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Faulkner and the Black Literatures of the Americas (Faulkner and Yoknapatawpha Series)
by Jay Watson And James G. Thomas Jr.Contributions by Ted Atkinson, Thadious M. Davis, Matthew Dischinger, Dotty Dye, Chiyuma Elliott, Doreen Fowler, Joseph Fruscione, T. Austin Graham, Rachel Eliza Griffiths, Derrick Harriell, Lisa Hinrichsen, Randall Horton, George Hutchinson, Andrew B. Leiter, John Wharton Lowe, Jamaal May, Ben Robbins, Tim A. Ryan, Sharon Eve Sarthou, Jenna Sciuto, James Smethurst, and Jay WatsonAt the turn of the millennium, the Martinican novelist Édouard Glissant offered the bold prediction that “Faulkner’s oeuvre will be made complete when it is revisited and made vital by African Americans,” a goal that “will be achieved by a radically ‘other’ reading.” In the spirit of Glissant’s prediction, this collection places William Faulkner’s literary oeuvre in dialogue with a hemispheric canon of black writing from the United States and the Caribbean. The volume’s seventeen essays and poetry selections chart lines of engagement, dialogue, and reciprocal resonance between Faulkner and his black precursors, contemporaries, and successors in the Americas.Contributors place Faulkner’s work in illuminating conversation with writings by Paul Laurence Dunbar, W. E. B. Du Bois, James Weldon Johnson, Jean Toomer, Nella Larsen, Claude McKay, Ralph Ellison, James Baldwin, Ernest J. Gaines, Marie Vieux-Chauvet, Toni Morrison, Edwidge Danticat, Randall Kenan, Edward P. Jones, and Natasha Trethewey, along with the musical artistry of Mississippi bluesman Charley Patton.In addition, five contemporary African American poets offer their own creative responses to Faulkner’s writings, characters, verbal art, and historical example. In these ways, the volume develops a comparative approach to the Faulkner oeuvre that goes beyond the compelling but limiting question of influence—who read whom, whose works draw from whose—to explore the confluences between Faulkner and black writing in the hemisphere.
Faulkner and the Craft of Fiction (Faulkner and Yoknapatawpha Series)
by Doreen FowlerIn 1944, William Faulkner wrote to Malcolm Cowley, “I'm telling the same story over and over which is myself and the world. That's all a writer ever does, he tells his own biography in a thousand different terms.” With these words, Faulkner suggests that what changes in the course of his prolific novel-writing career is not so much the content but the style, “the thousand different terms” of his fiction. The essays in Faulkner and the Craft of Fiction, first presented at the 1987 Faulkner and Yoknapatawpha Conference at the University of Mississippi, focus on Faulkner's narrative inventiveness, on how Faulkner, like his character Benjy in The Sound and the Fury, relentlessly kept “trying to say.” The contributors, authorities on Faulkner's narrative, offer a wide variety of critical approaches to Faulkner's fiction-writing process. Cleanth Brooks, for example, applies the strategies of New Criticism to Faulkner's rendering of the heroic and pastoral modes; Judith L. Sensibar attempts to locate biographical sources for repeated Faulknerian paradigms; and Philip M. Weinstein draws on the theories of the Marxist Althusser and the French psychoanalyst Lacan. The topics examined are similarly wide-ranging.
Faulkner and the Ecology of the South (Faulkner and Yoknapatawpha Series)
by Joseph R. UrgoIn 1952, Faulkner noted the exceptional nature of the South when he characterized it as “the only really authentic region in the United States, because a deep indestructible bond still exists between man and his environment.” The essays collected in Faulkner and the Ecology of the South explore Faulkner's environmental imagination, seeking what Ann Fisher-Wirth calls the : “ecological counter-melody” of his texts. “Ecology” was not a term in common use outside the sciences in Faulkner's time. However, the word “environment” seems to have held deep meaning for Faulkner. Often he repeated his abiding interest in “man in conflict with himself, with his fellow man, or with his time and place, his environment.” Eco-criticism has led to a renewed interest among literary scholars for what in this volume Cecelia Tichi calls, “humanness within congeries of habitats and environments.” Philip Weinstein draws on Pierre Bourdieu's notion of habitus. Eric Anderson argues that Faulkner's fiction has much to do with ecology in the sense that his work often examines the ways in which human communities interact with the natural world, and François Pitavy sees Faulkner's wilderness as unnatural in the ways it represents reflections of man's longings and frustrations. Throughout these essays, scholars illuminate in fresh ways the precarious ecosystem of Yoknapatawpha County.
