- Table View
- List View
Regarded by many as Traven's finest novel, The Bridge in the Jungle is a tale of how a desperately poor people come together in the face of death. Traven never allows an iota of sentimentality to enter his story, but the reader finishes the book with renewed faith in the courage and dignity of human beings.
Name: Big John Wallace. Rank: Staff Sergeant, Chief Mechanic and Gunner. Mission: To serve and protect his crew and country. Name: Connie Davis. Rank: Sergeant, Flight Engineer, Mechanical Wizard. Mission: To be the best... and survive. Two Crack Mechanics, One Impossible Mission Being in The Night Stalkers is Connie Davis's way of facing her demons head-on, but mountain-strong John Wallace is a threat on all fronts. Their passion is explosive, but their conflicts are insurmountable. When duty calls them to a mission no one else could survive, they'll fly into the night together-ready or not. The third book in M. L. Buchman's military romantic suspense series featuring the exceptionally kickass heroes and heroines of the Special Ops Aviation Regiment (SOAR). The Night Stalkers Series: The Night is Mine (Book 1) I Own the Dawn (Book 2) Wait Until Dark (Book 3) Take Over at Midnight (Book 4) Light Up the Night (Book 5) Bring on the Dusk (Book 6) Praise for M. L Buchman: "A rousing mix of romance and military action thrills... Buchman blends tender feelings with military politics to keep readers riveted. "-Publishers Weekly on I Own the Dawn "The first novel in Buchman's new military suspense series is an action-packed adventure. With a super-stud hero, a strong heroine, and a backdrop of 1600 Pennsylvania Avenue and the world of the Washington elite, it will grab readers from the first page. "-RT Book Reviews, 4 Stars on The Night is Mine
[From the back cover:] SOMEONE HAS ENTERED HER HOME... Society writer Winslow Talbot feels she is living a lie: She is beautiful, but her face has been cleverly constructed by plastic surgeons after an automobile crash. She is rich, but the wealth belongs to her doting stepfather who's funded a life she finds increasingly shallow. So when she learns of a hit-and-run boating accident that leaves a young Cuban girl terribly disfigured, Winslow sees the opportunity to make a real difference and decides to help the injured child. SOMEONE KNOWS ALL HER SECRETS... She begins an investigation that leads her to Alex Díaz, editor of a Miami newspaper. But Alex warns Winslow against snooping in Florida's exile community where passions often explode with deadly consequences. SOMEONE WANTS TO KILL HER... Ignoring the warning, Winslow continues probing for answers even as it pits her against her family, her boss, and the Miami police as a killer waits patiently in the shadows to see her die..." Several more books by this author are in the Bookshare collection including: What She Doesn't Know, Dan All Over Again, Driven to Distraction, Falling Fast Falling Hard, Way of the Warrior, Wild Nights Wild On You, Wild Ways, Now You See Me, Second Time Around, In a Heartbeat and The Best of me, with more to come.
[from the back cover] "The 12th floor of Hudson's. The smell of a freshly-cut pine tree. Chocolate Santas from Sanders. There's nothing quite like Christmas in Michigan. Journey back to the 1800s and celebrate Christmas on Mackinac Island with a young French woman. Relive Christmas in Detroit when streetcars took you Christmas shopping. Travel to the Upper Peninsula during the Depression when money and food were scarce --but not the Christmas spirit. Re-enter the kitchens of your mother and grandmothers. Read and remember their baking powder biscuits, ginger snaps and Christmas puddings." Pictures are described.
"In essays that combine memoir with biography of place, Kevin Holdsworth creates a public history of the land he calls home: Good Water, Utah. The high desert of south-central Utah is at the heart of the stories he tells here--about the people, the "survivors and casualties" of the small, remote town--and is at the heart of his own story.Holdsworth also explores history at a personal level: how Native American history is preserved by local park officials; how Mormon settlers adapted to remote, rugged places; how small communities attract and retain those less likely to thrive closer to population centers; and how he became involved in local politics. He confronts the issues of land use and misuse in the West, from the lack of water to greed and corruption over natural resources, but also considers life's simple pleasures like the value of scenery and the importance of occasionally tossing a horseshoe.Good Water's depiction of modern-day Utah and exploration of friendships and bonding on the Western landscape will fascinate and entice readers in the West and beyond."
