200 real-life dreams (some from celebrities such as Jane Seymour and Kelsey Grammer), Richmond reveals the common themes, symbols, and meanings that run throughout them. Our dreams express universal hopes and fears, and these Richmond explores with warmth and insight. But she also takes traditional dream interpretation an important step further, showing us how to transform our insights into life-changing opportunities. To understand our dreams fully, she insists, we must look deep into our hearts and souls and ask: What do we want out of our lives? What are we afraid of and what do we love? Who are we? The answers to these questions will come to us in our sleep, if we recognize the wisdom and truth of the dream world. "Every one of us has a lesson to learn and a gift to offer to the world," Richmond declares. The wisdom of those lessons can help us make powerful changes in our spiritual, social, professional, and romantic lives. As Cynthia Richmond shows us with authority and inspiration, the path to a better life is only a dream away.
In a beautifully rendered portrait, Jimmy Carter remembers the Christmas days of his Plains boyhood -- the simplicity of family and community gift-giving, his father's eggnog, the children's house decorations, the school Nativity pageant, the fireworks, Luke's story of the birth of Christ, and the poignancy of his black neighbors' poverty. Later, away at Annapolis, he always went home to Plains, and during his Navy years, when he and Rosalynn were raising their young family, they spent their Christmases together re-creating for their children the holiday festivities of their youth. Since the Carters returned home to Plains for good, they have always been there on Christmas Day, with only one exception in forty-eight years: In 1980, with Americans held hostage in Iran, Jimmy, Rosalynn, and Amy went by themselves to Camp David, where they felt lonely. Amy suggested that they invite the White House staff and their families to join them and to celebrate. Nowadays the Carters' large family is still together at Christmastime, offering each other the gifts and the lifelong rituals that mark this day for them. With the novelist's eye that enchanted readers of his memoir An Hour Before Daylight, Jimmy Carter has written another American classic, in the tradition of Truman Capote's A Christmas Memory and Dylan Thomas's A Child's Christmas in Wales.
Once upon a time, in the haunted city of Derry (site of the classics It and Insomnia), four boys stood together and did a brave thing. Certainly a good thing, perhaps even a great thing. Something that changed them in ways they could never begin to understand. Twenty-five years later, the boys are now men with separate lives and separate troubles. But the ties endure. Each hunting season the foursome reunite in the woods of Maine. This year, a stranger stumbles into their camp, disoriented, mumbling something about lights in the sky. His incoherent ravings prove to be dis-turbingly prescient. Before long, these men will be plunged into a horrifying struggle with a creature from another world. Their only chance of survival is locked in their shared past -- and in the Dreamcatcher. Stephen King's first full-length novel since Bag of Bones is, more than anything, a story of how men remember, and how they find their courage. Not since The Stand has King crafted a story of such astonishing range -- and never before has he contended so frankly with the heart of darkness.
When John Connolly burst upon the literary suspense scene in 1999, he was an immediate international sensation. His Every Dead Thing became an instantaneous bestseller in England, and here in America, his writing was greeted with extraordinary accolades. He won the prestigious Shamus Award for Best First Private Eye Novel, and, as the San Francisco Examiner wrote, "John Connolly's tale is as riveting and chilling as Thomas Harris's The Silence of the Lambs and James Patterson's Kiss the Girls." Now, Connolly returns with Dark Hollow, a terrifying and ingenious novel of a murderous spree that reaches back decades into the victims' pasts. Back again is ex-New York Police Detective Charlie "Bird" Parker, who has returned to his hometown of Scarborough, Maine, after the vicious killings of his wife and daughter; it is time to leave the bloodstained streets of Manhattan and rebuild his family's house -- as well as his own life. But for Bird, returning to his roots means digging through a mountain of terror, as memories of his father's and grandfather's untimely deaths resurface and drive him to join the manhunt for the killer of yet another mother and child. Though the obvious suspect is Billy Purdue, the violent former husband of the murdered young woman, another player lurks in this disturbing drama, someone entangled in the dark hollow of Bird's past. Darkly atmospheric, tense and imbued with the page-turning ferocity that only the finest crime fiction offers, Dark Hollow is a stunning successor to Every Dead Thing, a testament to the burgeoning power of John Connolly to tell stories that thrill, frighten and haunt the soul.
