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From the two-time Booker Prize winner: a masterful, exceedingly timely new novel--at once dark, suspenseful and seriously funny--that takes us on a journey to the place where the cyber underworld of radicals and hackers collides with international power politics. When an internet virus throws open the gates at thousands of American prisons, the hacker turns out to be an unlikely young Australian woman. Has she declared cyber war on the United States or was her "Angel Worm" intended only to free the victims of Australia's immigration policies? Is she innocent? Can she be saved? The answers are up to journalist Felix Moore, a.k.a. Felix Moore-or-less-correct. His career is tanking when he gets this chance to write a biography that will vindicate the young woman. Funding is to be provided by an old friend--an outrageous millionaire property developer--and further impetus by an old flame: the young woman's actress mother whom Felix worshipped when they were at university together. And it will be our great good fortune to see the world through Felix's comic, cowardly, angry, yet fundamentally humane eyes as he attempts to save the young woman--and redeem himself in the bargain.
The two-time Booker Prize winner now gives us an exceedingly timely, exhilarating novel--at once dark, suspenseful, and seriously funny--that journeys to the place where the cyber underworld collides with international power politics. When Gaby Baillieux releases the Angel Worm into Australia's prison computer system, hundreds of asylum-seekers walk free. And because the Americans run the prisons (let's be honest: as they do in so many parts of her country) the doors of some five thousand jails in the United States also open. Is this a mistake, or a declaration of cyber war? And does it have anything to do with the largely forgotten Battle of Brisbane between American and Australian forces in 1942? Or with the CIA-influenced coup in Australia in 1975? Felix Moore, known to himself as "our sole remaining left-wing journalist," is determined to write Gaby's biography in order to find the answers--to save her, his own career, and, perhaps, his country. But how to get Gaby--on the run, scared, confused, and angry--to cooperate?Bringing together the world of hackers and radicals with the "special relationship" between the United States and Australia, and Australia and the CIA, Amnesia is a novel that speaks powerfully about the often hidden past--but most urgently about the more and more hidden present.From the Hardcover edition.
For thirty-nine years Harry Joy has been the quintessential good guy. But one morning Harry has a heart attack on his suburban front lawn, and, for the space of nine minutes, he becomes a dead guy. And although he is resuscitated, he will never be the same. For, as Peter Carey makes abundantly clear in this darkly funny novel, death is sometimes a necessary prelude to real life. Part The Wizard of Oz, part Dante's Inferno, and part Australian Book of the Dead, Bliss is a triumph of uninhibited storytelling from a writer of extravagan gifts.
An automaton, a man and a woman who can never meet, two stories of love--all are brought to incandescent life in this hauntingly moving novel from one of the finest writers of our time. London 2010: Catherine Gehrig, conservator at the Swinburne museum, learns of the sudden death of her colleague and lover of thirteen years. As the mistress of a married man, she must struggle to keep the depth of her anguish to herself. The one other person who knows Catherine's secret--her boss--arranges for her to be given a special project away from prying eyes in the museum's Annexe. Usually controlled and rational, but now mad with grief, Catherine reluctantly unpacks an extraordinary, eerie automaton that she has been charged with bringing back to life. As she begins to piece together the clockwork puzzle, she also uncovers a series of notebooks written by the mechanical creature's original owner: a nineteenth-century Englishman, Henry Brandling, who traveled to Germany to commission it as a magical amusement for his consumptive son. But it is Catherine, nearly two hundred years later, who will find comfort and wonder in Henry's story. And it is the automaton, in its beautiful, uncanny imitation of life, that will link two strangers confronted with the mysteries of creation, the miracle and catastrophe of human invention, and the body's astonishing chemistry of love and feeling.
Peter Carey is justly renowned for his novels, which have included the Booker Prize-winning titles Oscar and Lucinda and True History of the Kelly Gang. He is also a dazzling writer of short stories and this volume collects together all the stories from The Fat Man in History and War Crimes as well as three other stories not previously published in book form. The stories, persuasive and precisely crafted, reveal Carey to be a moralist with a sense of humour, a surrealist interested in naturalism and an urban poet delighting in paradox.
The stories in Peter Carey's collection are bizarre, funny and chilling. Their landscape is exotic and surreal, an ominous near-future that has the distinct feel of contemporary life. Carey's narratives are an exhilarating blend of fable, fantasy and allegory in which, as in dreams, something odd and menacing takes control. Here are societies in which people gamble for new bodies in a genetic lottery or watch apprehensively as first buildings, then parts of the landscape, and eventually their neighbours, begin to dematerialise and vanish. Here is what happens when a miniature replica of a small town and its inhabitants assumes a more compelling reality than its original or when a group of fat men, ostracised by a revolutionary government, plot its overthrow.
If, in some post-Marxist utopia, obesity were declared counterrevolutionary, how would a houseful of fat men strike back? If it were possible to win a new body by lottery, what kind of people would choose ugliness? If two gun-toting thugs decided to take over a business -- and run it through sheer terror -- how far would their methods take them? These are the questions that Peter Carey, author of The Tax Inspector and Oscar and Lucinda, brilliantly explores in this collection of stories. Exquisitely written and thoroughly envisioned, the tales in The Fat Man in History reach beyond their arresting premises to utter deep and often frightening truths about our brightest and darkest selves.
