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The Pulitzer Prize-winning author ofThe Color Purplegives us her first new collection of poetry in more than a decade, poems that reaffirm her as "one of the best American writers of today" (The Washington Post). The forces of nature and the strength of the human spirit inspire the poems inAbsolute Trust in the Goodness of the Earth. Alice Walker opens us up to feeling and understanding with poems that cover a broad spectrum of emotions. With profound artistry, Walker searches for, discovers, and declares the fundamental beauty of existence, as she explores what it means to live life fully, to learn from it, and to grow both as an individual and as part of a greater spiritual community. In "The Same as Gold," Walker writes of the essence of grief, and of our inherent powers of love and acceptance. In "Everyone Who Works for Me," Walker considers, with humor and grace, the frenzy that permeates modern life--a frenzy that prevents us from seeing the beauty in everything we do until we step back and take the time to look at and comprehend ourselves and those around us. In "The Love of Bodies," Walker elegantly expresses the gratitude and tenderness we are capable of feeling for loved ones, living and dead, and the inescapable emotional connections that bind us together. About Walker's poetry, America has said, "In the tradition of Whitman, Walker sings, celebrates and agonizes over the ordinary vicissitudes that link and separate all of humankind," and the same could be said about this astonishing new collection. Despite the hunger we cannot possess more than this: Peace in a garden of our own. --fromAbsolute Trust in the Goodness of the Earth
Along with her Pulitzer Prize and American Book Award, Alice Walker has the honor of being one of the most censored writers in American literature. Like Mark Twain, John Steinbeck, Madeleine L'Engle and J.D. Salinger, Walker has been the subject of so much controversy that too often the artistry of her work has been lost in the politics of the moment. This small book presents two of Walker's most interesting stories, "Roselily" and "Am I Blue", and the beginning of her prize-winning novel, The Color Purple.
In Anything We Love Can Be Saved, Alice Walker writes about her life as an activist, in a book rich in the belief that the world is saveable, if only we will act. Speaking from her heart on a wide range of topics--religion and the spirit, feminism and race, families and identity, politics and social change--Walker begins with a moving autobiographical essay in which she describes her own spiritual growth and roots in activism. She goes on to explore many important private and public issues: being a daughter and raising one, dreadlocks, banned books, civil rights, and gender communication. She writes about Zora Neale Hurston and Salman Rushdie and offers advice to Bill Clinton. Here is a wise woman's thoughts as she interacts with the world today, and an important portrait of an activist writer's life.NOTE: This edition does not include photographs.
In Anything We Love Can Be Saved, Alice Walker writes about her life as an activist, in a book rich in the belief that the world is saveable, if only we will act. Speaking from her heart on a wide range of topics--religion and the spirit, feminism and race, families and identity, politics and social change--Walker begins with a moving autobiographical essay in which she describes her own spiritual growth and roots in activism. She goes on to explore many important private and public issues: being a daughter and raising one, dreadlocks, banned books, civil rights, and gender communication. She writes about Zora Neale Hurston and Salman Rushdie and offers advice to Bill Clinton. Here is a wise woman's thoughts as she interacts with the world today, and an important portrait of an activist writer's life.
A family from the United States goes to the remote Sierras in Mexico--Susannah, the writer-to-be; her sister, Magdalena; and their father and mother. There, amid an endangered band of mixed-race blacks and Indians called the Mundo, they begin an encounter that will change them more than they could ever dream.Moving back and forth in time, and among unforgettable characters and their magical stories, Walker brilliantly explores the ways in which a woman's denied sexuality leads to the loss of the much prized and necessary original self--and how she regains that self, even as her family's past of lies and love is transformed. . . .
Celie is a poor black woman whose letters tell the story of 20 years of her life, beginning at age 14 when she is being abused and raped by her father and attempting to protect her sister from the same fate, and continuing over the course of her marriage to "Mister," a brutal man who terrorizes her. Celie eventually learns that her abusive husband has been keeping her sister's letters from her and the rage she feels, combined with an example of love and independence provided by her close friend Shug, pushes her finally toward an awakening of her creative and loving self.