Ulysses S. Grant was the first four-star general in the history of the United States Army and the only president between Andrew Jackson and Woodrow Wilson to serve eight consecutive years in the White House. As general in chief, Grant revolutionized modern warfare. Rather than capture enemy territory or march on Southern cities, he concentrated on engaging and defeating the Confederate armies in the field, and he pursued that strategy relentlessly. As president, he brought stability to the country after years of war and upheaval. He tried to carry out the policies of Abraham Lincoln, the man he admired above all others, and to a considerable degree he succeeded. Yet today, Grant is remembered as a brilliant general but a failed president. In this comprehensive biography, Jean Edward Smith reconciles these conflicting assessments of Grant's life. He argues convincingly that Grant is greatly underrated as a president. Following the turmoil of Andrew Johnson's administration, Grant guided the nation through the post- Civil War era, overseeing Reconstruction of the South and enforcing the freedoms of new African-American citizens. His presidential accomplishments were as considerable as his military victories, says Smith, for the same strength of character that made him successful on the battlefield also characterized his years in the White House. Grant was the most unlikely of military heroes: a great soldier who disliked the army and longed for a civilian career. After graduating from West Point, he served with distinction in the Mexican War. Following the war he grew stale on frontier garrison postings, despaired for his absent wife and children, and began drinking heavily. He resigned from the army in 1854, failed at farming and other business endeavors, and was working as a clerk in the family leathergoods store when the Civil War began. Denied a place in the regular army, he was commissioned a colonel of volunteers and, as victory followed victory, moved steadily up the Union chain of command. Lincoln saw in Grant the general he had been looking for, and in the spring of 1864 the president brought him east to take command of all the Union armies. Smith dispels the myth that Grant was a brutal general who willingly sacrificed his soldiers, pointing out that Grant's casualty ratio was consistently lower than Lee's. At the end of the war, Grant's generous terms to the Confederates at Appomattox foreshadowed his generosity to the South as president. But, as Smith notes, Grant also had his weaknesses. He was too trusting of his friends, some of whom schemed to profit through their association with him. Though Grant himself always acted honorably, his presidential administration was rocked by scandals. "He was the steadfast center about and on which everything else turned," Philip Sheridan wrote, and others who served under Grant felt the same way. It was this aura of stability and integrity that allowed Grant as president to override a growing sectionalism and to navigate such national crises as the Panic of 1873 and the disputed Hayes-Tilden election of 1876. At the end of his life, dying of cancer, Grant composed his memoirs, which are still regarded by historians as perhaps the finest military memoirs ever written. They sold phenomenally well, and Grant the failed businessman left his widow a fortune in royalties from sales of the book. His funeral procession through the streets of Manhattan closed the city, and behind his pallbearers, who included both Confederate and Union generals, marched thousands of veterans from both sides of the war.
The groundbreaking, "seminal work" (Time) on intelligent design that dares to ask, was Darwin wrong? In 1996, Darwin's Black Box helped to launch the intelligent design movement: the argument that nature exhibits evidence of design, beyond Darwinian randomness. It sparked a national debate on evolution, which continues to intensify across the country. From one end of the spectrum to the other, Darwin's Black Box has established itself as the key intelligent design text -- the one argument that must be addressed in order to determine whether Darwinian evolution is sufficient to explain life as we know it. In a major new Afterword for this edition, Behe explains that the complexity discovered by microbiologists has dramatically increased since the book was first published. That complexity is a continuing challenge to Darwinism, and evolutionists have had no success at explaining it. Darwin's Black Box is more important today than ever.
