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In this 2007 volume, eighteen of the world's leading scholars present original essays on various aspects of atheism: its history, both ancient and modern, defense and implications. The topic is examined in terms of its implications for a wide range of disciplines including philosophy, religion, feminism, postmodernism, sociology and psychology. In its defense, both classical and contemporary theistic arguments are criticized, and, the argument from evil, and impossibility arguments, along with a non religious basis for morality are defended. These essays give a broad understanding of atheism and a lucid introduction to this controversial topic.
A desperado in the shadow of the gallows recounts his life of crime in this rollicking seventeenth-century memoir. Michael Martin, better known as Captain Lightfoot, confessed his history of highway robbery to a Boston reporter shortly before his execution. Martin had cut a dashing figure as Captain Lightfoot, renowned for his courtly manners and his Robin Hood-like predilection for stealing only from well-to-do men. His tale of adventure and intrigue, punctuated by daring escapes and desperate shootouts, created a sensation upon its 1821 publication.Born into a respectable Irish family, Martin exhibited "bad habits and vicious propensities" from an early age. His preference for low company and debauchery soon led to an acquaintance with John Doherty, alias Captain Thunderbolt. The latter provided Martin with his nom de guerre and indoctrinated him into the business of burglaries, hold-ups, and gunfights. Pursued by sheriffs and king's men throughout Ireland and Scotland, the pair parted company, and Martin emigrated to New England, where he terrorized travelers from 1819 until his arrest and hanging in 1821. This colorful account of his misdeeds, flavored by the condemned man's remorse, is enlivened by more than a dozen vintage illustrations.
Tells the story of Harriet Tubman and the Underground Railroad. Written in graphic-novel format.
In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent" filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema.
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