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New York Times bestselling author Carrie Ryan and John Parke Davis transport readers back to the boundless world of the Pirate Stream in this engaging and exhilarating sequel to the highly acclaimed The Map to Everywhere that is equal parts adventure, humor, and heart!When the magical waters of the Pirate Stream begin flooding Marrill's world, the only way to stop the destruction is to return to the Stream and find the source of the mysterious Iron Tide. Reunited with her best friend Fin--who has been forgotten all over again--Marrill, her disbelieving babysitter, and the Enterprising Kraken crew must make the treacherous trek to the towering, sliding, impossible world of Monerva and uncover the secrets of its long-lost wish machine. Only there can Fin wish to finally be remembered. Only there can Marrill wish to save her world and all the people she loves. But to get everything they've ever wanted, Marrill and Fin may have to give up on the most important thing they already have: each other. have: each other.
Read the first 5 chapters in the sequel to Famous in Love now!Lights, camera, love! After being plucked from obscurity, Hollywood's newest It Girl, Paige Townsen, has a blockbuster film to her name and Rainer Devon on her arm. But being half of the world's most famous couple comes with a price. No matter where Paige goes, someone is always watching. Soon she finds herself dodging photographers; hiding her feelings for her other costar, Jordan Wilder; and weathering tabloid scandals that threaten to tear her and Rainer apart-and end her career as quickly as it began. As she navigates her new L.A. life in this exciting sequel to Famous in Love, Paige finds that she doesn't know who to trust: Old friends could be betraying her secrets, and new friends are keeping secrets of their own.Praise for Famous in Love:"A must-read for anyone curious about life and love behind the scenes." -Bella Thorne, actor and author of Autumn Falls
The summer James lost his heart to Alice, Alice lost her heart to the sea. The confident and charming daughter of the town's most accomplished whaling captain, Alice changes James's life the moment she teaches him how to sail. But when her father needs to fill a spot on his ship, it's James who is offered the position, and the day he returns from his expedition, he discovers Alice has disappeared.In this companion novella to Salt & Storm and Drift & Dagger, James must search the world for his heart's desire, a journey that takes him from the strange and mysterious world of the infamous Roe witch to the deepest and most dangerous reaches of the ocean itself.
A thrilling piece of undiscovered history, this is the true account of a young Jewish woman who survived World War II in Berlin. In 1941, Marie Jalowicz Simon, a nineteen-year-old Berliner, made an extraordinary decision. All around her, Jews were being rounded up for deportation, forced labor, and extermination. Marie took off her yellow star, turned her back on the Jewish community, and vanished into the city.In the years that followed, Marie lived under an assumed identity, forced to accept shelter wherever she found it. Always on the run, never certain whom she could trust, Marie moved between almost twenty different safe-houses, living with foreign workers, staunch communists, and even committed Nazis. Only her quick-witted determination and the most hair-raising strokes of luck allowed her to survive.
Two-time New York City police commissioner Ray Kelly opens up about his remarkable life, taking us inside fifty years of law enforcement leadership, offering chilling stories of terrorist plots after 9/11, and sharing his candid insights into the challenges and controversies cops face today. The son of a milkman and a Macy's dressing room checker, Ray Kelly grew up on New York City's Upper West Side, a middle-class neighborhood where Irish and Puerto Rican kids played stickball and tussled in the streets. He entered the police academy and served as a marine in Vietnam, living and fighting by the values that would carry him through a half century of leadership-justice, decisiveness, integrity, courage, and loyalty. Kelly soared through the NYPD ranks in decades marked by poverty, drugs, civil unrest, and a murder rate that, at its peak, spiked to over two thousand per year. Kelly came to be known as a tough leader, a fixer who could go into a troubled precinct and clean it up. That reputation catapulted him into his first stint as commissioner, under Mayor David Dinkins, where Kelly oversaw the police response to the 1993 World Trade Center bombing and spearheaded programs that would help usher in the city's historic drop in crime. Eight years later, in the chaotic wake of the 9/11 attacks, newly elected mayor Michael Bloomberg tapped Kelly to be NYC's top cop once again. After a decade working with Interpol, serving as undersecretary of the Treasury for enforcement, overseeing U.S. Customs, and commanding an international police force in Haiti, Kelly understood that New York's security was synonymous with our national security. Believing that the city could not afford to rely solely on "the feds," he succeeded in transforming the NYPD from a traditional police department into a resource-rich counterterrorism-and-intelligence force. In this vital memoir, Kelly reveals the inside stories of his life in the hot seat of "the capital of the world"-from the terror plots that nearly brought a city to its knees to his dealings with politicians, including Presidents Bill Clinton, George W. Bush, and Barack Obama as well as Mayors Rudolph Giuliani, Bloomberg, and Bill DeBlasio. He addresses criticisms and controversies like the so-called stop-question-and-frisk program and the rebuilding of the World Trade Center and offers his insights into the challenges that have recently consumed our nation's police forces, even as the need for vigilance remains as acute as ever.
