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Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practice by literature's greatest writers. In The Art of the Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.Often cited as the best work of short fiction ever written, Joyce's elegant story details a New Year's Eve gathering in Dublin that is so evocative and beautiful that it prompts the protagonist's wife to make a shocking revelation to her husband -- closing the story with an emotionally powerful epiphany that is unsurpassed in modern literature.From the Trade Paperback edition.
The Dead: Complete, Authoritative Text with Biographical and Historical Contexts, Critical History, and Essays from Five Contemporary Critical Perspectivesby James Joyce
Edited by Daniel R. Schwarz. Adopted at more than 1,000 colleges and universities, Bedford/St. Martin's innovative Case Studies in Contemporary Criticism series has introduced more than a quarter of a million students to literary theory and earned enthusiastic praise nationwide. Along with an authoritative text of a major literary work, each volume presents critical essays, selected or prepared especially for students, that approach the work from several contemporary critical perspectives, such as gender criticism and cultural studies. Each essay is accompanied by an introduction (with bibliography) to the history, principles, and practice of its critical perspective. Every volume also surveys the biographical, historical, and critical contexts of the literary work and concludes with a glossary of critical terms. New editions reprint cultural documents that contextualize the literary works and feature essays that show how critical perspectives can be combined.
Dubliners is a collection of short stories about the lives of the people of Dublin around the turn of the century. Each story describes a small but significant moment of crisis or revelation in the life of a particular Dubliner, sympathetically but always with stark honesty. Many of the characters are desperate to escape the confines of their humdrum lives, though those that have the opportunity to do so seem unable to take it. These stories introduce us to the city, which fed Joyce's entire creative output, and to many of the characters who made it such a well of literary inspiration. Rich in humour and musical allusion, they contain some of Joyce's most powerful and moving prose.
Centennial Edition Perhaps the greatest short story collection in the English language, James Joyce's Dubliners is both a vivid and unflinching portrait of "dear dirty Dublin" at the turn of the twentieth century and a moral history of a nation and a people whose "golden age" has passed. His richly drawn characters--at once intensely Irish and utterly universal--may forever haunt the reader. In mesmerizing writing that evokes rich imagery, Joyce delves into the heart of the city of his birth, capturing the cadences of Dubliners' speech in remarkably realistic portrayals of their inner lives. This magnificent collection of fifteen stories reveals Joyce at his most accessible and perhaps most profound. With an Introduction by Edna O'Brien and an Afterword by Malachy McCourt
James Joyce's Ulysses first appeared in print in the pages of an American avant-garde magazine, The Little Review, between 1918 and 1920. The novel many consider to be the most important literary work of the twentieth century was, at the time, deemed obscene and scandalous, resulting in the eventual seizure of The Little Review and the placing of a legal ban on Joyce's masterwork that would not be lifted in the United States until 1933. For the first time, The Little Review "Ulysses" brings together the serial installments of Ulysses to create a new edition of the novel, enabling teachers, students, scholars, and general readers to see how one of the previous century's most daring and influential prose narratives evolved, and how it was initially introduced to an audience who recognized its radical potential to transform Western literature. This unique and essential publication also includes essays and illustrations designed to help readers understand the rich contexts in which Ulysses first appeared and trace the complex changes Joyce introduced after it was banned.
(Book Jacket Status: Jacketed)In his first and still most widely read novel, James Joyce makes a strange peace with the traditional narrative of a young man's self-discovery by respecting its substance while exploding its form, thereby inaugurating a literary revolution.Published in 1916 when Joyce was al?ready at work on Ulysses, A Portrait of the Artist as a Young Man is exactly what its title says and much more. In an exuberantly in?ventive masterpiece of subjectivity, Joyce portrays his alter ego, Stephen Dedalus, growing up in Dublin and struggling through religious and sexual guilt toward an aesthetic awak?ening. In part a vivid picture of Joyce's own youthful evolution into one of the twentieth century's greatest writers, it is also a moment in the intellectual history of an age.From the Hardcover edition.
With an Introduction by Hugh Kenner and a New AfterwordA masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life. "I will not serve," vows Dedalus, "that in which I no longer believe. . . . and I will try to express myself in some mode of life or art as freely as I can. " To Dedalus, the artist is like God-one who "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails. " Joyce's rendering of the impressions of childhood broke ground in the use of language. "He took on the almost infinite English language," Jorge Luis Borges once said. "He wrote in a language invented by himself. . . . Joyce brought a new music to English. " As a bold literary experiment, this classic has had a huge and lasting influence on the contemporary novel.
