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This two-volume text in harmonic analysis introduces a wealth of analytical results and techniques. It is largely self-contained and useful to graduates and researchers in pure and applied analysis. Numerous exercises and problems make the text suitable for self-study and the classroom alike. The first volume starts with classical one-dimensional topics: Fourier series; harmonic functions; Hilbert transform. Then the higher-dimensional Caldern-Zygmund and Littlewood-Paley theories are developed. Probabilistic methods and their applications are discussed, as are applications of harmonic analysis to partial differential equations. The volume concludes with an introduction to the Weyl calculus. The second volume goes beyond the classical to the highly contemporary and focuses on multilinear aspects of harmonic analysis: the bilinear Hilbert transform; Coifman-Meyer theory; Carleson's resolution of the Lusin conjecture; Caldern's commutators and the Cauchy integral on Lipschitz curves. The material in this volume has not previously appeared together in book form.
This two-volume text in harmonic analysis introduces a wealth of analytical results and techniques. It is largely self-contained and useful to graduates and researchers in pure and applied analysis. Numerous exercises and problems make the text suitable for self-study and the classroom alike. The first volume starts with classical one-dimensional topics: Fourier series; harmonic functions; Hilbert transform. Then the higher-dimensional Calderón-Zygmund and Littlewood-Paley theories are developed. Probabilistic methods and their applications are discussed, as are applications of harmonic analysis to partial differential equations. The volume concludes with an introduction to the Weyl calculus. The second volume goes beyond the classical to the highly contemporary and focuses on multilinear aspects of harmonic analysis: the bilinear Hilbert transform; Coifman-Meyer theory; Carleson's resolution of the Lusin conjecture; Calderón's commutators and the Cauchy integral on Lipschitz curves. The material in this volume has not previously appeared together in book form.
Short fiction was an immensely popular art in the medieval and premodern Arab world, providing the perfect vehicle for transmitting the tenets of classical Islam. Reading these texts today illuminates the wide spectrum of early Arab life and suggests the influences and innovations that flourished so vibrantly in medieval Arab society. The only resource of its kind, Salma Khadra Jayyusi's Classical Arabic Stories chooses from an impressive corpus, including excerpts from six seminal works: Ibn Tufail's novel, Hayy ibn Yaqzan; Ibn al-Muqaffa'sKalila wa Dimna; The Misers of al-Jahiz; The Brethren of Purity's The Protest of Animals Against Man; Al-Maqamat(The Assemblies), and the epic romance, Sayf Bin Dhi Yazan. Jayyusi organizes her anthology thematically, beginning with a presentation of pre-Islamic tales, the stories of rulers and other notables, and thrilling narratives of danger and warfare. She follows with tales of religion, comedy, the strange and the supernatural, and love. Long assumed to be the lesser achievement in comparison to Arabic literature's most celebrated genre --poetry --classical Arabic fiction, under Jayyusi's careful eye, finally receives its proper debut, demonstrating its unparalleled contribution to the evolution of medieval literature and its sophisticated representation of Arabic culture and life.
Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book--and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.From the Hardcover edition.
This graduate-level physics textbook provides a comprehensive treatment of the basic principles and phenomena of classical electromagnetism. While many electromagnetism texts use the subject to teach mathematical methods of physics, here the emphasis is on the physical ideas themselves. Anupam Garg distinguishes between electromagnetism in vacuum and that in material media, stressing that the core physical questions are different for each. In vacuum, the focus is on the fundamental content of electromagnetic laws, symmetries, conservation laws, and the implications for phenomena such as radiation and light. In material media, the focus is on understanding the response of the media to imposed fields, the attendant constitutive relations, and the phenomena encountered in different types of media such as dielectrics, ferromagnets, and conductors. The text includes applications to many topical subjects, such as magnetic levitation, plasmas, laser beams, and synchrotrons. Classical Electromagnetism in a Nutshell is ideal for a yearlong graduate course and features more than 300 problems, with solutions to many of the advanced ones. Key formulas are given in both SI and Gaussian units; the book includes a discussion of how to convert between them, making it accessible to adherents of both systems.Offers a complete treatment of classical electromagnetism Emphasizes physical ideas Separates the treatment of electromagnetism in vacuum and material media Presents key formulas in both SI and Gaussian units Covers applications to other areas of physics Includes more than 300 problems
Features the classical themes of geometry with plentiful applications in mathematics, education, engineering, and scienceAccessible and reader-friendly, Classical Geometry: Euclidean, Transformational, Inversive, and Projective introduces readers to a valuable discipline that is crucial to understanding bothspatial relationships and logical reasoning. Focusing on the development of geometric intuitionwhile avoiding the axiomatic method, a problem solving approach is encouraged throughout.The book is strategically divided into three sections: Part One focuses on Euclidean geometry, which provides the foundation for the rest of the material covered throughout; Part Two discusses Euclidean transformations of the plane, as well as groups and their use in studying transformations; and Part Three covers inversive and projective geometry as natural extensions of Euclidean geometry. In addition to featuring real-world applications throughout, Classical Geometry: Euclidean, Transformational, Inversive, and Projective includes:Multiple entertaining and elegant geometry problems at the end of each section for every level of studyFully worked examples with exercises to facilitate comprehension and retentionUnique topical coverage, such as the theorems of Ceva and Menalaus and their applicationsAn approach that prepares readers for the art of logical reasoning, modeling, and proofsThe book is an excellent textbook for courses in introductory geometry, elementary geometry, modern geometry, and history of mathematics at the undergraduate level for mathematics majors, as well as for engineering and secondary education majors. The book is also ideal for anyone who would like to learn the various applications of elementary geometry.