Faulkner and the Native South (Faulkner and Yoknapatawpha Series)
by Jay Watson, Annette Trefzer and James G. ThomasContributions by Eric Gary Anderson, Melanie R. Anderson, Jodi A. Byrd, Gina Caison, Robbie Ethridge, Patricia Galloway, LeAnne Howe, John Wharton Lowe, Katherine M. B. Osburn, Melanie Benson Taylor, Annette Trefzer, and Jay Watson From new insights into the Chickasaw sources and far-reaching implications of Faulkner’s fictional place-name “Yoknapatawpha,” to discussions that reveal the potential for indigenous land-, family-, and story-based methodologies to deepen understanding of Faulkner’s fiction (including but not limited to the novels and stories he devoted explicitly to Native American topics), the eleven essays of this volume advance the critical analysis of Faulkner’s Native South and the Native South’s Faulkner. Critics push beyond assessments of the historical accuracy of his Native representations and the colonial hybridity of his Indian characters. Essayists turn instead to indigenous intellectual culture for new models, problems, and questions to bring to Faulkner studies. Along the way, readers are treated to illuminating comparisons between Faulkner’s writings and the work of a number of Native American authors, filmmakers, tribal leaders, and historical figures. Faulkner and the Native South brings together Native and non-Native scholars in a stimulating and often surprising critical dialogue about the indigenous wellsprings of Faulkner’s creative energies and about Faulkner’s own complicated presence in Native American literary history.
Faulkner and Whiteness
by Jay WatsonWilliam Faulkner wrote during a tumultuous period in southern racial consciousness, between the years of the enactment of Jim Crow and the beginnings of the civil rights movement in the South. Throughout the writer's career, racial paradigms were in flux, and these shifting notions are reflected in Faulkner's prose. Faulkner's fiction contains frequent questions about the ways in which white Americans view themselves with regard to race along with challenges to the racial codes and standards of the region, and complex portrayals of the interactions between blacks and whites. Throughout his work, Faulkner contests white identity—its performance by whites and those passing for white, its role in shaping the South, and its assumption of normative identity in opposition to non-white “Others.” This is true even in novels without a strong visible African American presence, such as As I Lay Dying, The Hamlet, The Town, and The Mansion. Faulkner and Whiteness explores the ways in which Faulkner's fiction addresses and destabilizes the concept of whiteness in American culture. Collectively, the essays argue that whiteness, as part of the Nobel Laureate's consistent querying of racial dynamics, is a central element. This anthology places Faulkner's oeuvre—and scholarly views of it—in the contexts of its contemporary literature and academic trends exploring race and texts.
Faulkner at 100: Retrospect and Prospect (Faulkner and Yoknapatawpha Series)
by Donald M. Kartiganer J. AbadieWilliam Faulkner was born September 25, 1897. In honor of his centenary the Faulkner and Yoknapatawpha Conference of 1997 brought together twenty-five of the most important Faulkner scholars to examine the achievement of this writer generally regarded as the finest American novelist of the twentieth century. The essays and panel discussions that make up Faulkner at 100: Retrospect and Prospect provide a comprehensive account of the man and his work, including discussions of his life, the shape of his career, and his place in American literature, as well as fresh readings of such novels as The Sound and the Fury, Absalom, Absalom!, If I Forget Thee, Jerusalem, and Go Down, Moses. What emerges from this commemorative volume is a plural Faulkner, a writer of different value and meaning to different readers, a writer still challenging readers to accommodate their highly varied approaches to what André Bleikasten calls Faulkner's abiding “singularity.”
