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By all appearances, twenty-nine-year-old Westley Allan Dodd was the perfect all-American boy--model high school student, camp counselor and U.S. Navy enlistee. But behind his mask of normalcy lurked a predatory sex fiend with a seventeen-year history of appalling acts of molestation and violence. Children were his victims and the parks of the Pacific Northwest his personal hunting grounds. On September 4, 1989, his unnatural desires had driven him to abduct, torture and kill two young boys in Vancouver, Washington. Undetected despite his record, Dodd killed a third innocent victim only weeks later near Portland, Oregon. But only when he was caught trying to kidnap a child from a local movie theater was he finally taken custody by police. Confessing to these heinous murders, he was convicted on all three counts and sentenced to death. On January 5, 1993 at 12:05 a.m., Westley Allan Dodd became the first criminal in America in nearly three decades to be executed by hanging. Based on exclusive access to police files and riveting trial testimony, personal interviews with Dodd himself and excerpts from his chilling "diary of death," DRIVEN TO KILL dramatically recounts a hideous spree of death and horror that brought every parent's worst nightmare frighteningly to life!
By the acclaimed author of the classic Patriots and Union 1812, this major work of narrative history portrays four of the most turbulent decades in the growth of the American nation. After the War of 1812, President Andrew Jackson and his successors led the country to its manifest destiny across the continent. But that expansion unleashed new regional hostilities that led inexorably to Civil War. The earliest victims were the Cherokees and other tribes of the southeast who had lived and prospered for centuries on land that became Alabama, Mississippi, and Georgia. Jackson, who had first gained fame as an Indian fighter, decreed that the Cherokees be forcibly removed from their rich cotton fields to make way for an exploding white population. His policy set off angry debates in Congress and protests from such celebrated Northern writers as Ralph Waldo Emerson. Southern slave owners saw that defense of the Cherokees as linked to a growing abolitionist movement. They understood that the protests would not end with protecting a few Indian tribes. Langguth tells the dramatic story of the desperate fate of the Cherokees as they were driven out of Georgia at bayonet point by U.S. Army forces led by General Winfield Scott. At the center of the story are the American statesmen of the day--Henry Clay, John Quincy Adams, John C. Calhoun--and those Cherokee leaders who tried to save their people--Major Ridge, John Ridge, Elias Boudinot, and John Ross. Driven West presents wrenching firsthand accounts of the forced march across the Mississippi along a path of misery and death that the Cherokees called the Trail of Tears. Survivors reached the distant Oklahoma territory that Jackson had marked out for them, only to find that the bloodiest days of their ordeal still awaited them. In time, the fierce national collision set off by Jackson's Indian policy would encompass the Mexican War, the bloody frontier wars over the expansion of slavery, the doctrines of nullification and secession, and, finally, the Civil War itself. In his masterly narrative of this saga, Langguth captures the idealism and betrayals of headstrong leaders as they steered a raw and vibrant nation in the rush to its destiny.
Dale Earnhardt Jr., with his intensity and wild lifestyle, is a fresh face in the world of NASCAR, and shares the excitement, victory, and heartbreak that filled his rookie year. DRIVER #8 shows the insides of this popular sport: the strategies that go into each race and how they affect the outcome, how the driver needs a strong bond between his team and his spotter, and the pressures of making life-and-death decisions that he encounters behind the wheel.
Kirsten's not a very good driver. And the driver's ed classes aren't helping. No matter how hard she tries, she just can't get the hang of being behind the wheel. When Rob offers to give Kirsten a few tips on how to improve her driving, he turns up missing after the first lesson. Now Kirsten's getting a crash course -- in murder.
