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"Freddie's" is the familiar name of the Temple Stage School, which supplies London's West End theaters with child actors for everything from Shakespeare to musicals to the Christmas pantomime. Its proprietress, Freddie Wentworth, is a formidable woman of unknown age and murky background who brings anyone she encounters under her spell -- so common an occurrence that it is known as "being Freddied." At her school, we meet dour Pierce, a teacher hopelessly smitten with enchanting Hannah; Jonathan, a child actor of great promise, and his slick rival Mattie; and Joey Blatt, who has wicked plans to rescue Freddie's from insolvency. Up to its surprising conclusion, At Freddie's is thoroughly beguiling.
Frank Reid is a struggling printer in Moscow. On the eve of the Revolution, his wife returns to her native England, leaving him to raise their three young children alone. How does a reasonable man like Frank cope? Should he listen to the Tolstoyan advice of his bookkeeper? And should he, in his wife's absence, resist his desire for his lovely Russian housemaid? How can anyone know how to live the right life?
In eighteenth-century Germany, the impetuous student of philosophy who will later gain fame as the Romantic poet Novalis seeks his father's permission to wed his true philosophy -- a plain, simple child named Sophie. The attachment shocks his family and friends. This brilliant young man, betrothed to a twelve-year-old dullard! How can it be? A literary sensation and a bestseller in England and the United States, The Blue Flower was one of eleven books- and the only paperback- chosen as an Editor's Choice by the New York Times Book Review. The 1997 National Book Critics Circle Award Winner in Fiction.
In 1959 Florence Green, a kindhearted widow with a small inheritance, risks everything to open a bookshop - the only bookshop - in the seaside town of Hardborough. By making a success of a business so impractical, she invites the hostility of the town's less prosperous shopkeepers. By daring to enlarge her neighbors' lives, she crosses Mrs. Gamart, the local arts doyenne. Florence's warehouse leaks, her cellar seeps, and the shop is apparently haunted. Only too late does she begin to suspect the truth: a town that lacks a bookshop isn't always a town that wants one.
In 1912, rational Fred Fairly, one of Cambridge's best and brightest, crashes his bike and wakes up in bed with a stranger - fellow casualty Daisy Saunders, a charming, pretty, generous working-class nurse. So begins a series of complications - not only of the heart but also of the head - as Fred and Daisy take up each other's education and turn each other's philosophies upside down.
Penelope Fitzgerald's first novel, THE GOLDEN CHILD, combines a deft comedy of manners with a classic mystery set in London's most refined institution -- the museum. When the glittering treasure of ancient Garamantia, the golden child, is delivered to the museum, a web of intrigue tightens around its personnel, especially the hapless museum officer Waring Smith. While prowling the halls one night, Waring is nearly strangled. Two suspicious deaths ensue, and only the cryptic hieroglyphics of the Garamantes can bring an end to the mayhem. Fitzgerald has an unerring eye for human nature, and this satirical look at the art world delivers a terrifically witty read.
When British listeners tuned in to the BBC's Nine O'Clock News in the middle of 1940, they had no idea what human dramas-and follies-were unfolding behind the scenes. Targeted by enemy bombers, the BBC had turned its concert hall into a dormitory for both sexes, and personal chaos rivaled the political. The tense relationship between two departmental directors is at the center of Human Voices, as is Annie, a sixteen-year-old assistant who falls hopelessly in love with the monstrously selfish one. Reading this intimate glimpse behind the scenes of the BBC in its heyday, "one is left with the sensation," William Boyd wrote in London Magazine, "that this is what is was really like."
Beautiful Chiara is the last of the Ridolfi, a Florentine family of long lineage and eccentric habits. She is smitten with Salvatore, a brilliant but penniless doctor, a rational man who wants nothing to do with romance. This is the story of how these two--with the best intentions, the kindest of instincts, and the most meddlesome of friends--make each other wonderfully miserable inside.
Here is a biography whose eccentric genius perfectly matches that of its subjects. Penelope Fitzgerald tells the lives of four extraordinary Englishmen-her father and his brothers-with style and wit. Here is the story of a deeply fascinating family mind, shared by four brothers and passed along to their remarkable biographer.
With the death of Penelope Fitzgerald this year, the literary world lost one of its finest, most original, and most beloved authors. Fitzgerald began her writing career at age sixty and wrote eight remarkable novels in rapid succession over the next twenty years. Completed just before her death, THE MEANS OF ESCAPE is Fitzgerald's first new book since the best-selling THE BLUE FLOWER. Never before have her short stories been collected in book form, and none of them has ever appeared in the United States. THE MEANS OF ESCAPE showcases this incomparable author at her most intelligent, her funniest, her best. Like her novels, these brilliant stories are miniature studies of the endless absurdity of human behavior. Concise, comic, biting, and mischievous, they are vintage Fitzgerald. Roaming the globe and the ages, the stories travel from England to France to New Zealand and from today to the seventeenth century. Uniting them is a universal theme: the shifting balance between those who are in positions of power--by wealth, status, or class--and those who, deceptively, are not. THE MEANS OF ESCAPE memorializes a life and a writer guided by a generous but unwavering moral gaze.
On the Battersea Reach of the Thames, a mixed bag of the slightly disreputable, the temporarily lost, and the patently eccentric live on houseboats, rising and falling with the great river's tides. Belonging to neither land nor sea, they cling to one another in a motley yet kindly society. There is Maurice, by occupation a male prostitute, by happenstance a receiver of stolen goods. And Richard, a buttoned-up ex-navy man whose boat dominates the Reach. Then there is Nenna, a faithful but abandoned wife, the diffident mother of two young girls running wild on the waterfront streets.<P><P> It is Nenna's domestic predicament that, as it deepens, draws the relations among this scrubby community together into ever more complex and comic patterns. The result is one of Fitzgerald's greatest triumphs, a novel the Booker judges deemed "flawless."<P> Man Booker Prize winner
Set in the war-torn world of Mughal India and ﬁrst published in the gathering darkness of the 1930s, The Root and the Flower is an epic story of intrigue, murder, and romance; of Tantric abandonment and Buddhist renunciation; of emotional delirium and spiritual adventure. The cast of characters includes Hari, a reckless and passionate warrior; Sita, in love with both Hari and her husband Amar, a prince who wishes to forsake the world but is increasingly drawn into a bloody political struggle; and Sita and Amar's son Jali, whose precocious encounters with sex and violence threaten him with madness.At once a dream of India and a vision of a world riven by political, ethnic, and religious conﬂicts, The Root and the Flower is a work of great range and singular poetic beauty. It is, in Penelope Fitzgerald's words, a "strange masterpiece," and one of the unsung glories of modern literature.
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