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In David Sedaris' world, no one is safe and no cow is sacred. A manic cross between Mark Leyner, Fran Lebowitz, and the National Enquirer, Sedaris' collection of essays is a rollicking tour through the national Zeitgeist: a do-it-yourself suburban dad saves money by performing home surgery; a man who is loved too much flees the heavyweight champion of the world; a teenage suicide tries to incite a lynch mob at her funeral; a bitter Santa abuses the elves. David Sedaris made his debut on NPR's Morning Edition with "SantaLand Diaries", recounting his strange-but-true experiences as an elf at Macy's, and soon became one of the show's most popular commentators. With a perfect eye and a voice infused with as much empathy as wit, Sedaris writes stories and essays that target the soulful ridiculousness of our behavior. Barrel Feveris like a blind date with modern life, and anything can happen.
From the #1 bestselling author of Me Talk Pretty One Day and Dress Your Family in Corduroy and Denim comes a collection of the short stories David Sedaris loves most. Containing the work of both contemporary and classic writers, CHILDREN PLAYING BEFORE A STATUE OF HERCULES, edited and introduced by Sedaris, gives his legions of fans a glimpse at the writing he finds inspiring - and helps them discover the truth about loneliness, hope, love, betrayal, and certain, but not all, monkeys. David Sedaris fell in love with short stories while living in Odell, Oregon. Sedaris writes, "When apple-picking season ended, I got a job in a packing plant and gravitated toward short stories, which I could read during my break and reflect upon for the remainder of my shift. A good one would take me out of myself and stuff me back in, outsized, now, and uneasy with the fit." Featuring such notable writers as Alice Munro, Tobias Wolff, Lorrie Moore, and Joyce Carol Oates, readers will reconnect with classics, as well discover fantastic but lesser-known writers. Included in CHILDREN PLAYING BEFORE A STATUE OF HERCULES are: Introduction by David Sedaris "Oh, Joseph, I'm So Tired" by Richard Yates "Gryphon" by Charles Baxter "Interpreter of Maladies" by Jhumpa Lahiri "The Garden Party" by Katherine Mansfield "Half A Grapefruit" by Alice Munro "Applause, Applause" by Jean Thompson "I Know What I'm Doing About All the Attention I've Been Getting" by Frank Gannon "Where the Door Is Always Open and the Welcome Mat Is Out" by Patricia Highsmith "The Best of Betty" by Jincy Willett "Song of the Shirt, 1941" by Dorothy Parker "The Girl with the Blackened Eye" by Joyce Carol Oates "People Like That Are the Only People Here: Canonical Babbling in Peed Onk" by Lorrie Moore "Revelation" by Flannery O'Connor "In the Cemetery Where Al Jolson Is Buried" by Amy Hempel "Cosmopolitan" by Akhil Sharma "Irish Girl" by Tim Johnston "Bullet in the Brain" by Tobias Wolff Epilogue by Sarah Vowell Borrowing the book's name from an Adriaen van der Werff painting, CHILDREN PLAYING BEFORE A STATUE OF HERCULES is David Sedaris's attempt to share his passion for short stories with a wider audience-and his enthusiasm is contagious. "The authors in this book are huge to me, and I am a comparative midget, scratching around in their collective shadow. 'Pint sized Fanatic Bowing Before Statues of Hercules' might have been more concise, but people don't paint things like that, and besides, it doesn't sound as good." David Sedaris is publishing this book to support 826NYC, a nonprofit tutoring center in Brooklyn, New York. All of his proceeds, after permission expenses, from CHILDREN PLAYING BEFORE A STATUE OF HERCULES will benefit this organization designed to help students ages six to eighteen develop their writing skills through free writing workshops, publishing projects, and one-on-one help with homework and English-language learning. In the book's epilogue, Sarah Vowell describes the fine work done by 826NYC.
