With Charity, Mark Richard again secures the distinction of poet laureate of the orphaned poor, the broken, the deceived, and the unrelieved. In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.
In the brilliant idiom of a modern Melville or Conrad, an odyssey of discovery by a bold and outrageous talent--the PEN/Hemingway Award--winning author of The Ice At The Bottom Of The World.
In this otherworldly memoir of extraordinary power, Mark Richard, an award-winning author, tells his story of growing up in the American South with a heady Gothic mix of racial tension and religious fervor. Called a #x1C;special child,#x1D; Southern social code for mentally-and physically-challenged children, Richard was crippled by deformed hips and was told he would spend his adult life in a wheelchair. During his early years in charity hospitals, Richard observed the drama of other broken boys#x19; lives, children from impoverished Appalachia, tobacco country lowlands, and Richmond#x19;s poorest neighborhoods. The son of a solitary alcoholic father whose hair-trigger temper terrorized his family, and of a mother who sought inner peace through fasting, prayer, and scripture, Richard spent his bedridden childhood withdrawn into the company of books. As a young man, Richard, defying both his doctors and parents, set out to experience as much of the world as he could-as a disc jockey, fishing trawler deckhand, house painter, naval correspondent, aerial photographer, private investigator, foreign journalist, bartender and unsuccessful seminarian-before his hips failed him. While digging irrigation ditches in east Texas, he discovered that a teacher had sent a story of his to theAtlantic, where it was named a winner in the magazine#x19;s national fiction contest launching a career much in the mold of Jack London and Mark Twain. A superbly written and irresistible blend of history, travelogue, and personal reflection,House of Prayer No. 2is a remarkable portrait of a writer#x19;s struggle with his faith, the evolution of his art, and of recognizing one#x19;s singularity in the face of painful disability. Written with humor and a poetic force, this memoir is destined to become a modern classic.
In these ten stories, Mark Richard, winner of the 1990 PEN/Ernest Hemingway Foundation Award, emerges as the heir apparent to Mark Twain, Flannery O'Connor, and William Faulkner.
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