Faulkner in the Twenty-First Century (Faulkner and Yoknapatawpha Series)
by Robert W. Hamblin Ann J. AbadieContributions by Deborah N. Cohn, Leigh Anne Duck, Robert W. Hamblin, Michael Kreyling, Barbara Ladd, Walter Benn Michaels, Patrick O'Donnell, Theresa M. Towner, Annette Trefzer, and Karl F. Zender Faulkner in the Twenty-First Century presents the thoughts of ten noted Faulkner scholars who spoke at the twenty-seventh annual Faulkner and Yoknapatawpha Conference at the University of Mississippi. Theresa M. Towner attacks the traditional classification of Faulkner's works as “major” and “minor” and argues that this causes the neglect of other significant works and characters. Michael Kreyling uses photographs of Faulkner to analyze the interrelationships of Faulkner's texts with the politics and culture of Mississippi. Barbara Ladd and Deborah Cohn invoke the relevance of Faulkner's works to “the other South,” postcolonial Latin America. Also, approaching Faulkner from a postcolonial perspective, Annette Trefzer looks at his contradictory treatment of Native Americans. Within the tragic fates of such characters as Quentin Compson, Gail Hightower, and Rosa Coldfield, Leigh Ann Duck finds an inability to cope with painful memories. Patrick O'Donnell examines the use of the future tense and Faulkner's growing skepticism of history as a linear progression. To postmodern critics who denigrate “The Fire and the Hearth,” Karl F. Zender offers a rebuttal. Walter Benn Michaels contends that in Faulkner's South, and indeed the United States as a whole, the question of racial identification tends to overpower all other issues. Faulkner's recurring interest in frontier life and values inspires Robert W. Hamblin's piece.
Faulkner's Families (Faulkner and Yoknapatawpha Series)
by Jay Watson and James G. ThomasContributions by Josephine Adams, Jeff Allred, Garry Bertholf, Maxwell Cassity, John N. Duvall, Katherine Henninger, Maude Hines, Robert Jackson, Julie Beth Napolin, Rebecca Nisetich, George Porter Thomas, Jay Watson, and Yuko YamamotoIf it seems outrageous to suggest that one of the twentieth century’s most important literary cartographers of the private recesses of consciousness is also among its great novelists of family, William Faulkner nonetheless fits the bill on both counts. Family played an outsized role in both his life and his writings, often in deeply problematic ways, surfacing across his oeuvre in a dazzling range of distorted, defamiliarized, and transgressive forms, while on other occasions serving as a crucible for crushing forces of conformity, convention, and tradition. The dozen essays featured in this collection approach Faulkner’s many families—actual and imagined—as especially revealing windows to his work and his world. Contributors explore the role of the child in Faulkner’s vision of family and regional society; sibling relations throughout the author's body of work; the extension of family networks beyond blood lineage and across racial lines; the undutiful daughters of Yoknapatawpha County; the critical power of family estrangement and subversive genealogies in Faulkner’s imagination; forms of queer and interspecies kinship; the epidemiological imagination of Faulkner’s notorious Snopes family as social contagion; the experiences of the African American families who worked on the writer’s Greenfield Farm property; and Faulkner’s role in promoting a Cold War–era ideology of “the family of man” in post–World War II Japan.
