"Kindness is seldom wasted." --from "The Lion and the Mouse" It is both amazing and wonderful that so much of the richness of our language and our moral education still owes a huge debt to a Greek slave who was executed more than two thousand years ago. Yet "sour grapes," "crying 'wolf,'" "actions speak louder than words," "honesty is the best policy," and literally hundreds of other metaphors, axioms, and ideas that are now woven into the very fabric of Western culture all came from Aesop's Fables. An extraordinary storyteller who used cunning foxes, surly dogs, clever mice, fearsome lions, and foolish humans to describe the reality of a harsh world, Aesop created narratives that are appealing, funny, politically astute, and profoundly true. And Aesop's truth--often summed up in the pithy "moral of the story"--retains an awesome power to affect us, reaching us through both our intellects and our hearts. This exclusive Signet Classic edition contains 203 of Aesop's most enduring and popular fables, translated into readable, modern American English and beautifully illustrated with classic woodcuts by the great French artist J. J. Grandville. Includes: "The Fox and the Grapes" "The Ants and the Grasshopper" "The Country Mouse and the Town Mouse" Edited and with an Afterword by Jack Zipes With an Introduction by Sam Pickering
After King Shahryar had his wife killed for cheating, he began to corrupt--then kill--one virgin a night, as revenge on womankind. Then he meets Scheherazade, who, night after night, saves her own life by telling him fantastical tales of genies, wishes, terror, and passion. Famous stories from here are Aladdin and His Magic Lamp, Ali Baba and the Forty Thieves, and others. Frequent telling of sexual activities through analogy. There is a glossary at the end, which would be helpful to read before beginning. The original (supposedly) 30 volumes were later whittled down to 10 volumes, and now to one volume of the major stories and other of lesser stories.
Enjoy the timeless tales of Aladdin, Sinbad, Ali Baba and the Forty Thieves, and many more in this first volume of The Arabian Nights. Upon learning of his queen's infidelity, proud King Shahryar has her killed. As revenge on womankind, he decides to wed a different virgin every night, only to have her beheaded at dawn. Such is Shahryar's practice for three terrible years--until he weds Scheherazade, the maiden who will change his life....A breathtaking beauty, Scheherazade is as learned as she is sensuous. Her first night with the king, she uses her imagination, her eloquence, and more than a little cunning to regale him with a tale of genies and wishes, wisely cutting the story short at dawn. The king is so beguiled, he cannot have her murdered without hearing the story's end. From then on, Scheherazade spends nights conjuring stories of flying carpets and fantastical journeys, always stopping with a cliff-hanger--and saving her own life.This edition follows the unexpurgated translation of Richard F. Burton, the renowned Victorian explorer. Intricate and inventive, these stories within stories continue to captivate readers as they have for centuries.
Volume two in a collection of tales representing distinctive genres- from fairy tales to erotica-revealing the customs and societies in the medieval Middle East, as told by the mythic Sheherazade.
A man is changed into a flea and must bring his future parents together in order to become human again. A woman convinces a river god to cure her sick son, but the remedy has mixed consequences. A young man must choose whether to be close to his wife's soul or body. And two deaf mutes transcend their physical existence in the garden of dreams. Strange and fantastical, these fairy tales of BÃ©la BalÃ¡zs (1884-1949), Hungarian writer, film critic, and famous librettist ofBluebeard's Castle, reflect his profound interest in friendship, alienation, and Taoist philosophy. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales,The Cloak of Dreamsbrings together sixteen of BalÃ¡zs's unique and haunting stories. Written in 1921, these fairy tales were originally published with twenty images drawn in the Chinese style by painter Mariette Lydis, and this new edition includes a selection of Lydis's brilliant illustrations. Together, the tales and pictures accentuate the motifs and themes that run throughout BalÃ¡zs's work: wandering protagonists, mysterious woods and mountains, solitude, and magical transformation. His fairy tales express our deepest desires and the hope that, even in the midst of tragedy, we can transcend our difficulties and forge our own destinies. Unusual, wondrous fairy tales that examine the world's cruelties and twists of fate,The Cloak of Dreamswill entertain, startle, and intrigue.
The master of wit and irony Published here alongside their evocative original illustrations, these fairy tales, as Oscar Wilde himself explained, were written "partly for children, and partly for those who have kept the childlike faculties of wonder and joy."
Enchanting, brimming with the wonder and magic of once upon a time, the fairly tales of the Brothers Grimm are the special stories of childhood that stay with us throughout our lives. But most Americans know them only secondhand, in adaptations that greatly reduce the tales' power to touch our emotions and intrigue our imaginations. Now, in the most comprehensive translation to date, here are the classic fairy tales as the Brothers Grimm intended them to be-rich, stark, spiced with humor and violence, resonant with the rhythms of folklore and song. Volume I contains 100 unabridged tales, including those best-known around the world:Cinderella, Snow White, Rapunzel, Hansel And Gretel, andLittle Red Cap [also known asLittle Red Riding Hood ]. These wonderful tales of life, passion, and make-believe appeal not only to children-who unabashedly love them-but to readers of any age.