He's a big man, my granddad, not necessarilyin size or proportion, but in other ways, like the manner in which he lives. The trouble in which he finds himself. The magic that heconjures and the spectacular things he believes. When he was a younger man, Alistair McPhee was fond of escaping in his '56 Chevy Bel Air, Lucy, named for the cherished wife who died and left him and their nine-year-old son Colin behind. Yearning for a way to connect to his itinerant father, Colin turned to writing screenplays inspired by the classic films they used to watch together, while Colin's own son, Finn, grew up listening to his grandfather spin tales of danger, heartbreak, and redemption on the road. Now, at the end of his life and wishing to feel the wind in his hair one last time, Alistair charges his grandson with a task: bring Lucy to him in San Francisco from New York, where a man named Yip has been keeping her safe. The long road west will lead Finn, accompanied by his disgruntled friend Randal and an ancient three-legged orange cat named Mrs. Dalloway, through the very cities that supposedly bore witness to Alistair's greatest adventures, offering an unlikely lesson in the differences between facts and truth, between boys and men. Driver's Education is at once a literary adventure and a finely detailed family portrait, combining in a bold declaration of Grant Ginder's outstanding storytelling gifts.
The incomparable Ray Bradbury is in the driver's seat, off on 21 unforgettable excursions through fantasy, time and memory, and there are surprises waiting around every curve and behind each mile marker. The journey promises to be a memorable one. Copyright © Libri GmbH. All rights reserved.
Jockey Freddie Croft thought he'd left the perils behind him when he retired from the jump game. These days he was happy to transport horses from their stables to the races. Until one of his drivers picked up an unlicensed passenger. And brought him back dead. The corpse on the doorstep was Freddie's unwelcome introduction to the shadowy, big-money conspiracy which muscled into his business and started to threaten his life. But Freddie was a fighter, and winning was in his blood ...First identify the dangers. Then beat them out of sight ...
In this book, Robert B. Tucker provides a practical method any business can use to identify opportunities and encourage innovations that capitalize on them.
When she is sent to the small town in South Dakota where she had lived briefly with her great-grandmother after her father's death, fourteen-year-old Mattie must sort out her confused feelings about why she is there, her mother's possible remarriage, and the free-spirited seventeen-year-old she has just met.
On the road of life, sometimes you have to shift gears and slow down for those rough patches, but in the end, if you drive carefully, you'll end up home at last....After twenty years of marriage, Charlene's husband, Joey, has left her and their three children. Now, with an Oklahoma ranch house, a Chevy Suburban that's seen better days, and an uncertain road ahead, Charlene finds herself taking a journey she never wanted or planned. But she can't turn around and to back. All she can do is move forward.Sometimes, though, the most unexpected way is the best. Because if you're brave and grip the wheel tightly, you can find yourself in an extraordinary new place: like in the arms of a man who understands lost dreams and, with a little luck, on the brink of discovering new directions.
Albert Einstein's brain floats in a Tupperware bowl in a gray duffel bag in the trunk of a Buick Skylark barreling across America. Driving the car is journalist Michael Paterniti. Sitting next to him is an eighty-four-year-old pathologist named Thomas Harvey, who performed the autopsy on Einstein in 1955 -- then simply removed the brain and took it home. And kept it for over forty years. On a cold February day, the two men and the brain leave New Jersey and light out on I-70 for sunny California, where Einstein's perplexed granddaughter, Evelyn, awaits. And riding along as the imaginary fourth passenger is Einstein himself, an id-driven genius, the original galactic slacker with his head in the stars. Part travelogue, part memoir, part history, part biography, and part meditation, Driving Mr. Albert is one of the most unique road trips in modern literature.
Driving Mr. Albert chronicles the adventures of an unlikely threesome--a freelance writer, an elderly pathologist, and Albert Einstein's brain--on a cross-country expedition intended to set the story of this specimen-cum-relic straight once and for all.
A standalone novella introducing a new side of Half Moon Hollow--featuring a freewheeling courier and the stuffy vampire she has to transport.Miranda Puckett has failed at every job she's ever had. Her mother just wants her to come home, join the family law firm, and settle down with Jason, the perfect lawyer boyfriend. But when Jason turns out to be a lying cheater, Miranda seizes on a job that gets her out of town: long-distance vampire transportation. Her first assignment is to drive vampire Collin Sutherland from Washington to sleepy Half Moon Hollow without incident--no small feat for a woman whom trouble seems to follow like a faithful hound dog! And she has to do it without letting her passenger--the most persnickety, stuffy, devastatingly handsome vamp she's ever met--drive her crazy. As she and Collin find disaster on the roads, they also find an undeniable spark between them. Could Miranda have found the perfect job and the perfect guy for her?
