- Table View
- List View
Enormous changes have taken place in the newspaper industry in recent years, from the birth of USA Today to the growth of Web-based media, introducing a host of questions about these changes' impact on average American newspapers in particular and on democracy as a whole. Newspaper editor Roberts (New York Times; Philadelphia Inquirer) and a group of journalists have been studying these questions and have released their findings in a pair of volumes. The first, Leaving Readers Behind (2001), focused on the economics of these changes. This second volume focuses on these changes' impact on the content of daily papers. While these eight essays touch on a variety of concerns-declining coverage of statehouse politics even as lobbyists grab more power, increasing coverage of business and sports, and the decrease of national and international coverage-there's an underlying despair that runs throughout them. Modern newspapers are better written and better looking, but they've lost their distinctive flavor, these writers say, that "essential local ingredient" that makes readers loyal. Worse, they avoid important national and most international stories; "a foreign story that doesn't involve bombs, natural disasters, or financial calamity" rarely makes it into the news. Focus group researchers argue that this trend mirrors readers' preferences, yet many of these essays insist that to maintain an informed electorate, newspapers need to refocus on hard news and let the accountants worry about the bottom line. J-school students and media policy makers will benefit greatly from this wise collection. Copyright 2002 Reed Business Information, Inc. -- From Publishers Weekly
This is the story of how America awakened to its race problem, of how a nation that longed for unity after World War II came instead to see, hear, and learn about the shocking indignities and injustices of racial segregation in the South--and the brutality used to enforce it. It is the story of how the nation's press, after decades of ignoring the problem, came to recognize the importance of the civil rights struggle and turn it into the most significant domestic news event of the twentieth century. Drawing on private correspondence, notes from secret meetings, unpublished articles, and interviews, veteran journalists Gene Roberts and Hank Klibanoff go behind the headlines and datelines to show how a dedicated cadre of newsmen--first black reporters, then liberal southern editors, then reporters and photographers from the national press and the broadcast media--revealed to a nation its most shameful shortcomings and propelled its citizens to act. We watch the black press move bravely into the front row of the confrontation, only to be attacked and kept away from the action. Following the Supreme Court's 1954 decision striking down school segregation and the South's mobilization against it, we see a growing number of white reporters venture South to cover the Emmett Till murder trial, the Montgomery bus boycott, and the integration of the University of Alabama. We witness some southern editors joining the call for massive resistance and working with segregationist organizations to thwart compliance. But we also see a handful of other southern editors write forcefully and daringly for obedience to federal mandates, signaling to the nation that moderate forces were prepared to push the region into the mainstream. The pace quickens in Little Rock, where reporters test the boundaries of journalistic integrity, then gain momentum as they cover shuttered schools in Virginia, sit-ins in North Carolina, mob-led riots in Mississippi, Freedom Ride buses being set afire, fire hoses and dogs in Birmingham, and long, tense marches through the rural South. For many journalists, the conditions they found, the fear they felt, and the violence they saw were transforming. Their growing disgust matched the mounting countrywide outrage asThe New York Times,Newsweek, NBC News, and other major news organizations, many of them headed by southerners, turned a regional story into a national drama. Meticulously researched and vividly rendered,The Race Beatis an unprecedented account of one of the most volatile periods in our nation's history, as told by those who covered it.
Select your format based upon: 1) how you want to read your book, and 2) compatibility with your reading tool. To learn more about using Bookshare with your device, visit the "Using Bookshare" page in the Help Center.
Here is an overview of the specialized formats that Bookshare offers its members with links that go to the Help Center for more information.
- Bookshare Web Reader - a customized reading tool for Bookshare members offering all the features of DAISY with a single click of the "Read Now" link.
- DAISY (Digital Accessible Information System) - a digital book file format. DAISY books from Bookshare are DAISY 3.0 text files that work with just about every type of access technology that reads text. Books that contain images will have the download option of ‘DAISY Text with Images’.
- BRF (Braille Refreshable Format) - digital Braille for use with refreshable Braille devices and Braille embossers.
- MP3 (Mpeg audio layer 3) - Provides audio only with no text. These books are created with a text-to-speech engine and spoken by Kendra, a high quality synthetic voice from Ivona. Any device that supports MP3 playback is compatible.
- DAISY Audio - Similar to the Daisy 3.0 option above; however, this option uses MP3 files created with our text-to-speech engine that utilizes Ivona's Kendra voice. This format will work with Daisy Audio compatible players such as Victor Reader Stream and Read2Go.