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"After a bit you realize there's only one invaluable commodity. Not gold or love, but time." How far are we willing to go to stay young? Hanif Kureishi -- acclaimed author of The Buddha of Suburbia and Intimacy -- explores the possibilities in this provocative story of an older man whose brain is surgically placed in a younger man's body by a network of underground doctors. Adam is offered the chance to trade in his sagging flesh for a much younger and more pleasing model. He tells his wife and son that he is going on an extended vacation. He immediately embarks on an odyssey of hedonism, but soon finds himself regretting what he left behind and feeling guilt over the responsibilities he has ignored. Sinister forces pursue him, wanting possession of "his" body, and he soon finds himself with nowhere to turn. "A fluent, socially observant writer whose sentences move with intelligence and wit" (The New York Times Book Review), Kureishi presents us with both a fantastically vivid tale and hard-hitting questions about our own relationships with our minds and bodies -- and with time that is running out.
Gabriel's father, a washed-up rock musician, has been chucked out of the house. His mother works nights in a pub and sleeps days. Navigating his way through the shattered world of his parents' generation, Gabriel dreams of being an artist. He finds solace and guidance through a mysterious connection to his deceased twin brother, Archie, and his own knack for producing real objects simply by drawing them. A chance visit with mega-millionaire rock star Lester Jones, his father's former band mate, provides Gabriel with the means to heal the rift within his family. Kureishi portrays Gabriel's naïve hope and artistic aspirations with the same insight and searing honesty that he brought to the Indian-Anglo experience in The Buddha of Suburbia and to infidelity in Intimacy. Gabriel's Gift is a humorous and tender meditation on failure, redemption, the nature of talent, the power of imagination -- and a generation that never wanted to grow up, seen through the eyes of their children.
Together in one volume -- Hanif Kureishi's highly acclaimed and controversial novel, Intimacy, and, available for the first time, his latest collection of provocative short stories, Midnight All Day. Jay, the narrator of Intimacy, tells his story on the night he is preparing to leave his lover, Susan, and their two boys. Stripping away all posturing and self-justification, Hanif Kureishi explores the fears and desires that drive a man to leave a woman. Midnight All Day is an astonishing, darkly comic collection of new stories, in which Kureishi confirms his reputation as one of our foremost chroniclers of the loveless, the lost and the dispossessed. The characters are familiar in the cultural landscape of the nineties: frustrated and intoxicated, melancholic and sensitive, yet capable of great cruelty, and if necessary, willing to break the constraints of an old life to make way for the new.
Together in one volume -- Hanif Kureishi's highly acclaimed and controversial novel, Intimacy, and, available for the first time, his latest collection of provocative short stories, Midnight All Day. Jay, the narrator of Intimacy,tells his story on the night he is preparing to leave his lover, Susan, and their two boys. Stripping away all posturing and self-justification, Hanif Kureishi explores the fears and desires that drive a man to leave a woman. Midnight All Day is an astonishing, darkly comic collection of new stories, in which Kureishi confirms his reputation as one of our foremost chroniclers of the loveless, the lost and the dispossessed. The characters are familiar in the cultural landscape of the nineties: frustrated and intoxicated, melancholic and sensitive, yet capable of great cruelty, and if necessary, willing to break the constraints of an old life to make way for the new.
"Hanif Kureishi's best novel since The Buddha of Suburbia" (The Independent, UK): a mischievous, wickedly funny, and intellectually deft story about a young biographer and the famous and reclusive novelist who is his subject.Mamoon Azam is an eminent Indian-born writer who has made a career in England--but now, in his early seventies, his reputation is fading, his book sales are nonexistent, and the expensive habits of his flamboyant second wife are bleeding him dry. In a final attempt to revitalize his career, Mamoon's publisher commissions Harry, an ambitious young writer, to produce a provocative biography to bring Mamoon back into the public eye. Harry sets off for Mamoon's estate, where he finds not the literary hero he had imagined, but a vain, bigoted, cynical, and cruelly manipulative genius, who quickly turns the tables on his ambitious young biographer. Harry must insinuate, seduce, and finesse the truth out of the extravagant and damaged characters in Mamoon's surreal sphere as the young writer and the old master battle for the last word in the story of Mamoon's life. Acute and brilliantly entertaining, The Last Word is a tale of youthful exuberance and the misery of outgrowing it, as hilarious as it is moving. It is Kureishi's wisest work to date.
Described in a recent New York Times Magazine profile as a "postcolonial Philip Roth," Hanif Kureishi first captured the attention of audiences and critics in the 1980s with the award-winning novel The Buddha of Suburbia and the films My Beautiful Laundrette, and Sammy and Rosie Get Laid. In three decades of acclaimed work, Kureishi has written fiction and films exploring a series of interconnected themes about identity and desire---from Islamic radicalism to kinky sex, and from psychoanalysis to the relationships of fathers and sons. After discovering an abandoned manuscript of his father's, hidden for years, Kureishi was compelled to turn his "unflinching perspective" (Time Out) onto his own history. Like Roth, Martin Amis and Geoffrey Wolfe, who also have written books about their fathers, Kureishi wanted to understand and perhaps to reconcile. My Ear at His Heart offers remarkable insight into the birth of a writer, chronicling how Kureishi's own literary calling emerged from the ashes of his father's aspirations. And so begins a journey that takes Kureishi through his father's privileged childhood by the sea in Bombay, through the turbulent birth of Pakistan and to his modest adult life in England---his days spent as a civil servant, his nights writing prose, hopeful of one day receiving literary recognition. "A beguiling and complex tale of fact, fiction and family tensions" (The Guardian), My Ear at His Heart was published to great acclaim in the United Kingdom in 2004 and went on to win the prestigious Prix France Culture Etranger.
In the early 1980s Hanif Kureishi emerged as one of the most compelling new voices in film and fiction. His movies My Beautiful Laundrette, and Sammy and Rosie Get Laid, and his novel The Buddha of Suburbia captivated audiences and inspired other artists. In Something to Tell You, he travels back to those days of hedonism, activism and glorious creativity. And he explores the lives of that generation now, in a very different London. Jamal is middle-aged, though reluctant to admit it. He has an ex-wife, a son he adores, a thriving career as a psychoanalyst and vast reserves of unsatisfied desire. "Secrets are my currency," he says. "I deal in them for a living." And he has some of his own. He is haunted by Ajita, his first love, whom he hasn't seen in decades, and by an act of violence he has never confessed. With great empathy and agility, Kureishi has created an array of unforgettable characters -- a hilarious and eccentric theater director, a covey of charming and defiant outcasts and an ebullient sister who thrives on the fringe. All wrestle with their own limits as human beings; all are plagued by the past until they find it within themselves to forgive. Comic, wise and unfailingly tender, Something to Tell You is Kureishi's best work to date, brilliant and exhilarating.
On October 7th 2001, US-led forces invaded Afghanistan, marking the start of George Bush and Tony Blair's "War on Terror." Six years on, where have the policies of Bush and Blair left us?
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