In her new book about the men who were instrumental in establishing the Rome of the Emperors, Colleen McCullough tells the story of a famous love affair and a man whose sheer ability could lead to only one end -- assassination. As The October Horse begins, Gaius Julius Caesar is at the height of his stupendous career. When he becomes embroiled in a civil war between Egypt's King Ptolemy and Queen Cleopatra, he finds himself torn between the fascinations of a remarkable woman and his duty as a Roman. Though he must leave Cleopatra, she remains a force in his life as a lover and as the mother of his only son, who can never inherit Caesar's Roman mantle, and therefore cannot solve his father's greatest dilemma -- who will be Caesar's Roman heir? A hero to all of Rome except to those among his colleagues who see his dictatorial powers as threats to the democratic system they prize so highly, Caesar is determined not to be worshiped as a god or crowned king, but his unique situation conspires to make it seem otherwise. Swearing to bring him down, Caesar's enemies masquerade as friends and loyal supporters while they plot to destroy him. Among them are his cousin and Master of the Horse, Mark Antony, feral and avaricious, priapic and impulsive; Gaius Trebonius, the nobody, who owes him everything; Gaius Cassius, eaten by jealousy; and the two Brutuses, his cousin Decimus, and Marcus, the son of his mistress Servilia, sad victim of his mother and of his uncle Cato, whose daughter he marries. All are in Caesar's debt, all have been raised to high positions, all are outraged by Caesar's autocracy. Caesar must die, they decide, for only when he is dead will Rome return to her old ways, her old republican self. With her extraordinary knowledge of Roman history, Colleen McCullough brings Caesar to life as no one has ever done before and surrounds him with an enormous and vivid cast of historical characters, characters like Cleopatra who call to us from beyond the centuries, for McCullough's genius is to make them live again without losing any of the grandeur that was Rome. Packed with battles on land and sea, with intrigue, love affairs, and murders, the novel moves with amazing speed toward the assassination itself, and then into the ever more complex and dangerous consequences of that act, in which the very fate of Rome is at stake. The October Horse is about one of the world's pivotal eras, relating as it does events that have continued to echo even into our own times.
On the heels of her sensational "New York Times" bestseller "Dangerous Kiss," comes another tantalizing Jackie Collins treat: "Lethal Seduction. " Madison Castelli, the beautiful, street-smart heroine of Jackie Collins's L. A. Connections series, returns in "Lethal Seduction," an edgy novel full of danger, passion and suspense. Madison is having problems -- her ex-live-in lover who walked out on her is trying to walk back in. Her new lover is giving her a hard time. And her father turns out to be a man with deadly secrets. Set between the high-powered world of New York and the manic excitement of Las Vegas, "Lethal Seduction" is packed with all the intrigue and glamour fans have come to expect from Jackie Collins. This deliciously uninhibited tale of cover-ups, deception and mob involvement finds Jackie Collins at the height of her creative powers as the diverse cast of characters in "Lethal Seduction" take an exhilarating walk on the wild side, where nothing is ever exactly as it seems and danger is all around.
Affordable, compact, and authoritative, this one-volume edition of The Annotated Milton encompasses the monumental sweep of John Milton's poetry. Here are Milton' s early works, including his first great poem, "On the Morning of Christ's Nativity," the light and lyrical "L'Allegro" and "Il Penseroso," the masque Comus, and the lushly beautiful pastoral elegy "Lycidas." Here, too, included in their entirety, are the three epic poems considered to be among the finest works in the English language: Paradise Lost, Paradise Regained, and Samson Agonistes.Fully annotated by Burton Raffel, this distinguished edition clarifies the complex allusions of Milton's verse and references the personal, religious, historical, and mythical influences that inspired the great blind poet of England, who ranks among the undisputed giants of world literature.From the Paperback edition.
To Carter Billings, the hero of John Updike's title story, all of England has the glow of an afterlife: "A miraculous lacquer lay upon everything, beading each roadside twig, each reed of thatch in the cottage roofs, each tiny daisy trembling in the grass". All twenty-two of the stories in this collection - John Updike's eleventh, and his first in seven years - in various ways partake of this glow, as life beyond middle age is explored and found to have its own particular wonders, from omniscient golf caddies to prescient sexual rumors, from the deaths of mothers and brothers-in-law to the births of grandchildren. As death approaches, life takes on, for some of these aging heroes, a translucence, a magical fragility; vivid memory and casual misperception lend the mundane an antic texture, and the backward view, lengthening, acquires a certain grandeur. Travel, whether to England or Ireland, Italy or the isles of Greece, heightens perceptions and tensions. As is usual in Mr. Updike's fiction, spouses quarrel, lovers part, children are brave, and houses with their decor have the presence of personalities. His is a world where innocence stubbornly persists, and fresh beginnings almost outnumber losses.
John Updike's twentieth novel, like his first, The Poorhouse Fair, takes place in one day, a day that contains much conversation and some rain. The seventy-nine-year-old painter Hope Chafetz, who in the course of her eventful life has been Hope Ouderkirk, Hope McCoy, and Hope Holloway, answers questions put to her by a New York interviewer named Kathryn, and recapitulates, through stories from her career and many marriages, the triumphant, poignant saga of postwar American art. In the evolving relation between the two women, interviewer and subject move in and out of the roles of daughter and mother, therapist and patient, predator and prey, supplicant and idol. The scene is central Vermont; the time, the early spring of 2001.