Faulkner's Geographies: Faulkner And Yoknapatawpha, 2011 (Faulkner and Yoknapatawpha Series)
by Jay Watson Ann J. AbadieThe recent spatial turn in social theory and cultural studies opens up exciting new possibilities for the study of William Faulkner's literature. The fictional domains of Yoknapatawpha County and Jefferson, Mississippi, are not simply imagined communities but imaginative geographies of remarkable complexity and detail, as evidenced by the maps Faulkner created of his “apocryphal” county. Exploring the diverse functions of space in Faulkner's artistic vision, the eleven essays in Faulkner's Geographies delve deep into Yoknapatawpha but also reach beyond it to uncover unsuspected connections and flows linking local, regional, national, hemispheric, and global geographies in Faulkner's writings. Individual contributions examine the influence of the plantation as a land-use regime on Faulkner's imagination of north Mississippi's geography; the emergence of “micro-Souths” as a product of modern migratory patterns in the urban North of Faulkner's fiction; the enlistment of the author's work in the geopolitics of the cultural Cold War during the 1950s; the historical and literary affiliations between Faulkner's Deep South and Greater Mexico; the local and idiosyncratic as alternatives to region and nation; the unique intersection of regional and metropolitan geographies that Faulkner encountered as a novice writer immersed in the literary culture of New Orleans; the uses of feminist geography to trace the interplay of gender, space, and movement; and the circulation of Caribbean and “Black South” spaces and itineraries through Faulkner's masterpiece, Absalom, Absalom! By bringing new attention to the function of space, place, mapping, and movement in his literature, Faulkner's Geographies seeks to redraw the very boundaries of Faulkner studies.
Faulkner's Inheritance: Faulkner And Yoknapatawpha 2005 (Faulkner and Yoknapatawpha Series)
by Joseph R. UrgoEssays by Susan V. Donaldson, Lael Gold, Adam Gussow, Martin Kreiswirth, Jay Parini, Noel Polk, Judith L. Sensibar, Jon Smith, and Priscilla Wald William Faulkner once said that the writer “collects his material all his life from everything he reads, from everything he listens to, everything he sees, and he stores that away in sort of a filing cabinet . . . in my case it's not anything near as neat as a filing case; it's more like a junk box.” Faulkner tended to be quite casual about his influences. For example, he referred to the South as “not very important to me. I just happen to know it, and don't have time in one life to learn another one and write at the same time.” His Christian background, according to him, was simply another tool he might pick up on one of his visits to “the lumber room” that would help him tell a story. Sometimes he claimed he never read James Joyce's Ulysses or had never heard of Thomas Mann—writers he would elsewhere declare as “the two great men in my time.” Sometimes he expressed annoyance at readers who found esoteric theory in his fiction, when all he wanted them to find was Faulkner: “I have never read [Freud]. Neither did Shakespeare. I doubt if Melville did either, and I'm sure Moby-Dick didn't.” Nevertheless, Faulkner's life was rich in what he did, saw, and read, and he seems to have remembered all of it and put it to use in his fiction. Faulkner's Inheritance is a collection of essays that examines the influences on Faulkner's fiction, including his own family history, Jim Crow laws, contemporary fashion, popular culture, and literature.
Faulkner's Sexualities: Dana Andrews (Faulkner and Yoknapatawpha Series)
by FaulknerWilliam Faulkner grew up and began his writing career during a time of great cultural upheaval, especially in the realm of sexuality, where every normative notion of identity and relationship was being re-examined. Not only does Faulkner explore multiple versions of sexuality throughout his work, but he also studies the sexual dimension of various social, economic, and aesthetic concerns. In Faulkner's Sexualities, contributors query Faulkner's life and fiction in terms of sexual identity, sexual politics, and the ways in which such concerns affect his aesthetics. Given the frequent play with sexual norms and practices, how does Faulkner's fiction constitute the sexual subject in relation to the dynamics of the body, language, and culture? In what ways does Faulkner participate in discourses of masculinity and femininity, desire and reproduction, heterosexuality and homosexuality? In what ways are these discourses bound up with representations of race and ethnicity, modernity and ideology, region and nation? In what ways do his texts touch on questions concerning the racialization of categories of gender within colonial and dominant metropolitan discourses and power relations? Is there a southern sexuality? This volume wrestles with these questions and relates them to theories of race, gender, and sexuality.
