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Ponkapog Papers

by Thomas Bailey Aldrich

Purchase of this book includes free trial access to www. million-books. com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: PLOT AND CHARACTER Henry James, in his paper on Anthony Trol- lope, says that if Trollope had taken sides on the rather superficial opposition between novels of character and novels of plot, I can imagine him to have said (except that he never expressed himself in epigram) that he preferred the former class, inasmuch as character in itself is plot, while plot is by no means character. So neat an antithesis would surely never have found itself between Mr. Trollope's lips if Mr. James had not cunningly lent it to him. Whatever theory of novel-writing Mr. Trollope may have preached, his almost invariable practice was to have a plot. He always had a story to tell, and a story involves beginning, middle, and end?in short, a framework of some description. There have been delightful books filled wholly with character-drawing, but they have not been great novels. The great novel deals with human action as well as with mental portraiture and analysis. That character in itself is plot is true only in a limited sense. A plan, a motive with a logical conclusion, is as necessary toa novel or a romance as it is to a drama. A group of skillfully made-up men and women lounging in the green room or at the wings is not the play. It is not enough to say that this is Romeo and that Lady Macbeth. It is not enough to inform us that certain passions are supposed to be embodied in such and such persons: these persons should be placed in situations developing those passions. A series of unrelated scenes and dialogues leading to nothing is inadequate. Mr. James's engaging epigram seems to me vulnerable at both ends ? unlike Achilles. Plot is by no means character. Strictly speaking, it is not. It appears to me, however, that plot approaches nearer to being character than character does to b. . .

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