First published in 1920, This Side of Paradise marks the beginning of the career of one of the greatest writers of the first half of the twentieth century. In this remarkable achievement, F. Scott Fitzgerald displays his unparalleled wit and keen social insight in his portrayal of college life through the struggles and doubts of Amory Blaine, a self-proclaimed genius with a love of knowledge and a penchant for the romantic. As Amory journeys into adulthood and leaves the aristocratic egotism of his youth behind, he becomes painfully aware of his lost innocence and the new sense of responsibility and regret that has taken its place. Clever and wonderfully written, This Side of Paradise is a fascinating novel about the changes of the Jazz Age and their effects on the individual. It is a complex portrait of a versatile mind in a restless generation that reveals rich ideas crucial to an understanding of the 1920s and timeless truths about the human need for--and fear of--change. "A very enlivening book indeed, a book really brilliant and glamorous, making as agreeable reading as could be asked . . . There are clever things, keen and searching things, amusingly young and mistaken things, beautiful things and pretty things . . . and truly inspired and elevated things, an astonishing abundance of each, in THIS SIDE OF PARADISE. You could call it the youthful Byronism that is normal in a man of the author's type, working out through a well-furnished intellect of unusual critical force."--The Evening Post, 1920"An astonishing and refreshing book . . . Mr. Fitzgerald has recorded with a good deal of felicity and a disarming frankness the adventures and developments of a curious and fortunate American youth. . . . [It is] delightful and encouraging to find a novel which gives us in the accurate terms of intellectual honesty a reflection of American undergraduate life. At last the revelation has come. We have the constant young American occupation--the 'petting party'--frankly and humorously in our literature."--The New Republic, 1920From the Paperback edition.
In this brilliant late-career collection, John Updike revisits many of the locales of his early fiction: the small-town Pennsylvania of Olinger Stories, the sandstone farmhouse of Of the Farm, the exurban New England of Couples and Marry Me, and Henry Bech's Manhattan of artistic ambition and taunting glamour. To a dozen short stories spanning the American Century, the author has added a novella-length coda to his quartet of novels about Harry "Rabbit" Angstrom. Several strands of the Rabbit saga come together here as, during the fall and winter holidays of 1999, Harry's survivors fitfully entertain his memory while pursuing their own happiness up to the edge of a new millennium. Love makes Updike's fictional world go round--married love, filial love, feathery licks of erotic love, and love for the domestic particulars of Middle American life.s suspected that Updike would try to pull one more Rabbit out of his hat. Now, some 10 years after the death of everybody's favorite Updike character, Updike has done just that, and with great success. . . . 'Rabbit Remembered' ranks with his best work."-The Star-Ledger"GLIMMERING . . . SEDUCTIVE . . . JOHN UPDIKE HITS HIS STRIDE"-Entertainment WeeklyFrom the Trade Paperback edition.
In an elegant, two-color format, punctuated with intriguing drawings, If . . . poses hundreds of questions ranging from practical to maddening, moral to hilarious--which, if read alone, inspire self-exploration; if shared, spark fascinating discussions at gatherings, dinner parties, or meetings.From the Hardcover edition.
Introduction by Hortense Calisher Commentary by Edmund Wilson, Henry Seidel Canby, and Arthur Mizener Fitzgerald's second novel, a devastating portrait of the excesses of the Jazz Age, is a largely autobiographical depiction of a glamorous, reckless Manhattan couple and their spectacular spiral into tragedy. Published on the heels of This Side of Paradise, the story of the Harvard-educated aesthete Anthony Patch and his willful wife, Gloria, is propelled by Fitzgerald's intense romantic imagination and demonstrates an increased technical and emotional maturity. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. As Hortense Calisher observes in her Introduction, "Though Fitzgerald can entrance with stories so joyfully youthful they appear to be safe--when he cuts himself, you will bleed."Includes a Modern Library Reading Group Guide From the Trade Paperback edition.