Faust's Gold: Inside the East German Doping Machine
by Steven UngerleiderSteven Ungerleider's Faust's Gold is the stunning expose of the East German sports juggernaut of the 1970s and 1980s that forced young athletes to unknowingly take steroids. For nearly twenty-five years, East Germany's corrupt sports organization dominated international athletics. While the German Democratic Republic's secret "State Plan" was in effect, more than ten thousand unsuspecting young athletes--some as young as twelve years old--were given massive doses of performance-enhancing anabolic steroids. These athletes achieved miraculous success in international competitions, including the Olympics, but for many of them, their physical and emotional health was permanently damaged.Faust's Gold draws on the revelations of the ongoing trials of former GDR coaches, doctors, and sports officials who have now confessed to conducting ruthless medical experiments on young and talented athletes selected for Olympic training camps. It also draws on the extensive research of Brigitte Berendonk, who escaped from East Germany to begin a decade-long crusade to bring justice to her fellow athletes, and that of her husband, Professor Werner Franke. Berendonk's story, and those of her colleagues in the GDR, offers a unique insight into a bizarre regime.Faust's Gold is a true-life detective story that plunges into the dark, secretive world of the GDR doping scam, where elite competitors and their families are up against a formidable opponent: the East German secret police, known as the STASI. What emerges is a complex tapestry of the politicized modern Olympics that culminates in a powerful testimony to the massive wrong done by one Eastern Bloc nation to its world-class athletes.
The Favorite Sister
by Jessica KnollFrom the author of Luckiest Girl Alive—now a Netflix film—comes the &“engrossing&” (People) New York Times bestseller starring two sisters who join the cast of a reality TV series…and only one will make it out alive.Brett and Kelly have always toed the line between supportive sisters and bitter rivals. Growing up, Brett was the problem child, living in the shadow of the brilliant and beautiful Kelly. In adulthood, all that has changed. Kelly is a struggling single mother and Brett has skyrocketed to meteoric success that has been chronicled on a reality TV show called Goal Diggers. When Kelly manipulates her way onto the show and into Brett&’s world, Brett is wildly threatened. Kelly, and only Kelly, knows her younger sister&’s appalling secret, one that could ruin her. Still, when the truth comes out in the explosive final weekend of filming, neither of them ever expected that the season would end in murder.
Faye, Faraway
by Helen FisherHeartfelt and irresistible—&“a lovely, deeply moving story of loss and love and memory made real&” (Diana Gabaldon, #1 New York Times bestselling author)—this enchanting debut follows a woman who travels back in time to be reunited with the mother she lost when she was a child.Every night, as Faye puts her daughters to bed, she thinks of her own mother, Jeanie, who died when Faye was eight. The pain of that loss has never left her, and that&’s why she wants her own girls to know how very much they are loved by her—and always will be, whatever happens. Then one day, Faye gets her heart&’s desire when she&’s whisked back into the past and is reunited not just with her mother but with her own younger self. Jeanie doesn&’t recognize grown-up Faye as her daughter, even though there is something eerily familiar about her. But the two women become close friends and share all kinds of secrets—except for the deepest secret of all, the secret of who Faye really is. Faye worries that telling the truth may prevent her from being able to return to the present day, to her dear husband and beloved daughters. Eventually she&’ll have to choose between those she loved in the past and those she loves in the here and now, and that knowledge presents her with an impossible choice. If only she didn&’t have to make it....
FDR and His Enemies: A History
by Albert FriedNot since the Civil War was America so riven by conflict as it was during Franklin D. Roosevelt's presidency. His bold initiatives and his willingness to break historic precedent in handling the Great Depression and the coming of World War II were challenged by giant figures of the era, powerful public men each with their own fierce constituencies. Albert Fried brings out the tremendous drama in Roosevelt's ideological and personal struggle with five influential men: ex-New York governor and presidential candidate Al Smith, the enormously popular "radio priest" Charles E. Coughlin, Louisiana Senator Huey Long, labor champion John L. Lewis, and the universally adored aviator Charles A. Lindbergh. An enthralling story of a critical period in twentieth century history, FDR and His Enemies reveals the intellectual, moral, and tactical underpinnings of a great debate in which Roosevelt always triumphed.
