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It is 1876, the year of the Centennial in Philadelphia. Katherine has lost her twin sister Anna in a tragic skating accident. One wickedly hot September day, Katherine sets out for the exhibition grounds to cut short the haunted life she no longer wants to live. Filled with vivid detail that artfully brings the past to life, National Book Award nominee Beth Kepart's DANGEROUS NEIGHBORS is a timeless and finely crafted novel about betrayal and guilt, hope and despair, love, loss, and new beginnings. Publisher's Weekly Starred Review Set in Philadelphia against the back-drop of the 1876 Centennial Exhibition (the first World's Fair in the U. S. ), this atmospheric novel traces the sentiments of grief-stricken Katherine, whose identical twin sister, Anna, died in a tragic accident earlier in the year. As the novel opens, Katherine, who feels responsible for Anna's death, has decided to take her own life. Again and again, she is drawn to the exhibition grounds. Here, futuristic marvels and unexpected events-including a disastrous fire- detain her from completing her suicidal mission. Losing herself in a throng of strangers, she examines her past, recalling the development of her sister's secret romance with a "dangerous neighbor" and the final sequence of events that led to Anna's death. Conjuring sharp, meticulously detailed images of fair exhibitions ("The wonders of the world slide past. Parisian corsets cavorting on their pedestals. Vases on lacquered shelves. Folding beds. Walls of cutlery. The sweetest assortment of sugar-colored pills, all set to sail on a yacht"), Kephart (The Heart is Not a Size) evokes a tantalizing portrait of love, remorse, and redemption. Ages 12-up. (Aug. )
?National Book Award nominee Beth Kephart's new book is an enchanting midlife meditation on aging, identity, and memory set against the backdrop of Chanticleer garden in Pennsylvania. On the morning of her forty-?rst birthday, Kephart -- a mother, a wife, and a writer pressured by deadlines -- finds herself at Chanticleer, one of the world's most celebrated pleasure gardens. She knows little of the language of flowers. She cannot name the birds in the trees. She is a stranger among the gardeners and the people passing by. And yet she understands that she has somehow found her way to a place that can teach her about life and growth, about the past and the future. Week after week, she returns to Chanticleer -- recalling her childhood self, mulling over legacy and soul, striking up friendships with gardeners and conversations with other visitors. Succored by the seasons and the weather, she finds the grace in approaching middle age. There are lessons in seeds, and she finds them. There are lessons in letting go. Kephart writes about questions we all ask ourselves: How do we remember who we used to be? How do we imagine who we'll become? Have we lived our lives as we set out to? What legacies do we wish to leave behind? The book spans a two-year cycle, and each chapter is accompanied by a gorgeous black-and-white photograph of Chanticleer by William Sulit. Ghosts in the Garden pulses with possibility and purpose, with wisdom that is ageless and transcendent.
It is February 1983, and Berlin is a divided city with a miles-long barricade separating east from west. But the city isn't the only thing that is divided. Ada lives among the rebels, punkers, and immigrants of Kreuzberg in West Berlin. Stefan lives in East Berlin, in a faceless apartment bunker of Friedrichshain. Bound by love and separated by circumstance, their only chance for a life together lies in a high-risk escape. But will Stefan find the courage to leap? Or will forces beyond his control stand in his way? National Book Award finalist Beth Kephart presents a story of daring and sacrifice, and love that will not wait.
In the tradition of Anne Lamott's Bird by Bird, a critically acclaimed National Book Award finalist shares inspiration and practical advice for writing a memoir. Writing memoir is a deeply personal, and consequential, undertaking. As the acclaimed author of five memoirs spanning significant turning points in her life, Beth Kephart has been both blessed and bruised by the genre. In Handling the Truth, she thinks out loud about the form--on how it gets made, on what it means to make it, on the searing language of truth, on the thin line between remembering and imagining, and, finally, on the rights of memoirists. Drawing on proven writing lessons and classic examples, on the work of her students and on her own memories of weather, landscape, color, and love, Kephart probes the wrenching and essential questions that lie at the heart of memoir. A beautifully written work in its own right, Handling the Truth is Kephart's memoir-writing guide for those who read or seek to write the truth.