Mary Doria Russell's debut novel, The Sparrow, took us on a journey to a distant planet and into the center of the human soul. A critically acclaimed bestseller, The Sparrow was chosen as one of Entertainment Weekly's Ten Best Books of the Year, a finalist for the Book-of-the-Month Club's First Fiction Prize and the winner of the James M. Tiptree Memorial Award. Now, in Children of God, Russell further establishes herself as one of the most innovative, entertaining and philosophically provocative novelists writing today.The only member of the original mission to the planet Rakhat to return to Earth, Father Emilio Sandoz has barely begun to recover from his ordeal when the So-ciety of Jesus calls upon him for help in preparing for another mission to Alpha Centauri. Despite his objections and fear, he cannot escape his past or the future.Old friends, new discoveries and difficult questions await Emilio as he struggles for inner peace and understanding in a moral universe whose boundaries now extend beyond the solar system and whose future lies with children born in a faraway place.Strikingly original, richly plotted, replete with memorable characters and filled with humanity and humor, Chil-dren of God is an unforgettable and uplifting novel that is a potent successor to The Sparrow and a startlingly imaginative adventure for newcomers to Mary Doria Russell's special literary magic.From the Hardcover edition.
Topping her bestselling success with Alvirah and Willy, in The Lottery Winner, America's Queen of Suspense introduces a new sleuthing couple, Henry and Sunday, an ex-president and his young congresswoman bride. Henry Parker Britland IV is wealthy and worldly -- a beloved former president who, still youthful, is enjoying early retirement. His new wife, Sunday, is beautiful, smart and seventeen years younger than he, and has just been elected to Congress in a stunning upset victory that has made her the darling of the media. Henry and Sunday make a formidable team of sleuths -- and never more so than when they set out to solve crimes occurring among their friends in political high society. When Henry's former secretary of state is indicted for the murder of his mistress, Henry and Sunday suspect he is taking the fall for a crime of passion he did not commit. But why? With cases ranging from a crime on the presidential yacht to a kidnapping that brings Henry back to the White House as he races against time to unravel the plot, there is never a dull moment for the ex-president and his bride -- or the reader. With her wit and gift for characterization, the creator of the popular Alvirah and Willy stories brings us another marvelously endearing sleuthing duo, destined to return again and again.
Alvirah Meehan, one of Mary Higgins Clark's most beloved characters, returns in these dazzling, intertwined tales of sleuthing and suspense. Alvirah, the former cleaning lady who struck it rich in the lottery, made her first appearance in Weep No More, My Lady. Now, with her devoted mate, Willy, the ever-resourceful Alvirah delves into crime-solving on a grand scale -- and with her own inimitable style. Among their many adventures, Alvirah and Willy find a dead actress in their Central Park South condominium upon their return from London in "The Body in the Closet. " Needing a break from the big city, they escape to Cape Cod -- only to meet a would-be heiress framed for murder in "Death on the Cape. " When Alvirah and Willy seek the tranquillity of the Cypress Point Spa, it's the perfect getaway -- until a jewel thief turns up in "The Lottery Winner. " Back in Manhattan, the search for a neighbor's missing newborn makes for a suspense-filled Christmas in "Bye, Baby Bunting. "
In today's fast-paced networked economy, professionals must work harder than ever to maintain and improve their business skills and knowledge. But technical mastery of your discipline is not enough, assert world-renowned professional advisors David H. Maister, Charles H. Green, and Robert M. Galford. The key to professional success, they argue, is the ability to earn the trust and confidence of clients. The creation of trust is what earns the right to influence clients; trust is also at the root of client satisfaction and loyalty. The workings of trust are even more critical in the new economy than in the old. Maister, Green, and Galford enrich our understanding of trust -- yet they have also written a deeply practical book. Using their model of "The Trust Equation," they dissect the rational and emotional components of trustworthiness. With precision and clarity, they detail five distinct steps you must take to create a trust-based relationship. Each step -- engage, listen, frame, envision, and commit -- is richly described in distinct chapters. The book is peppered with pragmatic "top ten" lists aimed at improving advisors' effectiveness that can be put to use instantly. It also includes a trust self-diagnostic in the appendix. This immensely readable book will be welcomed by the inexperienced advisor and the most seasoned expert alike. The authors use anecdotes, experiences, and examples -- successes and mistakes, their own and others' -- to great effect. Though they use the professional services advisor/client paradigm throughout the book, their prescriptions have resonance for other trust-reliant situations -- selling, customer relationship management, and internal staff functions like HR and information technology. The result is a tour de force -- brilliant, penetrating, unique. It is essential reading for anyone who must advise, negotiate, or manage complex relationships with others.
The story of the creation of the Wheel by Max, is in reality a creative way of portraying the marketing skills, techniques and strategies required to successfully sell the Wheel. The book aims to provide, in a descriptive manner, a detailed understanding of the market mechanisms and ways by which a shift in the company's focus can increase its profitability and growth rate in the market.
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