Performing Embodiment in Samuel Beckett's Drama (Routledge Advances In Theatre And Performance Studies #12)

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Synopsis
The representation and experience of embodiment is a central preoccupation of Samuel Beckett’s drama, one that he explored through diverse media. McMullan investigates the full range of Beckett’s dramatic canon for stage, radio, television and film, including early drama, mimes and unpublished fragments. She examines how Beckett’s drama composes and recomposes the body in each medium, and provokes ways of perceiving, conceiving and experiencing embodiment that address wider preoccupations with corporeality, technology and systems of power. McMullan argues that the body in Beckett’s drama reveals a radical vulnerability of the flesh, questioning corporeal norms based on perfectible, autonomous or invulnerable bodies, but is also the site of a continual reworking of the self, and of the boundaries between self and other. Beckett’s re-imagining of the body presents embodiment as a collaborative performance between past and present, flesh and imagination, self and other, including the spectator / listener.
Copyright:
2010

Book Details

Book Quality:
Publisher Quality
Book Size:
186 Pages
ISBN-13:
9781000155372
Related ISBNs:
9781003060611, 9780415634205, 9780415385985
Publisher:
Taylor and Francis
Date of Addition:
Copyrighted By:
Anna McMullan
Adult content:
No
Language:
English
Has Image Descriptions:
No
Categories:
History, Nonfiction, Art and Architecture, Drama, Plays and Theater
Submitted By:
Bookshare Staff
Usage Restrictions:
This is a copyrighted book.

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