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Les Maîtres de l'Affiche (The Masters of the Poster) is one of the most prestigious and influential art publications in history. Its 256 color plates have preserved for each succeeding generation a wide- ranging selection of outstanding posters from the turn of the century, when the popular art form had reached its first peak. This Dover edition is the first complete republication of the legendary Maîtres set to devote a full large page to each plate.Les Maîtres de l'Affiche was issued as separate numbered sheets measuring 11 1/4 x 15 1/2 inches. Every month for 60 months, from December 1895 through November 1900, subscribers received a wrapper containing four consecutively numbered poster reproductions. On 16 occasions, the monthly wrapper also contained a bonus plate, not a poster reproduction but a specially created art lithograph. Jules Chéret, father of the modern poster, emerged with the lion's share of the plates, 60 of the 240 numbered poster reproductions and 7 of the 16 unnumbered bonus plates. Of the 97 artists represented in Les Maîtres de l'Affiche, some were preeminent painters and printmakers at various stages of their careers: Toulouse-Lautrec, Denis, Bonnard, Vallotton, Puvis de Chavannes. Others were famous illustrators and cartoonists of the period, still well known to art collectors and bibliophiles: Forain, Caran d'Ache, Ibels, Willete, Boutet de Monvel, Léandre. But there were also all those whose names say "poster," the conquering pioneers of the new medium: Chéret himself, Mucha, Steinlen, the Beggarstaffs, Grasset, Penfield, Parrish, Bradley, and Hardy.This edition reproduces the plates in their original numerical sequence, one to a page, retaining the standardized tan border introduced by the editors of Les Maîtres. The bonus plates, originally unnumbered and issued at various times, have been given the letters A through P and have been placed at the end of the volume. The List of Plates indicates the exact months in which Maîtres subscribersreceived these bonus plates. In order to keep the plate pages uncluttered, the captions on those pages have been limited to plate number (or letter) and the artist's name. The List of Plates also furnishes essential data on the original full-sized posters: their dimensions, the year in which they were first published, city of publication, and specific print shop responsible. A special Dover feature, which is almost certainly a first ever, is a full literal translation of the text of all posters printed in a language other than English. These are all new direct translations from French, German, Italian, Spanish, Dutch, Danish, Czech, and Hungarian.
The author of this superb guide was not only a renowned watercolor painter but also a brilliant teacher with an unmatched talent for conveying to his students the techniques and aesthetic philosophy underlying great paintings. Years after becoming award-winning painters themselves, his students still quote his "Whitneyisms" to remind themselves of all that is most important in creating art. This fine guide, the distillation of Edgar Whitney's teaching, is one of the most useful, comprehensive, and popular watercolor painting books every published -- almost a cult classic. Starting with the nuts-and-bolts basics -- including choice of paper, colors, palette, and brushes -- and with exercises to give the beginner experience in using washes on both dry and wet paper, the book presents a full course of watercolor painting. The author gives specific, detailed instructions for creating landscapes and for painting portraits and figures -- instructions that come vividly to life in two 16-page full-color sections showing the steps involved in creatiang seven of his own watercolors. Other chapters focus on drawing; the principles and elements of design; and matting, framing, and selling completed works of art. Beautifully designed and illustrated, this invaluable book will be treasured by all watercolorists -- from complete beginners to experienced painters looking for ways to improve their own paintings.
What were they wearing during the Roaring 20s? This chic collection presents a comprehensive view of Jazz Age fashions with hundreds of sepia-tone illustrations and captions. Selected from a 1927 Montgomery Ward catalog, these images form authentic reflections of the era's everyday and formal apparel. For the ladies, the catalog abounds in "rage of Paris" chemise dresses, feather-trimmed cloche hats, and casual wear. Gentlemen's suits appear here as well, along with attire for work and leisure and children's clothes for school, play, and special occasions. Sixteen pages of color illustrations offer vivid portraits of '20s styles, and an informative Introduction by fashion historian JoAnne Olian explains the period's trends. Collectors, designers, and fashion mavens will prize this charming style archive.
