One woman's obsession with love and fate leads her to unexpected truths about passion, sexuality, and power in 1930s LondonDriven by a belief in love above all else, Teresa Hawkins leaves her life in Australia and moves to London in search of her destiny. After years of emotional distance within her family, and despite her naïveté of the vagaries of heartache, Teresa dedicates her life to the commandment "thou shalt love." Affection-starved and painfully vulnerable, she immediately focuses her affections on Jonathan Crow, her egotistical and indifferent Latin tutor. But it's only through another man, an entirely unexpected influence on her life, that Teresa will gain a full consciousness of her own sexuality and identity as a woman. For Love Alone is a powerful novel written in an original voice--a feat of literary narrative by one of the twentieth century's finest writers.
The devious world of international finance comes alive in Christina Stead's enthralling epic about a ruthless bank director in 1930s ParisPraised as "a work of extraordinary talent" by the New York Times, Christina Stead's ambitiously layered House of All Nations is an engrossing satire of wealth and manipulation. Set in an elite European bank in the 1930s, Stead's epic spans the interwar years of a money-hungry Paris. Jules Bertillon, the distrustful and unpredictable bank director, sees every national disaster--including war--as an opportunity for riches. Adored by his clients for his ability to rake in staggering profits, Bertillon leaves no opening wasted--even if it means dealing with unsavory speculators or ruthless gamblers while his clients suffer the consequences. A stunning page-turner, House of All Nations is as significant and resonant today as it was upon its publication in 1938.
Christina Stead's unforgettable final novel--a profound examination of love and radicalism during the McCarthy eraIn the wake of the Great Depression, Emily Wilkes, a young American journalist, travels to a Europe still scarred by World War I. During her crossing, she meets Stephen Howard, a charismatic and wealthy Communist who quickly converts Emily to his ideals when the two become lovers. Upon their return to the States, they marry and settle into a comfortable life in Hollywood as darlings of the American left. Emily shines as a screenwriter and novelist while Stephen dedicates himself to the Party line--but their radicalism soon finds them out of favor and retreating to Paris, where they tragically and bitterly unravel. Published posthumously by Christina Stead's literary executor professor Ron Geering, I'm Dying Laughing is an unflinching look at political faith and romantic attachment.
Love, lust, and commitment crash and scatter in this comedic masterpieceFrom the stunning and provocative mind of Christina Stead comes the addictively blunt character of Letty Fox. Letty spins between New York City and London during her chaotic upbringing and entry into adulthood, which spans the Great Depression and the Second World War. She is determined to create a life for herself--one built upon equal parts work and play, men and sex--while her parents struggle with their own romantic entanglements. Frank and comedic like few characters before her (or since), Letty sets out to find a lasting, committed relationship amidst the buzz of Manhattan. With its vibrant characters and masterful voice, Letty Fox is a spirited coming-of-age story from one of the twentieth century's essential novelists.
A chilling novel of family life, the relations between parents and children, husbands and wives - a classic of 20th century literature.
"This crazy, gorgeous family novel is one of the great literary achievements of the twentieth century. I carry it in my head the way I carry childhood memories; the scenes are of such precise horror and comedy that I feel I didn't read the book so much as live it." --Jonathan Franzen, author of FreedomThe Man Who Loved Children is a brutally honest examination of domestic life and family. Sam and Henny Pollit have too much--too much contempt for one another, too many children, too much strain under endless obligation. Flush with ego and a chilling domestic power, Sam torments his children, bending and manipulating their seemingly limitless love to his overbearing advantage, while Henny looks on desperately, all too aware of the madness at its root. A favorite novel of Jonathan Franzen and Randall Jarrell, among many others, The Man Who Loved Children stands as Christina Stead's masterwork.
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