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E. Annie Proulx's Accordion Crimes is a masterpiece of storytelling that spans a century and a continent. Proulx brings the immigrant experience in America to life through the eyes of the descendants of Mexicans, Poles, Africans, Irish-Scots, Franco-Canadians and many others, all linked by their successive ownership of a simple green accordion. The music they make is their last link with the past -- voice for their fantasies, sorrows and exuberance. Proulx's prodigious knowledge, unforgettable characters and radiant language make Accordion Crimes a stunning novel, exhilarating in its scope and originality.
The stories in Annie Proulx's new collection are peopled by characters who struggle with circumstances beyond their control in a kind of rural noir half-light. Trouble comes at them from unexpected angles, and they will themselves through it, hardheaded and resourceful. Bound by the land and by custom, they inhabit worlds that are often isolated, dangerous, and in Proulx's bold prose, stunningly vivid. In "What Kind of Furniture Would Jesus Pick?" rancher Gilbert Wolfscale, alienated from his sons, bewildered by his criminal ex-wife, gets shoved down his throat the fact that the old-style ranch life has gone. Several stories concern the eccentric denizens of Elk Tooth, a tiny hamlet where life revolves around three bars. Elk Toothers enter beard-growing contests, scrape together a living hauling hay, catch poachers in unorthodox ways. "Man Crawling out of Trees" is about urban newcomers from the east and their discovery, too late, that one of them has violated the deepest ethics of the place. Above all, these stories are about the compelling lives of rapidly disappearing rural Americans. Through Proulx's knowledge of the history of Wyoming and the west, her interest in landscape and place, and her sympathy for the sheer will it takes to survive, we see the seared heart of the tough people who live in the emptiest state. Proulx, winner of the Pulitzer, the National Book Award, and many other prizes, has written a collection of spectacularly satisfying stories.
"Bird Cloud" is the name Annie Proulx gave to 640 acres of Wyoming wetlands and prairie and four-hundred-foot cliffs plunging down to the North Platte River. On the day she first visited, a cloud in the shape of a bird hung in the evening sky. Proulx also saw pelicans, bald eagles, golden eagles, great blue herons, ravens, scores of bluebirds, harriers, kestrels, elk, deer and a dozen antelope. She fell in love with the land, then owned by the Nature Conservancy, and she knew what she wanted to build on it--a house in harmony with her work, her appetites and her character, a library surrounded by bedrooms and a kitchen. Proulx's first work of nonfiction in more than twenty years, Bird Cloud is the story of designing and constructing that house--with its solar panels, Japanese soak tub, concrete floor and elk horn handles on kitchen cabinets. It is also an enthralling natural history and archaeology of the region--inhabited for millennia by Ute, Arapaho and Shoshone Indians-- and a family history, going back to nineteenth-century Mississippi riverboat captains and Canadian settlers. Proulx, a writer with extraordinary powers of observation and compassion, here turns her lens on herself. We understand how she came to be living in a house surrounded by wilderness, with shelves for thousands of books and long worktables on which to heap manuscripts, research materials and maps, and how she came to be one of the great American writers of her time. Bird Cloud is magnificent.
Annie Proulx has written some of the most original and brilliant short stories in contemporary literature, and for many readers and reviewers, Brokeback Mountain is her masterpiece. Brokeback Mountain was originally published in The New Yorker. It won the National Magazine Award and an O. Henry Prize. Included in this volume is Annie Proulx's haunting story about the difficult, dangerous love affair between a ranch hand and a rodeo cowboy. Also included is the celebrated screenplay for the major motion picture "Brokeback Mountain," written by Larry McMurtry and Diana Ossana. All three writers have contributed essays on the process of adapting this critically acclaimed story for film.
Ennis del Mar y Jack Twist son dos rancheros que se conocen cuando aceptan un trabajo para apacentar juntos un rebaño por encima de la zona arbolada en Brokeback Mountain. Ese verano surgirá entre ellos una intensa historia de amor.Con una prosa evocadora, Annie Proulx narra esta estremecedora historia de amor entre dos vaqueros, una historia capaz de sobrevivir a todo excepto a la salvaje intolerancia del mundo que los rodea.
