Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis
By:
Sign Up Now!
Already a Member? Log In
You must be logged into Bookshare to access this title.
Learn about membership options,
or view our freely available titles.
- Synopsis
 - Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe-tics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France during the last fifty years: Robert Bresson, Marguerite Duras and Claire Denis. Countering the domi-nant critical account of touch elaborated by recent models of embodied spectatorship, this book argues that cinema offers a privileged space for understanding touch in terms of spacing and withdrawal rather than immediacy and continuity. Such a deconstructive configuration of touch is shown here to have far-reaching implications, inviting an innovative rethinking of politics, aesthetics and theology via the textures of cinema. The first study to bring the thought of Nancy into sustained dialogue with a series of detailed analyses of films, Cinema and Contact also forges new interpretative perspectives on Bresson, Duras and Denis, tracing a compelling two-way exchange between cinema and philosophy.
 
- Copyright:
 - 2012
 
Book Details
- Book Quality:
 - Publisher Quality
 - Book Size:
 - 188 Pages
 - ISBN-13:
 - 9781351571869
 - Related ISBNs:
 - 9781315095691, 9781907975035, 9781907975035
 - Publisher:
 - Taylor and Francis
 - Date of Addition:
 - 03/28/20
 - Copyrighted By:
 - Taylor and Francis
 - Adult content:
 - No
 - Language:
 - English
 - Has Image Descriptions:
 - No
 - Categories:
 - Nonfiction, Language Arts, Communication, Foreign Language Study
 - Submitted By:
 - Bookshare Staff
 - Usage Restrictions:
 - This is a copyrighted book.
 
Reviews
Other Books
- by Laura McMahon
 - in Nonfiction
 - in Language Arts
 - in Communication
 - in Foreign Language Study