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From the author of Chocolat, an intoxicating fairy tale of alchemy and love where wine is the magic elixir.Jay Mackintosh is a 37-year-old has-been writer from London. Fourteen years have passed since his first novel, Jackapple Joe, won the Prix Goncourt. His only happiness comes from dreaming about the golden summers of his boyhood that he spent in the company of an eccentric vintner who was the inspiration of Jay's debut novel, but who one day mysteriously vanished. Under the strange effects of a bottle of Joe's '75 Special, Jay decides to purchase a derelict yet promising château in Lansquenet-sous-Tannes. There, a ghost from his past waits to confront him, and his new neighbour, the reclusive Marise - haunted, lovely and dangerous - hides a terrible secret behind her closed shutters. Between them, there seems to be a mysterious chemistry. Or could it be magic?Joanne Harris's previous novel, Chocolat, was both a dazzling literary success and a commercial triumph. Chocolat, the major motion picture directed by Lasse Hallström (The Cider House Rules), was released in December 2000, starring Juliette Binoche, Johnny Depp, Dame Judy Dench, Alfred Molina, and Lena Olin.From the Trade Paperback edition.
When the exotic stranger Vianne Rocher arrives in the old French village of Lansquenet and opens a chocolate boutique called "La Celeste Praline" directly across the square from the church, Father Reynaud identifies her as a serious danger to his flock. It is the beginning of Lent: the traditional season of self-denial. The priest says she'll be out of business by Easter.To make matters worse, Vianne does not go to church and has a penchant for superstition. Like her mother, she can read Tarot cards. But she begins to win over customers with her smiles, her intuition for everyone's favourites, and her delightful confections. Her shop provides a place, too, for secrets to be whispered, grievances aired. She begins to shake up the rigid morality of the community. Vianne's plans for an Easter Chocolate Festival divide the whole community. Can the solemnity of the Church compare with the pagan passion of a chocolate éclair?For the first time, here is a novel in which chocolate enjoys its true importance, emerging as an agent of transformation. Rich, clever, and mischievous, reminiscent of a folk tale or fable, this is a triumphant read with a memorable character at its heart.Says Harris: "You might see [Vianne] as an archetype or a mythical figure. I prefer to see her as the lone gunslinger who blows into the town, has a showdown with the man in the black hat, then moves on relentless. But on another level she is a perfectly real person with real insecurities and a very human desire for love and acceptance. Her qualities too - kindness, love, tolerance - are very human." Vianne and her young daughter Anouk, come into town on Shrove Tuesday. "Carnivals make us uneasy," says Harris, "because of what they represent: the residual memory of blood sacrifice (it is after all from the word "carne" that the term arises), of pagan celebration. And they represent a loss of inhibition; carnival time is a time at which almost anything is possible."The book became an international best-seller, and was optioned to film quickly. The Oscar-nominated movie, with its star-studded cast including Juliette Binoche (The English Patient) and Judi Dench (Shakespeare in Love), was directed by Lasse Hallstrom, whose previous film The Cider House Rules (based on a John Irving novel) also looks at issues of community and moral standards, though in a less lighthearted vein.The idea for the book came from a comment her husband made one day while he was immersed in a football game on TV. "It was a throwaway comment, designed to annoy and it did. It was along the lines of...Chocolate is to women what football is to men..." The idea stuck, and Harris began thinking that "people have these conflicting feelings about chocolate, and that a lot of people who have very little else in common relate to chocolate in more or less the same kind of way. It became a kind of challenge to see exactly how much of a story I could get which was uniquely centred around chocolate." Rich with metaphor and gorgeous writing...sit back and gorge yourself on Chocolat.From the Trade Paperback edition.
El chocolate es algo más que un placer para los sentidos. Saboreándolo las penas se hacen más llevaderas, los secretos menos íntimos, los sueños más reales. Por eso para el cura Francis Reynaud, la llegada a Lansquenet-sur-Tannes de Vianne Rocher, una singular mujer que decide montar una chocolatería, no puede ser sino el primer paso para caer en la tentación y en el pecado. Y frente a él, la joven Vianne solo puede apelar a la alegría de vivir de las gentes de Lansquenet...#«Una novela fascinante.»Juliette Binoche, La Vanguardia«Pocos lectores podrán resistirse.»The New York Times Book Review
Mado has been adrift for too long. After ten years in Paris, she returns to the small island of Le Devin, the home that has haunted her since she left. Le Devin is shaped somewhat like a sleeping woman. At her head is the village of Les Salants, while its more prosperous rival, La Houssinière, lies at her feet. Yet even though you can walk from one to the other in an hour, they are worlds apart. And now Mado is back in Les Salants hoping to reconcile with her estranged father. But what she doesn't realize is that it is not only her father whose trust she must regain.
Le Devin is a French island that is home to a woman named Mado. After a long time spent away from the island, Nado returns to find that the area that contained her childhood home is in jeopardy. While trying to save this important place, Nado encounters a shadey businessman, gets involved in mysterious local politics, discovers family secrets, tries to reconcile with her estranged father, and falls in love.
When Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous woman they hold responsible for a tragedy during the German occupation years ago. But the past and present are inextricably entwined, particularly in a scrapbook of recipes and memories that Framboise has inherited from her mother. And soon Framboise will realize that the journal also contains the key to the tragedy that indelibly marked that summer of her ninth year. . . .
