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You're educated and ambitious. Sure, the hours are long and corporate politics are a bane, but you focus on getting the job done, confident that you will be rewarded in the long run. Yet, somehow, your hard work isn't paying off, and you watch from the sidelines as your colleagues get promoted. Those who make it to management positions in this intensely competitive corporate environment seem to understand an unwritten code for marketing and aligning themselves politically. Furthermore, your strong work ethic and raw intelligence were sufficient when you started at the firm, but now they're expecting you to be a rainmaker who can "bring in clients" and "exert influence" on others. The top of the career ladder seems beyond your reach. Perhaps you've hit the bamboo ceiling. For the last decade, Asian Americans have been the fastest growing population in the United States. Asians comprise the largest college graduate population in America, and are often referred to as the "Model Minority" - but they continue to lag in the American workplace. If qualified Asians are entering the workforce with the right credentials, why aren't they making it to the corner offices and corporate boardrooms? Career coach Jane Hyun explains that Asians have not been able to break the "bamboo ceiling" because many are unable to effectively manage the cultural influences shaping their individual characteristics and workplace behavior-factors that are often at odds with the competencies needed to succeed at work. Traditional Asian cultural values can conflict with dominant corporate culture on many levels, resulting in a costly gap that individuals and companies need to bridge. The subtle, unconscious behavioral differences exhibited by Asian employees are often misinterpreted by their non-Asian counterparts, resulting in lost career opportunities and untapped talent. Never before has this dichotomy been so thoroughly explored, and in this insightful book, Hyun uses case studies, interviews and anecdotes to identify the issues and provide strategies for Asian Americans to succeed in corporate America. Managers will learn how to support the Asian members of their teams to realize their full potential and to maintain their competitive edge in today's multicultural workplace.
Is the traditional, accepted view of the life of Christ in some way incomplete? * Is it possible Christ did not die on the cross? * Is it possible Jesus was married, a father, and that his bloodline still exists? * Is it possible that parchments found in the South of France a century ago reveal one of the best-kept secrets of Christendom? * Is it possible that these parchments contain the very heart of the mystery of the Holy Grail? According to the authors of this extraordinarily provocative, meticulously researched book, not only are these things possible -- they are probably true! so revolutionary, so original, so convincing, that the most faithful Christians will be moved; here is the book that has sparked worldwide controversey. "Enough to seriously challenge many traditional Christian beliefs, if not alter them. " --Los Angeles Times Book Review "LikeChariots of the Gods?. . . the plot has all the elements of an international thriller. " --Newsweek From the Paperback edition.
"A Joan Didionesque heroine . . . in Graham Greene's Far East . . . a telling portrait of a woman, a marriage, and a culture."--Michiko Kakutani, The New York Times Claire, the young bride of a government contractor, arrives in Bangkok with her husband on March 9, 1967, the day U.S. planes begin bombing runs on North Vietnam. At a dinner party, she meets and befriends Jim Thompson, the real-life American entrepreneur and founder of the Thai Silk Company. Weeks later, on Easter Sunday, Thompson vanishes without a trace in the Thai highlands. As the political implications of Thompson's disappearance surface, Claire becomes increasingly obsessed with his fate. Her quest into what happened, fueled by the longing and loneliness she feels in an exotic land marked by growing unrest, leads to a tragic truth that becomes a metaphor for two cultures in collision. Written in powerful, arresting prose, this taut suspense novel further establishes Lily Tuck as a major voice in literary fiction.
