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A deeply considered and provocative new look at major American writers--including Saul Bellow, Norman Mailer, and W.H. Auden--Edward Mendelson's Moral Agents is also a work of critical biography in the great tradition of Plutarch, Samuel Johnson, and Emerson. Any important writer, in Mendelson's view, writes in response to an idea of the good life that is inseparable from the life the writer lives. Fusing biography and criticism and based on extensive new research, Moral Agents presents challenging new portraits of eight writers--novelists, critics, and poets--who transformed American literature in the turbulent twentieth century. Eight sharply distinctive individuals--inspired, troubled, hugely ambitious--who reimagined what it means to be a writer. There's Saul Bellow, a novelist determined to rule as a patriarch, who, having been neglected by his father, in turn neglected his son in favor of young writers who presented themselves as his literary heirs. Norman Mailer's extraordinary ambition, suppressed insecurity, and renegade metaphysics muddled the novels through which he hoped to change the world, yet these same qualities endowed him with an uncanny sensitivity and deep sympathy to the pathologies of American life that make him an unequaled political reporter. William Maxwell wrote sad tales of small-town life and surrounded himself with a coterie of worshipful admirers. As a powerful editor at The New Yorker, he exercised an enormous and constraining influence on American fiction that is still felt today. Preeminent among the critics is Lionel Trilling, whose Liberal Imagination made him a celebrity sage of the anxiously tranquilized 1950s, even as his calculated image of Olympian reserve masked a deeply conflicted life and contributed to his ultimately despairing worldview. Dwight Macdonald, by contrast, was a haute-WASP anarchist and aesthete driven by an exuberant moral commitment, in a time of cautious mediocrity, to doing the right thing. Alfred Kazin, from a poor Jewish émigré background, remained an outsider at the center of literary New York, driven both to escape from and do justice to the deepest meanings of his Jewish heritage. Perhaps most intriguing are the two poets, W.H. Auden and Frank O'Hara. Early in his career, Auden was tempted to don the mantle of the poet as prophet, but after his move from England to America he lived and wrote in a spirit of modesty and charity born out of a deeply idiosyncratic understanding of Christianity. O'Hara, tireless partygoer and pioneering curator at MoMA, wrote much of his poetry for private occasions. Its lasting power has proven to be something different from its avant-garde reputation: personal warmth, individuality, rootedness in ancient traditions, and openness to the world.
This significantly expanded edition of W. H. Auden's Selected Poems adds twenty poems to the hundred in the original edition, broadening its focus to better reflect the enormous wealth of form, rhetoric, tone, and content in Auden's work. Newly included are such favorites as "Funeral Blues" and other works that represent Auden's lighter, comic side, giving a fuller picture of the range of his genius. Also new are brief notes explaining references that may have become obscure to younger generations of readers and a revised introduction that draws on recent additions to knowledge about Auden. As in the original edition, the new Selected Poems makes available the preferred original versions of some thirty poems that Auden revised later in life, making it the best source for enjoying the many facets of Auden's art in one volume.
She felt rather inclined just for a moment to stand still after all that chatter, and pick out one particular thing; the thing that mattered . . . --Virginia Woolf,To The Lighthouse An illuminating exploration of how seven of the greatest English novels of the nineteenth and twentieth centuries--Frankenstein, Wuthering Heights, Jane Eyre, Middlemarch, Mrs. Dalloway, To the Lighthouse,andBetween the Acts--portray the essential experiences of life. Edward Mendelson--a professor of English at Columbia University--illustrates how each novel is a living portrait of the human condition while expressing its author's complex individuality and intentions and emerging from the author's life and times. He exploresFrankensteinas a searing representation of child neglect and abandonment andMrs. Dallowayas a portrait of an ideal but almost impossible adult love, and leads us to a fresh and fascinating new understanding of each of the seven novels, reminding us--in the most captivating way--why they matter.
She felt rather inclined just for a moment to stand still after all that chatter, and pick out one particular thing; the thing that mattered . . .--Virginia Woolf, To The LighthouseAn illuminating exploration of how seven of the greatest English novels of the nineteenth and twentieth centuries--Frankenstein, Wuthering Heights, Jane Eyre, Middlemarch, Mrs. Dalloway, To the Lighthouse, and Between the Acts--portray the essential experiences of life.Edward Mendelson--a professor of English at Columbia University--illustrates how each novel is a living portrait of the human condition while expressing its author's complex individuality and intentions and emerging from the author's life and times. He explores Frankenstein as a searing representation of child neglect and abandonment and Mrs. Dalloway as a portrait of an ideal but almost impossible adult love, and leads us to a fresh and fascinating new understanding of each of the seven novels, reminding us--in the most captivating way--why they matter.From the Trade Paperback edition.
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