For generations, privileged young men have attended St. Oswald's Grammar School for Boys, groomed for success by the likes of Roy Straitley, the eccentric Classics teacher who has been a fixture there for more than thirty years. This year, however, the wind of unwelcome change is blowing, and Straitley is finally, reluctantly, contemplating retirement. As the new term gets under way, a number of incidents befall students and faculty alike, beginning as small annoyances but soon escalating in both number and consequence. St. Oswald's is unraveling, and only Straitley stands in the way of its ruin. But he faces a formidable opponent with a bitter grudge and a master strategy that has been meticulously planned to the final, deadly move.
The wind has always dictated Vianne Rocher's every move, buffeting her from the French village of Lansquenet-sous-Tannes to the crowded streets of Paris. Cloaked in a new identity, that of widow Yanne Charbonneau, she opens a chocolaterie on a small Montmartre street, determined to still the wind at last and keep her daughters, Anouk and baby Rosette, safe. But the weather vane soon turns, and Zozie de l'Alba blows into their lives. Charming and enigmatic, Zozie provides the brightness that Yanne's life needs--as her vivacity and bold lollipop shoes dazzle rebellious and impressionable preadolescent Anouk. But beneath their new friend's benevolent façade lies a ruthless treachery--for devious, seductive Zozie has plans that will shake their world to pieces.
Joanne Harris, bestselling author of Chocolat, presents her most accomplished novel yet -- an intoxicating concoction that blends theology and reason, deception and masquerade, with a dash of whimsical humor and a soupçon of sensuality. Britanny, 1610. Juliette, a one-time actress and rope dancer, is forced to seek refuge among the sisters of the abbey of Sainte Marie-de-la-mer. Reinventing herself as Soeur Auguste, Juliette makes a new life for herself and her young daughter, Fleur. But when the kindly abbess dies, Juliette's comfortable existence begins to unravel. The abbey's new leader is the daughter of a corrupt noble family, and she arrives with a ghost from Juliette's past -- Guy LeMerle, a man she has every reason to fear and hate. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
Each of the twenty-two tales in this enchanting collection is a surprise and a delight, melding the poignant and the possible with the outrageous, the magical, and, sometimes, the eerily haunting. Wolf men, dolphin women, defiant old ladies, and middle-aged manufacturers of erotic leatherwear -- in Jigs & Reels the miraculous goes hand in hand with the mundane, the sour with the sweet, and the beautiful, the grotesque, the seductive, and the disturbing are never more than one step away. Whether she's exploring the myth of beauty, the pain of infidelity, or the wonder of late-life romance, Joanne Harris once again proves herself a master of the storyteller's trade.
En el prestigioso colegio St. Oswald, en el norte de Inglaterra, acaba de inaugurarse el nuevo curso escolar. Un curso que va a ser especial, ya que las rancias y adormecidas aulas se han visto inundadas de aires de cambio gracias a la incorporación de muchos avances tecnológicos. Los profesores, que siempre habían ejercido su oficio de la forma más tradicional, deberán olvidar los antiguos métodos para adaptarse a los tiempos. Es una renovación que a algunos, como el viejo profesor de latín Roy Straitley, les viene grande. Straitley se siente marginado, no sabe utilizar un ordenador y quizá tenga que plantearse la jubilación, aunque St. Oswald lo haya significado todo en su vida. Pero no será esto lo único que perturbe el ambiente escolar. Bajo las pequeñas rivalidades y discusiones triviales que se dan cada día subyace algo mucho más peligroso: un rencor amargo y profundo, que ha permanecido oculto durante trece años y que está a punto de estallar. Sin quererlo, el profesor Straitley va a ser el detonante y la primera víctima. Porque lo que había comenzado como una broma pesada iba a abrir las puertas al pasado... y a la muerte.
ISeven o'clock, on a Monday morning, five hundred years after the end of the world, and goblins had been at the cellar againacirc;euro;brvbar;/I Maddy Smith was born with a rusty-coloured ruinmarkI/Ion her hand acirc;euro;" a symbol of the old gods and definitely cause for suspicion. For magic is Idangerous. /I Or so everyone thinks. But Maddy Ienjoys/I working magic. Even if it is just to control some pesky goblins. And every time her friend, One-Eye - a good-for-nowt Outlander - comes by, he teaches her more and more about the gods and the runes. Now he wants Maddy to open Red Horse Hill and descend into World Below to retrieve a relic of the old gods. Otherwise it is likely to be the End of Everything. Again . . . An epic romp into the heart of the old Norse tales: wild, dangerous, richlyinventive and superbly Iimaginative. /I
Before the sweet delight of Chocolat, before the heady concoction that is Blackberry Wine, and before the tart pleasures of Five Quarters of the Orange, bestselling author Joanne Harris wrote Sleep, Pale Sister -- a gothic tourde-force that recalls the powerfully dark sensibility of her novel Holy Fools. Originally published in 1994 -- and never before available in the United States -- Sleep, Pale Sister is a hypnotically atmospheric story set in nineteenth century London. When puritanical artist Henry Chester sees delicate child beauty Effie, he makes her his favorite model and, before long, his bride. But Henry, volatile and repressed, is in love with an ideal. Passive, docile, and asexual, the woman he projects onto Effie is far from the woman she really is. And when Effie begins to discover the murderous depths of Henry's hypocrisy, her latent passion will rise to the surface. Sleep, Pale Sister combines the ethereal beauty of a Pre-Raphaelite painting with a chilling high gothic tale and is a testament to Harris's brimming cornucopia of talents. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
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