Georgia knows what it means to keep secrets. She knows how to ignore things. She knows that some things are better left unsaid. . . . Or are they? When Georgia and her best friend, Riley, travel along with nine other suburban Pennsylvania kids to Anapra, a squatters' village in the heat-flattened border city of Juarez, Mexico, secrets seem to percolate and threaten both a friendship and a life. Certainties unravel. Reality changes. And Georgia is left to figure out who she is outside the world she's always known. Beth Kephart paints a world filled with emotion, longing, and the hot Mexican sun.
Rosie and her mother coexist in the same house as near strangers. Since Rosie's father abandoned them years ago, her mother has accomplished her own disappearing act, spending more time with her boss than with Rosie. Now faced with losing her grandfather too, Rosie begins to visit him every day, traveling across town to his house, where she helps him place the things that matter most to him "In Trust." As Rosie learns her grandfather's story, she discovers the role music and motion have played in it. But like colors, memories fade. When Rosie stumbles into the House of Dance, she finally finds a way to restore the source of her grandfather's greatest joy. Eloquently told, National Book Award finalist Beth Kephart's House of Dance is a powerful celebration of life and the people we love who make it worthwhile.
Philadelphia has been at the heart of many books by award-winning author Beth Kephart, but none more so than the affectionate collection Love. This volume of personal essays and photographs celebrates the intersection of memory and place. Kephart writes lovingly, reflectively about what Philadelphia means to her. She muses about meandering on SEPTA trains, spending hours among the armor in the Philadelphia Museum of Art, and taking shelter at Independence Mall during a downpour. In Love, Kephart shares her loveof Reading Terminal Market at Thanksgiving: "This abundant, bristling market is, in November, the most unlonesome place around. " She waxes poetic about the shoulder-to-shoulder crowds, the mustard in a Salumeria sandwich, and the "coins slipped between the lips of Philbert the pig. " Kephart also extends her journeys to the suburbs, Glenside and Ardmore--and beyond, to Lancaster County, Pennsylvania; Stone Harbor, New Jersey; and Wilmington, Delaware. What emerges is a valentine to the City of Brotherly Love and its environs. In Love, Philadelphia is "more than its icons, bigger than its tagline. "
Graduation from high school? A senior thesis? A betrayal by someone you love? A loss of innocence? The death of a parent? Losing the family you always wished you had? Facing a harsh reality? What's the line that separates childhood from the "real world"? And what happens when it's nothing you imagined it would be? Do you want to be a published author? The editors at HarperCollins invite you to submit a short story about a character who has to face the "real world" for the first time. The story must involve a single, life-changing event. First prize is the opportunity to be published alongside your favorite authors in the paperback edition of the No Such Thing as the Real World collection. All stories must be between 5,000 and 10,000 words long, and all contributing authors must be between fourteen and nineteen years old.
Ever since her mother passed away, Katie's been alone in her too-big house with her genius dad, who restores old paintings for a living. Katie takes a summer job at a garden estate, where, with the help of two brothers and a glamorous librarian, she soon becomes embroiled in decoding a mystery. There are secrets and shadows at the heart of Nothing but Ghosts: symbols hidden in a time-darkened painting, and surprises behind a locked bedroom door. But most of all, this is a love story--the story of a girl who learns about love while also learning to live with her own ghosts. This is a heartfelt, lyrical tale from the National Book Award-nominated author of Undercover and House of Dance.
Something is not right with Nadia Cara. While spending a year in Florence, Italy, she's become a thief. She has secrets. And when she tries to speak, the words seem far away. Nadia finds herself trapped by her own obsessions and following the trail of an elusive Italian boy whom only she has seen. Can Nadia be rescued or will she simply lose herself altogether? Set against the backdrop of a glimmering city, One Thing Stolen is an exploration of obsession, art, and a rare neurological disorder. It is a celebration of language, beauty, imagination, and the salvation of love.