Alice Walker's early story "Everyday Use" has remained a cornerstone of her work. Her use of quilting as a metaphor for the creative legacy that African Americans inherited from their maternal ancestors changed the way we defined art, women's culture, and African American lives. By putting African American women's voices at the center of the narrative for the first time, "Everyday Use" anticipated the focus of an entire generation of black women writers. This casebook includes an introduction by the editor, a chronology of Walker's life, authoritative texts of "Everyday Use" and "In Search of Our Mothers' Gardens," an interview with Walker, six critical essays, and a bibliography. The contributors are Charlotte Pierce-Baker, Houston A. Baker Jr. , Thadious M. Davis, Margot Anne Kelley, John O'Brien, Elaine Showalter, and Mary Helen Washington. Barbara T. Christian is a professor of African American Studies at the University of California, Berkeley.
The environmental "tipping point" we approach is more palpable each day, and people are seeing it in ways they can no longer ignore--we need only turn on the news to hear the litany of what is wrong around us. Serious reflection, inspiration, and direction on how to approach the future are now critical. Hope Beneath Our Feet creates a space for change with stories, meditations, and essays that address the question, "If our world is facing an imminent environmental catastrophe, how do I live my life right now?" This collection provides tools, both practical and spiritual, to those who care about our world and to those who are just now realizing they need to care. Featuring prominent environmentalists, artists, CEOs, grassroots activists, religious figures, scientists, policy makers, and indigenous leaders, Hope Beneath Our Feet shows readers how to find constructive ways to channel their energies and fight despair with engagement and participation. Presenting diverse strategies for change as well as grounds for hope, the contributors to this anthology celebrate the ways in which we can all engage in beneficial action for ourselves, our communities, and the world.Contributors include: Diane Ackerman, Paul Hawken, Derrick Jensen, Barbara Kingsolver, Francis Moore Lappé, Barry Lopez, Bill McKibben, Michael Pollan, Alice Walker, Howard Zinn.
Alice Walker has always turned to poetry to express some of her most personal and deeply felt concerns. She has said that her poems--even the happy ones--emerge from an accumulation of sadness, when she stands again "in the sunlight."
Readers of Alice Walker's The Color Purple will find in these stories further evidence of her power to depict black women -- women who vary greatly in background but are bound together by their vulnerability to life: Roselily, on her wedding day, surrounded by her four children, prays that a loveless marriage will bring her respectability; a young writer, exploited by both her lover and her husband, wreaks an ironic vengeance; a jealous wife, looking for her husband's mistress, finds a competitor she cannot fight; an old woman, thrown out of a white church, meets God on a highway. These are just a few of the seekers of dignity and love whom Alice Walker portrays in this astonishing collection.
A collection of essays by Alice Walker covering topics of feminism and race. Some of the themes included in her award winning novel "The Color Purple" are reflected in several of these essays. The final one tells of how she was blinded in one eye at age 8.
Meridian Hill is a young woman at an Atlanta college attempting to find her place in the revolution for racial and social equality. She discovers the limits beyond which she will not go for the cause, but despite her decision not to follow the path of some of her peers, she makes significant sacrifices in order to further her beliefs.
Kate, a successful author fearful of aging and uncertain about continuing her relationship with Yolo, an artist, sets off on a journey of spiritual discovery. She has been profoundly unhappy for some time, dreaming of rivers, until she takes off for rivers--the Colorado and the Amazon. Among strangers, Kate is able to distance herself from her life and her relationship. Yolo, on his own separate journey, meets a former lover, a Hawaiian woman now overweight and weighed down with the recent loss of her son to a drug overdose and a sense that she--like her son--has lost her way. Kate finds growing intimacy among a group of disparate souls who unburden themselves of their pasts under the influence of yage, a South American medicinal herb. Kate finds that the herb allows her to reveal her innermost secrets and puts her in touch with the elders. Despite their frictions, Kate and Yolo have similar reawakenings about the land as mother, overcoming personal and ethnic oppression, and dismantling barriers between the sexes, the races, and young and old
This volume of poetry established Walker as a poet of unusual sensitivity and power. All of the poems in this collection were written either in East Africa, where Walker spent the summer of 1965, or during her senior year at Sarah Lawrence College.
In 2006, Alice Walker, working with Women for Women International, visited Rwanda and the eastern Congo to witness the aftermath of the genocide in Kigali. Invited by Code Pink, an antiwar group working to end the Iraq War, Walker traveled to Palestine/Israel three years later to view the devastation on the Gaza Strip. Here is her testimony.Bearing witness to the depravity and cruelty, she presents the stories of the individuals who crossed her path and shared their tales of suffering and courage. Part of what has happened to human beings over the last century, she believes, is that we have been rendered speechless by unusually barbaric behavior that devalues human life. We have no words to describe what we witness. Self-imposed silence has slowed our response to the plight of those who most need us, often women and children, but also men of conscience who resist evil but are outnumbered by those around them who have fallen victim to a belief in weapons, male or ethnic dominance, and greed.