Logen Ninefingers, infamous barbarian, has finally run out of luck. Caught in one feud too many, he's on the verge of becoming a dead barbarian--leaving nothing behind him but bad songs, dead friends, and a lot of happy enemies. Nobleman, dashing officer, and paragon of selfishness, Captain Jezal dan Luthar has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules. Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government... if he can stay alive long enough to follow it. Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glokta,a whole lot more difficult.... Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood. Unpredictable, compelling, wickedly funny, and packed with unforgettable characters, The Blade Itself is noir fantasy with a real cutting edge.
The second novel in the wildly popular First Law Trilogy from New York Times bestseller Joe Abercrombie. Superior Glokta has a problem. How do you defend a city surrounded by enemies and riddled with traitors, when your allies can by no means be trusted, and your predecessor vanished without a trace? It's enough to make a torturer want to run -- if he could even walk without a stick. Northmen have spilled over the border of Angland and are spreading fire and death across the frozen country. Crown Prince Ladisla is poised to drive them back and win undying glory. There is only one problem -- he commands the worst-armed, worst-trained, worst-led army in the world. And Bayaz, the First of the Magi, is leading a party of bold adventurers on a perilous mission through the ruins of the past. The most hated woman in the South, the most feared man in the North, and the most selfish boy in the Union make a strange alliance, but a deadly one. They might even stand a chance of saving mankind from the Eaters -- if they didn't hate each other quite so much. Ancient secrets will be uncovered. Bloody battles will be won and lost. Bitter enemies will be forgiven -- but not before they are hanged. First Law TrilogyThe Blade ItselfBefore They Are HangedLast Argument of KingsFor more from Joe Abercrombie, check out:Novels in the First Law worldBest Served ColdThe HeroesRed Country
The end is coming. Logen Ninefingers might only have one more fight in him but it's going to be a big one. Battle rages across the North, the King of the Northmen still stands firm, and there's only one man who can stop him. His oldest friend, and his oldest enemy. It's past time for the Bloody-Nine to come home. With too many masters and too little time, Superior Glokta is fighting a different kind of war. A secret struggle in which no-one is safe, and no-one can be trusted. His days with a sword are far behind him. Its a good thing blackmail, threats and torture still work well enough. Jezal dan Luthar has decided that winning glory is far too painful, and turned his back on soldiering for a simple life with the woman he loves. But love can be painful too, and glory has a nasty habit of creeping up on a man when he least expects it. While the King of the Union lies on his deathbed, the peasants revolt and the nobles scramble to steal his crown. No-one believes that the shadow of war is falling across the very heart of the Union. The First of the Magi has a plan to save the world, as he always does. But there are risks. There is no risk more terrible, after all, than to break the First Law...
A playful robot bedtime story, illustrated by Caldecott Honoree John Rocco! Includes Read-Aloud/Read-to-Me functionality, where available.Book Description:When his three rambunctious robots give every possible excuse not to go to sleep, what's a little boy to do? With a fun refrain that will have readers of all ages chanting along, here's a book that kids will be begging to read every night before bed.
