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Narrated through the eyes of Professor Pierre Aronnax, this classic science fiction is about tracking and hunting down of a sea monster that's causing havoc in the seas.
A monster assembled by a scientist from parts of dead bodies develops a mind of his own as he learns to loathe himself and hate his creator.
This novel has been adapted into 10 short chapters that will excite the reluctant reader as well as the enthusiastic one. Key words are defined and used in context. Multiple-choice questions require the student to recall specific details, sequence the events, draw inferences from story context, develop another name for the chapter, and choose the main idea. Let the Classics introduce Kipling, Stevenson, and H. G. Wells. Your students will embrace the notion of Crusoe's lonely reflections, the psychological reactions of a Civil War soldier at Chancellorsville, and the tragedy of the Jacobite Cause in 18th Century Scotland. In our society, knowledge of these Classics is a cultural necessity. Improves fluency, vocabulary and comprehension.
The world's best-loved children's stories set in large type for easy reading. -- Over 100 illustrations in each book
In this series, literary masterworks have been adapted for young scholars. Large, easy-to-read type and charming pen-and-ink drawings enhance the text. Students are sure to enjoy becoming acquainted with traditional literature through these well-loved classics. [Proofreader's Note: Illustrations are described. Original copy printing errors are left intact.]
First published by H.G. Wells in 1898, The War of the Worlds is the granddaddy of all alien invasion stories. The novel begins ominously, as the lone voice of a narrator intones, "No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's. " Things then progress from a series of seemingly mundane reports about odd atmospheric disturbances taking place on Mars to the arrival of Martians just outside of London. At first, the Martians seem laughable, hardly able to move in Earth's comparatively heavy gravity, even enough to raise themselves out of the pit created when their spaceship landed. But soon the Martians reveal their true nature as death machines 100 feet tall rise up from the pit and begin laying waste to the surrounding land. Wells quickly moves the story from the countryside to the evacuation of London itself and the loss of all hope as England's military suffers defeat after defeat. With horror, the narrator describes how the Martians suck the blood from living humans for sustenance and how it's clear that man is not being conquered so much as corralled.