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So the first time you hear the concept of Halloween when you're a kid, your brain can't even understand it. "What is this? What did you say? Someone's giving out candy? Who's giving out candy? EVERYONE WE KNOW is giving out candy? I gotta be a part of this!" In his first picture book, comedian and bestselling author Jerry Seinfeld captures on the page his hilarious views on Halloween, from Superman costumes that look like pajamas to the agony of getting bad trick-or-treat candy. Seinfeld's tale resonates with vivid experiences of a night every kid loves. Both kids and adults will eat up Jerry's distinct and unwritten rules of Halloween. Hamilton King award-winning illustrator, James Bennett's outlandish illustrations perfectly depict these unique observations, reminding us why Jerry Seinfeld is still the funniest man alive.
In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, and audience practices, the contributors develop a new critical paradigm for thinking about television, and the future of television studies, in the digital era. The collection brings together established and emerging scholars, producing an intergenerational dialogue that will be useful for anyone seeking to understand the relationship between television and digital media. Introducing the collection, James Bennett explains how television as digital media is a non-site-specific, hybrid cultural and technological form that spreads across platforms such as mobile phones, games consoles, iPods, and online video services, including YouTube, Hulu and the BBC's iPlayer. Television as digital media threatens to upset assumptions about television as a mass medium that has helped define the social collective experience, the organization of everyday life, and forms of sociality. As often as we are promised the convenience of the television experience "anytime, anywhere," we are invited to participate in communities, share television moments, and watch events live. The essays in this collection demonstrate the historical, production, aesthetic, and audience changes and continuities that underpin the emerging meaning of television as digital media. Contributors. James Bennett, William Boddy, Jean Burgess, John Caldwell, Daniel Chamberlain, Max Dawson, Jason Jacobs, Karen Lury, Roberta Pearson, Jeanette Steemers, Niki Strange, Julian Thomas, Graeme Turner
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