Acastos: Two Platonic Dialogues is Murdoch's philosophical masterpiece featuring fictionalized discussions between the intellectual giants of the classical world, including Socrates and Plato. Described by Acastos, a friend of Plato's, the riveting debates center on the nature of goodness and faith, told through the voices of history's most celebrated thinkers. Witty and profound, these debates apply the timeless wisdom of history's renowned philosophers to the most contentious issues of the modern day.
A scintillating novel of fate, accidents, and moral dilemmasSet in the time of the Vietnam War, this story concerns the plight of a young American, happily installed in a perfect job in England, engaged to a wonderful girl, who is suddenly drafted to a war he disapproves of.What is duty here, what is self-interest, what is cowardice? Austin Gibson Grey, the accidental man of the title, is accident-prone, also prone to bring disaster to his friend sand relations. He blames fate. But are we not all accidental, one of his victims asks. Fate and accidents make deep moral dilemmas for the characters in the long and complex tale.
El eco de un tiro en los despachos de Whitehall, el complejo administrativo que el gobierno inglés posee en el centro de Londres, no anuncia tan solo la extraña muerte de un alto funcionario, sino también el principio de una sutil intriga. Kate y Octavian, jefe del departamento donde trabajaba el difunto, forman un matrimonio aparentemente feliz que alberga en su casa de Dorset a un extravagante grupo de personajes: un excéntrico tío que abandonó la India bajo sospecha, un atormentado amigo superviviente de Dachau, el abogado responsable del caso y amante platónico de Kate, hijos de distintos matrimonios, conocidos, visitantes ocasionales... Y todos ellos relacionados de un modo u otro con el muerto en una deliciosa comedia de errores, donde las sonrisas esconden a menudo pecados de mucha hondura. Sirviéndose de los clásicos elementos del thriller, en Amigos y amantes Iris Murdoch explora con maestría los temas que desde siempre le han preocupado: el amor, la amistad y la perversa frontera que separa el bien y el mal. La opinión del editor: Tercer título de nuestra Biblioteca Iris Murdoch, Amigos y amantes es una novela divertida y profunda a un tiempo, y con un elemento de suspense que mantiene en vilo a los lectores.
A lay community of thoroughly mixed-up people is encamped outside Imber Abbey, home of an enclosed order of nuns. A new bell,legendary symbol of religion and magic, is rediscovered. Dora Greenfield, erring wife, returns to her husband. Michael Mead, leader of the community, is confronted by Nick Fawley, with whom he had disasterous homosexual relations, while the wise old Abbess watches and prays and exercies discreet authority. And everyone, or almost everyone, hopes to be saved whatever that may mean. . . Iris Murdoch's funny and sad novel is about religion, the fight between good and evil and the terrible accidents of human frailty.
Bradley Pearson, an unsuccessful novelist in his late fifties, has finally left his dull office job as an Inspector of Taxes. Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax and a coda that casts shifting perspectives on all that has preceded. .
Bradley Pearson, an unsuccessful novelist in his late fifties, has finally left his dull office job as an Inspector of Taxes. Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax and a coda that casts shifting perspectives on all that has preceded.
Iris Murdoch's twenty-third novel begins at a midsummer ball at Oxford, where a group of men and women - friends since university days - have gathered. Dancing under the stars are the charismatic Gerard Hernshaw, Rose Curtland, who has loved Gerard in silence for years, Duncan Cambus and his restless wife Jean, Jenkin Roderhood, the saintly schoolmaster who is the group's moral centre, Gerard's tormented niece Tamar Hernshaw, and David Crimond, the monomaniacal Marxist genius. Years ago the friends banded together to finance a political and philosophical book to be written by Crimond. On this summer's evening, Crimond's actions touch off a crisis and by the night's end the vindictive ghosts of the past have invaded the present. Passion, hatred, a duel, a murder and a suicide pact all disturb the old world of academic reflection and weekend parties. Partners change, the book is completed, somebody has to die.
An old man struggles to make one last connection with his estranged son, before it's too late The elderly Bruno knows he is not far from death. One of his last wishes is to contact his estranged son, Miles, whose marriage to an Indian woman drove a decades-long wedge between father and son. When Miles comes back into his father's life, Bruno must confront his guilt, and his family must overcome the tension that grew during his long absence. Set against an enchanting London backdrop, Murdoch's complex family drama is a poignant exploration of love, remorse, and the power of emotional redemption.
Best known as the author of twenty-six novels, Iris Murdoch has also made significant contributions to the fields of ethics and aesthetics. Collected here for the first time in one volume are her most influential literary and philosophical essays. Tracing Murdoch's journey to a modern Platonism, this volume includes incisive evaluations of the thought and writings of T. S. Eliot, Jean-Paul Sartre, Albert Camus, Simone de Beauvior, and Elias Canetti, as well as key texts on the continuing importance of the sublime, on the concept of love, and the role great literature can play in curing the ills of philosophy. Existentialists and Mystics not only illuminates the mysticism and intellectual underpinnings of Murdoch's novels, but confirms her major contributions to twentieth-century thought.
