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From the author of Mauve, an obsessively readable memoir that brings the mania for stamp collecting to life From the Penny Red to the Blue Mauritius, generations of collectors have been drawn to the mystique of rare stamps.Once a widespread pastime of schoolboys, philately has increasingly become the province of older men obsessed with the shrewd investment, the once-in-a-lifetime find, the one elusive beauty that will complete a collection and satisfy an unquenchable thirst.As a boy, Simon Garfield collected errors-rare pigment misprints that create ghostly absences in certain stamps. When this passion reignited in his mid-forties, it consumed him. In the span of a couple of years he amassed a collection of errors worth upwards of forty thousand pounds, pursuing not only this secret passion, but a romantic one as his marriage disintegrated. In this unique memoir, Simon Garfield twines the story of his philatelic obsession with an honest and engrossing exploration of the rarities and absences that both limit and define us. The end result is a thoughtful, funny, and enticing meditation on the impulse to possess.
A hugely entertaining and revealing guide to the history of type that asks, What does your favorite font say about you? Fonts surround us every day, on street signs and buildings, on movie posters and books, and on just about every product we buy. But where do fonts come from, and why do we need so many? Who is responsible for the staid practicality of Times New Roman, the cool anonymity of Arial, or the irritating levity of Comic Sans (and the movement to ban it)? Typefaces are now 560 years old, but we barely knew their names until about twenty years ago when the pull-down font menus on our first computers made us all the gods of type. Beginning in the early days of Gutenberg and ending with the most adventurous digital fonts, Simon Garfield explores the rich history and subtle powers of type. He goes on to investigate a range of modern mysteries, including how Helvetica took over the world, what inspires the seeming ubiquitous use of Trajan on bad movie posters, and exactly why the all-type cover of Men are from Mars, Women are from Venus was so effective. It also examines why the "T" in the Beatles logo is longer than the other letters and how Gotham helped Barack Obama into the White House. A must-have book for the design conscious, Just My Type's cheeky irreverence will also charm everyone who loved Eats, Shoots & Leaves and Schott's Original Miscellany.
To the Letter tells the story of our remarkable journey through the mail. From Roman wood chips discovered near Hadrian's Wall to the wonders and terrors of email, Simon Garfield explores how we have written to each other over the centuries and what our letters reveal about our lives. Along the way he delves into the great correspondences of our time, from Cicero and Petrarch to Jane Austen and Ted Hughes (and John Keats, Virginia Woolf, Jack Kerouac, Anaïs Nin and Charles Schulz), and traces the very particular advice offered by bestselling letter-writing manuals. He uncovers a host of engaging stories, including the tricky history of the opening greeting, the ideal ingredients for invisible ink, and the sad saga of the dead letter office. As the book unfolds, so does the story of a moving wartime correspondence that shows how letters can change the course of life. To the Letter is a wonderful celebration of letters in every form, and a passionate rallying cry to keep writing.
The New York Times bestselling author of Just My Type and On the Map offers an ode to letter writing and its possible salvation in the digital age. Few things are as exciting--and potentially life-changing--as discovering an old letter. And while etiquette books still extol the practice, letter writing seems to be disappearing amid a flurry of e-mails, texting, and tweeting. The recent decline in letter writing marks a cultural shift so vast that in the future historians may divide time not between BC and AD but between the eras when people wrote letters and when they did not. So New York Times bestselling author Simon Garfield asks: Can anything be done to revive a practice that has dictated and tracked the progress of civilization for more than five hundred years? In To the Letter, Garfield traces the fascinating history of letter writing from the love letter and the business letter to the chain letter and the letter of recommendation. He provides a tender critique of early letter-writing manuals and analyzes celebrated correspondence from Erasmus to Princess Diana. He also considers the role that letters have played as a literary device from Shakespeare to the epistolary novel, all the rage in the eighteenth century and alive and well today with bestsellers like The Guernsey Literary and Potato Peel Pie Society. At a time when the decline of letter writing appears to be irreversible, Garfield is the perfect candidate to inspire bibliophiles to put pen to paper and create "a form of expression, emotion, and tactile delight we may clasp to our heart."
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