Situated far to the north of the Scottish mainland, the Shetlands are famous for the dampness of their climate and the excellence of their wool -- a pair of distinctions that fostered the development of a vibrant form of patterned knitting. Fair Isle's unusual technique employs two colors in each row; the wool not in use is stranded along the back in short loops, resulting in an extremely warm and weatherproof double fabric.In this definitive guide, the author shows how any circular-method knitting technique can yield the popular Fair Isle patterns. Its treasury of designs features more than 70 pages of patterns that can be used for mittens, jerseys, jackets, and hats. In addition, its practical advice on designing garments and the use of color offers valuable assistance to knitters who wish to create their own patterns and seek the inspiration for an endless array of variations and adaptations.Long out of print, this volume is well known as the best source of authentic Fair Isle patterns. Its republication offers a new generation of knitters a reliable resource for projects in the traditional and much-loved style. 31 halftones and 17 color illustrations.
An expert on traditional Scandinavian knitting explains the distinctive craft's origins, its various types, and knitting techniques in this classic guide. Sheila McGregor's in-depth treatment ranges from the regional styles of Norway, Sweden, and Denmark to those of the North Atlantic Islands of Faeroe and Iceland. Vibrant patterns for an array of garments include jerseys, gloves and mittens, stockings, and caps. Illustrated with 191 black-and-white and 20 color pictures, this volume is well known and prized among longtime practitioners of the craft. Its return to print will delight a new generation of knitting enthusiasts.
Portraiture is a demanding art requiring the artist to capture a likeness and render it revealing some hint of the personality behind the image. A two-pronged task, it requires great technical skill and an intuitive eye. In both these respects, John Singer Sargent stands out as a portrait artist of major stature.Born in 1856 in Florence of American parents, Sargent showed artistic aptitude at an early age and was enrolled at the Academia delle Belle Arti in that city. Later he studied with Parisian artist Carolus Duran, acquiring the loose, painterly style for which he is renowned. International acclaim as a portrait artist came early in his life and followed him throughout his career.Sargent's portraits done in oil are well known; they appear in major museums throughout the world. A lesser-known but no less respected aspect of his oeuvre, his portrait drawings are the focus of this collection. Included here are early works in pencil and pastels, and later renderings in charcoal, a medium Sargent favored after 1910. They have been selected from both public and private collections by art historian Trevor J. Fairbrother and attest to Sargent's technical skill, versatility, and dexterity in three different mediums.In addition, these works reveal Sargent's ability to treat a diverse group of subjects; he handles the languorous beauties of the Edwardian age, members of the aristocracy, and the great literary and artistic figures of his day with equal virtuosity, capturing their characteristic mood and style. This collection includes portraits of Lord and Lady Spencer, Henry James, William Butler Yeats, Vaslav Nijimsky, Tamara Karsavina, Dame Ethel Smyth, and Jascha Heifetz.Artists, students, historians, and lovers of portraiture will appreciate this selection of drawings by Sargent. Anyone interested in trying his hand at portraiture will find this volume both instructional and inspirational.