FDR At War: The Mantle of Command, Commander in Chief, and War and Peace (Fdr At War Ser. #3)
by Nigel HamiltonThe definitive three-volume history that FDR did not live to write: the story of World War II from his perspective, showing his mastery of strategy, his vision, and how he overcame resistance from Churchill and his own generals to set the course for victory. Mantle of Command, Commander in Chief, and War and Peace have been celebrated as "masterly" (The Wall Street Journal).
The Fear and the Freedom: How the Second World War Changed Us
by Keith LoweBestselling historian Keith Lowe's The Fear and the Freedom looks at the astonishing innovations that sprang from WWII and how they changed the world.The Fear and the Freedom is Keith Lowe’s follow-up to Savage Continent. While that book painted a picture of Europe in all its horror as WWII was ending, The Fear and the Freedom looks at all that has happened since, focusing on the changes that were brought about because of WWII—simultaneously one of the most catastrophic and most innovative events in history. It killed millions and eradicated empires, creating the idea of human rights, and giving birth to the UN. It was because of the war that penicillin was first mass-produced, computers were developed, and rockets first sent to the edge of space. The war created new philosophies, new ways of living, new architecture: this was the era of Le Corbusier, Simone de Beauvoir and Chairman Mao. But amidst the waves of revolution and idealism there were also fears of globalization, a dread of the atom bomb, and an unexpressed longing for a past forever gone. All of these things and more came about as direct consequences of the war and continue to affect the world that we live in today. The Fear and the Freedom is the first book to look at all of the changes brought about because of WWII. Based on research from five continents, Keith Lowe’s The Fear and the Freedom tells the very human story of how the war not only transformed our world but also changed the very way we think about ourselves.
Fear and What Follows: The Violent Education of a Christian Racist, A Memoir (Willie Morris Books in Memoir and Biography)
by Tim ParrishFear and What Follows is a riveting, unflinching account of the author's spiral into racist violence during the latter years of desegregation in 1960s and 1970s Baton Rouge. About the memoir, author and editor Michael Griffith writes, “This might be a controversial book, in the best way—controversial because it speaks to real and intractable problems and speaks to them with rare bluntness.” The narrative of Parrish's descent into fear and irrational behavior begins with bigotry and apocalyptic thinking in his Southern Baptist church. Living a life upon this volatile foundation of prejudice and apprehension, Parrish feels destabilized by his brother going to Vietnam, his own puberty and restlessness, serious family illness, and economic uncertainty. Then a near-fatal street fight and subsequent stalking by an older sociopath fracture what security is left, leaving him terrified and seemingly helpless. Parrish comes to believe that he can only be safe by allying himself with brute force. This brute influence is a vicious, charismatic racist. Under this bigot's terrible sway, Parrish turns to violence in the street and at school. He is even conflicted about whether he will help commit murder in order to avenge a friend. At seventeen he must reckon with all of this as his parents and neighbors grow increasingly afraid that they are “losing” their neighborhood to African Americans. Fear and What Follows is an unparalleled story of the complex roots of southern, urban, working-class racism and white flight, as well as a story of family, love, and the possibility of redemption.
Fear City: New York's Fiscal Crisis and the Rise of Austerity Politics
by Kim Phillips-FeinPULITZER PRIZE FINALISTAn epic, riveting history of New York City on the edge of disaster—and an anatomy of the austerity politics that continue to shape the world todayWhen the news broke in 1975 that New York City was on the brink of fiscal collapse, few believed it was possible. How could the country’s largest metropolis fail? How could the capital of the financial world go bankrupt? Yet the city was indeed billions of dollars in the red, with no way to pay back its debts. Bankers and politicians alike seized upon the situation as evidence that social liberalism, which New York famously exemplified, was unworkable. The city had to slash services, freeze wages, and fire thousands of workers, they insisted, or financial apocalypse would ensue.In this vivid account, historian Kim Phillips-Fein tells the remarkable story of the crisis that engulfed the city. With unions and ordinary citizens refusing to accept retrenchment, the budget crunch became a struggle over the soul of New York, pitting fundamentally opposing visions of the city against each other. Drawing on never-before-used archival sources and interviews with key players in the crisis, Fear City shows how the brush with bankruptcy permanently transformed New York—and reshaped ideas about government across America.At once a sweeping history of some of the most tumultuous times in New York's past, a gripping narrative of last-minute machinations and backroom deals, and an origin story of the politics of austerity, Fear City is essential reading for anyone seeking to understand the resurgent fiscal conservatism of today.