The definitive story of the father of modern football, Herbert Chapman. Herbert Chapman, the boss of the all-conquering Arsenal team of the 1930s, was the father of all football managers, arguably the greatest of all time and certainly the most imaginative. Much of the game's scenery, including floodlights and numbered shirts, was pioneered by Chapman. The legacy of his tactical approach also survives to this day: fast and lethal counter-attack was his invention. As a player, a bustling attacker, Chapman was a relative journeyman. He moved into management at the age of 29 with Northampton Town, and from then it was a swift climb to remarkable eminence. At Huddersfield in the 1920s he built a team that was to win three consecutive League titles. When he left for Arsenal and the richer potential of the capital, his new club - which, like Huddersfield, had won nothing before his arrival - became the most famous in the world. Arsenal were champions in 1931 and two years later completed their own hat-trick of titles. Although the 55-year-old Chapman died prematurely before the second title was celebrated at Highbury, his bequest has proved immortal. Patrick Barclay's perceptive and highly informed biography weaves Chapman's story into the momentous times through which he lived: the profound tragedy of the First World War into which several of his players were drawn, the subsequent General Strike and Depression, and the rise of Fascism. Among those influenced by his footballing legacy are such Arsenal successors as George Graham (who made a close study of his life) and Arsene Wenger, who was fully aware of Chapman's special place in the pantheon before taking over at Highbury in 1996. Chapman had the name of its nearest Tube station changed from Gillespie Road to Arsenal, but it was more than a club that he put on the map. As Sir Matt Busby, the builder of Manchester United, was to assert, Herbert Chapman changed the game of football.
David Zieroth's Albrecht Dürer and me, an autobiographical travelogue spanning the author's journeys through central Europe, explores the transformative effect of dislocation. Inspired by and responding to art and music, history and war, architecture and place, this collection unearths knowledge that can only be realized by leaving home.Throughout the book, the observant eye of a visitor witnesses the layering of history and the contemporary, and contemplates the juxtaposition of the practical aspects of travelling ("noise") with emotional and spiritual evolution ("'Nude self-portrait'"). Responding to greats such as W.H. Auden, James Joyce and Albrecht Dürer, the speaker expresses how viewing foreign artwork or hearing unfamiliar music can spark a new awareness, not only of international culture, but of the expression of life and the human condition.The poems temper the high with the low, reflecting the many dualities of wanderlust. Stately homes are contrasted with war-scarred architecture, and sleepless nights, crowded trains and missed connections offset literature and symphony. "Berlin Album" reflects on the stains the past has left on modern-day Germany: "church bells at 6:00 p.m. / from spires on Borsigstrasse / pass an iron sound through rippled windows / so my body vibrates, and remembers / bullet holes in stone walls along the Spree." "on first hearing Mahler's Fifth" echoes that musical composition to mirror and evoke life's song and "weeds grew while I was away" describes the shock of returning home with the expectation of stasis only to find that things have changed.Attentive, humble and expertly crafted, Albrecht Dürer and me is a travel diary rife with evocative image, sensory detail and eloquent reflection, narrated with an honest, mature voice.
Cycling with the Dragon is a personal investigation of family,love, culture, self, and the helpless feeling of "smallness." Elaine Woo's poems take the form of the words that they speak: she forms an "o" for the buoy that is a child's safety-raft (found in the solitude of a notebook and Harriet the Spy), and weaves a poem about fearing snakes and dreams into a descending slither.Woo's poems weave meaning with form, writing in a pastiche of diverse poetic voices who are small by virtue of age or status (be they women, children, ethnic minorities or the creatures of nature). And like tenacious seeds they break through to reach the sun, to face an abusive parent, bullies, the pain of shyness, envy, or racism.
In her lyrical memoir The Death of Small Creatures, Trisha Cull lays bare her struggles with bulimia, bipolar disorder and substance abuse. Interspersing snatches of conversations, letters, blog entries and clinical notes with intimate poetic narrative, Cull evokes an accessible experience of mental illness.In The Death of Small Creatures, Cull strives to cope with her hopelessness. She finds comfort in the company of her two pet rabbits until one of them dies as a result of her lethargy. She numbs herself with alcohol. She validates her self-worth by seeking the love of men-any and all men-and three relationships significantly impact her life: her marriage to Leigh, a much older man; her unrequited love for Dr. P, her therapist; and her healthier relationship with Richard, an American she meets through her blog. She tries drugs-Neo Citran, Ativan, Wellbutrin, crack, crystal meth-and after two hospitalizations, she undergoes electroconvulsive therapy.Haunting and expressive, this immersive memoir explores love in all its facets-needy, obsessive, healthy, self-directed-and plunges the reader headlong into the intense and immediate experience of mental illness.
