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More than sixty years ago, William S. Burroughs and Jack Kerouac sat down in New York City to write a novel about the summer of 1944, when one of their friends killed another in a moment of brutal and tragic bloodshed. The two authors were then at the dawn of their careers, having yet to write anything of note. Alternating chapters and narrators, Burroughs and Kerouac pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and obsession, art and violence. The manuscript, called And the Hippos Were Boiled in Their Tanks after a line from a news story about a fire at a circus, was submitted to publishers but rejected and confined to a filing cabinet for decades. This legendary collaboration between two of the twentieth centuries most influential writers is set to be published for the first time in the fall of 2008. A remarkable, fascinating piece of American literary history, And the Hippos Were Boiled in Their Tanks is also an engrossing, atmospheric novel that brings to life a shocking murder at the dawn of the Beat Generation.
Keenly observed autobiographical fiction and journal entries from acclaimed writer Denton Welch, featuring an introduction by William S. Burroughs "In Youth Is Pleasure" recounts the summer vacation of Orvil Pym--a sensitive, withdrawn, and deeply unhappy boy of fifteen. Following a trying year at public school, Orvil spends the summer with his father and two older brothers. The quotidian events of a seemingly ordinary summer are rendered dazzling by the intensity of adolescence and Welch's gift for human observation. First published in 1945, "In Youth Is Pleasure" is based closely on Welch's own adolescent experiences of solitude and introspection. This volume also includes "I Left My Grandfather's House," an unforgettable account of a walking tour through the British countryside. These two works feature Welch at his autobiographical best.
Delirious, nonlinear ravings of a junkie in hell. Also includes excerpts from the Boston trial where it was declared not obscene in 1966.
William S. Burroughs was one of the twentieth century's most iconoclastic literary and artistic figures, an inimitable writer whose groundbreaking work in novels such as Junky and Naked Lunch forever altered the shape of American culture. Now, in this long anticipated collection, editor Bill Morgan takes readers through Burroughs' correspondence from the early sixties through the mid-seventies, in more than three hundred letters that document Burroughs' steady drift away from the Beat circle and that witness an era in which he became the center of a new coterie of creative people who would establish his reputation as an influential artistic and cultural leader beyond the literary world, toward multimedia. Written to recipients such as Allen Ginsberg, Gregory Corso, Jack Kerouac, Timothy Leary, and Burroughs' son, Billy Burroughs Jr., these letters shed new light on the writer's controversial artistic process and literary experimentation, as well as his complex personal life. Here are letters to new friends in North Africa and Eur-ope-partners in Burroughs' expatriate life-including Paul Bowles, Ian Sommerville, Michael Portman, Alex Trocchi, and the surrealist artist Brion Gysin, who became a close confidant and whose "cut-up method" would deeply influence Burroughs' writing. An intimate glimpse into the private life of an often misunderstood artist, Rub Out the Words is also an unforgettable portrait of one of the twentieth century's most uncompromising literary personalities.
Two counterculture novels in one volume. Two shattering autobiographical novels offer a vision of alienated youth at its most raw and uncensored. "A compelling narrative that balances the methedrine horrors with the outcast's romantic search for identity."--Rolling Stone.
Author Burroughs' son, who died at of the age of 34, penned two shattering autobiographical novels which offer his vision of alienated youth at its most raw and uncensored. "A compelling narrative that balances the methedrine horrors with the outcast's romantic search for identity."--Rolling Stone.
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