Two-time Booker Prize-winner Peter Carey's His Illegal Self crackles with passionate, electrifying prose and characters that leap off the page and into your psyche. Utterly captivating. It is 1972 and Ché, a precocious seven-almost-eight-year-old boy, leads a rather bourgeois life on Park Avenue with his eccentric grandmother. His parents are young radicals in hiding from the FBI - he has never even met his father and he last saw his mother at the age of two. Ché is ecstatic when a woman called Dial - who he believes is his mother - appears at his front door to take him out for lunch. They skip the meal and Dial whisks Ché off on a serpentine adventure, luring him with the promise of a big "surprise" and the idea that he has finally found someone to love. Eventually they find themselves stranded on a turbulent hippie commune in Australia, a lonely boy and a reluctant kidnapper with no one to rely on but each other.His Illegal Self is a love story like no other. Simultaneously sinister and endearing, the incomparable perspectives and vividness of the characters' voices are mesmerizing. It is impossible not to be moved by the openness and innocence of this young boy, and by his willingness and inherent need to love and to trust anyone and everyone as he seeks out his parents.From the Hardcover edition.
A foundling trained in the art of thievery, Jack Maggs was betrayed and deported to Australia for life. But now, having reversed his fortunes, he seeks to fulfill his innermost desire. Returning to London under threat of execution, he's quickly embroiled in various entanglements among a handful of characters -- each with their own secrets. And as their various schemes converge, the captivating figure at the epicentre is Maggs himself, at once frightening, mystifying, and utterly compelling.
The Booker Prize-winning author of Oscar and Lucinda returns to the nineteenth century in an utterly captivating mystery. The year is 1837 and a stranger is prowling London. He is Jack Maggs, an illegal returnee from the prison island of Australia. He has the demeanor of a savage and the skills of a hardened criminal, and he is risking his life on seeking vengeance and reconciliation. Installing himself within the household of the genteel grocer Percy Buckle, Maggs soon attracts the attention of a cross section of London society. Saucy Mercy Larkin wants him for a mate. The writer Tobias Oates wants to possess his soul through hypnosis. But Maggs is obsessed with a plan of his own. And as all the various schemes converge, Maggs rises into the center, a dark looming figure, at once frightening, mysterious, and compelling. Not since Caleb Carr's The Alienist have the shadowy city streets of the nineteenth century lit up with such mystery and romance. From the Trade Paperback edition.
Fiendishly devious and addictively readable, Peter Carey's My Life as a Fake is a moral labyrinth constructed around the uneasy relationship between literature and lying. In steamy, fetid Kuala Lumpur in 1972, Sarah Wode-Douglass, the editor of a London poetry journal, meets a mysterious Australian named Christopher Chubb. Chubb is a despised literary hoaxer, carting around a manuscript likely filled with deceit. But in this dubious manuscript Sarah recognizes a work of real genius. But whose genius? As Sarah tries to secure the manuscript, Chubb draws her into a fantastic story of imposture, murder, kidnapping, and exile-a story that couldn't be true unless its teller were mad. My Life as a Fake is Carey at his most audacious and entertaining.
The Booker Prize-winning novel--now a major motion picture from Fox Searchlight Pictures.This sweeping, irrepressibly inventive novel, is a romance, but a romance of the sort that could only take place in nineteenth-century Australia. For only on that sprawling continent--a haven for misfits of both the animal and human kingdoms--could a nervous Anglican minister who gambles on the instructions of the Divine become allied with a teenaged heiress who buys a glassworks to help liberate her sex. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in a narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback.From the Trade Paperback edition.
Olivier is a young aristocrat, one of an endangered species born in France just after the Revolution. Parrot, the son of an itinerant English printer, wanted to be an artist but has ended up in middle age as a servant. When Olivier sets sail for the New World - ostensibly to study its prisons, but in reality to avoid yet another revolution - Parrot is sent with him, as spy, protector, foe and foil. Through their adventures with women and money, incarceration and democracy, writing and painting, they make an unlikely pair. But where better for unlikely things to flourish than in the glorious, brand-new experiment, America?A dazzlingly inventive reimagining of Alexis de Tocqueville's famous journey, Parrot and Olivier in America brilliantly evokes the Old World colliding with the New. Above all, it is a wildly funny, tender portrait of two men who come to form an almost impossible friendship, and a completely improbable work of art.
Basado en la vida de Alexis de Tocqueville, Parrot y Olivier en América es la hilarante crónica de una amistad imposible entre un señor y su criado.Olivier, alias lord Migraña, es el hijo enfermizo y traumatizado de una pareja de aristócratas supervivientes de la revolución francesa. Parrot, alias Loro, es hijo de un impresor inglés itinerante que siempre ha soñado con convertirse en artista, pero que ha terminado siendo criado.Cuando Olivier pone rumbo al Nuevo Mundo, con el pretexto de estudiar su sistema de prisiones y, de paso, para mantenerse a salvo de futuras revoluciones, Parrot es enviado con él como espía, protector, enemigo y contrapunto. A medida que la historia alterna las peripecias de ambos personajes y sus concepciones del mundo, Peter Carey examina la aventura de la democracia americana, en la teoría y en la práctica, con una inteligencia y una imaginación deslumbrantes.