"How would you like to hang out with Yogi Berra and Ron Guidry during spring training? Funny and sweet, Driving Mr. Yogi transports you there." -- Jim Bouton, author of Ball Four It happens every spring. Yankees pitching great Ron Guidry arrives at the Tampa airport to pick up Hall of Fame catcher and national treasure Yogi Berra. Guidry drives him to the ballpark. They watch the young players. They talk shop. They eat dinner together and tease each other mercilessly. They trade stories about the greats they have met along the way. And the next day they do the same thing all over again.As every former ballplayer can appreciate, in that routine, every spring, there emerges a certain magic.Driving Mr. Yogi is the story of how a unique friendship between a pitcher and catcher is renewed every year. It began in 1999, when Berra was reunited with the Yankees after a long self-exile, the result of being unceremoniously fired by George Steinbrenner fourteen years before. A reconciliation between Berra and the Boss meant that Berra would attend spring training again. Guidry befriended "Mr. Yogi" instantly. After all, Berra had been a mentor in the clubhouse back when Guidry was pitching for the Yankees. Guidry knew the young players would benefit greatly from Mr. Yogi's encyclopedic knowledge of the game, just as Guidry had during his playing days. So he encouraged him to share his insights. Soon, an offhand batting tip from Mr. Yogi turned Nick Swisher's season around. Stories about handling a hitter like Ted Williams or catching Don Larsen's perfect game captured their imaginations. And in Yogi, Guidry found not just an elder companion or source of amusement - he found a best friend.At turns tender, at turns laugh-out-loud funny, and teeming with unforgettable baseball yarns that span more than fifty years, Driving Mr. Yogi is a universal story about the importance of wisdom being passed from one generation to the next, as well as a reminder that time is what we make of it and compassion never gets old.
Driving Over Lemonsis that rare thing: a funny, insightful book that charms you from the first page to the last. . . and one that makes running a peasant farm in Spain seem like a distinctly good move. Chris transports us to Las Alpujarras, an oddball region south of Granada, and into a series of misadventures with an engaging mix of peasant farmers and shepherds, New Age travellers and ex-pats. The hero of the piece, however, is the farm that he and Ana bought, El Valero - a patch of mountain studded with olive, almond and lemon groves, sited on the wrong side of a river, with no access road, water supply or electricity. Could life offer much better than that? 'An idyllic life in a remote, sunny part of Europe is a fantasy normally punctured by harsh realities, and abandoned. Chris is made of sterner stuff. Driving Over Lemonsis a wonderful account of his Andalucian adventure. ' Peter Gabriel, former Genesisbandmate
Leigh Fielding wants a life. Seriously. Having spent the past five years on dialysis, she has one simple wish: to make it to her thirtieth birthday. Now, thanks to the generosity of the late Larry Resnick and his transplanted kidney, it looks like her wish may come true. With her newfound vitality (and Larry's kidney) in tow, Leigh hits the road for an excursion that will carry her from Wisconsin to California, with a few stops in between: Mount Rushmore, the Badlands, the Rockies, Las Vegas-and a memorable visit to thank Larry's family for the second chance. Yet Leigh's itinerary takes a sudden detour when she picks up a seventeen-year-old hitchhiker, Denise, a runaway with a bunch of stories and a couple of secrets. Add a long-lost mother, a loaded gun, an RV full of swingers, and Hall and Oates's Greatest Hits to the mix, andDriving Sidewaysbecomes a hilarious and original journey of friendship, hope, and discovery. Praise forDriving Sideways: "Driving Sideways is a gorgeous novel . . . hugely entertaining and very touching. Jess Riley's voice is irreverent and wonderful, and her writing is genius. " -Marian Keyes, author ofAnybody Out There? "A hopeful and hilarious debut . . . Jess Riley may well be my new favorite author. " -Jen Lancaster, author ofBitter is the New Black "Brilliant . . . Jess Riley proves herself a huge new talent. " -Kristy Kiernan, author ofCatching Genius
The Saddle Club has to learn all about driving horses. Stevie has to work with Veronica diAngelo on a special driving team project: teaching their horses to work as a team. How are the horses going to work together if their owners can't?
