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This novel, set in the 17th Century, sees Isaac Inchbold attmepting to restore a library destroyed in the English Civil War. The turmoil of Europe in this era is brought to life.
The fascinating new book by the author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism.If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the "Father of Impressionism" and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon. Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change: on the streets of Paris, at the new seaside resorts of Boulogne and Trouville, and at the race courses and picnic spots where the new bourgeoisie relaxed. When Manet painted Dejeuner sur l'herbe or Olympia, he shocked not only with his casual brushstrokes (described by some as applied by a 'floor mop') but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for 'Art'. Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world.Full of fantastic tidbits of information (such as the use of carrier pigeons and hot-air balloons during the siege of Paris), and a colourful cast of characters that includes Baudelaire, Courbet, and Zola, with walk-on parts for Monet, Renoir, Degas, and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged.
Leonardo da Vinci's transcendent painting The Last Supper defined the master artist. Until now, no one has told the full story behind its creation. Political events weighed on da Vinci and all of Italy during the time of the painting's conception and creation, as his patron, the Duke of Sforza, unleashed forces leading to a decades-long series of tragedies known as the Italian Wars. Sforza was overthrown by French forces in 1499, forcing da Vinci to flee Milan with the paint on The Last Supper barely dry. The Last Supper ensured Leonardo's universal renown as a visionary master of the arts.
The author of The Prince--his controversial handbook on power, which is one of the most influential books ever written--NiccolÒ Machiavelli (1469-1527) was no prince himself. Born to an established middle-class family, Machiavelli worked as a courtier and diplomat for the Republic of Florence and enjoyed some small fame in his time as the author of bawdy plays and poems. In this discerning new biography, Ross King rescues Machiavelli's legacy from caricature, detailing the vibrant political and social context that influenced his thought and underscoring the humanity of one of history's finest political thinkers.
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