On the morning of July 12, 2012, Mandy Bath left her picturesque home and garden in Johnson's Landing, BC, for a day trip to nearby Kaslo. She had no forewarning of what the placid summer day would bring. But just over an hour later, a massive landslide tore into the community, destroying her home and killing four people: Valentine Webber, aged 60, and his daughters, 22-year-old Diana and 17-year-old Rachel, along with 64-year-old Petra Frehse. Returning the next day to search for her cat, Mandy narrowly avoided being buried beneath a second slide. Disaster in Paradise tells a story of survival, grief and recovery, as Mandy and the other residents of Johnson's Landing gradually rebuild their community in the wake of the tragedy. Mandy eloquently details her own experience of trauma and healing, and weaves in the stories of other residents and volunteers in the rescue and recovery missions as the community bands together to collectively mourn their loss. The story is grounded by the author's intimate knowledge of the Johnson's Landing community, but also reflects the greater themes of loss, perseverance and bravery that arise in natural disasters everywhere.
In a follow-up to his well-received Voices of British Columbia, Robert Budd returns with more captivating tales of the province's pioneering past in the very words of the people who lived them.Between 1959 and 1966, the late CBC Radio journalist Imbert Orchard travelled across British Columbia with recording engineer Ian Stephen, conducting interviews with some of the province's most remarkable and inspiring pioneers. The resulting collection contained 998 conversations totalling 2,700 hours of material-one of the largest oral history collections in the world and a precious treasury of western heritage.In Echoes of British Columbia, author Budd skilfully renders some of the most entertaining and astonishing accounts from the Orchard collection into entrancing prose. There are tales about rawhiding to the Klondike; being rescued by the legendary Chief Capoose; of riding and racing horses standing up; of homesteading, birth and murder. You'll meet Pattie Halsam, who grew up at remote Cape Beale Lighthouse and travelled to Victoria by canoe. You'll laugh and cry with Bob Gamman as he transports a frozen corpse via wicker laundry basket and tugboat. You'll thrill to Thomas Bullman's eyewitness account of the siege of the murderous McLean Gang's cabin in Douglas Lake. Combining text, archival photographs and original sound recordings on three CDs, this collection brings the reader (and listener) in intimate contact with British Columbia's past, deepening our understanding of the characters and events that shaped the province.
During the winter of 1944-45, the western Allies desperately sought a strategy that would lead to Germany's quick defeat. After much rancorous debate, the Allied high command decided that First Canadian Army would launch the pivotal offensive to win the war-an attack against the Rhineland, an area of Germany on the west bank of the Rhine. Winning this land would give them a launching point for crossing the river and driving into Germany's heartland. This was considered the road to victory. For those who fought, the names of battlegrounds such as Moyland Wood and the Hochwald Gap would forever call up memories of uncommon heroism, endurance and tragic sacrifice. Their story is one largely lost to the common national history of World War II. Forgotten Victory gives this important legacy back to Canadians.
It has often been observed that the First World War jolted Canada into nationhood, and as Mark Forsythe and Greg Dickson show in this compelling book, no province participated more eagerly in that transformation or felt the aftershock more harshly than British Columbia. In From the West Coast to the Western Front, Forsythe, host of CBC Radio's mid-day show BC Almanac, marks the 100th anniversary of World War I by teaming with historian Greg Dickson and the ever resourceful BC Almanac audience to compile a sweeping portrayal of that crucial chapter of BC history.Of the 611,000 Canadians who fought for King and Country,55,570 were from British Columbia-the highest per capita rate of enlistment in the country. Of that contingent, 6,225 died in battle, a critical loss to a fledgling province of barely 400,000.Compiling stories, artifacts and photos sent in by BC Almanac listeners from across the province, this volume tells of submarine smuggling, bagpipes lost on the battlefield and of the ongoing struggles by soldiers who made it home. It tells of battles that set records for mass death amid conditions of unequalled squalor, but also of the heroism of front-line nurses and soldiers like George Maclean, a First Nations man from the Okanagan, who won the Distinguished Conduct Medal.By turns devastating, harrowing, insightful and miraculous, these stories reveal much about the spirit and resilience of a people who survived one of history's greatest disasters to build the province we have today.