After more than a decade of working in Hollywood, actress Jayne Amelia Larson found herself out of luck, out of work, and out of prospects. Without telling her friends or family, she took a job as a limousine driver, thinking that the work might be a good way to dig out of debt while meeting A-list celebrities and important movie moguls. When she got hired to drive for the Saudi royal family vacationing in Beverly Hills, Larson thought she'd been handed the golden ticket. She'd heard stories of the Saudis giving $20,000 tips and Rolex watches to their drivers. But when the family arrived at LAX with millions of dollars in cash--money that they planned to spend over the next couple of weeks--Larson realized that she might be in for the ride of her life. With awestruck humor and deep compassion, she describes her eye-opening adventures as the only female in a detail of over forty assigned to drive a beautiful Saudi princess, her family, and their extensive entourage. To be a good chauffeur means to be a "fly on the wall," to never speak unless spoken to, to never ask questions, to allow people to forget that you are there. The nature of the employment--Larson was on call 24 hours a day and 7 days a week--and the fact that she was the only female driver gave her an up close and personal view of one of the most closely guarded monarchies in the world, a culture of great intrigue and contradiction, and of unimaginable wealth. The Saudis traveled large: they brought furniture, Persian rugs, Limoges china, lustrous silver serving trays, and extraordinary coffees and teas from around the world. The family and their entourage stayed at several luxury hotels, occupying whole floors of each (the women housed separately from the Saudi men, whom Larson barely saw). Each day the royal women spent hundreds of thousands of dollars on plastic surgery and mega-shopping sprees on Rodeo Drive. Even the tea setup had its very own hotel room, while the servants were crammed together on rollaway beds in just a few small rooms down the hall. Larson witnessed plenty of drama: hundreds of hours of cosmetic surgery recovery, the purchasing of Hermès Birkin bags of every color, roiling battles among the upper-echelon entourage members all jockeying for a better position in the palace hierarchy, and the total disregard that most of the royal entourage had for their exhausted staff. But Driving the Saudis also reveals how Larson grew to understand the complicated nuances of a society whose strict customs remain intact even across continents. She saw the intimate bond that connected the royals with their servants and nannies; she befriended the young North African servant girls, who supported whole families back home by working night and day for the royals but were not permitted to hold their own passports lest they try to flee. While experiencing a life-changing "behind the veil" glimpse into Saudi culture, Larson ultimately discovers that we're all very much the same everywhere--the forces that corrupt us, make us desperate, and make us human are surprisingly universal.
Driving While Black: Highways, Shopping Malls, Taxicabs, Sidewalks: How to Fight Back If You Are a Victim of Racial Profilingby Kenneth Meeks
A practical handbook for people who want to be safe and do something.Racial profiling does happen. And while cases where victims find themselves looking down the barrel of a policeman's gun make the six o'clock news, dozens of less extreme, yet troubling, examples occur every day. Cabs that whiz by only to be seen stopping for "safer"-looking people just up the block; being asked for multiple pieces of identification when making purchases with credit cards; being followed around a department store by salespeople and security while never being asked if they need any assistance; being detained for hours and extensively searched in an airport or train station--Driving While Black clearly defines the system officially known as CARD (class, age, race, dress) and offers advice about how to handle potentially life-threatening situations with the police, as well as recourse for readers who suspect their civil rights have been denied due to racial profiling.A book written to save lives, Driving While Black is not just for people of color, but for anyone who likes to wear a baseball cap, baggy jeans, sneakers, and a tee shirt and finds they are often treated like a "suspect."From the Trade Paperback edition.
Small wonder that, at nine years old, Monica Holloway develops a fascination with the local funeral home. With a father who drives his Ford pickup with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children, Monica is primed to become a morbid child. Yet in spite of her father's bouts of violence and abuse, her mother's selfishness and prim denial, and her siblings' personal battles and betrayals, Monica never succumbs to despair. Instead, she forges her own way, thriving at school and becoming fast friends with Julie Kilner, whose father is the town mortician. She and Julie prefer the casket showroom, where they take turns lying in their favorite coffins, to the parks and grassy backyards in her hometown of Elk Grove, Ohio. In time, Monica and Julie get a job driving the company hearse to pick up bodies at the airport, yet even Monica's growing independence can't protect her from her parents' irresponsibility, and from the feeling that she simply does not deserve to be safe. Little does she know, as she finally strikes out on her own, that her parents' biggest betrayal has yet to be revealed. Throughout this remarkable memoir of her dysfunctional, eccentric, and wholly unforgettable family, Monica Holloway's prose shines with humor, clear-eyed grace, and an uncommon sense of resilience. Driving with Dead People is an extraordinary real-life tale with a wonderfully observant and resourceful heroine.
