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In his 2003 National Book Award-winning memoir Waiting for Snow in Havana, Carlos Eire narrated his coming of age in Cuba just before and during the Castro revolution. That book literally ends in midair as eleven-year-old Carlos and his older brother leave Havana on an airplane--along with thousands of other children--to begin their new life in Miami in 1962. It would be years before he would see his mother again. He would never again see his beloved father. Learning to Die in Miami opens as the plane lands and Carlos faces, with trepidation and excitement, his new life. He quickly realizes that in order for his new American self to emerge, his Cuban self must "die." And so, with great enterprise and purpose, he begins his journey. We follow Carlos as he adjusts to life in his new home. Faced with learning English, attending American schools, and an uncertain future, young Carlos confronts the age-old immigrant's plight: being surrounded by American bounty, but not able to partake right away. The abundance America has to offer excites him and, regardless of how grim his living situation becomes, he eagerly forges ahead with his own personal assimilation program, shedding the vestiges of his old life almost immediately, even changing his name to Charles. Cuba becomes a remote and vague idea in the back of his mind, something he used to know well, but now it "had ceased to be part of the world." But as Carlos comes to grips with his strange surroundings, he must also struggle with everyday issues of growing up. His constant movement between foster homes and the eventual realization that his parents are far away in Cuba bring on an acute awareness that his life has irrevocably changed. Flashing back and forth between past and future, we watch as Carlos balances the divide between his past and present homes and finds his way in this strange new world, one that seems to hold the exhilarating promise of infinite possibilities and one that he will eventually claim as his own. An exorcism and an ode, Learning to Die in Miami is a celebration of renewal--of those times when we're certain we have died and then are somehow, miraculously, reborn.
What is eternity? Is it anything other than a purely abstract concept, totally unrelated to our lives? A mere hope? A frightfully uncertain horizon? Or is it a certainty, shared by priest and scientist alike, and an essential element in all human relations?InA Very Brief History of Eternity, Carlos Eire, the historian and National Book Award-winning author ofWaiting for Snow in Havana, has written a brilliant history of eternity in Western culture. Tracing the idea from ancient times to the present, Eire examines the rise and fall of five different conceptions of eternity, exploring how they developed and how they have helped shape individual and collective self-understanding. A book about lived beliefs and their relationship to social and political realities,A Very Brief History of Eternityis also about unbelief, and the tangled and often rancorous relation between faith and reason. Its subject is the largest subject of all, one that has taxed minds great and small for centuries, and will forever be of human interest, intellectually, spiritually, and viscerally.
In 1962, at the age of eleven, Carlos Eire was one of 14,000 children airlifted out of Cuba, his parents left behind. His life until then is the subject of Waiting for Snow in Havana, a wry, heartbreaking, intoxicatingly beautiful memoir of growing up in a privileged Havana household -- and of being exiled from his own childhood by the Cuban revolution. That childhood, until his world changes, is as joyous and troubled as any other -- but with exotic differences. Lizards roam the house and grounds. Fights aren't waged with snowballs but with breadfruit. The rich are outlandishly rich, like the eight-year-old son of a sugar baron who has a real miniature race car, or the neighbor with a private animal garden, complete with tiger. All this is bathed in sunlight and shades of turquoise and tangerine: the island of Cuba, says one of the stern monks at Carlos's school, might have been the original Paradise -- and it is tempting to believe. His father is a municipal judge and an obsessive collector of art and antiques, convinced that in a past life he was Louis XVI and that his wife was Marie Antoinette. His mother looks to the future; conceived on a transatlantic liner bound for Cuba from Spain, she wants her children to be modern, which means embracing all things American. His older brother electrocutes lizards. Surrounded by eccentrics, in a home crammed with portraits of Jesus that speak to him in dreams and nightmares, Carlos searches for secret proofs of the existence of God. Then, in January 1959, President Batista is suddenly gone, a cigar-smoking guerrilla named Castro has taken his place, and Christmas is canceled. The echo of firing squads is everywhere. At the Aquarium of the Revolution, sharks multiply in a swimming pool. And one by one, the author's schoolmates begin to disappear -- spirited away to the United States. Carlos will end up there himself, alone, never to see his father again. Narrated with the urgency of a confession, Waiting for Snow in Havana is both an exorcism and an ode to a paradise lost. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died -- and then are somehow, miraculously, reborn.
This is a memoir of a boy who lived in Cuba -his experiences of disturbed life and later the changes that came over after he went to the United States.
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