"Papi's there, around any corner," says the eight-year-old girl at the heart of Papi. "But you can't sit down and wait for him cuz that's a longer and more painful death." Living in Santo Domingo, she waits for her father to come back from the United States and lavish her with the glorious rewards of his fame and fortune--shiny new cars and polo shirts, gold chains and Nikes. But when Papi does come back, he turns out to be more "like Jason, the guy from Friday the 13th," than a prince. Papi is a drug dealer, a man who is clearly unreliable and dangerous but nevertheless makes his daughter feel powerful and wholly, terrifyingly alive. Drawing on her memories of a childhood split between Santo Domingo and visits with her father amid the luxuries of the United States, Rita Indiana mixes satire with a child's imagination, horror with science fiction, in a swirling tale of a daughter's love, the lure of crime and machismo, and the violence of the adult world. Expertly translated into English for the first time by Achy Obejas, who renders the rhythmic lyricism of Indiana's Dominican Spanish in language that propels the book forward with the relentless beat of a merengue, Papi is furious, musical, and full of wit--a passionate, overwhelming, and very human explosion of artistic virtuosity.
One of Entertainment Weekly's 25 most anticipated books of 2016--Matt Haig's accessible and life-affirming memoir of his struggle with depression, and how his triumph over the illness taught him to live Like nearly one in five people, Matt Haig suffers from depression. Reasons to Stay Alive is Matt's inspiring account of how, minute by minute and day by day, he overcame the disease with the help of reading, writing, and the love of his parents and his girlfriend (and now-wife), Andrea. And eventually, he learned to appreciate life all the more for it. Everyone's lives are touched by mental illness: if we do not suffer from it ourselves, then we have a friend or loved one who does. Matt's frankness about his experiences is both inspiring to those who feel daunted by depression and illuminating to those who are mystified by it. Above all, his humor and encouragement never let us lose sight of hope. Speaking as his present self to his former self in the depths of depression, Matt is adamant that the oldest cliché is the truest--there is light at the end of the tunnel. He teaches us to celebrate the small joys and moments of peace that life brings, and reminds us that there are always reasons to stay alive.From the Trade Paperback edition.
"A startling and illustrative distillation of centuries of science."--The Economist "Lean, lucid and enchanting."--New Scientist The international bestseller that reveals all the beauty of modern physics in seven short and enlightening lessons Seven Brief Lessons on Physics is a book about the joy of discovery. Carlo Rovelli brings a playful, entertaining, and mind-bending introduction to modern physics, offering surprising--and surprisingly easy to grasp--explanations of general relativity, quantum mechanics, elementary particles, gravity, black holes, the complex architecture of the universe, and the role humans play in this weird and wonderful world. He takes us to the frontiers of our knowledge: to the most minute reaches of the fabric of space, back to the origins of the cosmos, and into the workings of our minds. "Here, on the edge of what we know, in contact with the ocean of the unknown, shines the mystery and the beauty of the world," Rovelli writes. "And it's breathtaking."From the Hardcover edition.
A show-stopping series about life in the spotlight from Broadway actors and internet sensations Andrew Keenan-Bolger and Kate Wetherhead Shaker Heights Middle School is putting on Guys and Dolls and best friends Jack and Lou are hoping to get lead roles. But a mysterious new director soon arrives to town and threatens to meddle with their dreams. Is Shaker Heights big enough for two Broadway legends? Fans of Tim Federle's Better Nate Than Ever will rejoice to meet Jack & Lou--the newest MTN's (musical theater nerds) on the block.