With a new introduction by Susan Hill. In this dark comedy of errors, Iris Murdoch portrays the mischief wrought by Julius, a cynical intellectual who decides to demonstrate through a Machiavellian experiment how easily loving couples, caring friends, and devoted siblings can betray their loyalties As puppet master, Julius artfully plays on the human tendency to embrace drama and intrigue and to prefer the distraction of confrontations to the difficult effort of communicating openly and honestly.
An enigmatic publisher's sway on a circle of friends drives each to confront their most dangerous obsessions Businessman Mischa Fox has wealth, charisma, and an uncanny ability to influence those around him. When he moves to buy a small feminist magazine in London called the Artemis, Mischa becomes entangled in the lives of the Artemis's editor, Hunter, his sister, Rosa, and her boarder, Annette, as well as their circle of friends. As Mischa instigates a series of ominous events that will change their lives, Murdoch's masterful prose brings these rich characters--and their darkly humorous troubles--to vivid life.
Stuart Cuno has decided to become good. Not believing in God, he invents his own methods, which include celibacy, chastity and the abandonment of a promising academic career. Interfering friends and relations question his sincerity, his sanity and his motives. Stuart's step-brother Edward Baltram is tormented by guilt because he has, he believes, kille d his best friend. He dreams sometimes of redemption, sometimes of suicide. Funny, compelling and extremly moving, 'The Good Apprentice' is about guilt ridden despair, and the difficult problem of how to try to be god - and the various magical devices which console those who are sensible enough not to try.
Full of suspense, humor, and symbolism, this magnificently crafted and magical novel replays biblical and medieval themes in contemporary London. An attempt by the sharp, feral, and uncommonly intelligent Lucas Graffe to murder his sensual and charismatic half-brother Clement is interrupted by a stranger--whom Lucas strikes and leaves for dead. When the stranger mysteriously reappears, with specific demands for reparation, the Graffes' circle of idiosyncratic family and friends is disrupted--for the demands are bizarre, intrusive, and ultimately fatal.
"Murdoch's finest novel . . . Surely one of the major achievements in fiction in recent years." --Joyce Carol Oates When old friends Henry and Cato reunite after years apart, they quickly become embroiled in the drama of each other's lives. Henry, who has just returned to England as the sole heir to his recently deceased brother's estate, quickly begins to uncover secrets buried long ago. Meanwhile, Cato, a Catholic priest, has fallen in love with the criminal Beautiful Joe, and struggles to reform him despite the thief's continual efforts to rob him. A stirring portrait of morality and redemption, Henry and Cato is an insightful look at coping with the crises that come with life's unexpected changes.
A poignant portrait of a family's struggle for redemptionThe funeral of Edward's mother brings him home for the first time in years. Though his return rekindles his affection for his childhood home, it also triggers a resurgence of the family tensions that caused him to leave in the first place. As Edward becomes tangled in his family's web of corrosive secrets, his homecoming tips a precariously balanced dynamic into sudden chaos. The Italian Girl is Murdoch's compelling story of a man's reunion with his estranged family, and of the tragedy that shocks them all into confronting their dark past.
Edward Lannion, the young master of Hatting Hall, is about to marry Marian Fox. At Penndean, a nearby house, preparations are under way for the wedding, overseen by the anxious Benet. Family and friends gather together for a celebratory dinner on the eve of the ceremony. The night is warm and clear, and after dinner the guests walk in the grounds and under the stars, full of happy anticipation. But then there is a sudden and extraordinary event, which changes everything. Iris Murdoch's new novel is a marvellous and compelling human comedy. Edward and Marian, the couple at the centre of the story, are led by events to learn the truth about themselves; in the process, their friends, and lovers, are forced to make new choices, and see things as they are. And watching over all of them is Jackson, Benet's servant, a dark, mysterious and dangerous presence. It is Jackson who must intervene in the story to set the two young lovers onto the right path. Funny, moving and utterly gripping, JACKSON'S DILEMMA is a triumphant achievement by our greatest writers.
Iris Murdoch was an acclaimed novelist and groundbreaking philosopher whose life reflected her unconventional beliefs and values. But what has been missing from biographical accounts has been Murdoch's own voice--her life in her own words. Living on Paper--the first major collection of Murdoch's most compelling and interesting personal letters--gives, for the first time, a rounded self-portrait of one of the twentieth century's greatest writers and thinkers. With more than 760 letters, fewer than forty of which have been published before, the book provides a unique chronicle of Murdoch's life from her days as a schoolgirl to her last years. The result is the most important book about Murdoch in more than a decade.The letters show a great mind at work--struggling with philosophical problems, trying to bring a difficult novel together, exploring spirituality, and responding pointedly to world events. They also reveal her personal life, the subject of much speculation, in all its complexity, especially in letters to lovers or close friends, such as the writers Brigid Brophy, Elias Canetti, and Raymond Queneau, philosophers Michael Oakeshott and Philippa Foot, and mathematician Georg Kreisel. We witness Murdoch's emotional hunger, her tendency to live on the edge of what was socially acceptable, and her irreverence and sharp sense of humor. We also learn how her private life fed into the plots and characters of her novels, despite her claims that they were not drawn from reality.Direct and intimate, these letters bring us closer than ever before to Iris Murdoch as a person, making for an extraordinary reading experience.