Knitters who have mastered the designs in Marianne Kinzel's First Book of Modern Lace Knitting as well as needleworkers looking for distinctive knitted lace patterns and projects will welcome this second book by Mrs. Kinzel. The new designs include "Maidenhair," "Diamond," "Grand Slam" (a special feature for bridge players), "Arabesque," "La Traviata," "Maple Garland," "Lilac Time," "Trifolium," and a set of three of Mrs. Kinzel's noted floral patterns, "Daffodil," "Balmoral," and "Rose of England."Marianne Kinzel, well known to knitters in the United Kingdom and the United States, has long been admired for her clear presentations and original designs. In this second volume, she begins with basic instructions, allowing the average knitter to work easily from the instructions in the patterns. Other chapters outline many new designs in lace knitting for two needles, for knitting with wool, for oval and oblong designs, and for round designs. Over 29 complete projects include lace by the yard, altar lace, dress trimmings, tea cloths, scarves, stoles, dinner cloths, and cheval sets. Instructions are presented both in the traditional written-out method and in the chart-and-symbol method. There are keys to the charts in the three languages, lavish and helpful illustrations, and sound practical advice on knitting techniques plus finishing and laundering each piece. There are also instructions for altering the patterns to your own special needs.The designs in this book are among Marianne Kinzel's most requested. Amateur and professional knitters alike will note the extraordinary virtuosity underlying such a design as "Lilac Time," which can be adapted to so many different forms, and the contemporary appropriateness of such designs as "Grand Slam," "La Traviata," and the "Daffodil," "Balmoral," and "Rose of England." You will also find the projects comparatively short in time and low in cost to accomplish.
This great classic is still unrivalled for its clear, detailed presentation of thousands of fundamental features of the human figure. Every element of the body (such as the overhang of the upper lip; the puckering at the corners of the mouth; the characteristic proportions of the head, trunk, limbs, etc.; the tension between connected portions of the body; etc.) is carefully and concisely pointed out in the text. Even more helpful are the 430 pencil and charcoal drawings that illustrate each feature so that you are, in effect, shown what to look for by a master teacher. The result is the only art instruction book which not only illustrates details of the body but directs your attention at every stage to a host of subtle points of shading, curvature, proportion, foreshortening, muscular tension, variations due to extreme age or youth, and both major and minor differences in the structure and representation of the male and female figure. Comprehensive discussions and drawings cover the eyes; nose, mouth and chin; ear; head, trunk, back and hips; neck, throat, and shoulder; shoulder and arm; hand and wrist; leg; foot; the complete figure; and other interdependent groups of structures. This is the human figure as the artist, art student, and art teacher must know it in order to avoid many deceptive errors unfortunately common in much modern portraiture, painting, and illustrative art.
Whirligigs -- those charming little wind-driven toys -- make excellent introductory woodworking projects because they are easy to do, inexpensive and -- most of all -- great fun! Hobbyists at all levels of ability will love creating the 25 delightful projects described in this book, from the simple Baking a Pie whirligig to the double-armed Woman at the Computer. Other figures include a Man/Woman Fishing, Oil Well Pump, Saluting the Flag, See-Saw, and Bucking Bronco. Easy-to-follow instructions and measured drawings explain everything from selecting and using proper tools and creating the driving mechanism to finishing and displaying the completed project.
Nearly 300 speeches offer provocative themes, historic parallels, and memorable quotations: Socrates, Julius Caesar, St. Francis, Martin Luther, Napoleon, Victor Hugo, Mohandas K. Gandhi, Winston Churchill, Fulton J. Sheen, Barbara Jordan, Malcolm X, Ronald Reagan, Nelson Mandela, Earl of Spencer, and many others. Includes 7 selections from the Common Core State Standards Initiative: "Blood, Toil, Tears and Sweat: Address to Parliament on May 13th, 1940," "Farewell Address," "Gettysburg Address," "I Have a Dream," "Second Inaugural Address," "Speech to the Second Virginia Convention," and "What to the Slave is the Fourth of July."
Rich selection of scaled dressmaker's patterns from the popular late 19th-century magazine The Voice of Fashion details 50 garments for women, from handsome daytime and evening dresses to casual tennis outfits, a riding habit, and undergarments. Of practical use for costume designers and students of fashion; will also delight browsers. 498 illustrations.
Arthur Schopenhauer's Die Welt als Wille und Vorstellung is one of the most important philosophical works of the nineteenth century, the basic statement of one important stream of post-Kantian thought. It is without question Schopenhauer's greatest work. Conceived and published before the philosopher was 30 and expanded 25 years later, it is the summation of a lifetime of thought.For 70 years, the only unabridged English translation of this work was the Haldane-Kemp collaboration. In 1958, a new translation by E. F. J. Payne appeared that decisively supplanted the older one. Payne's translation is superior because it corrects nearly 1,000 errors and omissions in the Haldane-Kemp translation, and it is based on the definitive 1937 German edition of Schopenhauer's work prepared by Dr. Arthur Hübscher. Payne's edition is the first to translate into English the text's many quotations in half a dozen languages. It is thus the most useful edition for the student or teacher.
