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A living notebook of contemporary literature, and the twentieth anniversary issue promises to be a capstone in this continuing project. Among the many writers whose work will be featured in this special issue are Richard Powers, Mary Caponegro, Rick Moody Paul West, Joyce Carol Oates, Nomi Eve, Joanna Scott, Ann Lauterbach, Robert Creeley, Martine Bellen, Elaine Equi, John Ashbery, Mei-mei Berssenbrugge, as well as a previously untranslated, unpublished short story by Vladimir Nabokov.
Jonathan Safran Foer spent much of his teenage and college years oscillating between omnivore and vegetarian. But on the brink of fatherhood-facing the prospect of having to make dietary choices on a child's behalf-his casual questioning took on an urgencyÂ His quest for answers ultimately required him to visit factory farms in the middle of the night, dissect the emotional ingredients of meals from his childhood, and probe some of his most primal instincts about right and wrong. Brilliantly synthesizing philosophy, literature, science, memoir and his own detective work,Eating Animalsexplores the many fictions we use to justify our eating habits-from folklore to pop culture to family traditions and national myth-and how such tales can lull us into a brutal forgetting. Marked by Foer's profound moral ferocity and unvarying generosity, as well as the vibrant style and creativity that made his previous books,Everything is IlluminatedandExtremely Loud and Incredibly Close, widely loved,Eating Animalsis a celebration and a reckoning, a story about the stories we've told-and the stories we now need to tell.Â
Jonathan Safran Foer, a character bearing the same name as the author, is looking for the woman he believes saved his grandfather Safran from the Nazis.
Jonathan Safran Foer follows his best-selling debut novel, Everything Is Illuminated, with an unexpectedly hilarious and affecting story about New York City in the period following September 11 Extremely Loud and Incredibly Close recasts recent history through the eyes of Oskar Schell, an unusually intelligent nine-year-old on an urgent quest to find the lock that matches a mysterious key belonging to his father, who died in the World Trade Center. This unlikely adventure takes Oskar through every city borough and into contact with survivors of all sorts, and it's his irrepressible voice--one that few writers could conceive as imaginatively as Foer does--that transforms the tragedy of circumstance into an exhilarating tribute to love.
Jonathan Safran Foer emerged as one of the most original writers of his generation with his best-selling debut novel, Everything Is Illuminated. Now, with humor, tenderness, and awe, he confronts the traumas of our recent history. What he discovers is solace in that most human quality, imagination. Meet Oskar Schell, an inventor, Francophile, tambourine player, Shakespearean actor, jeweler, pacifist, correspondent with Stephen Hawking and Ringo Starr. He is nine years old. And he is on an urgent, secret search through the five boroughs of New York. His mission is to find the lock that fits a mysterious key belonging to his father, who died in the World Trade Center on 9/11. An inspired innocent, Oskar is alternately endearing, exasperating, and hilarious as he careens from Central Park to Coney Island to Harlem on his search. Along the way he is always dreaming up inventions to keep those he loves safe from harm. What about a birdseed shirt to let you fly away? What if you could actually hear everyone's heartbeat? His goal is hopeful, but the past speaks a loud warning in stories of those who've lost loved ones before. As Oskar roams New York, he encounters a motley assortment of humanity who are all survivors in their own way. He befriends a 103-year-old war reporter, a tour guide who never leaves the Empire State Building, and lovers enraptured or scorned. Ultimately, Oskar ends his journey where it began, at his father's grave. But now he is accompanied by the silent stranger who has been renting the spare room of his grandmother's apartment. They are there to dig up his father's empty coffin.
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