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The Unending Mystery is a charming, offbeat, generously illustrated exploration of a form that has had a place in the culture of almost every civilization since the beginning of human history--and is now experiencing a modern revival. Labyrinths appear on Neolithic rock outcroppings and in some of the oldest legends from the Greek Isles and the American Southwest. They have been created to represent everything from the birth of a child to the descent into hell, and legions of claims--from facilitating pregnancy to freeing souls from Purgatory--have been made for their power. In them we see perhaps the first human effort to create a form not found in nature, and we experience a mystery that has survived the millennia in countless manifestations. From the Mediterranean to Tuscany and Scandinavia, from English villages to French cathedrals and Italian palace gardens, David Willis McCullough takes us on a grand tour of the great labyrinths and mazes. Using a distinctive blend of history and research, he tells the story of their interpretations and uses, from the exalted to the ridiculous. He visits with today's labyrinth enthusiasts, including a Scotswoman who creates them in the South Bronx, the canon of San Francisco's Grace Cathedral who wants to pepper the world with them, and the showman who conceived the first cornfield maze--a phenomenon that is staving off bankruptcy for many American farmers. McCullough's infectious enthusiasm and wit make him the ideal guide to the age-old, ever-alluring world of labyrinths and mazes. From the Hardcover edition.
Wars of the Irish Kings: A Thousand Years of Struggle from the Age of Myth Through the Reign of Queen Elizabeth Iby David Willis Mccullough
For the first thousand years of its history, Ireland was shaped by its monasteries and its wars. The artistic flourishing of the monasteries has received a good deal of attention, but the violent and varied wars have in recent years gone unremembered. In Wars of the Irish Kings, David Willis McCullough has turned back to the earliest accounts of these struggles to present a rich tapestry of Ireland's fight for its identity. Beginning with the legends of ancient wars and warriors, moving through a time when history and storytelling were not separate crafts, into a time when history was as much propaganda as fact, Wars of the Irish Kings tells of tribal battles, foreign invasions, Viking raids, family feuds, wars between rival Irish kingdoms, and wars of rebellion against the English. This collection is peopled with familiar names: Cuchulain, Finn MacCool, Brian Boru, Mad King Sweeney, Strongbow, Edward and Robert Bruce, Queen Elizabeth I and Lord Essex, Hugh O'Donnell, and Hugh O'Neill. Battles formed the legends and history of the land: the Da Dannan meet the Fir Bolgs near Sligo, Brian Boru faces the Vikings at Clontarf in Dublin Bay, High King Rory O'Connor confronts the English invaders near Waterford, O'Briens battle the English (and other O'Briens) at Dysert O'Dea near Limerick, guns are carried for the first time in battle at Knockdoe near Galway, the Bruces from Scotland and their Irish allies overwhelm the English at Connor in Ulster, and Hugh O'Neill ambushes General Bagenal near Armagh. The book ends near Cork in 1601 when the English defeat O'Neill and his Spanish allies at Kinsale. Common people as well as kings appear in these pages. A foot soldier in the early days of gunpowder accidentally sets off a disastrous explosion, a harper's disembodied head is sent by error to the king of England, who displays it as that of the king of Ireland, and a Welsh camp follower named Alice is given the job of executing Irish captives during the English invasion. The sources for these stories and many more range from ancient manuscripts telling of mythical battles to a seventeenth-century siege diary. There are excerpts from such Irish literary masterpieces as The Cattle Raid of Cooley (The Tain), the monumental Annals of the Four Masters, passages from Gerald of Wales's account of the English conquest in the twelfth century, pages from an Icelandic saga, and even a blistering letter from Queen Elizabeth I to her inept commander in Ireland ("You do but piece up a hollow peace ..."). The result is a surprisingly immediate and stunning portrait of an all-but-forgotten time that forged the Ireland to come.
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