Home cooks throughout the American South treasure time-honored recipes for hearty soups and satisfying stews savored year after year. Often passed down through the generations, the dishes detailed in this book are cherished and shared at family gatherings, holiday feasts, and community suppers throughout the seasons. These recipes serve up soups and stews seasoned with history--from Nathalie Dupree's Lowcountry Okra and Shrimp Gumbo to Summer Squash Soup with Black Pepper and Thyme, to Collard Greens with Pot Likker and Dumplings--offering us a glimpse of how people farmed, cooked, and continue to celebrate life over time.
Kexue, or science, captured the Chinese imagination in the early twentieth century, promising new knowledge about the world and a dynamic path to prosperity. Chinese Buddhists particularly embraced scientific language and ideas to carve out a place for their religion within a rapidly modernizing society. Examining dozens of overlooked writings from the Chinese Buddhist press, this book maps Buddhists' efforts to rethink their traditions through science in the initial decades of the twentieth century. Buddhists believed science offered an exciting, alternative route to knowledge grounded in empirical thought, much like their own. They encouraged young scholars to study subatomic and relativistic physics while still maintaining Buddhism's vital illumination of human nature and its crucial support of an ethical system rooted in radical egalitarianism. Showcasing the rich and progressive steps Chinese religious scholars took in adapting to science's inevitable rise, this volume offers key perspective on how a major Eastern power transitioned to modernity in the twentieth century and how its intellectuals anticipated many of the ideas debated by scholars of science and Buddhism today.
For theorists in search of a political theology that is more responsive to the challenges now facing western democracies, this book tenders a new political economy anchored in a theory of value. The political theology of the future, Carl Raschke argues, must draw on a powerful, hidden impetus-the "force of God"-to frame a new value-economy. It must also embrace a radical, "faith-based" revolutionary style of theory that reconceives the power of the "theological" in political thought and action. Raschke ties democracy's retreat to the West's failure to confront its decadence and mobilize its vast spiritual resources. Worsening debt, rising unemployment, and gross income inequality have led to a crisis in political representation and values that twentieth-century theorists never anticipated. Drawing on the thought of Hegel and Nietzsche as well as recent work by Michel Foucault, Jacques Derrida, Jean-Joseph Goux, Giorgio Agamben, and Alain Badiou, among others, Raschke recasts political theology for a new generation. He proposes a bold, uncompromising critical theory that acknowledges the enduring relevance of Marx without relying strictly on his materialism and builds a vital, more spiritually grounded relationship between politics and the religious imaginary.
By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France-the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères-as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape.
Born and raised in French Algeria, Assia Djebar and Hélène Cixous represent in their literary works signs of conflict and enmity, drawing on discordant histories so as to reappraise the political on the very basis of dissensus. In a rare comparison of these authors' writings, this book shows how Cixous and Djebar consistently reclaim for ethical and political purposes the demarcations and dislocations emphasized in their fictions. Their works affirm the chance for thinking afforded by marginalization and exclusion and delineate political ways of preserving a space for difference informed by expropriation and non-belonging. Cixous's inquiry is steeped in her formative encounter with the grudging integration of the Jews in French Algeria, while Djebar's narratives concern the colonial separation of "French" and "Arab," self and other. Yet both authors elaborate strategies to address inequality and injustice without resorting to tropes of victimization, challenging and transforming the understanding of the history and legacy of colonized space.
As editor of the quarterly Salmagundi for the past fifty years, Robert Boyers has been on the cutting edge of developments in politics, culture, and the arts. Reflecting on his collaborations and quarrels with some of the twentieth century's most transformative writers, artists, and thinkers, Boyers writes a wholly original intellectual memoir that rigorously confronts selected aspects of contemporary society. Organizing his chapters around specific ideas, he anatomizes the process by which they fall in and out of fashion and often confuse those who most ardently embrace them. In provocative encounters with authority, fidelity, "the other," pleasure, and a wide range of other topics, Boyers tells colorful stories about his own life and, in the process, studies the fate of ideas in a society committed to change and ill-equipped to assess the losses entailed in modernity. Among the characters that appear in these pages are Susan Sontag and V. S. Naipaul, Jamaica Kincaid and J. M. Coetzee, as well as figures drawn from all walks of life, including unfaithful husbands, psychoanalysts, terrorists, and besotted beauty lovers.