Hastings-Sunrise is a love letter to a fleeting place and time. Bren Simmers's second collection captures her old East Vancouver neighbourhood in the midst of upheaval. As it is colonized by tides of matching plaid and diners serving pulled-pork pancakes, condo developments replace the small businesses and cheap rentals that once gave the area its charm.Much like opening a set of nesting dolls, leafing through the collection exposes further layers of depth and intimacy. Within the context of cultural change, Simmers explores the meaning to be found in everyday things: the making of a home, the life built from daily routines. At the same time, she reveals the dissonance that can occur between personal and large-scale change: "Twitter feed of melting sea ice, / colony collapse / while we picnic under pink ribbons, / kiss again like we mean it."Throughout the collection, the poet's eye unfailingly lights on the perfect details to evoke a scene: "On Mr. Donair's spit, / the earth rotates. Papal smoke emits / from Polonia Sausage, semis shunt / downtown." Visual poems forming maps of Christmas lights and autumn colours further bring the Hastings-Sunrise neighbourhood to life, illustrating the interweaving of human and natural spaces and locating "home" in between.Like a tree clothed in multicoloured yarn or a miniature house filled with free books, Hastings-Sunrise is a gift to readers, beautiful in its simplicity.
In 2007, Caroline Woodward was itching for a change. With an established career in book-selling and promotion, four books of her own and having raised a son with her husband, Jeff, she yearned for adventure and to re-ignite her passion for writing. Jeff was tired of piecing together low-paying part-time jobs and, with Caroline's encouragement, applied for a position as a relief lightkeeper on a remote North Pacific island. They endured lonely months of living apart, but the way of life rejuvenated Jeff and inspired Caroline to contemplate serious shifts in order to accompany him. When a permanent position for a lighthouse keeper became available, Caroline quit her job and joined Jeff on the lights. Caroline soon learned that the lighthouse-keeping life does not consist of long, empty hours in which to write. The reality is hard physical labour, long stretches of isolation and the constant threat of de-staffing. Beginning with a 3:30 a.m. weather report, the days are filled with maintaining the light station buildings, sea sampling, radio communication, beach cleanup, wildlife encounters and everything in between. As for dangerous rescue missions or dramatic shipwrecks--that kind of excitement is rare. "So far the only life I know I've saved is my own," she says, with her trademark dry wit. Yet Caroline is exhilarated by the scenic coastline with its drizzle and fog, seabirds and whales, and finds time to grow a garden and, as anticipated, write. Told with eloquent introspection and an eye for detail, Light Years is the personal account of a lighthouse keeper in twenty-first century British Columbia--an account that details Caroline's endurance of extreme climatic, interpersonal and medical challenges, as well as the practical and psychological aspects of living a happy, healthy, useful and creative life in isolation.
Is there such a thing as British Columbia culture, and if so, is there anything special about it? This is the broad question Dr. Maria Tippett answers in this work with an assured "yes!" To prove her point she looks at the careers of eight ground-breaking cultural producers in the fields of painting, aboriginal art, architecture, writing, theatre and music. The eight creative figures profiled in Made in British Columbia are not just distinguished artists who made an enduring mark on Canadian culture during the twentieth century. They are unique artists whose work is intimately interwoven with British Columbia's identity. Emily Carr portrayed BC's coastal landscape in a manner as unique as her lifestyle. Bill Reid's carvings, jewellery and sculpture stand as a contemporary interpretation of his reclaimed Haida heritage. The name Francis Rattenbury is less known than The Empress Hotel in Victoria, one of many prominent BC buildings he designed, while Arthur Erickson's modern architectural contributions are recognized worldwide. Martin Allerdale Grainger's experience in the BC woods in the early days of hand-logging inspired him to write one of the undisputed classics of BC fiction, Woodsmen of the West. Jean Coulthard struggled for respect as a female composer during the 1920s and 1930s in British Columbia but eventually proved her extraordinary musical talents internationally. George Woodcock left Britain in 1949 to forge his career as an influential author, editor, mentor and tireless promoter of literary scholarship in the province, while playwright George Ryga, the son of Ukrainian immigrants, exposed the anguish and reality of life for Native women in our cities with his 1967 play, The Ecstasy of Rita Joe. Featuring images of the artists and their works, Made in British Columbia presents a history of the treasures found in our galleries, concert halls, theatres, museums, libraries and streetscapes, and explores the legacy of a cultural tradition as unique as the place that nurtured it.