The day that Benny Catchprice was fired from the spare parts department of Catchprice Motors by his aunt Cathy was also the day that the Tax Inspector, Maria Takis, arrived to begin her long-overdue audit of the family business. But this is no ordinary investigation. Maria is eight months' pregnant, Granny Catchprice is at war with her offspring, and Benny, her grandson, wants to become an angel . . .
Ferocious and funny, penetrating and exuberant, Theft is two-time Booker Prize-winner Peter Carey's master class on the things people will do for art, for love ... and for money. "I don't know if my story is grand enough to be a tragedy, although a lot of shitty stuff did happen. It is certainly a love story but that did not begin until midway through the shitty stuff, by which time I had not only lost my eight-year-old son, but also my house and studio in Sydney where I had once been famous as a painter could expect in his own backyard..." So begins Peter Carey's highly charged and lewdly funny new novel. Told by the twin voices of the artist, Butcher Bones, and his "damaged two-hundred-and-twenty-pound brother" Hugh, it recounts their adventures and troubles after Butcher's plummeting prices and spiralling drink problem force them to retreat to New South Wales. Here the formerly famous artist is reduced to being a caretaker for his biggest collector, as well as nurse to his erratic brother. Then the mysterious Marlene turns up in Manolo Blahniks one stormy night. Claiming that the brothers' friend and neighbour owns an original Jacques Liebovitz, she soon sets in motion a chain of events that could be the making or ruin of them all. Displaying Carey's extraordinary flare for language, Theft is a love poem of a very different kind. Ranging from the rural wilds of Australia to Manhattan via Tokyo - and exploring themes of art, fraud, responsibility and redemption - this great novel will make you laugh out loud.
The legendary Australian Ned Kelly speaks for himself, scribbling his story on pieces of paper as he flees from the police. Winner of the Booker prize. To his pursuers, he's a thief and murderer, but to the lowly class of ordinary Australians, he's a hero, defying the authority of the English to direct their lives.
The Booker Prize-winning author of Oscar and Lucinda and The Tax Inspector now gives readers a hero, the malformed but ferociously wilful Tristan Smith, who becomes the object of the world's byzantine political intrigues, even as he attains stardom in a bizarre Sirkus that is part passion play and part Mortal Kombat.
Previous winner of two Booker Prizes, Peter Carey expands his extraordinary achievement with each new novel -- but now gives us something entirely different. When famously shy Charley Carey becomes obsessed with Japanese manga and anime, Peter is not only delighted for his son, but entranced himself. Thus, with a father sharing his twelve-year-old's exotic comic books, begins a journey that will lead them both to Tokyo, where a strange Japanese boy will become both their guide and judge. The visitors quickly plunge deep into the lanes of Shitimachi -- into the "weird stuff" of modern Japan -- meeting manga artists and anime directors, "visualists" who painstakingly impersonate cartoons, and solitary "otakus" who lead a computerized existence. What emerges from these encounters is a pithy, far-ranging study of history and culture both high and low -- from samurai to salaryman, from kabuki theatre to the post-war robot craze. Peter Carey's observations are provocative, even though his hosts often point out, politely, that he is wrong about Japan. In adventures that are comic, surprising, and ultimately moving, father and son cope with and learn from each other in a place far from home. "No Real Japan," said Charley. "You've got to promise. No temples. No museums. " "What could we do?" "We could buy cool manga. " "There'll be no English translations. " "I don't care. I'd eat raw fish. " --excerpt fromWrong About Japan From the Hardcover edition.
Previous winner of two Booker Prizes, Peter Carey expands his extraordinary achievement with each new novel -- but now gives us something entirely different. When famously shy Charley Carey becomes obsessed with Japanese manga and anime, Peter is not only delighted for his son, but entranced himself. Thus, with a father sharing his twelve-year-old's exotic comic books, begins a journey that will lead them both to Tokyo, where a strange Japanese boy will become both their guide and judge. The visitors quickly plunge deep into the lanes of Shitimachi -- into the "weird stuff" of modern Japan -- meeting manga artists and anime directors, "visualists" who painstakingly impersonate cartoons, and solitary "otakus" who lead a computerized existence. What emerges from these encounters is a pithy, far-ranging study of history and culture both high and low -- from samurai to salaryman, from kabuki theatre to the post-war robot craze. Peter Carey's observations are provocative, even though his hosts often point out, politely, that he is wrong about Japan. In adventures that are comic, surprising, and ultimately moving, father and son cope with and learn from each other in a place far from home. "No Real Japan," said Charley. "You've got to promise. No temples. No museums." "What could we do?" "We could buy cool manga." "There'll be no English translations." "I don't care. I'd eat raw fish." --excerpt from Wrong About Japan.
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