In this illuminating book, Pulitzer Prize-winning novelist and acclaimed poet Alice Walker reveals her remarkable philosophy of life. Curiously, this labor of love started with the author's signature: Faced with the daunting task of providing autographs for multiple copies of one of her poetry collections, Absolute Trust in the Goodness of the Earth, Walker turned an act of repetition into an act of inspiration. For each autograph became something more than a name: a thoughtful reflection, an impromptu sketch, a heartfelt poem. The result is this spontaneous burst of the unexpected. A Poem Traveled Down My Arm is a lovely collection of insights and drawings--by turns charming and humorous, provocative and profound--that represent the wisdom of one of today's most beloved writers. The essence of Walker's independent spirit emanates from words and images that are simple but deep in meaning. An empowering approach to life. . . the inspiration to live completely in the moment. . . the chance to nurture one's creativity and peace of mind--all these beautiful elements are evoked by this unusual and original book.
These poems are about revolutionaries and lovers--about how, both in revolution and in love, loss of trust and compassion robs us of hope.
In the early eighties, three extraordinary events interrupted Alice Walker's peaceful, reclusive life--the publication of the bestselling novel The Color Purple, the Pulitzer Prize, and an offer from Spielberg to make her novel into a film. This book chronicles that period of transition from recluse to public figure, and invites us to contemplate, along with her, the true significance of unanticipated gifts.
Now more timely than ever, Alice Walker's Sent By Earth reflects on the tragedy of September 11, 2001, and addresses the anger many Americans felt at the presumed perpetrator of the attack: Osama bin Laden. In powerfully reflective, nuanced, and above all heartfelt prose, Walker explores the seeds of hatred and resentment around the globe, and advances a surprisingly controversial theory: that hatred can never be defeated by hatred, but only by love.
Set in rural Georgia during the 1920s, a black family struggles to survive under racial oppression.
How the film "Warrior Marks" was made, which is about female genital mutilation and the sexual blinding of women in Africa.
"These are the stories that came to me to be told after the close of a magical marriage to an extraordinary man that ended in a less-than-magical divorce. I found myself unmoored, unmated, ungrounded in a way that challenged everything I'd ever thought about human relationships. Situated squarely in that terrifying paradise called freedom, precipitously out on so many emotional limbs, it was as if I had been born; and in fact I was being reborn as the woman I was to become."So says Pulitzer Prize-winning author Alice Walker about her beautiful new book, in which "one of the best American writers today" (The Washington Post) gives us superb stories based on rich truths from her own experience. Imbued with Walker's wise philosophy and understanding of people, the spirit, sex and love, The Way Forward Is with a Broken Heart begins with a lyrical, autobiographical story of a marriage set in the violent and volatile Deep South during the early years of the civil rights movement. Walker goes on to imagine stories that grew out of the life following that marriage--a life, she writes, that was "marked by deep sea-changes and transitions." These provocative stories showcase Walker's hard-won knowledge of love of many kinds and of the relationships that shape our lives, as well as her infectious sense of humor and joy. Filled with wonder at the power of the life force and of the capacity of human beings to move through love and loss and healing to love again, The Way Forward Is with a Broken Heart is an enriching, passionate book by "a lavishly gifted writer" (The New York Times Book Review).
A New York Times bestseller in hardcover, Pulitzer Prize winner Alice Walker's We Are the Ones We Have Been Waiting For was called "stunningly insightful" and "a book that will inspire hope" by Publishers Weekly.Drawing equally on Walker's spiritual grounding and her progressive political convictions, each chapter concludes with a recommended meditation to teach us patience, compassion, and forgiveness. We Are the Ones We Have Been Waiting For takes on some of the greatest challenges of our times and in it Walker encourages readers to take faith in the fact that, despite the daunting predicaments we find ourselves in, we are uniquely prepared to create positive change.The hardcover edition of We Are the Ones We Have Been Waiting For included a national tour that saw standing-room-only crowds and standing ovations. Walker's clear vision and calm meditative voice-truly "a light in darkness"-has struck a deep chord among a large and devoted readership.
A natural evolution from the earlier, much-acclaimed collection In Love & Trouble, these fourteen provocative and often humorous stories show women oppressed but not defeated. These are hopeful stories about love, lust, fame, and cultural thievery, the delight of new lovers, and there discovery of old friends, affirmed even across self-imposed color lines.
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