The Golden Age of ancient Greek city-state civilization lasted from 490 to 336 BC, the period between the first wars against Persia and Carthage and the accession of Alexander the Great. Never has there been such a multiplication of talents and genius within so limited a period and Michael Grant captures this astonishing civilization at the height of its powers.
Want to be a classical guitarist but never had a lesson?Want to be a classical guitarist, but never had a lesson? No problem -- this hands-on guide teaches you all the fundamental techniques you need to play scales, melodies, and full-length pieces in the classical style. You get plenty of practice exercises to stretch your skills, selections from the classical repertoire, and a bonus audio CD that helps you play along with the music pieces from the book!Get acquainted with your guitar -- familiarize yourself with the unique make-up and parts of a classical guitarStart making some music -- play melodies on individual strings, move on to arpeggios, and get your fingers in shape with scalesRamp up your technique -- play barres, slurs, and trills; handle harmonics; master right-hand tremolo; and venture up the neck to play in the higher positionsBuild your classical repertoire -- from Renaissance and Baroque to Classical, Romantic, and Modern, play pieces from the major eras in classical musicPractice makes perfect -- improve your performance with expert guidance through each exercise and piece in the bookOpen the book and find:Tips and techniques for playing beautiful piecesHow to read music notation and tablatureBasic finger and thumb strokesRight- and left-hand techniquesMusical examples, charts, and photosMusic pieces from the guitar greatsThe best ways to care for your guitarA step-by-step tutorial on changing your stringsBonus CD IncludesMore than 140 recorded performances of the exercises and pieces featured in the bookPieces performed using a count-off, allowing you to play along in time with the musicTuning notes to help you tune up your guitarNote: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.
American liberals and conservatives alike take for granted a progressive view of the Constitution that took root in the early twentieth century. Richard Epstein laments this complacency which, he believes, explains America's current economic malaise and political gridlock. Steering clear of well-worn debates between defenders of originalism and proponents of a living Constitution, Epstein employs close textual reading, historical analysis, and political and economic theory to urge a return to the classical liberal theory of governance that animated the framers' original constitutional design. Grounded in the thought of Locke, Hume, Madison, and other Enlightenment figures, classical liberalism emphasized federalism, restricted government, separation of powers, and strong protection of individual rights. New Deal progressives challenged this synthesis by embracing government as a force for social good rather than a necessary evil. The Supreme Court has unwisely ratified the progressive program by sustaining many legislative initiatives at odds with the classical liberal Constitution. Epstein addresses both the Constitution's structural safeguards against state power and its protection of individual rights. He sheds light on contemporary disputes ranging from presidential prerogatives to health care legislation, while exploring such enduring topics as judicial review, economic regulation, freedom of speech and religion, and equal protection.
The works collected in this volume have profoundly shaped the history of criticism in the Western world: they created much of the terminology still in use today and formulated enduring questions about the nature and function of literature. In Ion, Plato examines the god-like power of poets to evoke feelings such as pleasure or fear, yet he went on to attack this manipulation of emotions and banished poets from his ideal Republic. Aristotle defends the value of art in his Poetics, and his analysis of tragedy has influenced generations of critics from the Renaissance onwards. In the Art of Poetry, Horace promotes a style of poetic craftsmanship rooted in wisdom, ethical insight and decorum, while Longinus' On the Sublime explores the nature of inspiration in poetry and prose.