A painter whose father was an engraver and publisher of the same name, Matthäus Merian (1621-1687) published this remarkable group of unusual and highly imaginative animal illustrations. This copyright-free collection includes a large and fascinating selection of engravings that illustrate scientific specimens and legendary creatures - all meticulously reproduced from an extremely rare eighteenth-century edition.Carefully arranged into six major divisions (quadrupeds, snakes, mollusks and crustaceans, fish, birds, and insects), approximately 1,300 copyright-free images include realistic and fanciful portrayals of a varied array of real animals, in addition to such imaginary creatures as unicorns, dragons, basilisks, harpies, griffins, and other mythical beasts. Identifying captions in Latin accompany many of the illustrations. Commercial artists, illustrators, and craftspeople will find a host of uses for these lovingly detailed engravings: as book and magazine illustrations and as attention-getting graphics ideal for enhancing flyers, brochures, newsletters, and any number of other print projects. Art lovers and antiquarians - anyone with an interest in the art and ideas of an earlier era - will enjoy browsing through these wonderful antique images.
Over 1,000 illustrations, meticulously reproduced from rare issues of renowned fashion magazine, present a striking array of women's fashions from 1860 to 1914: elegant evening and dinner gowns, stylish daywear, wedding ensembles, bathing costumes, mourning clothes, cycling outfits and much more; plus detailed renderings of shoes, hats, parasols, and other accessories.
It was the time of the French Revolution -- a time of great change and great danger. It was a time when injustice was met by a lust for vengeance, and rarely was a distinction made between the innocent and the guilty. Against this tumultuous historical backdrop, Dickens' great story of unsurpassed adventure and courage unfolds.Unjustly imprisoned for 18 years in the Bastille, Dr. Alexandre Manette is reunited with his daughter, Lucie, and safely transported from France to England. It would seem that they could take up the threads of their lives in peace. As fate would have it though, the pair are summoned to the Old Bailey to testify against a young Frenchman -- Charles Darnay -- falsely accused of treason. Strangely enough, Darnay bears an uncanny resemblance to another man in the courtroom, the dissolute lawyer's clerk Sydney Carton. It is a coincidence that saves Darnay from certain doom more than once. Brilliantly plotted, the novel is rich in drama, romance, and heroics that culminate in a daring prison escape in the shadow of the guillotine.
"In any exhibition of amateur work . . . it is not at all unusual to find many charming water-colour drawings, but . . . it is very rarely that the work in the oil medium is anything but dull, dead, and lacking in all vitality and charm." -- Harold SpeedSuch provocative assertions are characteristic of this stimulating and informative guide, written in a highly personal and unique style by a noted painter and teacher. Brimming with pertinent insights into the technical aspects and painting in oils, it is also designed to help students perfect powers of observation and expression.Harold Speed has distilled years of painting and pedagogical experience into an expert instructional program covering painting technique, painting from life, materials (paints, varnishes, oils and mediums, grounds, etc.), a painter's training, and more. Especially instructive is his extensive and perceptive discussion of form, tone, and color, and a fascinating series of detailed "Notes" analyzing the painting styles of Velasquez, Reynolds, Gainsborough, Franz Hals, and Rembrandt.Nearly 70 photographs and drawings illustrate the text, among them prehistoric cave paintings, diagrams of tonal values, stages of portrait painting, and reproductions of masterpieces by Giotto, Vermeer, Ingres, Rembrandt, Titian, Reynolds, Gainsborough, Hals, Giorgione, Poussin, Corot, Veronese, and other luminaries. In addition to these pictorial pleasures, the author further leavens the lessons with thought-provoking opinion.Clear, cogent, and down-to-earth, this time-honored handbook will especially interest serious amateurs studying the technical aspects of oil painting, but its rich insight into the mind and methods of the artist will enlighten and intrigue any art lover.
