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Father Elijah: An Apocalypse

by Michael O'Brien

Michael O'Brien presents a thrilling apocalyptic novel about the condition of the Roman Catholic Church at the end of time. It explores the state of the modern world, and the strengths and weaknesses of the contemporary religious scene, by taking his central character, Father Elijah Schafer, a Carmelite priest, on a secret mission for the Vatican which embroils him in a series of crises and subterfuges affecting the ultimate destiny of the Church. Father Elijah is a convert from Judaism, a survivor of the Holocaust, a man once powerful in Israel. For twenty years he has been "buried in the dark night of Carmel" on the mountain of the prophet Elijah. The Pope and the Cardinal Secretary of State call him out of obscurity and give him a task of the highest sensitivity: to penetrate into the inner circles of a man whom they believe may be the Antichrist. Their purpose: to call the Man of Sin to repentance, and thus to postpone the great tribulation long enough to preach the Gospel to the whole world. In this richly textured tale, Father Elijah crosses Europe and the Middle East, moves through the echelons of world power, meets saints and sinners, presidents, judges, mystics, embattled Catholic journalists, faithful priests and a conspiracy of traitors within the very House of God. This is an apocalypse in the old literary sense, but one that was written in the light of Christian revelation.

Intellectual Life and the American South, 1810-1860

by Michael O'Brien

Michael O'Brien has masterfully abridged his award-winning two-volume intellectual history of the Old South,Conjectures of Order, depicting a culture that was simultaneously national, postcolonial, and imperial, influenced by European intellectual traditions, yet also deeply implicated in the making of the American mind. Here O'Brien succinctly and fluidly surveys the lives and works of many significant Southern intellectuals, including John C. Calhoun, Louisa McCord, James Henley Thornwell, and George Fitzhugh. Looking over the period, O'Brien identifies a movement from Enlightenment ideas of order to a Romanticism concerned with the ambivalences of personal and social identity, and finally, by the 1850s, to an early realist sensibility. He offers a new understanding of the South by describing a place neither monolithic nor out of touch, but conflicted, mobile, and ambitious to integrate modern intellectual developments into its tense and idiosyncratic social experience. Michael O'Brien has masterfully abridged his award-winning two-volume intellectual history of the Old South,Conjectures of Order, depicting a culture that was simultaneously national, postcolonial, and imperial, influenced by European intellectual traditions, yet also deeply implicated in the making of the American mind. Here O'Brien succinctly and fluidly surveys the lives and works of many significant Southern intellectuals, including John C. Calhoun, Louisa McCord, James Henley Thornwell, and George Fitzhugh. Looking over the period, O'Brien identifies a movement from Enlightenment ideas of order to a Romanticism concerned with the ambivalences of personal and social identity, and finally, by the 1850s, to an early realist sensibility. He offers a new understanding of the South by describing a place neither monolithic nor out of touch, but conflicted, mobile, and ambitious to integrate modern intellectual developments into its tense and idiosyncratic social experience.

The Letters of C. Vann Woodward

by C. Vann Woodward Michael O'Brien

C. Vann Woodward was one of the most prominent and respected American historians of the twentieth century. He was also a very gifted and frequent writer of letters, from his earliest days as a young student in Arkansas and Georgia to his later days at Yale when he became one of the arbiters of American intellectual culture. For the first time, his sprightly, wry, sympathetic, and often funny letters are published, including those he wrote to figures as diverse as John Kennedy, David Riesman, Richard Hofstadter, and Robert Penn Warren. The letters shed new light not only on Woodward himself, but on what it meant to be an American radical and public intellectual, as well as on the complex politics and discourse of the historical profession and the anxious modulations of Southern culture.

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