In Classical Mathematical Logic, Richard L. Epstein relates the systems of mathematical logic to their original motivations to formalize reasoning in mathematics. The book also shows how mathematical logic can be used to formalize particular systems of mathematics. It sets out the formalization not only of arithmetic, but also of group theory, field theory, and linear orderings. These lead to the formalization of the real numbers and Euclidean plane geometry. The scope and limitations of modern logic are made clear in these formalizations. The book provides detailed explanations of all proofs and the insights behind the proofs, as well as detailed and nontrivial examples and problems. The book has more than 550 exercises. It can be used in advanced undergraduate or graduate courses and for self-study and reference. Classical Mathematical Logic presents a unified treatment of material that until now has been available only by consulting many different books and research articles, written with various notation systems and axiomatizations.
MAKE A SOUND INVESTMENT IN CLASSICAL MUSICWho are the ten most important classical composers? Who in the world was Palestrina? Why did Stravinsky's "Rite of Spring" cause a riot? Which five of each important composer's works should you buy? What is a concerto and how does it differ from a sonata?Maybe you don't know the answers to these questions; author Phil Goulding certainly didn't. When Goulding first tried to learn about classical music, he found himself buried in an avalanche of technical terms and complicated jargon--so he decided to write the book he couldn't find.The result is a complete classical music education in one volume. Comprehensive, discriminating, and delightfully irreverent, Classical Music provides such essential information as:* Rankings of the top 50 composers (Bach is #1. Borodin is #50) * A detailed and anecdotal look at each composer's life and work * The five primary works of each composer and specific recommended CDs for each. * Further great works of each composer--if you really like him * Concise explanations of musical terminology, forms, and periods * A guide to the parts and history of the symphony orchestra "This book uses every conceivable gimmick to immerse readers in the richness of classical music: lists, rankings, sidebars devoted to lively anecdotes, and catchy leads."--The Washington Post"One terrific music appreciation book...The information is surprisingly detailed but concisely presented. Goulding's writing style is breezy yet mature....[He] has raised music appreciation from a racket to a service."--The Arizona Daily StarFrom the Trade Paperback edition.
What does classical music mean to the Western World? How has it transformed over the centuries? What relevance does it have today? Julian Johnson inspires readers to explore over 1000 years of music, and examines how music is related to some of the big ideas of Western experience including spirituality, emotion, the weight of history, and self identity. Julian Johnson is currently Professor of Music at Royal Holloway, University of London. He is also a composer and public speaker on musicology, championing the relevance of classical music to the general public.
In this informal and informative guide, Rudel leads listeners through the 40 most essential and popular compositions from the Four Seasons to Rhapsody in Blue, explaining the musical structure of each passage and highlighting special themes or elements to listen for as the music continues.
A text springing from a course taught at the U. of Wisconsin-Madison since around 1933 that surveys classical myth, and also the roots of Western culture, emphasizing the anthropological, historical, religious, sociological, and economic contexts in which the stories were told along with analysis and interpretation. New translations from the Hebrew, Greek, Latin, and Italian have been prepared for this volume by Herbert M. Howe. Annotation c. by Book News, Inc., Portland, Or.
An introduction to Greek and Roman mythology combining theoretical treatment of myth with primary literature and art. Incorporates selections and complete works of Greco-Roman myths such as Hesiod's Theogony, the Homeric hymns, and Ovid's Metamorphoses, with critical introductions and discussion and review questions. Discusses Greek myth's concepts and divinities, contrasts Greek and Roman myth, modern art and literature incorporating mythology. Includes a separate chapter devoted to the Great Goddess. Annotation c. by Book News, Inc., Portland, Or.
Building on the bestselling tradition of previous editions, Classical Mythology, Tenth Edition, is the most comprehensive survey of classical mythology available--and the first full-color textbook of its kind. Featuring the authors' clear and extensive translations of original sources, it brings to life the myths and legends of Greece and Rome in a lucid and engaging style. The text contains a wide variety of faithfully translated passages from Greek and Latin sources, including Homer, Hesiod, all the Homeric Hymns, Pindar, Aeschylus, Sophocles, Euripides, Herodotus, Plato, Lucian, Lucretius, Vergil, Ovid, and Seneca. Acclaimed authors Mark P. O. Morford, Robert J. Lenardon, and Michael Sham incorporate a dynamic combination of poetic narratives and enlightening commentary to make the myths come alive for students. Offering historical and cultural background on the myths (including evidence from art and archaeology) they also provide ample interpretative material and examine the enduring survival of classical mythology and its influence in the fields of art, literature, music, dance, and film.