Cecilia Sjöholm reads Hannah Arendt as a philosopher of the senses, grappling with questions of vision, hearing, and touch even in her political work. Constructing an Arendtian theory of aesthetics from the philosopher's fragmentary writings on art and perception, Sjöholm begins a vibrant new chapter in Arendt scholarship that expands her relevance for contemporary philosophers. Arendt wrote thoughtfully about the role of sensibility and aesthetic judgment in political life and on the power of art to enrich human experience. Sjöholm draws a clear line from Arendt's consideration of these subjects to her reflections on aesthetic encounters and the works of art mentioned in her published writings and stored among her memorabilia. This delicate effort allows Sjöholm to revisit Arendt's political concepts of freedom, plurality, and judgment from an aesthetic point of view and incorporate Arendt's insight into current discussions of literature, music, theater, and visual art. Though Arendt did not explicitly outline an aesthetics, Sjöholm's work substantively incorporates her perspective into contemporary reckonings with radical politics and their relationship to art.
Eqbal Ahmad (1930?-1999) was a bold and original activist, journalist, and theorist who brought uncommon perspective to the rise of militant Islam, the conflict in Kashmir, U.S. involvement in Vietnam, and Cold War geopolitics. A long-time friend and intellectual collaborator of Ahmad, Stuart Schaar presents in this book previously unseen materials by and about his colleague, having traveled through the United States, India, Pakistan, western Europe, and North Africa to connect Ahmad's experiences to the major currents of modern history. Ahmad was the first to recognize that former ally Osama bin Laden would turn against the United States. He anticipated the rapidly shifting loyalties of terrorists and understood that overthrowing Saddam Hussein would provoke violence and sectarian strife in Iraq. Ahmad had great compassion for the victims of the proxy wars waged by the leading Cold War powers, and he frequently championed unpopular causes, such as the need to extend the rights of Palestinians and protect Bosnians and Kosovars in a disintegrating Yugoslavia. Toward the end of his life, Ahmad worked tirelessly to broker a peace between India and Pakistan and to prevent the spread of nuclear weapons throughout the subcontinent. As novel and necessary as ever, Ahmad's remarkable vision is here preserved and extended to reveal the extent to which he was involved in the political and historical conflicts of his time.
In the Old Testament, God wrestles with a man (and loses). In the Talmud, God wriggles his toes to make thunder and takes human form to shave the king of Assyria. In the New Testament, God is made flesh and dwells among humans. For religious thinkers trained in Greek philosophy and its deep distaste for matter, sacred scripture can be distressing. A philosophically respectable God should be untainted by sensuality, yet the God of sacred texts is often embarrassingly sensual. Setting experts' minds at ease was neither easy nor simple, and, quite often, faith and logic were stretched to their limits. Focusing on examples from both Christian and Jewish sources, from the Bible to the Late Middle Ages, Aviad Kleinberg examines the way Christian and Jewish philosophers, exegetes, and theologians attempted to reconcile God's supposed ineffability with numerous biblical and post-biblical accounts of seeing, hearing, smelling, touching, and even tasting the almighty. The conceptual entanglements ensnaring religious thinkers, and the strange, ingenious solutions they used to extricate themselves, tell us something profound about human needs and divine attributes, about faith, hope, and cognitive dissonance.