There are a few questions that professional artists get asked regularly: Where do you get your ideas? How did you get started? And be honest--are you really in it for the money?Following the highly successful Me Funny and Me Sexy anthologies, Me Artsy answers these eternal questions and more. With essays from fourteen First Nations artists from a variety of disciplines, the collection provides insight into the paths that led each artist to pursue and develop his or her craft. The essays explore many common themes around the role of art in First Nations communities, including the importance of art for creating social change, the role of art in representing Native culture and the fusion of traditional and contemporary techniques. On a more personal level, the essays describe the significance of art in the lives of the contributors, along with their sometimes unlikely journeys to success, stories which are often touched with humour and humility.Chef David Wolfman describes gruelling years of prep work in the kitchens of the exclusive National Club; filmmaker Zacharias Kunuk discusses leaping into his first feature film without knowing how to finance it; fashion designer Kim Picard describes making a dress inspired by coffee beans; and playwright Drew Hayden Taylor tells the story of putting a bullet through his first play and burying it in his yard. Other contributors include actor/playwright Monique Mojica, painter Marianne Nicolson, painter Maxine Noel, blues pianist Murray Porter, scholar Karyn Recollet, dancer/choreographer Santee Smith, director/actor Rose Stella, drummer Steve Teekens, writer Richard Van Camp and manga artist Michael Nicholl Yahgulanaas.
Orca Chief is the third in a series of Northwest Coast legends by Roy Henry Vickers and Robert Budd. Their previous collaborations, Raven Brings the Light (2013) and Cloudwalker (2014), are award-winning national bestsellers. Thousands of years ago in the village of Kitkatla, four hunters leave home in the spring to harvest seaweed and sockeye. When they arrive at their fishing grounds, exhaustion makes them lazy and they throw their anchor overboard without care for the damage it might do to marine life or the sea floor. When Orca Chief discovers what the hunters have done, he sends his most powerful orca warriors to bring the men and their boat to his house. The men beg forgiveness for their ignorance and lack of respect, and Orca Chief compassionately sends them out with his pod to show them how to sustainably harvest the ocean's resources. Accompanied by almost exclusively new illustrations by Roy Henry Vickers, this next installment of the Northwest Coast Legends will captivate readers young and old with its vivid imagery and remarkable storytelling.
When the first edition of Raincoast Chronicles was produced by a couple of novice publishers in the unlikely location of Pender Harbour in 1972, it boldly announced that it was going "to put BC character on the record." Printed in sepia ink and decorated with the rococo flourishes characteristic of that extravagant era, the unclassifiable journal-cum-serial-book about life on the BC coast struck a nerve and in time became something very close to what it set out to be-a touchstone of British Columbia identity. Soon the term "Raincoast," which had been coined by the editors, was appearing on boats, puppet theatres, interior decorating firms and at least one other publishing enterprise. Raincoast Chronicles also created another publishing enterprise-Harbour Publishing. Many of the stories that started out as articles in the Chronicles grew into books and so the White family was more or less forced to get into book publishing to deal with them. That undertaking went on to publish some six hundred books (and counting!) about every possible aspect of BC and, in 2014, celebrated its fortieth anniversary in the biz. To honour that occasion this special double issue of Raincoast Chronicles takes a tour down memory lane, selecting a trove of the most outstanding stories in all those Harbour books and republishing them in one volume. Here are some of Canada's most exciting and iconic writers-Al Purdy, Anne Cameron, Edith Iglauer, Patrick Lane and Grant Lawrence, to start a long list. Here also are stories of disasters at sea, scarcely believable bush plane feats, eerie events at coastal ghost towns and a First Nations elder who has seen so many sasquatches he finds them sort of boring. Full of great drawings and photos, this jumbo anniversary edition of Raincoast Chronicles is a feast of great Pacific Northwest storytelling.