Knighthood and chivalry are commonly associated with courtly aristocracy and military prowess. Instead of focusing on the relationship between chivalry and nobility, Jesús D. Rodríguez-Velasco asks different questions. Does chivalry have anything to do with the emergence of an urban bourgeoisie? If so, how? And in a more general sense, what is the importance of chivalry in inventing and modifying a social class?In Order and Chivalry, Rodríguez-Velasco explores the role of chivalry in the emergence of the middle class in an increasingly urbanized fourteenth-century Castile. The book considers how secular, urban knighthood organizations came to life and created their own rules, which differed from martial and religiously oriented ideas of chivalry and knighthood. It delves into the cultural and legal processes that created orders of society as well as orders of knights. The first of these chivalric orders was the exclusively noble Castilian Orden de la Banda, or Order of the Sash, established by King Alfonso XI. Soon after that order was created, others appeared that drew membership from city-dwelling, bourgeois commoners. City institutions with ties to monarchy--including the Brotherhood of Knights and the Confraternities of Santa María de Gamonal and Santiago de Burgos--produced chivalric rules and statutes that redefined the privileges and political structures of urban society. By analyzing these foundational documents, such as Libro de la Banda, Order and Chivalry reveals how the poetics of order operated within the medieval Iberian world and beyond to transform the idea of the city and the practice of citizenship.
The use of biological warfare (BW) agents by states or terrorists is one of the world's most frightening security threats but, thus far, little attention has been devoted to understanding how to improve policies and procedures to identify and attribute BW events. Terrorism, War, or Disease? is the first book to examine the complex political, military, legal, and scientific challenges involved in determining when BW have been used and who has used them. Through detailed analysis of the most significant and controversial allegations of BW use from the Second World War to the present, internationally recognized experts assess past attempts at attribution of unusual biological events and draw lessons to improve our ability to counter these deadly silent killers. This volume presents the most comprehensive analysis of actual and alleged BW use, and provides an up-to-date evaluation of law enforcement, forensic epidemiology, and arms control measures available to policymakers to investigate and attribute suspected attacks.
Pauline Wengeroff, the only nineteenth-century Russian Jewish woman to publish a memoir, sets out to illuminate the "cultural history of the Jews of Russia" in the period of Jewish "enlightenment," when traditional culture began to disintegrate and Jews became modern. Wengeroff, a gifted writer and astute social observer, paints a rich portrait of both traditional and modernizing Jewish societies in an extraordinary way, focusing on women and the family and offering a gendered account (and indictment) of assimilation. In Volume 1 of Memoirs of a Grandmother, Wengeroff depicts traditional Jewish society, including the religious culture of women, during the reign of Tsar Nicholas I, who wished "his" Jews to be acculturated to modern Russian life.
Toward an Anthropology of the Will is the first book that systematically explores volition from an ethnographically informed anthropological point of view. While philosophers have for centuries puzzled over the degree to which individuals are "free" to choose how to act in the world, anthropologists have either assumed that the will is a stable, constant fact of the human condition or simply ignored it. Although they are usually quite comfortable discussing the relationship between culture and cognition or culture and emotion, anthropologists have not yet focused on how culture and volition are interconnected. The contributors to this book draw upon their unique insights and research experience to address fundamental questions, including: What forms does the will take in culture? How is willing experienced? How does it relate to emotion and cognition? What does imagination have to do with willing? What is the connection between morality, virtue, and willing? Exploring such questions, the book moves beyond old debates about "freedom" and "determinacy" to demonstrate how a richly nuanced anthropological approach to the cultural experience of willing can help shape theories of social action in the human sciences.