We have long thought of the Renaissance as a luminous era that marked a decisive break with the past, but the idea of the Renaissance as a distinct period arose only during the nineteenth century. Though the view of the Middle Ages as a dark age of unreason has softened somewhat, we still locate the advent of modern rationality in the Italian thought and culture of the fifteenth and sixteenth centuries. Jacques Le Goff pleads for a strikingly different view. In this, his last book, he argues persuasively that many of the innovations we associate with the Renaissance have medieval roots, and that many of the most deplorable aspects of medieval society continued to flourish during the Renaissance. We should instead view Western civilization as undergoing several "renaissances" following the fall of Rome, over the course of a long Middle Ages that lasted until the mid-eighteenth century. While it is indeed necessary to divide history into periods, Le Goff shows us that the meaningful continuities of human development only become clear when historians adopt a long perspective. Genuine revolutions-the shifts that signal the end of one period and the beginning of the next-are much rarer than we think.
The unification of North and South Korea is widely considered an unresolved and volatile matter for the global order, but this book argues capital has already unified Korea in a transnational form. As Hyun Ok Park demonstrates, rather than territorial integration and family union, the capitalist unconscious drives the current unification, imagining the capitalist integration of the Korean peninsula and the Korean diaspora as a new democratic moment. Based on extensive archival and ethnographic research in South Korea and China, The Capitalist Unconscious shows how the hegemonic democratic politics of the post-Cold War era-reparation, peace, and human rights-have consigned the rights of migrant laborers-protagonists of transnational Korea-to identity politics, constitutionalism, and cosmopolitanism. Park reveals the riveting capitalist logic of these politics, which underpins legal and policy debates, social activism, and media spectacle. While rethinking the historical trajectory of Cold War industrialism and its subsequent liberal path, this book also probes memories of such key events as the North Korean and Chinese revolutions, which are integral to migrants' reckoning with capitalist allures and communal possibilities. Casting capitalist democracy within an innovative framework of historical repetition, Park elucidates the form and content of the capitalist unconscious at different historical moments and dissolves the modern opposition among socialism, democracy, and dictatorship. The Capitalist Unconscious astutely explores the neoliberal present's past and introduces a compelling approach to the question of history and contemporaneity.
A leading American philosopher brings the tools of his trade to contentious contemporary debates. How can we have meaningful debates with political opponents? How can we distinguish reliable science from over-hyped media reports? How can we talk sensibly about God? In What Philosophy Can Do, Gary Gutting takes a philosopher's scalpel to modern life's biggest questions and the most powerful forces in our society--politics, science, religion, education, and capitalism--to show how we can improve our discussions of contentious contemporary issues. Gutting introduces readers to powerful analytic tools in the philosopher's arsenal that they can use to make new sense of current debates. One such tool is a crucial distinction between inductive and deductive reasoning that explains why both sides on a disputed issue often are sure they have compelling cases for their views. Another is the Principle of Charity, which requires opposing parties to present each other's arguments in their strongest forms--a tool that would make critiques both more respectful and more effective. Gutting also shows how concepts introduced by philosophers from Plato and Aristotle to Michel Foucault and John Rawls can clarify public discussions about morality, the economy, and medicine. From informed assessments of scientific claims to careful analyses of arguments for and against religious belief, Gutting brings a calm, clear-headed approach to some of the most divisive issues on the table today. He scrutinizes our relationship to work and freedom in capitalism; our modern understanding of happiness and the good life; the value of liberal arts education and the humanities; the role of science and politics in shaping public policy today; and the value of art and popular culture. Perhaps most meaningfully, Gutting shows how we can talk about our own deepest beliefs clearly and directly, while listening to what others have to say to us. What Philosophy Can Do makes a powerful case for philosophy's importance to public discussions, and shows us that this ancient tradition of inquiry may yet have much to say about our future.