From the Pulitzer Prize-winning and bestselling author of The Shipping News and Accordion Crimes comes one of the most celebrated short-story collections of our time. Annie Proulx's masterful language and fierce love of Wyoming are evident in these breathtaking tales of loneliness, quick violence, and the wrong kinds of love. Each of the stunning portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent -- by an author writing at the peak of her craft.
Returning to the territory of "Brokeback Mountain" (in her first volume of Wyoming Stories) and Bad Dirt (her second), National Book Award and Pulitzer Prize winner Annie Proulx delivers a stunning and visceral new collection. In Fine Just the Way It Is, she has expanded the limits of the form. Her stories about multiple generations of Americans struggling through life in the West are a ferocious, dazzling panorama of American folly and fate. "Every ranch. . . had lost a boy," thinks Dakotah Hicks as she drives through "the hammered red landscape" of Wyoming, "boys smiling, sure in their risks, healthy, tipped out of the current of life by liquor and acceleration, rodeo smashups, bad horses, deep irrigation ditches, high trestles, tractor rollovers and 'unloaded' guns. Her boy, too. . . The trip along this road was a roll call of grief. "Proulx's characters try to climb out of poverty and desperation but get cut down as if the land itself wanted their blood. Deeply sympathetic to the men and women fighting to survive in this harsh place, Proulx turns their lives into fiction with the power of myth -- and leaves the reader in awe. The winner of two O. Henry Prizes, Annie Proulx has been anthologized in nearly every major collection of great American stories. Her bold, inimitable language, her exhilarating eye for detail and her dark sense of humor make this a profoundly compelling collection.
Before she wrote her Pulitzer Prize-winning bestseller The Shipping News, E. Annie Proulx was already producing some of the finest short fiction in the country. Here are her collected stories, including two new works never before anthologized. These stories reverberate with rural tradition, the rites of nature, and the rituals of small-town life. The country is blue-collar New England; the characters are native families and the dispossessed working class, whose heritage is challenged by the neorural bourgeoisie from the city; and the themes are as elemental as the landscape: revenge, malice, greed, passion. Told with skill and profundity and crafted by a master storyteller, these are lean, tough tales of an extraordinary place and its people.
E. Annie Proulx's first novel, Postcards, winner of the 1993 Pen/Faulkner Award for Fiction, tells the mesmerizing tale of Loyal Blood, who misspends a lifetime running from a crime so terrible that it renders him forever incapable of touching a woman. Blood's odyssey begins in 1944 and takes him across the country from his hardscrabble Vermont hill farm to New York, across Ohio, Minnesota, and Montana to British Columbia, on to North Dakota, Wyoming, and New Mexico and ends, today, in California, with Blood homeless and near mad. Along the way, he must live a hundred lives to survive, mining gold, growing beans, hunting fossils and trapping, prospecting for uranium, and ranching. In his absence, disaster befalls his family; greatest among their terrible losses are the hard-won values of endurance and pride that were the legacy of farm people rooted in generations of intimacy with soil, weather, plants, and seasons. Postcards chronicles the lives of the rural and the dispossessed and charts their territory with the historical verisimilitude and writerly prowess of Cather, Dreiser, and Faulkner. It is a new American classic.
First published in 1967, Thomas Savage's western novel about two brothers and the competition between them when one marries now includes an afterword by Annie Proulx.