The most accessible and popular of British Columbia's great scenic fjords, Jervis Inlet punches 60 kilometres into the Coast Mountains a day's cruising north of Vancouver. It deserves to be called the "Royal Fjord" on two counts: the long zigzagging watercourse is comprised of four segments all with "royal" names-Prince of Wales Reach, Princess Royal Reach, Queen's Reach and Princess Louisa Inlet; and second, the inlet possesses a scenic majesty that has made it one of the prime boating destinations on the Inside Passage. Author Earle Stanley Gardner was so moved by the beauty of Jervis Inlet that he penned "There is no scenery in the world that can beat it. Not that I've seen the rest of the world. I don't need to." Almost deserted now except for Young Life's Malibu Club youth summer camp, Jervis Inlet was once the home of large Sechelt Nation villages and later, of innumerable homesteads, logging camps and fishing communities, and even the occasional hangout of golden-age Hollywood stars. That colourful past comes to life again in this new book by Ray Phillips, who grew up in the area and descended from local pioneers. Featuring original photos and the rough-hewn memories of some of those early inhabitants, along with personal accounts by the author and his father, The Royal Fjord makes fascinating reading and fills an important gap in the written history of the BC coast.
Stanley Park, Vancouver, September 2014. A fourteen-foot bronze-cast cedar sculpture is being erected. Dignitaries from all levels of government are present, including leaders of the Coast Salish First Nations and representatives from Portugal's Azores Islands. Luke Marston, carver/artist, supervises as his three-year project is revealed to the world.The sculpture-titled Shore to Shore-depicts Luke's great-great-grandparents, Portuguese Joe Silvey, one of BC's most colourful pioneers, and Kwatleematt (Lucy), a Sechelt First Nation matriarch and Silvey's second wife. Silvey and Kwatleematt are flanked by Khaltinaht, Silvey's first wife, a noblewoman from the Musqueam and Squamish First Nations. The trio are surrounded by the tools of Silvey's trade: seine nets, whaling harpoons, and the Pacific coast salmon that helped the family thrive in the early industries of BC. The sculpture references the multicultural relationships that are at the foundation of BC, while also showcasing the talents of one of Canada's finest contemporary First Nations carvers.Combining interviews, research and creative non-fiction narration, author Suzanne Fournier recounts Marston's career, from his early beginnings carving totems for the public at the Royal BC Museum, to his study under Haida artist Robert Davidson and jewellery master Valentin Yotkov, to his visits to both his ancestral homes: Reid Island and the Portuguese Azores island of Pico-journeys which provided inspiration for the Shore to Shore statue.
Debut talent Raoul Fernandes's first offering is Transmitter and Receiver, a masterful and carefully depicted exploration of one's relationships with oneself, friends, memories, strangers and technology.The three parts of this collection are variations building on a theme-at times lonely, sometimes adoring, but always honest. Wider areas of contemplation-the difficulty of communication, the ever-changing symbolism of language and the nature of human interaction in the age of machines-are explored through colloquial scenes of the everyday: someone eats a burger in a car parked by the river ("Grand Theft Auto: Dead Pixels"), a song plays on the radio as a man contemplates suicide ("Car Game"), and a janitor works silently once everyone else has gone ("After Hours at the Centre For Dialogue").Forthright and effortlessly lyrical, Fernandes builds each poem out of candor and insight, an addictive mix that reads like a favorite story and glitters with concealed meaning. Rather than drawing lines between isolation and connection, past and present, metaphor and reality, Transmitter and Receiver offers loneliness and longing hand-in-hand with affection and understanding: "The last assembly instruction is always you reading this. A machine / that rarely functions, but could never without you."
The water belongs to itself. undercurrent reflects on the power and sacredness of water-largely underappreciated by too many-whether it be in the form of ocean currents, the headwaters of the Fraser River or fluids in the womb. Exploring a variety of poetic forms, anecdote, allusion and visual elements, this collection reminds humanity that we are water bodies, and we need and deserve better ways of honouring this.Poet Rita Wong approaches water through personal, cultural and political lenses. She humbles herself to water both physically and spiritually: "i will apprentice myself to creeks & tributaries, groundwater & glaciers / listen for the salty pulse within, the blood that recognizes marine ancestry." She witnesses the contamination of First Nations homelands and sites, such as Gregoire Lake near Fort McMurray, AB: "though you look placid, peaceful dibenzothiophenes / you hold bitter, bitumized depths." Wong points out that though capitalism and industry are supposed to improve our quality of life, they're destroying the very things that give us life in the first place. Listening to and learning from water is key to a future of peace and creative potential.undercurrent emerges from the Downstream project, a multifaceted, creative collaboration that highlights the importance of art in understanding and addressing the cultural and political issues related to water. The project encourages public imagination to respect and value water, ecology and sustainability. Visit downstream.ecuad.ca.
