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From eighteenth-century copyright law, to current-day copyright issues on the internet, to tomorrow's "celestial jukebox"-a digital repository of books, movies, and music available on demand-Paul Goldstein presents a thorough examination of the challenges facing copyright owners and users. One of the nation's leading authorities on intellectual property law, Goldstein offers an engaging, readable, and intelligent analysis of the effect of copyright on American politics, economy, and culture. Goldstein presents and analyzes key legal battles, including Supreme Court decisions on home taping and 2 Live Crew's contested sampling of Roy Orbison's "Pretty Woman. " In this revised edition, the author expands the discussion to cover electronic media, including an examination of recent Napster litigation, the Digital Millennium Copyright Act, and the vexed Secure Digital Music Initiative, under which record companies attempted to develop effective encryption standards for their products. Praise for the first edition: "A clever and vibrant book that traces copyright history from the invention of the printing press through current challenges to copyright from new technologies . . . . Most compelling [on] multimedia technologies. " -Sabra Chartrand,The New York Times "This eminent authority writes with clarity, lucidity and a wry sense of humor about a subject whose complexities can be daunting. " -Jonathan Kirsch,Los Angeles Times "A wonderfully American tale of how law, literature, politics and megabucks intersect. " -William Petrocelli,San Francisco Chronicle
An astonishing novel of legal and moral suspense from Paul Goldstein, a stunning new legal literary talent. Meet Michael Seeley, a take-no-prisoners intellectual property litigator-and a man on the brink of personal and career collapse. So when United Pictures virtually demands that he fly out to Hollywood to confirm legally that they own the rights to their corporate cash-cow franchise ofSpykillerfilms, he has little choice but to comply. What he discovers in these gilded precincts will plunge him headfirst into the tangled politics of the blacklisting era and then into the even darker world of Nazi-occupied Poland. Drawing on historical fact and legal scholarship, this is a breathless tale of deception and intrigue.
Michael Seeley, is a lawyer on the brink of career collapse. Wwhen United Pictures demands that he fly to Hollywood to confirm legally their rights to their corporate cash-cow, `he has little choice.
This book is the first detailed historical account of intellectual property law. In part, it examines why intellectual property law with its subcategories of patents, copyright, designs and trade marks took the shape that it did over the course of the nineteenth century. In addition the authors deal with ways in which the law grants property status to intangibles and describe how the law came to create techniques that enabled it to recognize protectable intangibles, and the inescapable problems that have arisen from their use.
A gripping inside look at high-stakes lawyering, A Patent Lie is further evidence that Paul Goldstein is an emerging master of the legal thriller. After being forced from his high-powered Manhattan law firm, Michael Seeley--the tough-but-wounded hero of Errors and Omissions--has set up shop in his native Buffalo. Partly out of need, partly out of pride, Seeley takes on a case for his estranged brother, whose small biotech firm is suing a Swiss pharmaceutical giant over a controversial new AIDS vaccine.
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