One of the greatest of Shakespeare's tragedies, Othello tells the story of a Moorish general in command of the armed forces of Venice who earns the enmity of his ensign Iago by passing him over for a promotion. Partly for revenge and partly out of pure evil, Iago plots to convince Othello that Desdemona, his wife, has been unfaithful to him.Iago succeeds in his evil aims only too well, for the enraged Othello murders Desdemona. When Othello later learns of her innocence, he takes his own life. Bleak and unsparing, this play offers a stunning portrait of an arch-villain and an astute psychological study of the nature of evil.
Since his death in 1924, Kafka has come to be regarded as one of the greatest modern writers, one whose work brilliantly explores the anxiety, futility, and complexity of modern life. The precision and clarity of Kafka's style, its powerful symbolism, and his existential exploration of the human condition have given his work universal significance.In addition to the title selection, considered by many critics Kafka's most perfect work, this collection includes "The Judgment," "In the Penal Colony," "A Country Doctor," and "A Report to an Academy." Stanley Appelbaum has provided excellent new English translation of the stories and a brief Note placing them within Kafka's oeuvre.A selection of the Common Core State Standards Initiative.
Mr. Bridgman states unequivocally in his introduction that before preparing this book he had "not discovered a single volume devoted exclusively to the depicting of the hand." Apparently Mr. Bridgman has appreciated what few others have felt -- the human hand's great capacity for expression and the care that the artist must take to realize it. The hand changes with the age of the person, is shaped differently according to sex, reflects the type of work to which it is put, the physical health, and even the emotions of the person. To represent these distinguishing features, to capture the expressiveness of a particular pair of hands, the artist must understand the construction, anatomy, formation, and function of the hand.There is probably no better instructor to turn to for this understanding than Mr. Bridgman, a well-respected artist who for nearly 50 years lectured and taught at the Art Students League of New York. In this volume, a full text is accompanied by many illustrations depicting virtually every aspect and posture of the human hand. He first considers the back view of the hand, the wrist bones, the tendons, the muscles, the hand bones, the arch, and the veins; and then those of the palm. Throughout he pictures the musculature at work beneath the surface of the skin. He continues by showing how the muscles operate on the thumb side and on the little finger side when each is the center of force; how the thumb and fingers are constructed, their freedom of movement, joints, and complete anatomy as well as views of them straight, bent, and flexed; how the knuckles are formed, what shapes the fist can take and how flexible it can be; and he concludes with illustrations of the total movement, either turning or rotary, of the hand in its various positions.The 100 illustrations the author has selected perfectly define the regions of the hand so that any artist, beginning or experienced, will increase his mastery of it. Better rendering of the human hand is sure to add new expressiveness to your human figures along with new forcefulness and new interest.
In this quintessential Shakespeare tragedy, a young prince's halting pursuit of revenge for the murder of his father unfolds in a series of highly charged confrontations that have held audiences spellbound for nearly four centuries. Those fateful exchanges, and the anguished soliloquies that precede and follow them, probe depths of human feeling rarely sounded in any art. The title role of Hamlet, perhaps the most demanding in all of Western drama, has provided generations of leading actors their greatest challenge. Yet all the roles in this towering drama are superbly delineated, and each of the key scenes offers actors a rare opportunity to create theatrical magic.As if further evidence of Shakespeare's genius were needed, Hamlet is a unique pleasure to read as well as to see and hear performed. The full text of this extraordinary drama is reprinted here from an authoritative British edition complete with illuminating footnotes.A selection of the Common Core State Standards Initiative.