Wayne Cope has TV to blame for starting him on his long career as an officer of the Vancouver Police Department. He grew up watching gunslingers like James Arness and Richard Boone, inspiring him to join up even before he finished college-and his real-life working career has turned out to be more exciting than he could have hoped. In his years on the force from 1975 to 2006, Cope has seen practically everything on the ever-changing streets of Vancouver-he's worked as a jailer and a traffic cop, talked people down from bridges, worked on dog squads, gone undercover in pursuit of serious criminals and worked the historical unsolved homicide unit. And behind each assignment, there's a story, a joke or a revealing insight into the realities of police work. In Vancouver Blue, Cope shares pearls of wisdom and anecdotes inspired by his years on the force, describing some of the most outlandish costumes for undercover drug purchases, many different ways to total a brand-new motorbike, and the precise ratio of competent officers to idiots in any given squad. He also sheds light on the behind-the-scenes life of VPD officers and their off-duty antics. Cope also provides detailed accounts of some of his most fascinating cases, like the sensational Centrefold Murder and the infamous killing of the Stanley Park flamingoes. For those looking for even more insight into the mind of a detective, Cope has created a cipher with a theme inspired by the book, offering a reward of five Canadian Silver Maple Leaf coins to the first person to break the code.
Growing up in a remote Northern community, Nick Sibbeston had little reason to believe he would one day fulfill his mother's ambition of holding a career where he would "wear a white shirt." Torn away from his family and placed in residential school at the age of five, Sibbeston endured loneliness, callous treatment and sexual assault by an older boy, but discovered a love of learning that would compel him to complete a law degree and pursue a career in politics.As a young, firebrand politician, Sibbeston played an instrumental role during a critical moment in Northwest Territories politics, advocating tirelessly to support the economic and political development of First Nations people in the North, and participating in early discussions of the separation of Nunavut. Sibbeston's career advanced in great strides, first as an MLA, then one of Canada's first Aboriginal lawyers, then as a cabinet minister and eventually premier of the Northwest Territories. Finally, he was appointed to the Senate of Canada, where he continues to represent the people of Canada's North, not least in advocating for the generations affected by residential school policies.Although his years at residential school compelled Sibbeston to fight tirelessly for the rights of Aboriginal northerners, they also left a mark on his mental health, fuelling continual battles with anxiety, depression and addiction. It was only in later life that healing began to take place, as he battled his demons openly, supported not just by the medical community but also by his strong faith and the love of his wife and family.
Early in the Civil War, Louisiana's Confederate government sanctioned a militia unit of black troops, the Louisiana Native Guards. Intended as a response to demands from members of New Orleans' substantial free black population that they be permitted to participate in the defense of their state, the unit was used by Confederate authorities for public display and propaganda purposes but was not allowed to fight. After the fall of New Orleans, General Benjamin F. Butler brought the Native Guards into Federal military service and increased their numbers with runaway slaves. He intended to use the troops for guard duty and heavy labor. His successor, Nathaniel P. Banks, did not trust the black Native Guard officers, and as he replaced them with white commanders, the mistreatment and misuse of the black troops steadily increased. The first large-scale deployment of the Native Guards occurred in May, 1863, during the Union siege of Port Hudson, Louisiana, when two of their regiments were ordered to storm an impregnable hilltop position. Although the soldiers fought valiantly, the charge was driven back with extensive losses. The white officers and the northern press praised the tenacity and fighting ability of the black troops, but they were still not accepted on the same terms as their white counterparts. After the war, Native Guard veterans took up the struggle for civil rights - in particular, voting rights - for Louisiana's black population. The Louisiana Native Guards is the first account to consider that struggle. By documenting their endeavors through Reconstruction, James G. Hollandsworth places the Native Guards' military service in the broader context of a civil rights movement thatpredates more recent efforts by a hundred years. This remarkable work presents a vivid picture of men eager to prove their courage and ability to a world determined to exploit and demean them.
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