In the late 18th and early 19th centuries, attitudes toward history and national identity fostered a romantic rediscovery of folk and fairy tales. This is the period of the Golden Age of folk and fairy tales, when European folklorists sought to understand and redefine the present through the common tales of the past, and long neglected stories became recognized as cultural treasures.In this rich collection, distinguished expert of fairy tales Jack Zipes continues his lifelong exploration of the story-telling tradition with a focus on the Golden Age. Included are one hundred eighty-two tales--many available in English for the first time--grouped into eighteen tale types. Zipes provides an engaging general Introduction that discusses the folk and fairy tale tradition, the impact of the Brothers Grimm, and the significance of categorizing tales into various types.Short introductions to each tale type that discuss its history, characteristics, and variants provide readers with important background information.Also included are annotations, short biographies of folklorists of the period, and a substantial bibliography.Eighteen original art works by students of the art department of Anglia Ruskin University not only illustrate the eighteen tale types, but also provide delightful--and sometimes astonishing--21st-century artistic interpretations of them.
In Grimm Legacies, esteemed literary scholar Jack Zipes explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. Zipes reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world--the fairy tale.Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. Zipes looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the "Grimm" aspects of contemporary tales, and the tales' utopian impulses. He shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. Zipes concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism.With erudition and verve, Grimm Legacies examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.
If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world.Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions.While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives.
Deep inside the dreaded Bastille, a young prisoner has languished, his face hidden from all, for eight long years. He knows neither his true identity nor the crime that got him there. Then Aramis, one of the original three musketeers--the finest swordsmen in all of France--bribes his way into the young man's cell to reveal the shocking truth. The revelation of this truth could very well topple Louis XIV, King of France, from his throne--and Aramis aims to do just that. But a daring jailbreak, a brilliant masquerade, and a bloody fight for the throne may make Aramis betray his sacred vow of "All for one, one for all." And in so doing, he will pit musketeer against musketeer, bringing an end to this swashbuckling saga--and either honor or disgrace upon them all.... "The name Alexandre Dumas is more than French--it is universal."--Victor Hugo With a New Introduction by Roger Celestin and an Afterword by Jack Zipes
When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö. From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.
Peter Pan, the "boy who would not grow up," originally appeared as a baby living a magical life among birds and fairies in J.M. Barrie's sequence of stories, Peter Pan in Kensington Gardens. His later role as flying boy hero was brought to the stage by Barrie in the beloved play Peter Pan, which opened in 1904 and became the novel Peter and Wendy in 1911. In a narrative filled with vivid characters, epic battles, pirates, fairies, and fantastic imagination, Peter Pan's adventures capture the spirit of childhood--and of rebellion against the role of adulthood in conventional society. This edition includes the novel and the stories, as well as an introduction by eminent scholar Jack Zipes. Looking at the man behind Peter Pan and sifting through the psychological interpretations that have engaged many a critic, Zipes explores the larger cultural and literary contexts in which we should appreciate Barrie's enduring creation and shows why Peter Pan is a work not for children but for adults seeking to reconnect with their own imagination. 100th anniversary of the play, which premiered December 27, 1904 Includes introduction, suggestions for further reading, explanatory notes, and the original illustrations from the first edition by Francis Donkin Bedford and Arthur Rackham
Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potterby Jack Zipes
These essays emphasize the curious status of children's literature as one defined, produced, and marketed by adults.
Before the Brothers Grimm, before Charles Perrault, before Hans Christian Andersen, there was Giambattista Basile, a seventeenth-century poet from Naples, Italy, whom the Grimms credit with recording the first national collection of fairy tales. <P><P>The Tale of Tales opens with Princess Zoza, unable to laugh no matter how funny the joke. Her father, the king, attempts to make her smile; instead he leaves her cursed, whereupon the prince she is destined to marry is snatched up by another woman. To expose this impostor and win back her rightful husband, Zoza contrives a storytelling extravaganza: fifty fairy tales to be told by ten sharp-tongued women (including Zoza in disguise) over five days. <P> Funny and scary, romantic and gruesome--and featuring a childless queen who devours the heart of a sea monster cooked by a virgin, and who then gives birth the very next day; a lecherous king aroused by the voice of a woman, whom he courts unaware of her physical grotesqueness; and a king who raises a flea to monstrous size on his own blood, sparking a contest in which an ogre vies with men for the hand of the king's daughter--The Tale of Tales is a fairy-tale treasure that prefigures Game of Thrones and other touchstones of worldwide fantasy literature.
This fully annotated volume collects three of Baum's fourteen Oz novels in which he developed his utopian vision and which garnered an immense and loyal following. Also included is a selection of the original illustrations by W. W. Denslow and John R. Neill.
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