For thousands of women across America, hard hit when the frivolity of the twenties ended so resoundingly with the Crash of '29, the pages of the Sears catalog became an essential resource in maintaining a wardrobe. An ambitious marketing operation, it could not afford to take chances on haute couture; its fashions were geared as closely as possible to the prevailing tastes of the American people. For this historically accurate sampling of authentic 1930s fashion, Stella Blum, former Curator of the Costume Institute at the Metropolitan Museum of Art in New York, selected for reproduction 133 representative pages from rare Sears catalogs of the period (fall and spring catalog for each year from 1930 to 1939). Hundreds of illustrations record what men, women, and children were actually wearing in the 1930s when, as a copyline from the Fall 1930 catalog proclaimed: "Thrift is the spirit of the day. Reckless spending is a thing of the past."You'll see here how simpler women's fashion designs -- of more traditional, affordable material -- recaptured the feminine form with a more natural waistline and lower hemlines than seen in the twenties. For evening wear, longer dresses replaced flamboyant beaded short gowns while cloche hats, another twenties trademark, were replaced by berets, pillboxes, and turbans. The seriousness of the accessories and dresses endorsed by such Hollywood legends as Loretta Young, Claudette Colbert, and Fay Wray.For historians of costume, nostalgia buffs and casual browsers, these pages afford a rare picture of how the average American really dressed during the thirties. It is an essential resource for study of the clothing of an important era which designers cannot afford to be without.
Before the advent of modern mass-production methods, books were bound by hand to remarkably high standards of quality. Beautiful and durable, they appealed to book lovers who appreciated not only a book's content but also the quality and craftsmanship of its binding. Unfortunately, the introduction of machine-binding methods, while making books widely available at reasonable prices, also largely curtailed the art and craft of making fine books by hand.This expert guide offers a solution. In its pages, craftspeople can learn the traditional methods of bookbinding and produce high-quality hand-bound books themselves. Thorough, detailed instructions, with over 270 helpful illustrations by the author, cover materials, tools, and equipment (including making your own); fundamental procedures and technical methods; rebinding an old book; making a slipcase, and other essentials. Also included are well-illustrated, step-by-step directions for eight binding projects: dust jacket; blank book, single signature; folio; blank book, four signatures; manuscript binding; music binding; and two more.Clearly written and easy to follow, this manual will be indispensable to those wishing to create high-quality handcrafted bindings themselves; it will also serve as a valuable reference for students and professionals in publishing and its allied trades.
One of the most universally loved and admired English novels, Pride and Prejudice was penned as a popular entertainment. But the consummate artistry of Jane Austen (1775-1817) transformed this effervescent tale of rural romance into a witty, shrewdly observed satire of English country life that is now regarded as one of the principal treasures of English language.In a remote Hertfordshire village, far off the good coach roads of George III's England, a country squire of no great means must marry off his five vivacious daughters. At the heart of this all-consuming enterprise are his headstrong second daughter Elizabeth Bennet and her aristocratic suitor Fitzwilliam Darcy -- two lovers whose pride must be humbled and prejudices dissolved before the novel can come to its splendid conclusion.A selection of the Common Core State Standards Initiative.
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866-1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.
Referring to Adventures of Huckleberry Finn, H. L. Mencken noted that his discovery of this classic American novel was "the most stupendous event of my whole life"; Ernest Hemingway declared that "all modern American literature stems from this one book," while T. S. Eliot called Huck "one of the permanent symbolic figures of fiction, not unworthy to take a place with Ulysses, Faust, Don Quixote, Don Juan, Hamlet."The novel's preeminence derives from its wonderfully imaginative re-creation of boyhood adventures along the mighty Mississippi River, its inspired characterization, the author's remarkable ear for dialogue, and the book's understated development of serious underlying themes: "natural" man versus "civilized" society, the evils of slavery, the innate value and dignity of human beings, the stultifying effects of convention, and other topics. But most of all, Adventures of Huckleberry Finn is a wonderful story - filled with high adventure and unforgettable characters (including the great river itself) - that no one who has read it will ever forget.
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