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The subject of the history of Herodotus is the struggle between the Greeks and the barbarians, which he brings down to the battle of Mycale in 479 B. C. The work, as we have it, is divided into nine books, named after the nine Muses, but this division is probably due to the Alexandrine grammarians. His information he gathered mainly from oral sources, as he traveled through Asia Minor, down into Egypt, round the Black Sea, and into various parts of Greece and the neighboring countries. The chronological narrative halts from time to time to give opportunity for descriptions of the country, the people, and their customs and previous history; and the political account is constantly varied by rare tales and wonders. Among these descriptions of countries the most fascinating to the modern, as it was to the ancient, reader is his account of the marvels of the land of Egypt. From the priests at Memphis, Heliopolis, and the Egyptian Thebes he learned what he reports of the size of the country, the wonders of the Nile, the ceremonies of their religion, the sacredness of their animals. He tells also of the strange ways of the crocodile and of that marvelous bird, the Phoenix; of dress and funerals and embalming; of the eating of lotos and papyrus; of the pyramids and the great labyrinth; of their kings and queens and courtesans. Yet Herodotus is not a mere teller of strange tales. However credulous he may appear to a modern judgment, he takes care to keep separate what he knows by his own observation from what he has merely inferred and from what he has been told. He is candid about acknowledging ignorance, and when versions differ he gives both. Thus the modern scientific historian, with other means of corroboration, can sometimes learn from Herodotus more than Herodotus himself knew. There is abundant evidence, too, that Herodotus had a philosophy of history. The unity which marks his work is due not only to the strong Greek national feeling running through it, the feeling that rises to a height in such passages as the descriptions of the battles of Marathon, Thermopylae, and Salamis, but also to his profound belief in Fate and in Nemesis. To his belief in Fate is due the frequent quoting of oracles and their fulfilment, the frequent references to things foreordained by Providence. The working of Nemesis he finds in the disasters that befall men and nations whose towering prosperity awakens the jealousy of the gods. The final overthrow of the Persians, which forms his main theme, is only one specially conspicuous example of the operation of this force from which human life can never free itself.
The book itself contains the chief information that we have about its author. His culminating story of the great invasion of 480-479 B.C. comes from men with whom he had talked; he never claims to remember any incident in it personally; and in agreement with this, later Greeks dated his birth in 484. He often has occasion to refer to later events; and the four latest, all in the last four books, refer to the first years of the Peloponnesian War, 431-430 (VI, 91; VII, 133 and 233; IX, 73). Perhaps soon after that, then, Herodotus died.
Herodotus is not only the father of the art and the science of historical writing but also one of the Western tradition's most compelling storytellers.<P><P> In tales such as that of Gyges--who murders Candaules, the king of Lydia, and unsurps his throne and his marriage bed, thereby bringing on, generations later, war with the Persians--he laid bare the intricate human entanglements at the core of great historical events. In his love for the stranger, more marvelous facts of the world, he infused his magnificent history with a continuous awareness of the mythic and the wonderful. (Book Jacket Status: Jacketed)ble reading once more.
"The father of history," as Cicero called him, and a writer possessed of remarkable narrative gifts, enormous scope, and considerable charm, Herodotus has always been beloved by readers well-versed in the classics. Compelled by his desire to "prevent the traces of human events from being erased by time," Herotodus recounts the incidents preceding and following the Persian Wars. He gives us much more than military history, though, providing the fullest portrait of the classical world of the 5th and 6th centuries. This readable new translation is supplemented with expansive notes to help the reader appreciate the book in depth.
Herodotus is not only the father of the art and the science of historical writing but also one of the Western tradition's most compelling storytellers. In tales such as that of Gyges--who murders Candaules, the king of Lydia, and unsurps his throne and his marriage bed, thereby bringing on, generations later, war with the Persians--he laid bare the intricate human entanglements at the core of great historical events. In his love for the stranger, more marvelous facts of the world, he infused his magnificent history with a continuous awareness of the mythic and the wonderful. (Book Jacket Status: Jacketed)
David Grene, one of the best known translators of the Greek classics, splendidly captures the quality of Herodotus, the father of history. Here is the historian, investigating and judging what he has seen, heard, and read, and seeking out the true causes and consequences of the great deeds of the past. In his History, the war between the Greeks and Persians, the origins of their enmity, and all the more general features of the civilizations of the world of his day are seen as a unity and expressed as the vision of one man who as a child lived through the last of the great acts in this universal drama. In Grene's remarkable translation and commentary, we see the historian as a storyteller, combining through his own narration the skeletal "historical" facts and the imaginative reality toward which his story reaches. Herodotus emerges in all his charm and complexity as a writer and the first historian in the Western tradition, perhaps unique in the way he has seen the interrelation of fact and fantasy. "Reading Herodotus in English has never been so much fun. Herodotus crowds his fresco-like pages with all shades of humanity. Whether Herodotus's view is 'tragic,' mythical, or merely common sense, it provided him with a moral salt with which the diversity of mankind could be savored. And savor it we do in David Grene's translation. "--Thomas D'Evelyn, Christian Science Monitor. "Grene's work is a monument to what translation intends, and to what it is hungry to accomplish... Herodotus gives more sheer pleasure than almost any other writer."--Peter Levi, New York Times Book Review.
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