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How shall people of conscience knowing our history live today? This is the awkward practical question implicit in this volume of thoughtful essays by six highly respected Native American writers. As they address the European occupation of America a recurrent theme emerges: a sadness for opportunities lost -- a personal sadness for the loss of their cultures and people and a broader sadness for opportunities lost to entire nations in that failed chance for partnership. They also affirm those lost opportunities that can still be regained, those that await our diligent efforts to create work and a more society.
Allen retells and interprets 21 stories from civilizations spanning North America, including Chippewa, Okonagon, Iroquois, and Lakota--stories that have, for centuries, guided female shamans toward an understanding of the sacred.
Leading writers and poets, such as LeAnne Howe, Julian Lang, Caren Wallace, and Sulieman Allen, contribute to this collection of stories that captures the Native American spirit, humor, and reality. Hozho, the Navajo word meaning walking in beauty, explores such themes as invisibility, transcendence, the oral tradition, and the role of humor and irony in Indian culture.
This omnibus collection of poetry richly reflects the experience of its already legendary author, invoking myth and history, tragedy and comedy, narrative and lyric, nightmare and the clear light of day.
Pocahontas is a bold biography that tells the extraordinary story of the beloved Indian maiden from a Native American perspective. Dr. Paula Gunn Allen, the acknowledged founder of Native American literary studies, draws on sources often overlooked by Western historians and offers remarkable new insights into the adventurous life and sacred role of this foremost American heroine. Gunn Allen reveals why so many have revered Pocahontas as the female counterpart to the father of our nation, George Washington.
Almost thirty years after its initial publication, Paula Gunn Allen's celebrated study of women's roles in Native American culture, history, and traditions continues to influence writers and scholars in Native American studies, women's studies, queer studies, religion and spirituality, and beyond This groundbreaking collection of seventeen essays investigates and celebrates Native American traditions, with special focus on the position of the American Indian woman within those customs. Divided into three sections, the book discusses literature and authors, history and historians, sovereignty and revolution, and social welfare and public policy, especially as those subjects interact with the topic of Native American women. Poet, academic, biographer, critic, activist, and novelist Paula Gunn Allen was a leader and trailblazer in the field of women's and Native American spirituality. Her work is both universal and deeply personal, examining heritage, anger, racism, homophobia, Eurocentrism, and the enduring spirit of the American Indian.
This pioneering work, first published in 1986, documents the continuing vitality of American Indian traditions and the crucial role of women in those traditions.
This landmark anthology chronicles more than 500 years of Pueblo culture. Lavishly designed in five colors, this eminently readable volume offers a story and mood for everyone and an authentic introduction to the cultural legacy of the ancient peoples of the Southwest.
These poems offer a vision of history, Indian and colonial; stories of contemporary Indian life as current as headlines; and family poems emphasizing the rich cultural mix of the author's Laguna Pueblo-Sioux-Lebanese-Scots background.
These 24 compelling and bleakly evocative narratives compiled by Allen, a professor of Native American studies at the University of California, all stress the theme of loss: loss of identity, loss of culture, loss of personal meaning. By juxtaposing traditional stories with contemporary tales, Allen allows readers to see how the same themes, values and perceptions have endured through the centuries, "testaments to cultural persistence, to a vision and a spiritual reality that will not die." Echoes of the traditional "Oshkikwe's Baby," about an old witch who steals babies, can be found in two stories. In Louise Erdrich's "American Horse," a white social worker separates a boy from his mother for his own "good," to the anguish of mother and son.- Publishers Weekly
Stories from a variety of native American authors 1900-1970
The Woman Who Owned the Shadows is the first novel written by an American Indian woman about an Indian woman published in fifty years. The book starts where the rest of the world leaves Indians off: at the brink of death. Ephanie Atencio is in the midst of a breakdown from which she can barely move. She has been left by her husband & is unable to take care of her children. To heal, Ephanie must seek, however gropingly, her own future. She leaves New Mexico for San Francisco, where she begins again the process of remembering, of trying to sort out the parts of her, ultimately finding a way to herself, relying no longer on men, but on her primary connections to the spirit women of her people & to the women of her own world.