"The exhilaration of such a novel is nearly beyond calculation. If a new literature is at hand then it might as well begin here." --Steve Erickson, from his Introduction "Like something you read on the underside of a freeway overpass in a fever dream. The Orange Eats Creeps is visionary, pervy, unhinged. It will mess you up." -Shelley Jackson "Reads like the foster child of Charles Burns' Black Hole and William Burroughs' Soft Machine. A deeply strange and deeply successful debut." -Brian Evenson Refreshingly piquant and playful, reminiscent of postmodern Euro fiction and full of poison pill observations." -Publishers Weekly It's the '90s Pacific Northwest refracted through a dark mirror, where meth and madness hash it out in the woods. . . . A band of hobo vampire junkies roam the blighted landscape--trashing supermarket breakrooms, praying to the altar of Poison Idea and GG Allin at basement rock shows, crashing senior center pancake breakfasts--locked in the thrall of Robitussin trips and their own wild dreams. A girl with drug-induced ESP and an eerie connection to Patty Reed (a young member of the Donner Party who credited her survival to her relationship with a hidden wooden doll), searches for her disappeared foster sister along "The Highway That Eats People," stalked by a conflation of Twin Peaks' "Bob" and the Green River Killer, known as Dactyl. With a scathing voice and penetrating delivery, Grace Krilanovich's The Orange Eats Creeps is one of the most ferocious debut novels in memory.