A vigorous, darkly comic, and at times magical portrait of the contemporary North American family.<P><P> Quoyle, a third-rate newspaper hack, with a "head shaped like a crenshaw, no neck, reddish hair...features as bunched as kissed fingertips," is wrenched violently out of his workaday life when his two-timing wife meets her just desserts. An aunt convinces Quoyle and his two emotionally disturbed daughters to return with her to the starkly beautiful coastal landscape of their ancestral home in Newfoundland. Here, on desolate Quoyle's Point, in a house empty except for a few mementos of the family's unsavory past, the battered members of three generations try to cobble up new lives.<P> Newfoundland is a country of coast and cove where the mercury rarely rises above seventy degrees, the local culinary delicacy is cod cheeks, and it's easier to travel by boat and snowmobile than on anything with wheels. In this harsh place of cruel storms, a collapsing fishery, and chronic unemployment, the aunt sets up as a yacht upholsterer in nearby Killick-Claw, and Quoyle finds a job reporting the shipping news for the local weekly, the Gammy Bird (a paper that specializes in sexual-abuse stories and grisly photos of car accidents).<P> As the long winter closes its jaws of ice, each of the Quoyles confronts private demons, reels from catastrophe to minor triumph--in the company of the obsequious Mavis Bangs; Diddy Shovel the strongman; drowned Herald Prowse; cane-twirling Beety; Nutbeem, who steals foreign news from the radio; a demented cousin the aunt refuses to recognize; the much-zippered Alvin Yark; silent Wavey; and old Billy Pretty, with his bag of secrets. By the time of the spring storms Quoyle has learned how to gut cod, to escape from a pickle jar, and to tie a true lover's knot.<P> Winner of the Pulitzer Prize<P> Winner of the National Book Award
Pulitzer Prize and National Book Award winner Annie Proulx's That Old Ace in the Hole is told through the eyes of Bob Dollar, a young Denver man trying to make good in a bad world. Dollar is out of college but aimless, when he takes a job with Global Pork Rind -- his task to locate big spreads of land in the Texas and Oklahoma panhandles that can be purchased by the corporation and converted to hog farms. Dollar finds himself in a Texas town called Woolybucket, whose idiosyncratic inhabitants have ridden out all manner of seismic shifts in panhandle country. These are tough men and women who witnessed first hand tornadoes, dust storms, and the demise of the great cattle ranches. Now it's feed lots, hog farms, and ever-expanding drylands. Dollar settles into LaVon Fronk's old bunkhouse for fifty dollars a month, helps out at Cy Frease's Old Dog Café, targets Ace and Tater Crouch's ranch for Global Pork, and learns the hard way how vigorously the old owners will hold on to their land, even though their children want no part of it. Robust, often bawdy, strikingly original and intimate, The Old Ace in the Hole tracks the vast waves of change that have shaped the American landscape and the character over the past century. In Bob Dollar, Proulx has created one of the most irresistible characters in contemporary fiction.
Lo mismo que pasaba con el famoso cuento Brokeback Mountain, llevado al cine con gran éxito, los cuentos que Proulx ha dedicado a la tierra de Wyoming hablan de rancheros y cowboys, de indios y camareras de saloon, de amistades peculiares y disputas familiares donde el rencor viene de lejos y el amor es bronco.La pasión por ese pedazo de suelo llamado Wyoming muestra a sus habitantes en toda su vulnerabilidad, como es el caso de Ray, un viejo instalado en un hogar de ancianos que decide por fin contar los secretos de familia a su nieta, o la historia de la joven pareja de pioneros que intentó sacar adelante su rancho a principio del siglo XX, cuando Wyoming era aun una tierra de naturaleza hostil, hasta llegar a la macabra historia de un árbol plantado en medio del desierto que ve morir a todos los viajeros que transitan a su lado.En estos relatos, que se reúnen por primera vez en castellano, están todos los elementos que construyeron en su día la leyenda del lejano Oeste, pero la ironía de la autora, su capacidad ver el fondo de esos hombres y mujeres en apariencia tan curtidos, su mirada femenina hacia un mundo tan machista, dan una vuelta de tuerca al mito: es así como el western de siempre se convierte en gran literatura y una tierra árida, poco generosa con su gente, se transforma en un espacio literario de mucho calado.La opinión del editor:Más allá del tópico, autores como Sherwood Anderson, Flannery O´Connor, Eudora Welty y Katherine Anne Porter han dibujado un mapa peculiar de Estados Unidos. Ahora añadimos a Annie Proulx a nuestro catálogo para ir completando el panorama de la mejor narrativa americana contemporánea.
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