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Aeschylus I: Oresteia: Agamemnon, The Libation Bearers, The Eumenides (The Complete Greek Tragedies #1)by Aeschylus David Grene Richmond Lattimore
"These authoritative translations consign all other complete collections to the wastebasket."--Robert Brustein, The New Republic. "This is it. No qualifications. Go out and buy it everybody."--Kenneth Rexroth, The Nation. "The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary.... They have life and speed and suppleness of phrase."--Times Education Supplement. "These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."--Warren D. Anderson, American Oxonian. "The critical commentaries and the versions themselves... are fresh, unpretentious, above all, functional."--Commonwealth. "Grene is one of the great translators."--Conor Cruise O'Brien, London Sunday Times. "Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."--Dudley Fitts, New York Times Book Review.
Aeschylus II: The Suppliant Maidens, The Persians, Seven against Thebes, Promethus Bound (The Complete Greek Tragedies #2) (2nd edition)by Aeschylus David Grene Richmond Lattimore
This volume contains the other four plays of Aeschylus not included in Richmond Lattimore's version of the Oresteia. With these two volumes a complete English Aeschylus is before the reader.
These contemporary translations of four Greek tragedies speak across time and connect readers and audiences with universal themes of war, trauma, suffering, and betrayal. Under the direction of Bryan Doerries, they have been performed for tens of thousands of combat veterans, as well as prison and medical personnel around the world. Striking for their immediacy and emotional impact, Doerries brings to life these ancient plays, like no other translations have before.
Three masterpieces of classical tragedy Containing Aeschylus's Agamemnon, Sophocles' Oedipus Rex, and Euripides' Medea, this important new selection brings the best works of the great tragedians together in one perfect introductory volume. This volume also includes extracts from Aristophanes' comedy The Frogs and a selection from Aristotle's Poetics. Translated, edited and with notes by Simon Goldhill, Malcolm Heath, Shomit Dutta, Philip Vellacott, and E. F. Watling
One of the founding documents of Western culture and the only surviving ancient Greek trilogy, the Oresteia of Aeschylus is one of the great tragedies of all time.The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his daughter Iphigeneia to secure divine favor. After Iphi-geneia's mother, Clytemnestra, kills her husband in revenge, she in turn is murdered by their son Orestes with his sister Electra's encouragement. Orestes is pursued by the Furies and put on trial, his fate decided by the goddess Athena. Far more than the story of murder and ven-geance in the royal house of Atreus, the Oresteia serves as a dramatic parable of the evolution of justice and civilization that is still powerful after 2,500 years.The trilogy is presented here in George Thomson's classic translation, renowned for its fidelity to the rhythms and richness of the original Greek.(Book Jacket Status: Jacketed)
In the Oresteia--the only trilogy in Greek drama which survives from antiquity--Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos. Moving from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, the family's spirit of struggle and regeneration becomes an everlasting song of celebration. This masterful translation by the acclaimed classicist Robert Fagles includes an introduction, notes and glossary written in collaboration with W. B. Stanford.
Prometheus Bound is the starkest and strangest of the classic Greek tragedies, a play in which god and man are presented as radically, irreconcilably at odds. It begins with the shock of hammer blows as the Titan Prometheus is shackled to a rock in the Caucasus. This is his punishment for giving the gift of fire to humankind and for thwarting Zeus's decision to exterminate the human race. Prometheus's pain is unceasing, but he refuses to recant his commitment to humanity, to whom he has also brought the knowledge of writing, mathematics, medicine, and architecture. He hints that he knows how Zeus will be brought low in the future, but when Hermes demands that Prometheus divulge his secret, he refuses and is sent spinning into the abyss by a divine thunderbolt. To whom does humanity look for guidance: to the supreme deity or to the rebel Titan? What law controls the cosmos? Prometheus Bound, one of the great poetic achievements of the ancient world, appears here in a splendid new translation by Joel Agee that does full justice to the harsh and keening music of the original Greek.
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