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Adam Weller is a moderately successful novelist, past his prime, but squiring around a much younger woman and still longing for greater fame and glory. His former wife, Eleanor, is unhappily playing the role of the overweight, discarded woman. Their daughter Maud has just begun a frankly sexual affair that unexpectedly becomes life-changing. Into each of these lives the past intrudes in a way that will test them to their core. With perfect pitch and a rare empathy, Brian Morton is equally adept at portraying the life of the mind and how it plays out in the world, brilliantly tracing the border between honor and violation. Here Morton tells his strongest story yet-a story about love, friendship, literary treachery, and what each of us owes to the past.
A wise and entertaining novel about a woman who has lived life on her own terms for seventy-five defiant and determined years, only to find herself suddenly thrust to the center of her family's various catastrophes Meet Florence Gordon: blunt, brilliant, cantankerous and passionate, feminist icon to young women, invisible to almost everyone else. At seventy-five, Florence has earned her right to set down the burdens of family and work and shape her legacy at long last. But just as she is beginning to write her long-deferred memoir, her son Daniel returns to New York from Seattle with his wife and daughter, and they embroil Florence in their dramas, clouding the clarity of her days and threatening her well-defended solitude. And then there is her left foot, which is starting to drag.... With searing wit, sophisticated intelligence, and a tender respect for humanity in all its flaws, Brian Morton introduces a constellation of unforgettable characters. Chief among them, Florence, who can humble the fools surrounding her with one barbed line, but who eventually finds there are realities even she cannot outwit.
Leonard Schiller is a novelist in his seventies, a second-string but respectable talent who produced only a small handful of books. Heather Wolfe is an attractive graduate student in her twenties. She read Schiller's novels when she was growing up and they changed her life. When the ambitious Heather decides to write her master's thesis about Schiller's work and sets out to meet him--convinced she can bring Schiller back into the literary world's spotlight--the unexpected consequences of their meeting alter everything in Schiller's ordered life. What follows is a quasi-romantic friendship and intellectual engagement that investigates the meaning of art, fame, and personal connection. "Nothing less than a triumph" (The New York Times Book Review), Starting Out in the Evening is Brian Morton's most widely acclaimed novel to date.
Isaac and Nora haven't seen each other in five years, yet when Nora phones Isaac late one night, he knows who it is before she's spoken a word. Isaac, a photographer, is relinquishing his artistic career, while Nora, a writer, is seeking to rededicate herself to hers.Fueled by their rediscovered love, Nora is soon on fire with the best work she's ever done, until she realizes that the story she's writing has turned into a fictionalized portrait of Isaac, exposing his frailties and compromises and sure to be viewed by him as a betrayal. How do we remain faithful to our calling if it estranges us from the people we love? How do we remain in love after we have seen the very worst of our loved ones? These are some of the questions explored in a novel that critics are calling "an absolute pleasure" (The Seattle Times).
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