Al tiempo que huye de una tormentosa vida sentimental, el hombre se empeña en revivir su primera pasión amorosa por una mujer que la vida ha convertido en un ama de casa escuálida, mientras la presencia insomne del mar le devuelve todas sus obsesiones, los espectros del pasado, los fantasmas de sus errores y la angustia de un futuro cansado.Merecedor en 1978 del Booker Prize, El mar, el mar constituye un punto álgido de la madurez narrativa de su autora, cuya prosa hipnótica nos envuelve aquí en un incesante torrente de imágenes, historias, personajes y reflexiones que resuenan en la mente del lector como el rumor del oleaje al anochecer."Peregrinos de la lectura, perdidos en el árido desierto de las malas novelas: venid a Iris Murdoch."ANDRÉS IBÁÑEZ, ABC Cultural
The decline of religion and ever increasing influence of science pose acute ethical issues for us all. Can we reject the literal truth of the Gospels yet still retain a Christian morality? Can we defend any 'moral values' against the constant encroachments of technology? Indeed, are we in danger of losing most of the qualities which make us truly human? Here, drawing on a novelist's insight into art, literature and abnormal psychology, Iris Murdoch conducts an ongoing debate with major writers, thinkers and theologians--from Augustine to Wittgenstein, Shakespeare to Sartre, Plato to Derrida--to provide fresh and compelling answers to these crucial questions.
A novel originally published in 1968, revolving around a happily married couple and telling of a violent death, blackmail, suspected espionage, Black Arts, stress and terror, over which love conquers all.
Set in London and in the South of France, this brilliantly structured novel centers on two women: Gertrude Openshaw, bereft from the recent death of her husband, yet awakening to passion; and Anne Cavidge, who has returned in doubt from many years in a nunnery, only to encounter her personal Christ. A fascinating array of men and women hover in urgent orbit around them: the "Count," a lonely Pole obsessively reliving his émigré father's patriotic anguish; Tim Reede, a seedy yet appealing artist, and Daisy, his mistress; the manipulative Mrs. Mount; and many other magically drawn characters moving between desire and obligation, guilt and joy. This edition of Nuns and Soldiers includes a new introduction by renowned religious historian Karen Armstrong.
A mysterious accident drives the inhabitants of a quiet town to face their darkest obsessions When George McCaffrey's car plunges into a canal with his wife still inside, nobody knows whether George is to blame. Nobody, that is, except an Anglican priest who happened to witness the whole thing. And when George's former teacher, the charismatic philosopher Rozanov, returns to town, George's life begins to spin wildly out of control. Set in the English spa town of Ennistone, The Philosopher's Pupil is a darkly comic story of love, redemption, and the complex nature of the human condition.
Una de las grandes obras narrativas del siglo XX sobre la relación entre el amor y el arte. Como ya hiciera en El mar, el mar, Iris Murdoch crea en esta novela una de las voces masculinas más persuasivas y seductoras de la literatura del siglo XX. En este caso se trata de Bradley Pearson, un escritor ya mayor que sufre un bloqueo creativo. Rodeado de una telaraña de variopintos y curiosos personajes -su inefable hermano, su ex mujer y un joven y deplorablemente exitoso escritor llamado Arnold Baffin...-, Pearson intenta buscar una salida desesperada a su angustiosa situación, al tiempo que se ponen de manifiesto las más absurdas complejidades de las relaciones sentimentales. El príncipe negro es sobre todo una novela sobre la experiencia de estar enamorado y una reflexión sobre la naturaleza de la literatura y el arte, además de un thriller intelectual sabiamente construido. Reseña:«Hay que remontarse a George Eliot para encontrar un equivalente a Iris Murdoch.»Harold Bloom
Eighty mind-bending problems combine the eccentricity of Lewis Carroll with the genius of Einstein. Loaded with chuckles and challenges, the puzzles promise to test the powers of logic and ingenuity of even the most avid fans of brain teasers. Episodes of deliciously tangled storytelling involve an endearing crew of characters, including mad scientist Cryogenes Rosencrumpett, Professor Didipotamus, Dr. Chronos, Miss Grammatica, and astronomer Seymour Stars. The puzzles feature hints as well as complete solutions, and enchanting surrealistic illustrations provide valuable clues.
Story of an Irish family during the eight tense days leading up to the doomed Easter Rising in Dublin, 1916.
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