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Golden Country, Jennifer Gilmore's masterful and irreverent reinvention of the Jewish American novel, captures the exuberance of the American dream while exposing its underbelly -- disillusionment, greed, and the disaffection bred by success. As Gilmore's charmingly flawed characters witness and shape history, they come to embody America's greatness, as well as its greatest imperfections. Spanning the first half of the twentieth century, Golden Country vividly brings to life the intertwining stories of three immigrants seeking their fortunes -- the handsome and ambitious Seymour, a salesman-turned-gangster-turned-Broadway-producer; the gentle and pragmatic Joseph, a door-to-door salesman who is driven to invent a cleanser effective enough to wipe away the shame of his brother's mob connections; and the irresistible Frances Gold, who grows up in Brooklyn, stars in Seymour's first show, and marries the man who invents television. Their three families, though inex-tricably connected for years, are brought together for the first time by the engagement of Seymour's son and Joseph's daughter. David and Miriam's marriage must endure the inheritance of not only their parents' wealth but also the burdens of their past. Epic and comic, poignant and wise, Golden Country introduces readers to an extraordinary new voice in fiction.
Poignant, raw, and insightful, Jennifer Gilmore's third novel is an unforgettable story of love, family, and motherhood. With a "voice [that is] at turns wise and barbed with sharp humor" (Vanity Fair), Gilmore lays bare the story of one couple's ardent desire for a child and their emotional journey through adoption. Jesse and Ramon are a loving couple, but after years spent unsuccessfully trying to get pregnant, they turn to adoption, relieved to think that once they navigate the bureaucratic path to parent-hood they will have a happy ending. But nothing has prepared them for the labyrinthine process--for the many training sessions and approvals; for the constant advice from friends, strangers, and "experts"; for the birthmothers who contact them but don't ultimately choose them; or even, most shockingly, for the women who call claiming they've chosen Jesse and Ramon but who turn out never to have been pregnant in the first place. Jennifer Gilmore's eloquence about the human heart--its frailties and complexities--and her razor-sharp observations about race, class, culture, and changing family dynamics are spectacularly combined in this powerful novel. Suffused with passion and fury, The Mothers is a taut, gripping, and satisfying book that will stay with readers long after they turn the last page.
When Jennifer Gilmore's first novel, Golden Country,was published,The New York Times Book Review called it "an ingeniously plotted family yarn" and praised her as an author who "enlivens the myth of the American Dream." Gilmore's particular gift for distilling history into a hugely satisfying, multigenerational family story is taken to new levels in her second novel. In Washington, D. C. , life inside the Goldstein home is as tumultuous as the shifting landscape of the times. It is 1979, and Benjamin is heading off to college and sixteen-year-old Vanessa is in the throes of a rocky adolescence. Sharon, a caterer for the Washington elite, ventures into a cultlike organization. And Dennis, whose government job often takes him to Moscow, tries to live up to his father's legacy as a union organizer and community leader. The rise of communism and the execution of the Rosenbergs is history. The Cold War is waning, the soldiers who fought in Vietnam have all come home, and Carter is president. The age of protest has come and gone and yet each of the Goldsteins is forced to confront the changes the new decade will bring and explore what it really means to be a radical. Something Red is at once a poignant story of husbands and wives, parents and children, activists and spies, and a masterfully built novel that unfurls with suspense and humor.
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