Fear, Hate, and Victimhood: How George Wallace Wrote the Donald Trump Playbook (Race, Rhetoric, and Media Series)
by Andrew E. StonerWhen Donald Trump announced his campaign for president in 2015, journalists, historians, and politicians alike attempted to compare his candidacy to that of Governor George Wallace. Like Trump, Wallace, who launched four presidential campaigns between 1964 and 1976, utilized rhetoric based in resentment, nationalism, and anger to sway and eventually captivate voters among America’s white majority. Though separated by almost half a century, the campaigns of both Wallace and Trump broke new grounds for political partisanship and divisiveness.In Fear, Hate, and Victimhood: How George Wallace Wrote the Donald Trump Playbook, author Andrew E. Stoner conducts a deep analysis of the two candidates, their campaigns, and their speeches and activities, as well as their coverage by the media, through the lens of demagogic rhetoric. Though past work on Wallace argues conventional politics overcame the candidate, Stoner makes the case that Wallace may in fact be a prelude to the more successful Trump campaign.Stoner considers how ideas about “in-group” and “out-group” mentalities operate in politics, how anti-establishment views permeate much of the rhetoric in question, and how expressions of victimhood often paradoxically characterize the language of a leader praised for “telling it like it is.” He also examines the role of political spectacle in each candidate’s campaigns, exploring how media struggles to respond to—let alone document—demagogic rhetoric.Ultimately, the author suggests that the Trump presidency can be understood as an actualized version of the Wallace presidency that never was. Though vast differences exist, the demagogic positioning of both men provides a framework to dissect these times—and perhaps a valuable warning about what is possible in our highly digitized information society.
The Fear of Insignificance: Searching for Meaning in the Twenty-First Century
by C. StrengerThis book shows how, after the fall of the Berlin Wall in 1989, the Gospel of the free market became the only world-religion of universal validity. The belief that all value needs to be quantifiable was extended to human beings, whose value became dependent on their rating on the various ranking-scales in the global infotainment system.
Fearless (Eye of the Beholder #2)
by Sarah TarkoffIn a near future society in which morality is manifested through beauty and ugliness, a young woman will imperil her future and her world to expose the global shadow network that uses its power to play God and control humanity.A decade ago, Grace Luther’s life was changed by the Revelations: the moment when Great Spirit “saved” humanity and transformed the world into a place where pious behavior is rewarded with beauty, and wrongdoing results in ugliness and even death.Now, at eighteen, Grace knows that everything she believed about the Revelations is a lie—a myth constructed by the government of the Prophets to force its citizens into model behavior . . . and one that led to her mother’s death. She is determined to expose the deception and bring down the Prophets, even if it means aligning herself with the resistance, a group she doesn’t entirely trust. After insinuating herself into Prophet Joshua’s inner circle, the double agent gets ever closer to fulfilling her mission to destroy his mind-influencing nanotechnology. But a shocking discovery has her questioning her path, and sends her hunting for answers about her past.Grace isn’t alone on this odyssey. Zack, the secretive government agent who is sometimes an enemy and sometimes a friend has been shadowing her every move. Is he protecting her—or hunting her? And Jude, her first love, has returned from hiding to aid her—a task complicated by their history.In a dangerous world filled with lies and betrayals, Grace can’t trust anyone. And the choices she makes will either save her friends, the resistance, and the hope of attaining free will—or secure the Prophets’ power and ultimate control.
