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This volume explores the theoretical foundations of postcolonial translation in settings as diverse as Malaysia, Ireland, India and South America. Changing the Terms examines stimulating links that are currently being forged between linguistics, literature and cultural theory.
Since the late 1960s Sheila Fischman has worked tirelessly at making the best works of Québécois literature available to English-language readers. Anglophones who have read works by Michel Tremblay, Jacques Poulin, Yves Beauchemin, François Gravel, Anne Hébert, Roch Carrier, and Marie-Claire Blais most likely know these works only through Fischman's subtly and faithfully crafted translations. In Translation celebrates Fischman's more than 150 book-length translations from French to English. It combines essays on the friendships created through translation with essays on the art of translation and on the changing context of literary translation in Canada. Distinguished contributors include Alberto Manguel, Commissioner of Official Languages Graham Fraser, authors Gaétan Soucy, Lise Bissonnette, and Louise Desjardins, and fellow-translators Lori Saint Martin, Michael Henry Heim, Luise von Flotow, and Kathy Mezei. The volume also includes interviews with Fischman and a selection of her prose. A fitting tribute to an outstanding career, In Translation illuminates the artistry behind a difficult craft by considering the work of one of its finest practitioners.
Translating Montreal follows the trajectories of adventurous cultural translators such as Malcolm Reid, F.R. Scott, and A.M. Klein - pioneers of the 1950s and 1960s - Pierre Anctil, whose translations from Yiddish to French are emblematic of the dramatic reroutings now occurring across the Montreal landscape, and contemporary writer-translators such as Gail Scott, Erin Mouré, Jacques Brault, Michel Garneau, Nicole Brossard, and Emile Ollivier. Simon argues that translation is a dynamic and subtle tool for analysing cultural contact. An original take on cultural relations in the city, Translating Montreal explores the emergence of the "new" Montrealer. No longer "Franco-Québécois," "Anglo-Québécois," "immigrant," or "ethnic," the new Montrealer is a citizen of a mixed and cosmopolitan city.
Much of Canadian cultural life is sustained and enriched by translation. Translation Effects moves beyond restrictive notions of official translation in Canada, analyzing its activities and effects on the streets, in movie theatres, on stages, in hospitals, in courtrooms, in literature, in politics, and across café tables. The first comprehensive study of the intersection of translation and culture, Translation Effects offers an original picture of translation practices across many languages and through several decades of Canadian life. The book presents detailed case studies of specific events and examines the reverberation and spread of their effects. Through these imaginative, at times unusual, investigations, the contributors unveil the simultaneous invisibility and omnipresence of translation and present a cross-cut of Canadian translation moments. Addressing the period from the 1950s to the present and including a wide scope of examples from medical interpreting to film dubbing, the essays in this book create a panoramic view of the creation of modern culture in Canada. Contributors include Piere Anctil (University of Ottawa), Helene Buzelin (Université de Montréal), Alessndra Capperdoni (Simon Fraser University), Philippe Cardinal, Andrew Clifford (York University), Beverley Curran, Renée Desjardins (University of Ottawa), Ray Ellenwood, David Gaertner, Chantal Gagnon (Université de Montréal), Patricia Godbout, Hugh Hazelton, Jane Koustas (Brock University), Louise Ladouceur ( Université de l'Albera, Gillian Lane-mercier (McGill University), George Lang, Rebecca Margolis, Sophie McCall (Simon Fraser University), Dolmaya McDonough, Denise Merkle (Université de Moncton), Kathy Mezei, Sorouja Moll, Brian Mossop, Daisy Neijmann, Glen Nichols ( Mount Allison University), Joseph Pivato, Gregory Reid, Robert Schwartzwald, Sherry Simon, Luise von Flotow (University of Ottawa), and Christine York.
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