For Beth Kephart's son, the diagnosis was "pervasive developmental disorder not otherwise specified" -- a broad spectrum of difficulties, including autistic features. As the author and her husband discover, all that label really means is that their son Jeremy is "different in a million wonderful ways, and also different in ways that need our help". With the help of passionate parental involvement and the kindness of a few open hearts, Jeremy slowly emerges from a world of obsessive play rituals, atypical language constructions, endless pacing, and lonely frustrations. Triumphantly, he begins to engage others, describe his thoughts and passions, and build essential friendships.
Juno meets Under the Tuscan Sun It's senior year, and while Kenzie should be looking forward to prom and starting college in the fall, she discovers she's pregnant. Her determination to keep her baby is something her boyfriend and mother do not understand. So she is sent to Spain, where she will live out her pregnancy, and her baby will be adopted by a Spanish couple. No one will ever know. Alone and resentful in a foreign country, Kenzie is at first sullen and difficult. But as she gets to know Estela, the stubborn old cook, and Esteban, the mysterious young man who cares for the horses, she begins to open her eyes, and her heart, to the beauty that is all around her, and inside her. Kenzie realizes she has some serious choices to make--choices about life, love, and home. Lyrically told in a way that makes the heat, the colors, and the smells of Spain feel alive, Small Damages is a feast for the heart and the soul, and a coming-of-age novel not easily forgotten.
Like a modern-day Cyrano de Bergerac, Elisa ghostwrites love notes for the boys in her school. But when Elisa falls for Theo Moses, things change fast. Theo asks for verses to court the lovely Lila-a girl known for her beauty, her popularity, and a cutting ability to remind Elisa that she has none of these. At home, Elisa's father, the one person she feels understands her, has left on an extended business trip. As the days grow shorter, Elisa worries that the increasingly urgent letters she sends her father won't bring him home. Like the undercover agent she feels she has become, Elisa retreats to a pond in the woods, where her talent for ice-skating gives her the confidence to come out from under cover and take center stage. But when Lila becomes jealous of Theo's friendship with Elisa, her revenge nearly destroys Elisa's ice-skating dreams and her plan to reunite her family. National Book Award nominee Beth Kephart's first young adult novel is a stunning debut.
Emmy Rane is married at nineteen, a mother by twenty. Trapped in a life with a husband she no longer loves, Baby is her only joy. Then one sunny day in September, Emmy takes a few fateful steps away from her baby and returns to find her missing. All that is left behind is a yellow sock. Fourteen years later, Sophie, a homeschooled, reclusive teenage girl is forced to move frequently and abruptly from place to place, perpetually running from what her mother calls the "No Good. " One afternoon, Sophie breaks the rules, ventures out, and meets Joey and his two aunts. It is this loving family that gives Sophie the courage to look into her past. What she discovers changes her world forever. . . . The riveting stories of Emmy and Sophie-alternating narratives of loss, imprisonment, and freedom regained-escalate with breathless suspense toward an unforgettable climax.
Zenobia: The Curious Book of Business: A Tale of Triumph over Yes-Men, Cynics, Hedgers, and other Corporate Killjoysby Beth Kephart Matthew Emmens
Zenobia is a former industry giant bedeviled by paralyzing hierarchies, grossly inadequate communications, and distrust. It is a broken place, a fortress doomed to collapse upon itself.<P><P> Enter Moira, a young woman responding to a cryptic help wanted ad that asks her to report to room 133A - but there are no directions, no sign of the room, and nobody seems inclined to help her find it. As she moves through the Zenobian maze, Moira makes some surprising discoveries about the power of teamwork and the qualities that define true leaders. Her story is interwoven with that of a long-time Zenobia employee named Gallagher, who watches and comments as Moira tries to find the ever-elusive room 133A.<P> Zenobia reminds us that imagination is one of the most powerful, and most overlooked, elements of business success. Like Moira, those who succeed see what is not yet there, keep faith in their vision, take risks to achieve it, and inspire others to join them. This unusual book will move readers to take a fresh and fearless look at their own organizations and to remember that leadership is not determined by title or position. Rather, as the want ad Moira answers puts it, "Creative persistence a prerequisite. A desire for the extraordinary an absolute must."
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