A literary travelogue into the heart of classic Southern literature. What is it about the South that has inspired so much of America's greatest literature? And why, when we think of Flannery O'Connor or William Faulkner or Harper Lee, do we think of them not just as writers, but as Southern writers? In South Toward Home, Margaret Eby--herself a Southerner--travels through the South in search of answers to these questions, visiting the hometowns and stomping grounds of some of our most beloved authors. From Mississippi (William Faulkner, Eudora Welty, Richard Wright) to Alabama (Harper Lee, Truman Capote) to Georgia (Flannery O'Connor, Harry Crews) and beyond, Eby looks deeply at the places that these authors lived in and wrote about. South Toward Home reveals how these authors took the people and places they knew best and transmuted them into lasting literature. Side by side with Eby, we meet the man who feeds the peacocks at Andalusia, the Georgia farm where Flannery O'Connor wrote her most powerful stories; we peek into William Faulkner's liquor cabinet to better understand the man who claimed civilization began with distillation and the "postage stamp of native soil" that inspired him; and we go in search of one of New Orleans's iconic hot dog vendors, a job held by Ignatius J. Reilly in John Kennedy Toole's A Confederacy of Dunces. From the library that showed Richard Wright that there was a way out to the courtroom at the heart of To Kill a Mockingbird, Eby grapples with a land fraught with history and mythology, for, as Eudora Welty wrote, "One place understood helps us understand all places better." Combining biographical detail with expert criticism, Eby delivers a rich and evocative tribute to the literary South.
A groundbreaking cultural history of the most influential, most frequently translated, and most imitated novel in the world. The year 2015 marks the four hundredth anniversary of the publication of the complete Don Quixote of La Mancha--an ageless masterpiece that has proven unusually fertile and endlessly adaptable. Flaubert was inspired to turn Emma Bovary into "a knight in skirts." Freud studied Quixote's psyche. Mark Twain was fascinated by it, as were Kafka, Picasso, Nabokov, Borges, and Orson Welles. The novel has spawned ballets and operas, poems and plays, movies and video games, and even shapes the identities of entire nations. Spain uses it as a sort of constitution and travel guide; and the Americas were conquered, then sought their independence, with the knight as a role model. In Quixote, Ilan Stavans, one of today's preeminent cultural commentators, explores these many manifestations. Training his eye on the tumultuous struggle between logic and dreams, he reveals the ways in which a work of literature is a living thing that influences and is influenced by the world around it.
An astonishingly brave memoir of prostitution and its lingering influence on a woman's psyche and life. "The best work by anyone on prostitution ever, Rachel Moran's Paid For fuses the memoirist's lived poignancy with the philosopher's conceptual sophistication. The result is riveting, compelling, incontestable. Impossible to put down. This book provides all anyone needs to know about the reality of prostitution in moving, insightful prose that engages and disposes of every argument ever raised in its favor." --Catharine A. MacKinnon, law professor, University of Michigan and Harvard University Born into a troubled family, Rachel Moran left home at the age of fourteen. Being homeless, she was driven into prostitution to survive. With intelligence and empathy, she describes the exploitation she and others endured on the streets and in the brothels. Moran also speaks to the psychological damage inherent to prostitution and the inevitable estrangement from one's body. At twenty-two, Moran escaped the sex trade. She has since become a writer and an abolitionist activist.
Ryan Dean West is back to his boarding school antics in this bitingly funny sequel to Winger, which Publishers Weekly called "alternately hilarious and painful, awkward and enlightening" (Publishers Weekly, starred review).It's his last year at Pine Mountain, and Ryan Dean should be focused on his future, but instead, he's haunted by his past. His rugby coach expects him to fill the roles once played by his lost friend, Joey, as the rugby team's stand-off and new captain. And somehow he's stuck rooming with twelve-year-old freshman Sam Abernathy, a cooking whiz with extreme claustrophobia and a serious crush on Annie Altman--aka Ryan Dean's girlfriend, for now, anyway. Equally distressing, Ryan Dean's doodles and drawings don't offer the relief they used to. He's convinced N.A.T.E. (the Next Accidental Terrible Experience) is lurking around every corner--and then he runs into Joey's younger brother Nico, who makes Ryan Dean feel paranoid that he's avoiding him. Will Ryan Dean ever regain his sanity? From the author of the National Book Award-nominated 100 Sideways Miles, which Kirkus Reviews called "a wickedly witty and offbeat novel," Stand-Off is filled with hand-drawn infographics and illustrations and delivers the same spot-on teen voice and relatable narrative that legions of readers connected with in Winger.
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