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This book is a collection of some interesting murder mysteries which are solved by a Roman Catholic priest named Father Brown.
Six well-plotted and suspenseful tales by the noted British critic, author and debunker extraordinaire feature the "Little Cleric from Essex" in "The Blue Cross," "The Sins of Prince Saradine," "The Sign of the Broken Sword," "The Man in the Passage," "The Perishing of the Pendragons" and "The Salad of Colonel Cray. "
The book is a hilarious satire against prohibition. The book discusses all types of philosophies and all kinds of people. Though written in 1914, it has several themes that are still with us today. It is replete with Christian themes and lightly pokes fun at those who are so concerned about image that they miss the obvious.
A WILD, MAD, HILARIOUS AND PROFOUNDLY MOVING TALE It is very difficult to classify THE MAN WHO WAS THURSDAY. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, THE MAN WHO WAS THURSDAY succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing. However, the reader will soon discover that it is much more than that. Carried along on the boisterous rush of the narrative by Chesterton's wonderful high-spirited style, he will soon see that he is being carried into much deeper waters than he had planned on; and the totally unforeseeable denouement will prove for the modern reader, as it has for thousands of others since 1908 when the book was first published, an inevitable and moving experience, as the investigators finally discover who Sunday is.
G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.From the Trade Paperback edition.
A Timeless Argument for Traditional ChristianityIf you think orthodoxy is boring and predictable, think again. In this timeless classic, G. K. Chesterton, one of the literary giants of the twentieth century, presents a logical and personal reasoning for Christianity in model apologetic form. Gilbert Keith Chesterton was a self-described pagan at age 12 and totally agnostic by age 16. Yet, his spiritual journey ultimately led to a personal philosophy of orthodox, biblical Christianity. The account of his experiences, Orthodoxy bridges the centuries and appeals to today's readers who face the same challenges of materialism, self-centeredness, and progress. "Hope means hoping when things are hopeless, or it is no virtue at all. And faith mean believing the incredible, or it is no virtue at all." --G.K. ChestertonA unique book, Orthodoxy addresses our faith struggles and how we communicate our faith to others. Through philosophy, poetry, reason and humor Chesterton leads us on a literary journey toward truth. This edition includes a foreword by Philip Yancey who, like C. S. Lewis and other leading Christian writers, found this book to be pivotal his Christian experience. Yancey credits Chesterton with helping to revive and define his faith.
All five books: The Innocence, Wisdom, Incredulity, Secret, and Scandal of Father Brown, each containing short stories of the famous amateur sleuth.
Francis of Assisi is, after Mary of Nazareth, the greatest saint in the Christian calendar, and one of the most influential men in the whole of human history. By universal acclaim, this biography by G. K. Chesterton is considered the best appreciation of Francis's life--the one that gets to the heart of the matter. For Chesterton, Francis is a great paradoxical figure, a man who loved women but vowed himself to chastity; an artist who loved the pleasures of the natural world as few have loved them, but vowed himself to the most austere poverty, stripping himself naked in the public square so all could see that he had renounced his worldly goods; a clown who stood on his head in order to see the world aright. Chesterton gives us Francis in his world-the riotously colorful world of the High Middle Ages, a world with more pageantry and romance than we have seen before or since. Here is the Francis who tried to end the Crusades by talking to the Saracens, and who interceded with the emperor on behalf of the birds. Here is the Francis who inspired a revolution in art that began with Giotto and a revolution in poetry that began with Dante. Here is the Francis who prayed and danced with pagan abandon, who talked to animals, who invented the creche.
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