From Zeus and Europa, to Diana, Pan, and Prometheus, the myths of ancient Greece and Rome seem to exert a timeless power over us. But what do those myths represent, and why are they so enduringly fascinating? Why do they seem to be such a potent way of talking about our selves, our origins, and our desires? This imaginative and stimulating Very Short Introduction goes beyond a simple retelling of the stories to explore the rich history and diverse interpretations of classical mythology. It is a wide-ranging account, examining how classical myths are used and understood in both high art and popular culture, taking the reader from the temples of Crete to skyscrapers in New York, and finding classical myths in a variety of unexpected places: from Arabic poetry and Hollywood films, to psychoanalysis, the Bible, and New Age spiritualism.
Want to paint more like Manet and less like Jackson Pollock? Students of art hailedClassical Drawing Atelier, Juliette Aristides's first book, as a dynamic return to the atelier educational model. Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned fromClassical Drawing Atelierhave been clamoring for more of this sophisticated approach to teaching and learning. InClassical Painting Atelier,Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today's most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for today's artists,Classical Painting Atelieris ideal for serious art students seeking a timeless visual education.
This book treating the three most beloved composers of the Vienna School is considered basic to any study of classical-era music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language.
With its emphasis on promoting good health, Tai Chi is one of the fastest growing martial arts styles. It is now common to see groups of people performing these exercises in city parks across the United States and Europe. An interest in the use of swords in Tai Chi is the most remarkable trend to develop out of the form's growing popularity. As with other Tai Chi Chuan exercise programs, the use of the sword is a form of meditation in motion based on an inner energy known as chi. In Classical T'ai Chi Sword, a martial arts master teaches the 50 basic positions of the Tai Chi sword. Easy-to-use diagrams, charts, and over 100 black and white photographs illustrate each position and the thirteen basic sword techniques. Practice exercises for both solo and partner forms teach inner harmony and self-defense.
A Classical Tibetan Reader answers a long-standing need for well chosen readings to accompany courses in classical Tibetan language. Professor Bentor has built her Tibetan reader out of time-tested selections from texts that she has worked with while teaching classical Tibetan over the past twenty years. She has assembled here a selection of Tibetan narratives, organized to introduce students of the language to complex material gradually, and to arm them with ample reference materials in the form of glossaries customized to individual readings. Instructors will find this reader an invaluable tool for preparing lesson plans and providing high-quality reading material to their students. Students, too, will find the selections contained in the reader engaging. Even novice readers of Tibetan will feel welcomed and encouraged, thanks to the author's astute judgment of student capacity.
Victorian Britain set out to make the ancient world its own. This is the story of how it failed. It is the story of the headmaster who bludgeoned his wife to death, then calmly sat down to his Latin. It is the story of the embittered classical prodigy who turned to gin and opium - and the virtuoso forger who fooled the greatest scholars of the age. It is a history of hope: a general who longed to be an Homeric hero, a bankrupt poet who longed to start a revolution. Victorian classicism was defined by hope - but shaped by uncertainty. Packed with forgotten characters and texts, with the roar of the burlesque-stage and the mud of the battlefield, this book offers a rich insight into nineteenth-century culture and society. It explores just how difficult it is to stake a claim on the past.
The classical civilizations of Greece and Rome once dominated the world, and they continue to fascinate and inspire us. Classical art and architecture, drama and epic, philosophy and politics-these are the foundations of Western civilization. In The Classical World, eminent classicist Robin Lane Fox brilliantly chronicles this vast sweep of history from Homer to the reign of Hadrian. From the Peloponnesian War through the creation of Athenian democracy, from the turbulent empire of Alexander the Great to the creation of the Roman Empire and the emergence of Christianity, Fox serves as our witty and trenchant guide. He introduces us to extraordinary heroes and horrific villains, great thinkers and blood-thirsty tyrants. Throughout this vivid tour of two of the greatest civilizations the world has ever known, we remain in the hands of a great master.
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