This book offers a detailed account of the way that social democracy today makes sense of capitalism. In particular, it challenges the idea that social democracy has gone "neoliberal," arguing that so-called Third Way policies seem to have brought out new aspects of a thoroughgoing social interventionism with roots deep in the history of social democracy. Author Jenny Andersson expertly develops the claim that what distinguishes today's social democracy from the past is the way that it equates cultural and social values with economic values, which in turn places a premium on individuals who are capable of succeeding in the knowledge economy. Offering an insightful study of Britain's New Labour and Sweden's SAP, and of the political cultural transformations that have taken place in those countries, this is the first book that looks seriously into how the economic, social, and cultural policies of contemporary social democracy fit together to form a particular understanding of capitalism and capitalist politics.
The Fall of a Sparrow is the only full biography in English of the partisan, poet, and patriot Abba Kovner (1918-1987). An unsung and largely unknown hero of the Second World War and Israel's War of Independence, Kovner was born in Vilna, "the Jerusalem of Lithuania." Long before the rest of the world suspected, he was the first person to state that Hitler was planning to kill the Jews of Europe. Kovner and other defenders of the Vilna ghetto, only hours before its destruction, escaped to the forest to join the partisans fighting the Nazis. Returning after the Liberation to find Vilna empty of Jews, he immigrated to Israel, where he devised a fruitless plot to take revenge on the Germans. He then joined the Israeli army and served as the Givati Brigade's Information Officer, writing "Battle Notes," newsletters that inspired the troops defending Tel Aviv. After the war, Kovner settled on a kibbutz and dedicated his life to working the land, writing poetry, and raising a family. He was also the moving force behind such projects as the Diaspora Museum and the Institute for the Translation of Hebrew Literature. The Fall of a Sparrow is based on countless interviews with people who knew Kovner, and letters and archival material that have never been translated before.
Taking natural disaster as the political and legal norm is uncommon. Taking a person who has become unstable and irrational during a disaster as the starting point for legal analysis is equally uncommon. Nonetheless, in Law in Crisis Ruth Miller makes the unsettling case that the law demands an ecstatic subject and that natural disaster is the endpoint to law. Developing an idiosyncratic but compelling new theory of legal and political existence, Miller challenges existing arguments that, whether valedictory or critical, have posited the rational, bounded self as the normative subject of law. By bringing a distinctive, accessible reading of contemporary political philosophy to bear on source material in several European and Middle Eastern languages, Miller constructs a cogent analysis of natural disaster and its role in modern subject formation. In the process, she opens up exciting new lines of inquiry in the fields of law, politics, and gender studies. Law in Crisis represents a promising new development in the interdisciplinary study of law.
Thirty-nine-year-old British photographer and single mom Tess has a good life that revolves around her nine-year-old son Joe and her thriving career. Things look even better when she meets Greg, a charismatic American pediatric heart surgeon, on a photo shoot. The two of them are instantly attracted to each other, and it isn't long before they get married. When Greg is offered a dream job in Boston along with a part-time teaching position at Harvard, they discuss a possible move to America. Tess is initially reluctant about uprooting her son and leaving behind her friends and family. Plus there is an added complication: she is pregnant, something the couple had definitely not planned on. But they agree that this position is a once-in-a-lifetime opportunity, and decide to go.Greg seems happy to be back in America and the job is even better than he had hoped, but Tess and Joe have a hard time adapting to life in a new city. More worryingly, Tess notices that their new neighbors, and even some strangers, seem to recognize her husband, which he waves off as coincidence. As these strange encounters continue to occur, however, she begins to suspect that something is not quite right. In secret, she starts to look into Greg's past and discovers more questions than answers about the man she has followed across the ocean--the man who is the father of their new baby daughter. Lucy Atkins follows her acclaimed debut novel with another white-knuckle ride that explores the danger that can lurk within the everyday routines of family life.
The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato's comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy--involving teachers, patrons, colleagues, and relatives--whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers--from Cavalli and Pergolesi to Handel, Mozart, and Rossini--were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.