Playful and experimental, James Joyce's autobiographical A Portrait of the Artist as a Young Man is a vivid portrayal of emotional and intellectual development. This Penguin Modern Classics edition is edited with an introduction and notes by Seamus Deane. The portrayal of Stephen Dedalus's Dublin childhood and youth, his quest for identity through art and his gradual emancipation from the claims of family, religion and Ireland itself, is also an oblique self-portrait of the young James Joyce and a universal testament to the artist's 'eternal imagination'. Both an insight into Joyce's life and childhood, and a unique work of modernist fiction, A Portrait of the Artist as a Young Man is a novel of sexual awakening, religious rebellion and the essential search for voice and meaning that every nascent artist must face in order to fully come into themselves. James Joyce (1882-1941), the eldest of ten children, was born in Dublin, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the continent but Dublin was at heart of his greatest works, Ulysses and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's mental illness. If you enjoyed A Portrait of the Artist as a Young Man, you might like Joyce's Dubliners, also available in Penguin Modern Classics. 'There is nothing more vivid or beautiful in all Joyce's writing. It has the searing clarity of truth . . . but is rich with myth and symbol'Sunday Times 'James Joyce was and remains almost unique among novelists in that he published nothing but masterpieces'The Times Literary Supplement
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life. "I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of childhood broke ground in the use of language. "He took on the almost infinite English language," Jorge Luis Borges said once. "He wrote in a language invented by himself....Joyce brought a new music to English." A bold literary experiment, this classic has had a huge and lasting influence on the contemporary novel. With an Introduction by Langdon Hammer
Stephen Hero is an early version of Joyce's A Portrait of the artist as a Young Man. It was originally rejected on grounds of indecency--so the story goes-- by twenty publishers, whereupon Joyce threw the manuscript in the fire, but Mrs. Joyce rescued several unburnt portions. Although Joyce later entirely rewrote his novel of a young Irishman's rebellion against church, country and family, this early version is beautifully composed, the mood being more discursive and personal than in A Portrait. Many episodes later cut for the sake of good novelistic form, especially autobiographical episodes of sensual and family life, are fully presented, with some of the most vivacious dialogue Joyce ever wrote. Between them, the two versions give us a clear example of Joyce's literary development as well as many details of his life. This edition of Stephen Hero for the first time printed the five missing pages of the novel found among the papers in the Joyce Collection of the Cornell University Library. These pages fill gaps in the text as edited in 1956 by John J. Slocum and Herbert Cahoon and also extend the narrative. The main text of Stephen Hero is a connected, nearly self-contained passage of 383 manuscript pages which turned up soon after Joyce's death. It was first edited by Theodore Spencer and published by New Directions in 1944. In this edition, introductions by the successive editors discuss the literary and bibliographical aspects of this important early work by one of the great modern masters.
Ulysses is one of the most influential novels of the twentieth century. It was not easy to find a publisher in America willing to take it on, and when Jane Jeap and Margaret Anderson started printing extracts from the book in their literary magazine The Little Review in 1918, they were arrested and charged with publishing obscenity. They were fined $100, and even The New York Times expressed satisfaction with their conviction. Ulysses was not published in book form until 1922, when another American woman, Sylvia Beach, published it in Paris her Shakespeare & Company. Ulysses was not available legally in any English-speaking country until 1934, when Random House successfully defended Joyce against obscenity charges and published it in the Modern Library. This edition follows the complete and unabridged text as corrected and reset in 1961. Judge John Woolsey's decision lifting the ban against Ulysses is reprinted, along with a letter from Joyce to Bennett Cerf, the publisher of Random House, and the original foreword to the book by Morris L. Ernst, who defended Ulysses during the trial.
One of the greatest novels of the twentieth century, Ulysses has had a profound influence on modern fiction. In a series of episodes covering the course of a single day, June 16, 1904, the novel traces the movements of Leopold Bloom and Stephen Dedalus through the streets of Dublin. Each chapter has its own remarkably innovative literary style, and the book is one of the great, extended tours de force of stream-of-consciousness narration. It is an essential stop in any tour of English literature. This marvelous edition reproduces in facsimile the original 1922 text. Today critical interest centers on the authority of the text, and this edition republishes for the first time, without interference, the original 1922 text. Equally important, Jeri Johnson's editorial material is acknowledged to be by far the best there is. Her textual apparatus--notes, introduction, stemma of published versions--is unsurpassed. Johnson strikes the perfect balance between what readers need to know in her notes and introduction. Her fantastic explanatory notes begin by giving the time and location of each episode and a description of the correspondence with the episode in Homer being paralleled. In addition, the introduction is a model of scholarship and lucidity, leading the first-time reader through the intricacies of the text.
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