Feast: Food of the Islamic World
by Anissa HelouWINNER OF THE JAMES BEARD FOUNDATION INTERNATIONAL COOKBOOK AWARD NAMED A MOST ANTICIPATED COOKBOOK OF SPRING 2018 BY BON APPETIT, FOOD & WINE, EPICURIOUS, TASTING TABLE, ESQUIRE, GLOBE & MAIL, and PUBLISHERS WEEKLY"[Helou's] range of knowledge and unparalleled authority make her just the kind of cook you want by your side when baking a Moroccan flatbread, preparing an Indonesian satay and anything else along the way."— Yotam OttolenghiA richly colorful and exceptionally varied cookbook of timeless recipes from across the Islamic worldIn Feast, award-winning chef Anissa Helou—an authority on the cooking of North Africa, the Mediterranean, and the Middle East—shares her extraordinary range of beloved, time-tested recipes and stories from cuisines throughout the Muslim world. Helou has lived and traveled widely in this region, from Egypt to Syria, Iran to Indonesia, gathering some of its finest and most flavorful recipes for bread, rice, meats, fish, spices, and sweets. With sweeping knowledge and vision, Helou delves into the enormous variety of dishes associated with Arab, Persian, Mughal (or South Asian), and North African cooking, collecting favorites like biryani or Turkish kebabs along with lesser known specialties such as Zanzibari grilled fish in coconut sauce or Tunisian chickpea soup. Suffused with history, brought to life with stunning photographs, and inflected by Helou’s humor, charm, and sophistication, Feast is an indispensable addition to the culinary canon featuring some of the world’s most inventive cultures and peoples.
The Feast Makers (The Scapegracers #3)
by H. A. ClarkeThe Craft for Gen Z: The Feast Makers, indie bestselling author H. A. Clarke crafts an action-packed conclusion to the Scapegracers trilogy, as our beloved teen coven tackle college acceptances, queer romance, and a witch trial to remember for the ages. After restoring their powers, Sideways just wants to get on with senior year. But the covens have convened for the trial of Madeline Kline. When this stubborn, independent witch begs the Scapegracers to save her from a cruel and unusual punishment, Sideways knows they have to get involved. It&’s the right thing to do, even if Madeline did steal their soul and wear it for a time. Right? Making an example out of Madeline seems, strangely, just as important to the most powerful covens as divvying up the Scapegracers amongst themselves. Sideways, Jing, Daisy, and Yates are reluctant to abandon what they&’ve built together, but as the college acceptances (and rejections) roll in, the offer of a magical family beyond Sycamore Gorge becomes increasingly tempting. Unfortunately, choosing a new coven will have to wait: witchfinders are gathering in town, and some of these visitors make the Chantrys seem tame in comparison. Every witch—Scapegracer or not—is about to be in grave danger. And on top of all that, Sideways thinks they just might be in love. In H. A. Clarke&’s signature raw and explosive style, The Feast Makers brings the indie-bestselling Scapegracers trilogy to a dynamic end as Sideways, Jing, Daisy, Yates, and Shiloh tackle college acceptances, queer romance, and the meaning of justice in an ever-challenging world.
A Feast Unknown (The Doc Caliban and Lord Gandrith Novels)
by Philip José FarmerSci-fi meets gritty, erotic horror in the Hugo Award–winning author&’s controversial pastiche of mid-twentieth century pulp fiction icons. Philip José Farmer took the art of literary mashups to an epic new level with his novels of the Wold Newton Universe, in which fictional characters such as James Bond, Sherlock Holmes, and Philip Marlowe crossed paths in a complex narrative web. In A Feast Unknown, he presents thinly veiled versions of two iconic characters—Tarzan and Doc Savage—in a dark tale of psychosexual ferocity. Lord Grandrith, the fabled &“king of the jungle,&” is endowed with special powers that come at a terrible cost. He can only experience sexual pleasure while engaged in acts of violence. His affliction is shared by his nemesis, Doc Caliban, the legendary Man of Bronze. These two titans are also half-brothers—progeny of the infamous serial killer Jack the Ripper. As they face each other in an epic battle for immortality, they discover a common enemy: the dark manipulators behind their tragic fate.