En la línea de Un vestido de domingo, vuelve David Sedaris más divertido que nunca David Sedaris tiene la extraordinaria habilidad de transformar las pequeñas miserias de la vida cotidiana en situaciones desternillantes y delirantes. En este nuevo libro de relatos autobiográficos, se supera a sí mismo para llevar su ironía marca de la casa a niveles insospechados de comicidad. Así, nos habla de los posibles usos recreativos que brinda un instrumento tan sofisticado como un catéter, de cómo se puede conseguir un esqueleto humano, de un fascinante gusano parásito que vivió durante un tiempo en la pierna de su suegra o de un peculiar método para dejar de fumar viajando a Tokio. Sedaris deja claro que jugar con cerillas puede provocar un incendio devastador y que él mismo, siguiendo la estela de Groucho Marx y Woody Allen, es el más talentoso de los jugadores. Como siempre, esta nueva obra maestra de la literatura cómica, repleta de una sátira mordaz y salvaje de la clase media estadounidense, consigue restituir a la perfección la dimensión cotidiana de lo absurdo y -como por arte de magia- hacer reír al más triste. English Description "David Sedaris's ability to transform the mortification of everyday life into wildly entertaining art," (The Christian Science Monitor) is elevated to wilder and more entertaining heights than ever in this remarkable new book. Trying to make coffee when the water is shut off, David considers using the water in a vase of flowers and his chain of associations takes him from the French countryside to a hilariously uncomfortable memory of buying drugs in a mobile home in rural North Carolina. In essay after essay, Sedaris proceeds from bizarre conundrums of daily life-having a lozenge fall from your mouth into the lap of a fellow passenger on a plane or armoring the windows with LP covers to protect the house from neurotic songbirds-to the most deeply resonant human truths. Culminating in a brilliant account of his venture to Tokyo in order to quit smoking, David Sedaris's sixth essay collection is a new masterpiece of comic writing from "a writer worth treasuring" (Seattle Times).
David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives-- a world where forgiveness is automatic and an argument can be the highest form of love. Dress Your Family in Corduroy and Denim is another unforgettable collection from one of the wittiest and most original writers at work today.
David Sedaris's beloved holiday collection is new again with six more pieces, including a never before published story. Along with such favorites as the diaries of a Macy's elf and the annals of two very competitive families, are Sedaris's tales of tardy trick-or-treaters ("Us and Them"); the difficulties of explaining the Easter Bunny to the French ("Jesus Shaves"); what to do when you've been locked out in a snowstorm ("Let It Snow"); the puzzling Christmas traditions of other nations ("Six to Eight Black Men"); what Halloween at the medical examiner's looks like ("The Monster Mash"); and a barnyard secret Santa scheme gone awry ("Cow and Turkey").No matter what your favorite holiday, you won't want to miss celebrating it with the author who has been called "one of the funniest writers alive" (Economist).
David Sedaris's beloved holiday collection is new again with six more pieces, including a never before published story. Along with such favorites as the diaries of a Macy's elf and the annals of two very competitive families, are Sedaris's tales of tardy trick-or-treaters ("Us and Them"); the difficulties of explaining the Easter Bunny to the French ("Jesus Shaves"); what to do when you've been locked out in a snowstorm ("Let It Snow"); the puzzling Christmas traditions of other nations ("Six to Eight Black Men"); what Halloween at the medical examiner's looks like ("The Monster Mash"); and a barnyard secret Santa scheme gone awry ("Cow and Turkey"). No matter what your favorite holiday, you won't want to miss celebrating it with the author who has been called "one of the funniest writers alive" (Economist).
A new collection of essays from the #1 New York Times bestselling author who has been called "the preeminent humorist of his generation" (Entertainment Weekly). From the unique perspective of David Sedaris comes a new book of essays taking his readers on a bizarre and stimulating world tour. From the perils of French dentistry to the eating habits of the Australian kookaburra, from the squat-style toilets of Beijing to the particular wilderness of a North Carolina Costco, we learn about the absurdity and delight of a curious traveler's experiences. Whether railing against the habits of litterers in the English countryside or marveling over a disembodied human arm in a taxidermist's shop, Sedaris takes us on side-splitting adventures that are not to be forgotten.
