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World-renowned novelist Mark Helprin offers a ringing Jeffersonian defense of private property in the age of digital culture, with its degradation of thought and language, and collectivist bias against the rights of individual creators. Mark Helprin anticipated that his 2007 New York Times op-ed piece about the extension of the term of copyright would be received quietly, if not altogether overlooked. Within a week, the article had accumulated 750,000 angry comments. He was shocked by the breathtaking sense of entitlement demonstrated by the commenters, and appalled by the breadth, speed, and illogic of their responses. Helprin realized how drastically different this generation is from those before it. The Creative Commons movement and the copyright abolitionists, like the rest of their generation, were educated with a modern bias toward collaboration, which has led them to denigrate individual efforts and in turn fueled their sense of entitlement to the fruits of other people's labors. More important, their selfish desire to "stick it" to the greedy corporate interests who control the production and distribution of intellectual property undermines not just the possibility of an independent literary culture but threatens the future of civilization itself.
The twenty stories here, many of which first appeared in The New Yorker and have since been anthologized throughout the world, are strikingly beautiful essays on enduring and universal questions: In Rome, in the hour of his death, and American priest must choose between his Church and his God. An Israeli scout risks the safety and respect of his comrades in an act of transfiguring gentleness and charity. In a hot, dirty typewriter ribbon factory in the Bronx, a young man finds love. A Dutch child in a Canadian orphanage carries in her heart, her love for her parents and the pain of war. A soldier is overpowered by his days of burying the dead. A Sicilian widow meditates on the end of her family line. These twenty stories are strikingly beautiful pieces on enduring, universal questions by a writer the San Francisco Review of Books calls "a master crafter of the short story. "
A New York Times bestseller by Mark Helprin, author of Winter's Tale, which is now a major motion picture starring Colin Farrell, Jessica Brown Findlay, Russell Crowe, William Hurt, and Jennifer Connelly Mark Helprin's legions of devoted readers cherish his timeless novels and short stories, which are uplifting in their conviction of the goodness and resilience of the human spirit. Freddy and Fredericka--a brilliantly refashioned fairy tale and a magnificently funny farce--only seems like a radical departure of form, for behind the laughter, Helprin speaks of leaps of faith and second chances, courage and the primacy of love. Helprin's latest work, an extraordinarily funny allegory about a most peculiar British royal family, is immensely mocking of contemporary monarchy and yet deeply sympathetic to the individuals caught in its lonely absurdities.
Can love and honor conquer all? Mark Helprin's enchanting and sweeping novel springs from this deceptively simple question, and from the sight of a beautiful young woman, dressed in white, on the Staten Island Ferry, at the beginning of summer, 1946. Postwar New York glows with energy. Harry Copeland, an elite paratrooper who fought behind enemy lines in Europe, has returned home to run the family business. Yet his life is upended by a single encounter with the young singer and heiress Catherine Thomas Hale, as they each fall for the other in an instant. Harry and Catherine pursue one another in a romance played out in Broadway theaters, Long Island mansions, the offices of financiers, and the haunts of gangsters. Catherine's choice of Harry over her longtime fiancé endangers Harry's livelihood and eventually threatens his life. In the end, it is Harry's extraordinary wartime experience that gives him the character and means to fight for Catherine, and risk everything. Not since Winter's Tale has Mark Helprin written such a magically inspiring saga. Entrancing in its lyricism, In Sunlight and in Shadow so powerfully draws you into New York at the dawn of the modern age that, as in a vivid dream, you will not want to leave.
An old American who lives in Brazil is writing his memoirs. An English teacher at the naval academy, he is married to a woman young enough to be his daughter and has a little son whom he loves. He sits in a mountain garden in Niterói, overlooking the ocean. As he reminisces and writes, placing the pages carefully in his antproof case, we learn that he was a World War II ace who was shot down twice, an investment banker who met with popes and presidents, and a man who was never not in love. He was the thief of the century, a murderer, and a protector of the innocent. And all his life he waged a valiant, losing, one-man battle against the world's most insidious enslaver: coffee. Mark Helprin combines adventure, satire, flights of transcendence, and high comedy in this "memoir" of a man whose life reads like the song of the twentieth century.
This collection of 16 stories displays the remarkable scope, incomparable wit, and deft prose that have come to be Helprin's signature. Lighthearted, glittering fables are met with starker tales that sound the depths of sacrifice and duty.
An orphaned immigrant's experiences take him from the Hudson River Valley to Harvard, off to sea on a British merchant ship, then finally back to his birthplace, where he serves as an Israeli soldier in the Yom Kippur War.
For Alessandro Giullani, the young son of a prosperous Roman Lawyer, golden trees shimmer in the sun beneath a sky of perfect blue. At night the moon is amber and the city of Rome seethes with light. He races horses across the country to the sea, and in the Alps he practices the precise and sublime art of mountain climbing. At the ancient university in Bologna he is a student of painting and the science of beauty. And he falls in love. His is a world of adventure and dreams, of music, storm, and the spirit. Then the Great War intervenes.Half a century later, in August of 1964, Alessandro, a white-haired professor, still tall and proud, finds himself unexpectedly on the road with an illiterate young factory worker. As they walk toward Monte Prato, a village seventy kilometers distant, the old man tells the story of his life. How he became a soldier. A hero. A prisoner. A deserter. A wanderer in the hell that claimed Europe. And how he tragically lost one family and gained another.The boy is dazzled by the action and envious of the richness and color of the story, and realizes that the old man's magnificent tale of love and war is more than a tale: it is the recapitulation of his life, his reckoning with mortality, and above all, a love song for his family.
A bestseller that takes readers on a journey to New York of the Belle Epoque, where Peter Lake attempts to rob a Manhattan mansion only to find the daughter of the house at home. Thus begins the love between the middle-aged Irishman and Beverly Penn, a young girl who is dying. "This novel...is a gifted writer's love affair with the language" (Newsday).
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