Revenge is set to sizzle in the tasty new Deep Fried Mystery from the author of Fillet of Murder. For Talia Marby, the sweet smell of success is a lot like the pungent aroma of fried fish and vinegar. Her new business, Fry Me a Sliver, is rapidly expanding beyond fish and chips to become one of the best eateries in the Berkshires. But the nasty owner of a neighboring boutique is making a stink, baiting Talia in a very public fight at a community center fundraiser and nursing an inexplicable grudge. When the boutique owner is found strangled with Talia's scarf knotted around her neck, our favorite fish fryer finds herself in hot oil. Needing to clear her name, and fast, Talia's investigation soon yields some shocking surprises as well as a sizzling suspicion: someone had good reason to want the victim dead--and it's frying Talia's nerves...Includes delicious recipes!From the Paperback edition.
"A phenomenal talent blazing up suddenly on the horizon. . . . precise, brilliant language that evokes without ever having to explain. . . . His transcendent vision gives us devastating glimpses."--Elle"John McManus writes visceral prose that explodes within the tight boundaries of the short story. These narratives possess a graceful internal logic and feature a wide range of gritty characters rebelling against an indifferent and often brutal world."--Bookforum"The stories in John McManus's Born on a Train are powered by radiant prose."--Vanity FairJohn McManus's long awaited short story collection encompasses the geographic limits of America, from trailers hidden in deep Southern woods to an Arkansas ranch converted into an elephant refuge. His lost-soul characters reel precariously between common anxiety and drug-enhanced paranoia, sober reality and fearsome hallucination. These nine masterpieces of twisted humor and pathos re-establish McManus as one of the most bracing voices of our time.John McManus is the author of the novel Bitter Milk and the short story collections Born on a Train and Stop Breakin Down, all published by Picador. His work has appeared in Ploughshares, Tin House, American Short Fiction, The Oxford American, The Literary Review, Harvard Review, and many other places. He is the youngest-ever recipient of the Whiting Award.
New York Times bestsellerDo you know what your retirement account will be worth on the day you plan to tap into it? Do you know what the tax rates will be for the rest of your life? Do you know how long you're going to live? Most people have no clue...and that's the problem with conventional financial planning: It's based on things you can't predict or control. Wall Street lost more than 49% of the typical investor's money - twice - since the year 2000. And studies show that because they followed the conventional wisdom, almost half of all Boomers won't have enough money to cover even basic living expenses during their retirement years. Now the financial gurus whose advice got you into this mess in the first place are telling you to "take more risk," "work till you drop," and "plan on spending less in retirement." Don't let them fool you again!In The Bank On Yourself Revolution, financial security expert Pamela Yellen details how hundreds of thousands of people of all ages and incomes have bucked the system to secure their families' financial futures without gambling in the Wall Street Casino or taking any unnecessary risks. You'll discover a proven step-by-step plan for growing your wealth safely, predictably, and guaranteed every single year - even when the markets are tumbling. And you'll learn how to bypass banks, credit card and financing companies to become your own source of financing for cars, vacations, a college education, business expenses and other major purchases.The Bank On Yourself Revolution isn't a "get-rich-quick" scheme; it's about having real wealth and financial security for as long as you live. You can finally know how much money you'll have next year, in 10, 20 or 30 years - and at every point along the way. Join the Revolution and take control of your own financial future!
Set in New York City and Prague in 1992, Kafka's Son follows a first-person narrator who is a documentary filmmaker. In a New York synagogue, he meets an elderly Czech Jew named Jiri, once the head of the famous Jewish Museum in Prague, with whom he discovers a shared love of Kafka. Inspired by this friendship, the narrator travels to Prague to make a film about Jewish life in the city and its Kafka connections.In his search for answers, he crosses paths with the beadle of the famous 900-year-old Altneushul synagogue, the rumored home to a legendary golem hidden away in a secret attic-which may or may not exist; a mysterious man who may or may not be Kafka's son-and who may or may not exist; Mr. Klein, who although several years younger than Jiri may or may not be his father; and an enigmatic young woman in a blue beret-who is almost certainly real.Maybe. As Prague itself becomes as perplexing and unpredictable as its transient inhabitants, Curt Leviant unfolds a labyrinthine tale that is both detective novel and love story, captivating maze and realistic fantasy, and a one hundred percent stunning tribute to Kafka and his city.