Todays NASCAR is a family sport with 75 million loyal fans, which is growing bigger and more mainstream by the day. Part Disney, part Vegas, part Barnum & Bailey, NASCAR is also a multibillion-dollar business and a cultural phenomenon that transcends geography, class, and gender. But dark secrets lurk in NASCAR's past. Driving with the Devil uncovers for the first time the true story behind NASCAR's distant, moonshine-fueled origins and paints a rich portrait of the colorful men who created it. Long before the sport of stock-car racing even existed, young men in the rural, Depression-wracked South had figured out that cars and speed were tickets to a better life. With few options beyond the farm or factory, the best chance of escape was running moonshine. Bootlegging offered speed, adventure, and wads of cash if the drivers survived. Driving with the Devil is the story of bootleggers whose empires grew during Prohibition and continued to thrive well after Repeal, and of drivers who thundered down dusty back roads with moonshine deliveries, deftly outrunning federal agents. The car of choice was the Ford V-8, the hottest car of the 1930s, and ace mechanics tinkered with them until they could fly across mountain roads at 100 miles an hour. After fighting in World War II, moonshiners transferred their skills to the rough, red-dirt racetracks of Dixie, and a national sport was born. In this dynamic era (1930s and 40s), three men with a passion for Ford V-8s convicted criminal Ray Parks, foul-mouthed mechanic Red Vogt, and crippled war veteran Red Byron, NASCAR's first champion emerged as the first stock car team. Theirs is the violent, poignant story of how moonshine and fast cars merged to create a new sport for the South to call its own. Driving with the Devil is a fascinating look at the well-hidden historical connection between whiskey running and stock-car racing.
Droits et voix - Rights and Voices: La criminologie à l'Université d'Ottawa - Criminology at the University of Ottawaby Véronique Strimelle Francoise Vanhamme
Cet ouvrage souligne le 40e anniversaire du Département de criminologie de l'Université d'Ottawa, fondé en 1968. On y relate l'histoire du département de ses origines à nos jours en mettant l'accent sur les débats théoriques qui ont influencé son approche critique et autoréflexive de la criminologie. Les articles qui le composent s'inscrivent dans cet ordre d'idée en mettant en question la perspective traditionnelle de la criminologie sur divers sujets, notamment les études policières, la santé mentale, la violence politique, le suicide et la prévention du crime. Droits et voix souligne le rôle primordial que joue l'Université d'Ottawa dans la redéfinition de la criminologie et la promotion du militantisme, de la justice sociale et de la compassion. -- This volume commemorates the 40th anniversary of the University of Ottawa's Department of Criminology, founded in 1968. It relates the history of the department from its origins to today, focusing on the theoretical debates that have influenced its critical and self reflexive approach to criminology. The contributions to this volume continue in that vein by questioning the traditional perspective of criminology on a variety of topics including police studies, mental health, political violence, suicide, and crime prevention. Rights and Voices reveals the significant role that the University of Ottawa has played in redefining criminology to advocate activism, social justice, and compassion.
Volume One is a collection of the following light-hearted stories, imitating the manner of Rabelais and other 16th-century story-tellers:<P> The Fair Imperia,<P> The Venial Sin,<P> How the good man Bruyn took a Wife,<P> How the Seneschal Struggled with his Wife's Modesty,<P> That Which is Only a Venial Sin,<P> How and by Whom the Said Child was Procured,<P> How the Said Love-Sin was Repented of and Led to Great Mourning,<P> The King's Sweetheart,<P> The Devil's Heir,<P> The Merrie Jests of King Louis the Eleventh,<P> The High Constable's Wife,<P> The Maid of Thilouse,<P> The Brother-in-Arms,<P> The Vicar of Azay-Le-Rideau, and<P> The Reproach.<P>
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