David Sedaris became a star autobiographer on public radio, onstage in New York, and on bestseller lists, mostly on the strength of "SantaLand Diaries," a scathing, hilarious account of his stint as a Christmas elf at Macy's. (It's in two separate collections, both worth owning, Barrel Fever and the Christmas-themed Holidays on Ice.) Sedaris's caustic gift has not deserted him in his fourth book, which mines poignant comedy from his peculiar childhood in North Carolina, his bizarre career path, and his move with his lover to France. Though his anarchic inclination to digress is his glory, Sedaris does have a theme in these reminiscences: the inability of humans to communicate. The title is his rendition in transliterated English of how he and his fellow students of French in Paris mangle the Gallic language. In the essay "Jesus Shaves," he and his classmates from many nations try to convey the concept of Easter to a Moroccan Muslim. "It is a party for the little boy of God," says one. "Then he be die one day on two... morsels of... lumber," says another. Sedaris muses on the disputes between his Protestant mother and his father, a Greek Orthodox guy whose Easter fell on a different day. Other essays explicate his deep kinship with his eccentric mom and absurd alienation from his IBM-exec dad: "To me, the greatest mystery of science continues to be that a man could father six children who shared absolutely none of his interests." Every glimpse we get of Sedaris's family and acquaintances delivers laughs and insights. He thwarts his North Carolina speech therapist ("for whom the word pen had two syllables") by cleverly avoiding all words with s sounds, which reveal the lisp she sought to correct. His midget guitar teacher, Mister Mancini, is unaware that Sedaris doesn't share his obsession with breasts, and sings "Light My Fire" all wrong--"as if he were a Webelo scout demanding a match." As a remarkably unqualified teacher at the Art Institute of Chicago, Sedaris had his class watch soap operas and assign "guessays" on what would happen in the next day's episode. It all adds up to the most distinctively skewed autobiography since Spalding Gray's Swimming to Cambodia. The only possible reason not to read this book is if you'd rather hear the author's intrinsically funny speaking voice narrating his story. In that case, get Me Talk Pretty One Day on audio. --Tim Appelo
In Naked, David Sedaris's message alternately rendered in Fakespeare, Italian, Spanish, and pidgin Greek is the same: pay attention to me. Whether he's taking to the road with a thieving quadriplegic, sorting out the fancy from the extra-fancy in a bleak fruit-packing factory, or celebrating Christmas in the company of a recently paroled prostitute, this collection of memoirs creates a wickedly incisive portrait of an all-too-familiar world. It takes Sedaris from his humiliating bout with obsessive behavior in A Plague of Tics to the title story, where he is finally forced to face his naked self in the mirrored sunglasses of a lunatic. At this soulful and moving moment, he picks potato chip crumbs from his pubic hair and wonders what it all means. This remarkable journey into his own life follows a path of self-effacement and a lifelong search for identity, leaving him both under suspicion and overdressed.
A riotous collection of memoirs which explores the absurd hilarity of modern life and creates a wickedly incisive portrait of an all-too-familiar world. It takes Sedaris from his humiliating bout with obsessive behaviour in 'A Plague of Tics' to the title story, where he is finally forced to face his naked self in the company of lunatics. At this soulful and moving moment, he brushes cigarette ashes from his pubic hair and wonders what it all means. This remarkable journey into his own life follows a path of self-effacement and a lifelong search for identity leaving himself both under suspicion and over dressed.
Featuring David Sedaris's unique blend of hilarity and heart, this new collection of keen-eyed animal-themed tales is an utter delight. Though the characters may not be human, the situations in these stories bear an uncanny resemblance to the insanity of everyday life. In "The Toad, the Turtle, and the Duck," three strangers commiserate about animal bureaucracy while waiting in a complaint line. In "Hello Kitty," a cynical feline struggles to sit through his prison-mandated AA meetings. In "The Squirrel and the Chipmunk," a pair of star-crossed lovers is separated by prejudiced family members.With original illustrations by Ian Falconer, author of the bestselling Olivia series of children's books, these stories are David Sedaris at his most observant, poignant, and surprising.
Essays by Sedaris on a variety of subjects including a parasitic worm that once lived in his mother-in-law's leg, an encounter with a dingo, the recreational use of an external catheter, buying a human skeleton, and trying to quit smoking in Japan. Sedaris describes the events in his essays as "realish".
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