"Beers gives a welcome expansion to the romance genre with her clear, sympathetic writing."-Curve magazineErica Ryan is flying home from London after a disastrous business trip. Free spirit Abby Hayes is flying into New York City to visit her mother before jetting off again. Both end up in Gander, Canada, when their flight is diverted because of 9/11. For ninety-six hours they share a rollercoaster of emotions and find themselves drawn to one another. Will their nascent connection survive everyday life when they return home?Georgia Beers is the author of eight lesbian romances and has won the Lambda Literary Award and the Golden Grown Literacy Award.
She may be a mild-mannered Philadelphia schoolteacher, but when there's murder in the air, Amanda Pepper always manages to teach the police a neat new trick or two. This time America's hot vacation spot, Atlantic City, is the scene of the cold-blooded crime. After a tough year of teaching at Philly Prep, Amanda Pepper craves a relaxing beach vacation. As luck would have it, her carefree photographer friend, Sasha Berg, has a seaside shoot in Atlantic City--and a hotel room for Amanda to use as a crash pad. Yet the free lodging becomes a murder scene when Sasha finds a stranger bludgeoned to death in her bed. The man was Jesse Reese, a beloved financier who advised the elderly on investment deals--and someone Sasha had never met. But a witness claims he saw Sasha with the victim--and her only alibi has vanished into thin air. So when the police threaten to arrest Sasha, Amanda flies into action, hoping to save her friend and track down a Sasha look-alike. But whether man or woman, friend or foe, she hasn't a clue. Gathering her wits, Amanda hits the boardwalk and chases down clues around the surf and under the casinos, discovering along the way that appearances are more than deceiving: they can be criminal--and, sometimes, downright murderous.... You'll find the rest of the books in this series about Amanda, the high school English teacher whose mother is desperate to see her married, whose best friend is beyond flamboyant, who's cop boyfriend is frustratingly indecisive, and who's sharp observations make every character funny, poignant, annoying and colorful in every other way. Look for: #1 Caught Dead in Philadelphia, #2 Philly Steaks, #3 I'd Rather be in Philadelphia, #4 With Friends Like These, #6 In The Dead of Summer, #7 The Mummer's Curse #8 The Bluest Blood, #9 Adam and Evil, #10 Helen Hath No Fury, #11 Claire and Present Danger, #12 A Whole in Tom, #13 A Hole in Juan and #14 All's Well That End's Only Good.
Jhana, is a beautiful eighteen-year-old who lives with her mother Maddie and their boarder Bill, a sometime poet. Jhana's father, King, shows up partway through the first act and its his presence for the first time in a long time in this unusual family that really galvanizes all four of the characters into action. King is an Elvis impersonator, getting sick and tired of doing the same old song and dance. Jhana is mentally handicapped and working at her first "job" in a workshop for disabled people where she puts four screws in a bag and then another four screws in another bag and so on. In her mind she is on stage at Maple Leaf Gardens singing and strutting her stuff, just like her father does. Maddie is trying to keep it together while working full time as a teacher and as a mother, too busy to admit to her own loneliness. Bill is harbouring all sorts of feelings for Maddie that he is afraid to act on. While this is a play about the power of family and love, it is finally a play about self destruction and creation. At its heart is Jhana, whose character begs the question whether the other characters, in their own ways, are any less handicapped. She's good company--funny, driven, passionate and yearning for the same things those around her yearn for--if they can get over their preconceptions about the mentally handicapped and give her the space to achieve her dreams. The play came out of the author's decade-long involvement working with mentally handicapped adults and children as a life skills instructor. Re-released in a revised and updated edition, it is Joan MacLeod's first full-length play, receiving over twenty international productions over the past two decades.