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In the morning you should think You might not last unto the night In the evening you should think You might not last unto the morn Boy has survived the terrors of life with the magician Valerian, dark magic, and deadly chases, but he is still on the run. Now, as the City lies frozen, he is captured and incarcerated in the Emperor Frederick's palace. Boy is transported to a world of splendor, and wealth beyond his wildest imagining. But beneath its golden veneer, this world is full of madness and cruelty, closely guarded secrets, and terrifying revelations. In a mesmerizing conclusion to the enthralling story begun inThe Book of Dead Days, Boy and Willow are plunged into the heart of it-the furies of the Emperor; the tricks of necromancers; a trail of blood that will lead to the grisly Phantom. Holding all their lives between its pages,The Book of Dead Dayswaits to deceive its next reader. From the Hardcover edition.
A boy destined to lead his clan; a girl raised by wolves; a stranger with a sealed box. These are the elements of this powerful novel, set on a rocky northern coast in a distant time, in a small community who lives in dread of the coming of the legendary warrior tribe, the Dark Horse. Told in part by the boy, Sigurd, himself, it is a dark and dangerous story of conflict and betrayal. With its strong sense of time and place and the magic of a primitive people, THE DARK HORSE again confirms the exceptional talent of Marcus Sedgwick.
In Marcus Sedgewick's vivid portrayal of a future in which global warming has flooded the world, ten-year-old Zoe finds herself stranded alone, without her parents. When she discovers a small rowboat, Zoe sets out to find her family - and dry land.
It is 1915. 17 year old Sasha Fox is the privileged only daughter of a respected doctor living in the wealthy seaside town of Brighton. But her brothers, Edgar and Tom, have gone to war and Sasha has a terrible gift. She can see the future. Her premonitions show her untold horrors on the battlefields of the Somme, and worse still, what will happen to Edgar and Tom. Like the prophetess Cassandra, who foretold the tragedies of Troy, Sasha is trapped by power. No one will believe her. Her family have lost faith in her. She is determined to win them back, whatever the price. And it is a high one - seeing the future is a fate almost too awful to contemplate - for who wants to see the end of their own story. . . ? Stylishly written in his familiar, poetic prose the story is that of a world full of threat and a child in jeopardy - but with a heroine resourceful enough to try to change the path of Fate.
When Tomas and his son, Peter, settle in Chust as woodcutters, Tomas digs a channel around their hut so they have their own little island kingdom. Peter doesn't understand why his father has done this, nor why his father carries a long, battered box. When the dead of Chust rise from their graves, both father and son must face a soulless enemy and a terrifying destiny.
Some secrets are better left buried; some secrets are so frightening they might make angels weep and the devil crow. Thought provoking as well as intensely scary, White Crow unfolds in three voices. There's Rebecca, who has come to a small, seaside village to spend the summer, and there's Ferelith, who offers to show Rebecca the secrets of the town ... but at a price. Finally, there's a priest whose descent into darkness illuminates the girls' frightening story. White Crow is as beautifully written as it is horrifically gripping.
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